Episodios
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Francine Stock and Antonia Quirke co-present the final edition of The Film Programme. They discuss the future of cinema in the age of streaming, and hear from David Oyelowo, Matt Damon, Rebecca O'Brien and Sally Potter. They also reveal their favourite last scenes in the history of the movies.
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With Antonia Quirke
Oscar winning cinematographer and director Chris Menges takes us behind the scenes of Local Hero, The Mission and Kes, and reveals how he ended up in a Zanzibar prison with Michael Parkinson.
Bait director Mark Jenkin records his last audio diary about the making of his horror movie, Enys Men, which was delayed by a year because of lockdown and was filmed during the pandemic.
Listeners nominate their favourite final scenes and composer Neil Brand chooses his two favourite end pieces: Close Encounters Of The Third Kind and Cabaret.
Sweetheart director Marley Morrison nominates her favourite final scene - the brief encounter in Andrew Haigh's debut Weekend.
And thank you to all of you who nominated your favourite final scene. We didn't have time to mention them all on air, so here is the complete list:
AlgiersAnimal HouseBeing ThereBe Kind, RewindBig NightBilly ElliotBright StarCapernaumCasablancaChinatownCinderellaCold WarDeath In VeniceEmpire Of The SunEx Machina400 BlowsGenevieveGloriaGoodbye Mr ChipsIce Cold In AlexJames And The Giant PeachLocal HeroLos SilensiosMichael ClaytonMidnight RunMonsoon WeddingNostalgiaOf Gods And MenO Lucky Man !On The WaterfrontOrlandoPan's LabyrinthPepe Le MokoRocksSidewaysSome Like It HotStalkerSystem CrasherThe ApartmentThe Battle Of AlgiersThe Deer HunterThe LeopardThe Lives Of OthersThe Long Good FridayThe MermaidThe MissionThe Purple Rose Of CairoThe Seventh SealThe Silence Of The LambsThe Taking Of Pelham 1-2-3The Third ManThe Usual SuspectsThis Is Spinal TapTunes Of GloryUn Coeur En HiverWithnail And IWitness
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With Antonia Quirke
Producer Emma Thomas reveals the conversation she had with partner Christopher Nolan that led to the making of Batman Begins, the film the changed the course of the superhero movie.
Robert Shaw's son Ian takes us behind some of the scenes in Jaws that form the basis of his new play The Shark Is Broken, and explains why the famous Indianapolis speech had to be filmed twice
In his last ever diary entry before the programme ends on September 30th, cinema owner Kevin Markwick explains why Bond movies have always been important to the survival of The Uckfield Picturehouse; this year more than ever before.
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Mark Gatiss tells Antonia Quirke what it was like to work with his hero Anthony Hopkins on The Father, and how he persuaded him to reprise a famous scene from one of his classic films as a birthday present for fellow League Of Gentleman member Reece Shearsmith.
Sean Barton reveals some secrets from the editing suite and how he made the audience gasp in a famous scene from Jagged Edge.
Annette director Leos Carax explains why the star of his film about a two year old singing sensation is played by a puppet.
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With Antonia Quirke
You might think that fewer movies would be made during a pandemic, with continual testing and all the restrictions on social distancing. In fact, the British film industry has never been busier, and production designer Maria Djurkovic explains why that's the case.
Script supervisor Angela Allen reveals all the unpaid jobs she did during her five decades in the film industry, from second unit director to editorial consultant to Katherine Hepburn's double in The African Queen.
The directors of Shorta, Frederik Louis Hviid and Anders Olholm, tell Antonia why their thriller about a riot in a housing estate is very different from the typical Danish movie.
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In the final edition of Moving Image, Francine Stock talks to Hossein Amini about the film that has obsessed him since the first time he saw it in 1995. Heat was the first film to bring Robert De Niro and Al Pacino together in the same scene and it's had an influence on the writer of Drive, The Wings Of A Dove and McMafia ever since.
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Jude Law talks about his latest release The Nest, a suspenseful family drama set in Surrey in the 1980s, what he really likes about making movies and what acting in Contagion taught him about pandemics.
Egyptian director Ayten Amin describes working with non-professional actors in her feature film Souad about young girls and their relation with social media.
Mark Jenkin's filmmaking audio diary continues with his experiences shooting smoking chimneys and mantlepieces.
Presenter: Antonia QuirkeProducer: Harry Parker
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With Antonia Quirke
94 year old director Alvin Rakoff talks about giving Sean Connery his big break, why his friend Peter Sellers wired his home for sound and what it was like directing Laurence Olivier in A Voyage Around My Father
Author Anna Cale and historian Matthew Sweet talk about the phenomenon that was Diana Dors and reveal how her life would have changed if she had only married Bob Monkhouse.
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Juliet Stevenson revisits a moving and tearful scene from Truly, Madly, Deeply which broke new ground in the portrayal of grief.Matt Damon and director Tom McCarthy talk about researching for Damon's role as an oil rig worker in their new film Stillwater. Mark Jenkin continues his movie making audio diary as he tries, with difficulty, to film pick-up shots to be cut into the production after the main photography has been completed.Presenter: Antonia QuirkeProducer: Harry Parker
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My Beautiful Laundrette, written by Hanif Kureishi and directed by Stephen Frears, was one of the early films produced for Channel 4. First screened in 1985, it tells the story of a young British Pakistani, Omar, played by Gordon Warnecke, who is given a failing laundrette to run by his entrepreneurial uncle. Omar recruits an old school friend Johnny (Daniel Day-Lewis) to help him turn the business round and a gay relationship between them develops. Francis Lee, director of God's Own Country and Ammonite, tells Francine Stock about the impact it had on him as young gay man, the sexual and social issues in the film and his own encounter with Stephen Frears.Producer: Harry Parker
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With Antonia Quirke
Antonia reveals the favourite phone box scenes as chosen by Film Programme listeners and talks to writer/director Bruce Robinson about the phone box in Withnail And I that has now become a shrine for fans of the movie.
A phone box in Uist is one of the stars of Limbo, a new drama about an asylum seeker who has to wait on one of the islands while he finds out if he can stay in this country. Director Ben Sharrock and producer Irune Gurtubai reveal what is like filming in gale force winds and dangerously high tides.
Death In Venice has been described by its star Bjorn Andresen as the film that destroyed his life. Kristina Lindstrom and Kristian Petri, the directors of The Most Beautiful Boy In The World, reveal why the film still haunts the actor 50 years after he made it.
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With Antonia Quirke
Director Carol Morley asked Film Programme listeners if any of them knew Muriel Box, Britain's most prolific female director and arguably most neglected. And she heard from Muriel's daughter, grandson and family friend. Carol tells Antonia why she believes Muriel deserves more recognition for her ground-breaking work.
Antonia is on a mission this summer to tell people how much she loves their work, to take the opportunity while she can. This week, she tells Jude Law how much she's always wanted to talk to him about The Talented Mr Ripley and how one scene, in particular, has never left her.
Barbara Sukowa has worked with some mercurial directors often known for giving actors a hard time. She tells Antonia why nobody has dared to give her a hard time on set, and about Two Of Us, a powerful drama about two women in their 70s who have been lovers for years, without their families knowing.
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With Antonia Quirke
Actor and producer David Oyelowo reveals how he made his directorial debut, The Water Man, almost by accident. And why, thanks to raw data, streaming has lead to greater diversity of content and changed the minds of white film executives.
Gosford Park turns 20 this year. Robert Altman's whodunnit was like a who's who of British acting talent - Maggie Smith, Alan Bates, Michael Gambon, Kristin Scott-Thomas, Eileen Atkins, Derek Jacobi and Tom Hollander. The Rev star takes us behind the scenes of this modern classic, which had its own whodunnit.
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With Antonia Quirke
Festen director Thomas Vinterberg discusses the personal tragedy behind his latest film, Another Round.
Friendship's Death is a 1987 movie about a journalist and an alien who meet in a hotel room in Jordan and discuss art, ethics and artificial intelligence. Its producer Rebecca O'Brien reveals how she got the film made for £180,000 and whether or not that kind of avant-garde work would get financed today.
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With Francine Stock
What was it like working behind the Iron Curtain, when every dot and comma of a script had to be passed by the censor. Francine delves into the archives and hears from Milos Forman, Andrzej Wajda, Agnieszka Holland, Miklos Jancso, Jerzy Skolimowski, Krzysztof Zanussi, Jiri Menzel and Andrei Konchalovsky.
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With Antonia Quirke
Stanley Tucci reveals how his latest film Supernova is the story of a long-lasting friendship, both on and off screen. He's been friends with his co-star Colin Firth for over twenty years, and Stanley reveals how he asked Colin to be in the film without the director's knowledge.
The Reason I Jump is a documentary that focuses on the experiences of non-speaking autistic people and director Jerry Rothwell explains how he used sound to immerse the viewer in a different perspective on the world.
It's been a month since the easing of restrictions resulted in the re-opening of cinemas. But as the full easing has been postponed by 4 weeks, cinema owner Kevin Marwick reveals how his business will be affected by only operating on 50% capacity.
Antonia visits the Phoenix Cinema in Oban and talks to general manager Jenny Larnie about the reasons they are starting a streaming service
There are more love letters to the cinema from listeners, and we hear from the Kremer family as they return to their favourite picture house and their favourite seats.
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With Antonia Quirke.
Ousmane Sembene has been called the father of African Film, single-handedly starting a movie industry in Senegal. As his 1968 film Mandabi is re-released, Samba Gadjigo and Jason Silverman, who saved the print from destitution, reveal how a life-threatening injury as a dock worker changed the course of Sembene's life.
The Godfather changed the course of film history, its huge success helped to usher in a new generation of directors, the so-called Movie Brats, like Steven Spielberg and George Lucas. But what if Francis Ford Coppola had never made the movie, which was a distinct possibility, as he was not the first film-maker to be approached by the studio. Originally they wanted Lewis Gilbert, the director of Alife, to helm the most American of crime sagas. From the archives, he reveals why this was an offer that he could resist.
Nick Woollage is an award winning music producer, mixer and engineer. He shares some secrets from the mixing desk, letting us behind the scenes of scores for Atonement, Paddington 2 and How To Train Your Dragon: The Hidden World.
How did an aristocratic calypso singer from Denmark end up as the star of Robert Altman's The Long Goodbye ? Writer Nat Segnit investigates the case of Nina Van Pallandt.
Ousmane Sembene photo credit: Thomas Jacob.
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With Antonia Quirke
Ben Whishaw reveals why he went up to complete strangers on Tottenham High Road for his latest film Surge, and why nobody seemed to recognise him.
After Love is the story of a Muslim convert who discovers that her husband was leading a double life. Writer/director Aleem Khan reveals how much of the story is autobiographical, and how much isn't.
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With Francine Stock
Actor and writer Toby Jones discusses the film that still resonates with him almost 30 years after he first saw it, In The Soup. Alexandre Rockwell's comedy beat Reservoir Dogs to the Grand Jury Prize at the Sundance Festival in 1992, but while Quentin Tarantino's movie went on to box office glory, In The Soup was so badly forgotten that within a decade only one battered copy remained. Toby reveals the part he played in helping Rockwell's movie survive.
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With Antonia Quirke
As cinemas opened for the first time in 5 months, have concerns about the so-called Indian variant made people think twice about visiting their local picture palace ? Antonia takes a mini-tour of London cinemas and hears from Kevin Markwick, owner of the Uckfield Picture House, and from listeners who went to the flicks on opening day: Simon Barraclough, Ruby Phelan, Pamela Hutchinson and Michael O'Kelly.
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