Episodios
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The last time Judy Martin and I caught up was about a year ago. At the point in time, she was just starting Your Fragile Life, a quilt project that she just wrapped up in recent weeks. If you haven’t heard our first chat, you can find it in the feed under April 2023. That conversation is one of the most-listened to episodes of all time, and in that chat, called HOW TO HOLD YOUR LIFE IN YOUR HANDS, Judy and I talk about: ① the tole time plays in our work ② how we can meet ourselves in our materials ③ how our creative arc shifts over time
These days, she’s getting ready for her first international solo show at the Festival of Quilts in the UK and so there’s a lot to catch up on. In this conversation, Judy shares her reflections on quilting, caretaking, and the meaningful interactions she has had with different audiences, including a recent visit to her granddaughter's class. She discusses recent projects, like 'Your Fragile Life,' the importance of showing her work, even though showing itself comes with its own demands.
One thing you’ll hear in this conversation that I think it quintessentially Judy is how she emphasizes the essential nature of care and touch in her quilts, highlighting how these elements connect with viewers on a deeply personal level. The discussion also touches on the power of minimalism, daily routines for creativity, and the broader implications of quilts in fostering compassion and understanding in the world we live in.
→ Get your copy of THE WORLD NEEDS YOUR NEXT QUILT
→ Get your free trial to the QUILTY NOOK
→ Claim your free copy of 10 THINGS I WISH I KNEW BEFORE I STARTED QUILTING
→ See images and more at the EPISODE WEBSITE → Nominate a GUEST for SEAMSIDE
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Recently Dana Staves, writer and textile artist, wrote a post on the NOOK that was so sweet and real and inspiring that I asked if she wouldn't mind recording it for y'all to hear. And luckily for us, she did. Thank you, Dana. I hope you enjoy this reflection on art & craft by Dana Staves.
If you’d like to see how the NOOK can support you in your creative process, claim your free trial at the link below.
→ Get your free trial to the QUILTY NOOK
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Barbara Campbell Thomas had a long-established painting practice when, about a decade ago, her mother bought her a sewing machine. Little did she know, but that gift provided her the perfect missing piece to her creative practice.
What draws me to Barbara’s work is the balance between tautness and texture. Her stretched and pieced canvas quilt works pushes back an “all or nothing” perspective on genre. Her work is naturally generative and generous, creating expanses for so much.
In this SEAMSIDE conversation, Barbara and I explore ① the value of a regular sketchbook practice (even if you don’t draw) ② what even is abstraction ③ how you can detect your matriarchs at work
→ Get your free trial to the QUILTY NOOK
→ Claim your free copy of 10 THINGS I WISH I KNEW BEFORE I STARTED QUILTING
→ See images and more at the EPISODE WEBSITE
→ Nominate a GUEST for SEAMSIDE
→ Follow Zak on INSTAGRAM -
Welcome to MEMBERSTORY, a new series of bonus interviews that bring you real-life stories from the NOOK. These conversations have been a great way to get to know some of folks that make the NOOK so special. I hope you enjoy this conversation with Wendy Muir from Adelaide, Australia.
If you’d like to see how the NOOK can support you in your creative process, claim your free trial at the link below.
→ Get your free trial to the QUILTY NOOK
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Russell James Barratt and his wildly joyful quilts make me want to lasso the UK and bring our two countries closer together. His work is loud and colorful, his demeanor is gentle and composed, and those two sides of Russell make for an imminently enjoyable friend to chat with.
In this SEAMSIDE conversation, Russell and I explore:
① how he balances the tension of empty space and maximalism
② why the arc of creative exploration is longer than long
③ how we can use our quilts to say things words don’t touch→ Get your free trial to the QUILTY NOOK
→ Claim your free copy of 10 THINGS I WISH I KNEW BEFORE I STARTED QUILTING
→ See images and more at the EPISODE WEBSITE
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It’s been a year since Coulter Fussell and I first chatted here on SEAMSIDE. In that conversation, we talked about the South and family history, the role of community in her work, and how she maintains hope in the face of conflict. You can find that first conversation, HOW TO WORK WITH WHAT YOU’VE GOT, in your feed below in March 2023.
In this new SEAMSIDE conversation, Coulter and I reconnect and explore:
① why in the world she’s making headboards
② the traditional magic of making dolls
③ why Coulter thinks the world’s first sculpture was made by busy mothers
→ Get your free trial to the QUILTY NOOK
→ Claim your free copy of 10 THINGS I WISH I KNEW BEFORE I STARTED QUILTING
→ See images and more at the EPISODE WEBSITE
→ Follow Zak on INSTAGRAM -
In this raw and unedited conversation, we talk about Tyrrell's newest work along with three artists he thinks everyone should follow
→ Get your free trial to the QUILTY NOOK
→ Claim your free copy of 10 THINGS I WISH I KNEW BEFORE I STARTED QUILTING
→ See images and more at the EPISODE WEBSITE
→ Follow Zak on INSTAGRAM
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Tyrrell Tapaha, a sixth-generation Diné weaver and sheepherder, will tell you there’s nothing in his work that specifically belongs to him. And while it may be true that there’s nothing new under the sun and that all artists draw from deep wells of collective experience, I can’t help but think that there is something special about Tyrrell’s work—the use of text, the collage-like shifts in weaving patterns, the subject matter—that sets his work apart.
In this SEAMSIDE conversation, Tyrrell and I discuss: ① the intrinsic differences between sheep and goats ② how his great-grandmother’s loom fits perfectly on top of his car ③ how to balance preserving tradition and forging new pathways
WHY LISTEN TO THIS EPISODE? In this conversation we explore Tyrrell’s personal and cultural experiences with weaving, with insights into how he combines a practice that’s deeply rooted in tradition while simultaneously creating new and unexpected work
→ Get your free trial to the QUILTY NOOK
→ Claim your free copy of 10 THINGS I WISH I KNEW BEFORE I STARTED QUILTING
→ See images and more at the EPISODE WEBSITE
→ Follow Zak on INSTAGRAM
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Time continually marching forward. Each new day just piles on top of yesterday and gets buried further back in what we have come to call history.
I think there's a problem with thinking about time that way, and that's what we're exploring today on SEAMSIDE. I'm going to share with you a quilt that I made called Generation. It's part of the Southern White Amnesia, a body of work that I've pulled together in the last couple years, exploring the stories that Southern White families tell each other and the ones they don't.
In this SEAMSIDE conversation, we explore:
① what to do with treasured but unusable family quilts
② how every quilt has something to teach us
③ how time plays with quilts
→ See images and more at the EPISODE WEBSITE
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My good friend Maura Grace Ambrose joins for me for this SEAMSIDE special episode I’m calling FREE ADVICE where we answer your questions on quilting and the creative life.
In this episode, we share our thoughts on the following questions:
➞ how our quilt aesthetic has changed over time,
➞ how to learn quilting without spending a lot of money or time
➞ what to do with random experimental pieces
➞ how to help objects made from imperfect salvaged materials look their best
➞ Maura offers a fool-proof method for getting started with natural dyes
➞ do you need a quilting hoop to hand quilt?
➞ what’s it like to quilt professionally?
➞ our favorite podcastsWe’re recording this on the one-year anniversary of our first SEAMSIDE chat, HOW TO GIVE AND RECEIVE which you can find here.
→ Claim your free copy of 10 THINGS I WISH I KNEW BEFORE I STARTED QUILTING
→ Get your free trial to the QUILTY NOOK
→ See images and more at the EPISODE WEBSITE
→ Follow Zak on INSTAGRAMA special thanks to the folks whose questions made this conversation possible: Marie from Canada, Amy from Pittsburgh, Teresa from Losa Angeles, Sherry from Kentucky, Judy from Florida, Kara from Maine, Adelaide from the Twin Cities, and Polly from North Carolina
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In this episode, I share more about a quilt I call LIKE FAMILY. It's part of the Southern White Amnesia Collection, which explores the kinds of stories that Southern White families tell one another, or maybe more importantly, the ones they don’t tell one another about their own family history. You may have heard me talk about other pieces in the same collection on SEAMSIDE before, and if not, I'd encourage you to check out some of those episodes. So far, we've got SILVER DOLLAR, SNAKE HANDLER, OUR CHILDREN, and ONUS // ON US.
In this SEAMSIDE conversation, we explore:
① an old Southern family burial ground
② why the phrase “like family” can often describe a one-sided view of relationships
③ a moment from THIS HERE FLESH by Cole Arthur Riley
WHY LISTEN TO THIS EPISODE? This episode weaves together a vulnerable exploration of identity, history, and responsibility, providing listeners with a deep, reflective experience on how historical legacies impact our current world
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I first met Victoria Van Der Laan in Catskill, New York, standing in the gravel driveway in front of the HUDDLE House where me and twenty-five other NOOKers where spending a long weekend quilting together. I had assumed she’d just whisk me away for a quick coffee and pastry while I was in town and that would be it, but Victoria ended up coming back to the house for a trunk show and then spent all afternoon with us just sewing and sharing stories. Noticing the warmth and generosity she moves through the world with, I knew we’d become fast friends.
In this SEAMSIDE conversation, Victoria and I talk about:
① how the demands of life can pressurize our creative practice
② why her colors seem to vibrate
③ how to expand and contract as the season allows→ Get your free trial to the QUILTY NOOK
→ See images and more from this episode with SEAMSIDE EXTRAS
→ Learn more about Zak
→ Support Victoria through Buy Me A Coffee -
I think I’ve been thinking about time all wrong. I’m not sure it’s linear, but maybe that it accretes and infuses itself into itself. What does all that mean? This quilt says it better than I ever can.
In this SEAMSIDE conversation, I share some stories about: ① how we need a new way of thinking about time ② the life cycle of a single garment ③ how we can tend and nourish the past
→ Get your free trial to the QUILTY NOOK
→ See images and more at the EPISODE WEBSITE
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Talking to Kathryn Greenwood Swanson is like completing an electrical circuit that you hadn’t realized was open. Big ideas just light up this entire conversation. Kathryn and I catch up on the one year anniversary of our SEAMSIDE chat to catch up on everything that’s happened since we last talked.
If you haven’t heard our first conversation, Kathryn runs a thriving creative reuse shop in Turner Falls, Massachusetts called Swanson’s Fabric, and you can find it here. In that conversation we talked about: the role of the communal stashhouse, the shame so often associated with our fabric stashes, and how to start your own secondhand fabric store like Swansons.
In this SEAMSIDE conversation, Kathryn and I talk about: ① how to work with the energy of objects ② fixing the entire world in one fell swoop ③ our dreams for a cross-country multi-city quilty bus tour
→ Get your free trial to the QUILTY NOOK
→ See images and more at the EPISODE WEBSITE
→ Follow Zak on INSTAGRAM -
Talking to Kathryn Greenwood Swanson is like completing an electrical circuit that you hadn’t realized was open. Big ideas just light up this entire conversation. Kathryn and I catch up on the one year anniversary of our SEAMSIDE chat to catch up on everything that’s happened since we last talked.
If you haven’t heard our first conversation, Kathryn runs a thriving creative reuse shop in Turner Falls, Massachusetts called Swanson’s Fabric, and you can find it here. In that conversation we talked about: the role of the communal stashhouse, the shame so often associated with our fabric stashes, and how to start your own secondhand fabric store like Swansons.
In this SEAMSIDE conversation, Kathryn and I talk about: ① how to work with the energy of objects ② fixing the entire world in one fell swoop ③ our dreams for a cross-country multi-city quilty bus tour
→ Get your free trial to the QUILTY NOOK
→ See images and more at the EPISODE WEBSITE
→ Follow Zak on INSTAGRAM -
Every time Woomin’s work pops up in my feed it’s a quilty dopamine hit. Her appliqued wall pieces depict scenes from her life in Queens New York and back home in Korea. And you don’t have to see very many of her pieces to realize that her world is abundant in story-telling objects and almost completely devoid of pesky and interfering humans. To hear her talk about how in her previous sculpture practice, she often felt alone, solo on stage, but now having connected with fabric, she never feels alone surrounded by the rich narratives textiles carry.
In this SEAMSIDE conversation, Woomin and I discuss: ① why objects make better story-tellers than humans ② how to capture a sense of home no matter where you may be ③ what our daily spaces reveal about us
WHY LISTEN TO THIS EPISODE?
Woomin Kim shares her journey from sculpture to textile collage, using fabric to narrate personal and communal stories. Central to Woomin’s work are the themes of home, identity, and the unseen labor embedded in everyday objects and environments.→ Get your free trial to the QUILTY NOOK
→ See images and more at the EPISODE WEBSITE
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This textile piece, OUR CHILDREN, that we’re talking about today explores how we’re taught about our racial identity, gender, and sexuality from a young age. It’s a part of a collection I’m calling Southern White Amnesia which explores the stories that Southern white families tell (and don't tell) about their own family histories.
In this SEAMSIDE conversation, I share thoughts about: ① the first time I realized I was White ② the lingering legacy of off-handed comments ③ how to reprogram all those internal messages
→ Get your free trial to the QUILTY NOOK
→ See images and more from this episode with SEAMSIDE EXTRAS
→ Learn more about Zak -
The casual Instagram scroller would be forgiven if they scrolled past one of Rachel’s patchwork pieces and assumed it was something generated by artificial intelligence. But AI can only dream of creating the real-world objects of beauty that Rachel creates. They capture light and color, breeze and the occasional animal slops.
In this dreamy SEAMSIDE conversation, textile artist and photographer Rachel Hayes and I discuss:
① the rewards and perils of public art pieces
② the intangible and metaphysical layers of a quilt
③ how to collaborate with our physical environmentWHY LISTEN TO THIS EPISODE
Discover how Rachel Hayes creatively merges textiles with architecture and nature, challenging traditional perceptions of quilting and fabric art. Her journey from traditionally small-scale quilt patterns to expansive outdoor installations reveals the boundless possibilities of textiles in artHELPFUL LINKS
→ Get your free trial to the QUILTY NOOK
→ See images and more from this episode with SEAMSIDE EXTRAS
→ Learn more about Zak -
In this episode, I share a collection of stories behind SNAKE HANDLER, a large banner I made featuring a writhing white snake. It’s really a three-part story about wrestling, specifically wrestling with identity, privilege, and role in the struggle for racial justice. I share personal reflections on understanding and confronting my privilege, recommending reading suggestions, sharing two strategies I use to address biases and hurtful statements, and encouraging us to take active roles in addressing racial inequality.
Get more free resources with this episode with SEAMSIDE EXTRAS! Click on the link below to access: https://www.zakfoster.com/seamside/snakehandler
HELPFUL LINKS
→ Join the QUILTY NOOK https://nook.zakfoster.com/
→ Weekly Email Goodies from Zak https://nook.zakfoster.com/newsletter/
→ Follow Zak on Instagram https://www.instagram.com/zakfoster.quilts
→ Email me [email protected] -
Leslie Rogers is an unpinnable butterfly of a human. Her creative practice flits from quilts to performance to garment-making to puppetry. She’s a deeply thoughtful artist whose often whimsical or jarring pieces are underpinned by hours of historical research. Leslie and I met at Penland, and if her name sounds familiar, it’s because she came up in my conversation recently with Paolo Arao. That episode, HOW TO BRING IT ALL TOGETHER is a treat in and of itself and I’d encourage you to give that one a listen too.
In this conversation, Leslie and I discuss:
①how to set fire to quilts without burning them up
② how to make quilts float on water, the old-fashioned way
③ the nonhierarchical thingness of thingsWHY LISTEN TO THIS EPISODE?
Leslie Rogers merges quilts with performance, breathing life into textiles and exploring profound historical and social narratives that create rich story-telling that often belies a whimsical appearanceSEAMSIDE EXTRAS: Get more out of this episode! Find free resources like images, reflection questions, and more, all at the website below: https://www.zakfoster.com/seamside/leslie/
HELPFUL RESOURCES
→ Join the QUILTY NOOK: A Curious (and Sometimes Feral) Online Textile Community https://nook.zakfoster.com/
→ Top Ten SEAMSIDE Episodes Guide https://gift.zakfoster.com/pzp
→ Weekly Email Goodies from Zak https://nook.zakfoster.com/newsletter/
→ Visit Zak’s website https://www.zakfoster.com/
→ Follow Zak on Instagram https://www.instagram.com/zakfoster.quilts - Mostrar más
