Episodios
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Summary
In this conversation, Marcus Bellringer shares his journey as a musician and the transformative impact of AI on music creation. He discusses the challenges he faced after losing his voice and how he utilized AI tools to clone his voice, leading to the creation of his project, Ravenlight. The discussion delves into the intersection of music, technology, and healing, highlighting collaborations with neuroscientists to explore the therapeutic effects of sound. Marcus emphasizes the importance of mentorship, intentional life design, and the evolving landscape of ownership and intellectual property in the age of AI-generated music. He envisions a future where AI enhances creativity and leads to the best music humanity has ever produced.
BIO: Born and raised in an underserved community in Virginia, Marcus Bell's journey into the world of music and technology began remarkably early. At just two years old, he showed an innate affinity for music—a passion that would soon intertwine with his burgeoning interest in technology. His mother, employed at a local university, brought home one of the first Macintosh computers of the 1980s. This rare access ignited Marcus's fascination with tech, providing a unique playground for his creative and analytical mind.
Eager to record the songs he was composing even as a child, Marcus expressed a desire to capture his musical ideas. Recognizing his talent and ambition, his mother gifted him a four-track recorder. This pivotal moment marked the genesis of his dual career path, seamlessly blending the realms of music and technology.
Today, Marcus Bell is a visionary force at the intersection of artificial intelligence, music, and digital assets. As the author of "The Bellringer Branding Bible" and "The Unstoppable Workbook," he shares his insights on building resilient brands and navigating the evolving digital landscape. Through his company, Bellringer Productions, Marcus is revolutionizing the music industry by leveraging AI to immortalize musical legacies, ensuring that the artistry of today resonates with generations to come.
His latest venture, Timeless Legacies, embodies his mission to perpetuate knowledge and creativity through innovative AI solutions. Join us as we delve into Marcus Bell's inspiring story and explore how he's harnessing technology to transform the future of music.
Chapters00:00 The Journey of Marcus Bellringer
06:41 AI and Music: A New Era
11:07 The Science of Sound and Healing
18:18 Navigating AI in Music Creation
26:19 Ownership and Intellectual Property in AI Music
34:12 The Future of Sync Licensing
38:18 Intentional Imbalances: Redefining Work-Life Balance
45:14 Defining Success in the Music Industry
49:34 Finding Purpose Through MentorshipMarcus Bell Links
Mr. Bill’s Links
Podcast Produced & Edited by: Robert Fumo
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BIOS is the head of SATURATE! and their Artist Development Program.
SATURATE! is a digital and vinyl label for fresh music. "Bringing you the heat since 2010."
Based in Hamburg, Germany, SATURATE! goes beyond being just a label—it’s a pulsating hub for fresh and innovative music. Artists who dare to push boundaries find a home here, curating sonic gems that defy conventions.
Their impressive catalog features releases from some of bass music’s biggest names, including Chee, Herobust, G Jones, Zeke Beats, DJ Shadow, Om Unit, and Champagne Drip. These artists push the envelope with mind-bending sounds, creating an electrifying listening experience.
But SATURATE! isn’t just about releasing music; they’re passionate about supporting producers who thrive on experimentation. That’s why they’ve established the Artist Development Program. This program, designed by industry professionals, provides personalized guidance to artists at every stage of their careers. Whether it’s honing songwriting skills, perfecting live performances, or navigating the complex music industry landscape, SATURATE!'s team of experts is there to support and elevate artists. To evaluate your struggles as a musician and elevate your journey to the next level you can book a free call here:
https://feedback.aboveandbelow.co/
Over the last decade, SATURATE! has evolved into a fully-fledged media company with multiple labels, millions of plays, and a dedicated fan base. Starting as a collective, the community of artists and fans has always been at the core of SATURATE!, creating a vibrant ecosystem where creativity and vibes thrive.
Find them here:
https://www.saturaterecords.com/
https://saturaterecords.bandcamp.com/
https://soundcloud.com/saturaterecords
Mr. Bill’s Links: https://linktr.ee/mrbillstunes
Podcast Produced & Edited by: Robert Fumo
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AyseDeniz was considered a child prodigy in her native Türkiye and made her concerto debut when she was nine, with the Gordion Chamber Orchestra playing J.S. Bach’s Keyboard Concerto No. 5. At thirteen, she had already performed as a soloist with various orchestras under conductors including Ibrahim Yazici, Fahrettin Kerimov, Antonio Pirolli, Cem Mansur, Engin Sakpinar, Ertug Korkmaz, Rengim Gokmen, Vladimir Sirenko, and Kirill Karabits.
As a young pianist, AyseDeniz attended prestigious summer festivals including the Verbier Academy, Music Academy of the West, Aspen Music Festival and School, PianoTexas, Goslar Konzertarbeitswochen, Tel Hai, and Beijing International Music Festival, studying with renowned piano pedagogues such as Menahem Pressler, Jerome Lowenthal, Arie Vardi, Yoheved Kaplinsky, as well as Lang Lang. In middle school, AyseDeniz moved to Spain for half a year to study with the renowned Bach interpreter Rosalyn Tureck, becoming one of her last students.
In 2009, she completed her Bachelor's Degree at Eastman School of Music (Rochester NY) in the studio of Douglas Humpherys with all semesters on Dean's List, and received the Howard Hanson and Clements Scholarships as well as the John Celentano Excellence in Chamber Music Award. In 2011, She completed her Masters in Piano Performance at the Royal Academy of Music in London, under the tutelage of Christopher Elton, and received the Maud Hornsby Award, graduated with Merit, and also completed the Licentiate of the Royal Academy of Music Teaching Certificate.
Throughout her early career, AyseDeniz has given concerts around the world including Cathedral of Christ The Savior Moscow (Russia); L’Eglise Verbier (Switzerland); Duke’s Hall, Steinway Hall, Kings Place London (UK); Bellapais Antique Monastery (Northern Cyprus); Kiev Central Park of Culture Open Air Hall, Lysenko Hall (Ukraine); PepsiCo Hall (TX), Kilbourn Hall (NY), Harris Hall (CO), Pacific Amphitheater (CA) in USA; Teatro Cine Chacabuco (Argentina); Teatro Cine Gouveia, Teatro das Figuras Faro, Centro Cultural de Ãlhavo, Centro Cultural da Gafanha da Nazare, Groove Cascais (Portugal); Galleria d’Arte Moderna, San Fedele Milan, Teatro Dario Fo Venice, and St. Giorgio Cathedral Palermo (Italy); Silent Green Kulturquartier Berlin and Konzertsaal Friedenskapelle Münster (Germany); Sofia Central Military Club (Bulgaria), Ambato City Hall (Ecuador); Afundación and Mar de Vigo (Spain) and in almost all of Türkiye’s most important music halls including Süreyya Opera House, Albert Long Hall, CRR, CKM and Zorlu PSM (Istanbul), State Opera House (Eskisehir); City Hall (Adana); Atatürk Cultural Center & KSÜ Yunus Emre Cultural Center (Antalya); Opera Hall (Mersin); Hikmet Simsek Cultural Center, (Izmir); METU, CSO and MEB Sura (Ankara).
AyseDeniz Links
Mr. Bill’s Links
Podcast Produced & Edited by: Robert Fumo
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Bio:
"Grabbitz has never shied away from embracing the totality of his musicality as a hybrid-live electronic artist, continually innovating and pushing his sound forward with each subsequent release." -(Billboard)
"An updated version of the heady late-Nineties days when rock and 'electronica' commingled freely."-(Rolling Stone)
Grabbitz Links
Mr. Bill’s Links
Podcast Produced & Edited by: Robert Fumo
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Bio:
Opiuo is a genre-bending plethora of auditory and visual masterclasses. Positivity and movement are at the core of the project, and his music is an infectious electronic based blend of funk, soul, psychedelia, and booty-shaking bass.
Born in 1984 in rural New Zealand, his parents provided the land upon which music festivals were held. This extremely formative growth, surrounded by the early incarnations of Aotearoa’s electronic music scene, exposed him to the celebration of life through self-expression, dance, and giant sound systems. These experiences shaped so much of who he is & what he stands for today.
Now calling Australia home, Oscar tours his party-starting music throughout the globe. Having spent more than a decade performing at some of the world's most renowned festivals and venues, including Lollapalooza, Glastonbury, and Coachella, as well as selling out Colorado’s Red Rocks Amphitheatre, he’s performed his music in an unimaginably large array of formats. From his self-built orchestras to symphonic choirs, touring his own Opiuo Band, and as an immersive solo audio & visual show, his live creativity is limitless.
Taking home the New Zealand Music Award for Best Electronic Album in 2014, his catalogue is vast. Having released 5 full-length albums, 10 EPs, and a myriad of singles and remixes over the last 14 years. His latest album is a live recording from his legendary sold out performance at the iconic Red Rocks Amphitheatre, with The Opulent Orchestra, in May 2023.
Opiuo Links
Mr. Bill Links
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BIO:
Automhate is an Italian artist known for his unique blend of electronic music and avant-garde artistry. Emerging from the underground music scene, Automhate has carved a niche with his experimental soundscapes and innovative production techniques. His work often transcends traditional genre boundaries, incorporating elements of techno, ambient, and industrial music. Automhate's performances are renowned for their immersive and energetic nature. With several critically acclaimed releases, he continues to push the boundaries of contemporary electronic music.Automhate is an Italian artist known for his unique blend of electronic music and avant-garde artistry. Emerging from the underground music scene, Automhate has carved a niche with his experimental soundscapes and innovative production techniques. His work often transcends traditional genre boundaries, incorporating elements of techno, ambient, and industrial music. Automhate's performances are renowned for their immersive and energetic nature. With several critically acclaimed releases, he continues to push the boundaries of contemporary electronic music.
Chapters:00:00 Exploring the Artist's Identity
05:12 Music as a Form of Self-Expression
23:35 Unraveling the Source of Creativity in Music
31:01 Exploring the Origins of Art and Music
35:32 The Timeless Nature of Music
40:23 Ethics of Sampling in Electronic Music
49:28 The Ultimate Purpose of Music
51:02 Authenticity in Electronic MusicAutomhate Links
Mr. Bill’s Links
Podcast Produced & Edited by: Robert Fumo
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Bio:
Nida donned the Green Matter alias in 2019 after several years of cultivating a love of bass music. This fiery passion was first sparked in 2012, when her sister took her to a Skrillex performance. She then dove headfirst into DAWs and dubstep production, finding her creative calling with the Green Matter project. The Latina artist shines unforgettably bright in the Denver, CO, bass music scene. Her sound cross-pollinates the nostalgia of earlier dubstep and the constant innovation of modern bass production.
Green Matter Links
Mr. Bill’s Links
Chapters:
00:00 Introduction and Background
01:53 Learning Ableton and Music Production
03:52 Green Matter's Creative Process
06:31 Defining Music: Drums, Melody, and Groove
09:25 Working at Meow Wolf
16:02 Goals for 2024
22:00 Overcoming Challenges as a Woman in the Electronic Music Scene
25:48 Navigating Pressure and Burnout in the Music Industry
29:01 Managing Mental Health
31:30 Finding Balance and Recharging with Favorite Activities
41:22 Favorite Venue in Colorado
45:19 Where to Find Green Matter's Music -
Bio:
"ONHELL" is a phonetic respelling of the Spanish pronunciation of angel and the first name of Los Angeles-based composer, producer, and DJ, Angel Rubio-Hale.
ONHELL’s sets are diverse journeys, mostly comprised of original beats. Though no two tunes are the same, all with varying bpms and rhythms, ONHELL masterfully melds them all with distinct cohesion.
He’s completed multiple US tours, a solo tour across Asia, and has played at many notable festivals, including Symbiosis Gathering, Shambhala, Croatia’s Outlook Festival, Wakaan, Northern Nights, Treefort Music Fest, What the Festival, Raindance Campout, Untz Festival, and Emissions.
ONHELL Links
Mr. Bill’s Links:
Podcast Produced & Edited by: Robert Fumo
Chapters:
00:00 Living in the Woods: Finding Inspiration in Nature
02:58 The Challenges of Mixing Music in Different Environments
06:54 Exploring the Potential of AI in Music Production
13:22 Defining Music: From Silence to Birdsong
28:53 The Impact of Legalization on the Weed Industry
28:57 The History and Climate of Weed Cultivation in California
32:19 Exploring Personal Experiences with Substances
39:16 The Underground Party Scene in LA: Themed Parties and Freedom
45:51 Understanding Polyamory: Benefits and Challenges
49:39 Collaboration and Camaraderie in the West Coast Music Scene -
Bio
Living in Denver, CO, Tom Brennan has been making electronic music of many flavors under the alias Keota for nearly 10 years, and making music for 15+ years. Specializing in many off-shoots of genres popularized in the UK (dubstep, garage, "neurohop", half-time, etc), Keota has played festivals such as Submersion, Wakaan, Sol Fest, Sound Haven, Infrasound, & many more. Keota also has a passion for education, and runs a Patreon with over 130+ videos, as well as a few sample packs, racks, and project files.
Chapters
00:00
Introduction and Background
06:12
Democratizing Pay in the Entertainment Industry
15:34
The Value of Art and Entertainment
27:41
The Impact of Hierarchies in the Industry
43:16
Idealism and Materialism in Capitalism
49:28
Incentives and Innovation in a Socialist Society
58:36
The Impact of Socialism on the Arts and the Environment
01:11:25
The Contradictions and Consequences of Capitalism
01:19:14
The Importance of Critical Thinking and Imagining Alternative FuturesKeota Links
Mr. Bill’s Links
Podcast Produced & Edited by: Robert Fumo
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Seppa has been producing beats for over 15 years, always finding new ways to keep the dance floor exciting. After working with a variety of small labels as Duskky, it was Wonk#ay Records (which he now co-runs with Bunkle and Aytch) that really pushed him into becoming what he is today. Playing a variety of parties, big and small, gave him a feel for what really works and that has influenced his productions up to the present.
In 2015 he changed his name to Seppa, releasing a single entitled “Trojan/Coriolis” on
AutomAte Recordings in February 2016, which was followed up by the EP ‘Homunculus’ in April that year. In November 2016 he released the ‘Displaced’ EP, which covered a variety of
atmospheres and speeds whilst keeping a consistently dance floor friendly sound. After
co-founding the record label Slug Wife, he turned out a wide variety of material, including his two solo albums to date, 'More' (2018) and 'Split' (2020), both of which were received to great acclaim. He's also put out two albums with collaborator Chalky, entitled 'Bright Spots' (2018) and 'Strange Changes' (2020), exploring instrument driven Jazz flavours and psychedelia. His beat tape, "Whack Lack Vol. 1" (2018), has also become a firm fan favourite alongside numerous Remixes, Singles and EPs.
Having now left Slug Wife behind, and after a few years of big life things - namely becoming a father and a husband - Seppa returns in 2024 with his third full length album, ‘See It Through’. Featuring driving boom bap beats and his inimitable taste for otherworldly soundscapes it’s a narrative experience from start to finish, demanding many full listens to unearth all the hidden details. Whilst designed to be a completely enrapturing home listening experience, Seppa’s production really shines on a sound system, and he’s excited to bring his new musical creations to the dancefloor.
Chapters
00:00
Introduction and Background
01:29
The Story of SlugWife
10:56
The Pressure to Release Music Regularly
15:46
Creating Meaningful and Re-listenable Music
23:30
The Emotional Language of Music
28:01
Exploring Minimal Viable Music
32:35
The Subjective Nature of Music
39:24
The Power of Music and Creative Limitations
44:52
Balancing Quality and Quantity in Music Production
52:49
The Role of Mastering in Music Production
58:31
Clippers vs. Limiters in Mastering
01:05:07
Seppa's Upcoming Album: 'See It Through'Seppa Links
Mr. Bill’s Links
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One of the co-founders and owners of Kilohearts, Anders is a key developer behind the Phase Plant soft synth, and the extensive suite of effects plugins that make up the Kilohearts modular ecosystem. He lives and works in Linköping, Sweden, and enjoys demoscene music, quirky Australian comedy, and gently trolling his colleagues on the company message board.
Anders Stenberg Links
News
Recently released Mr. Bill's God Mode content bank, as well as two new products, Shaper and Shaper Table.Chapters
00:00 Introduction and Background 06:25 The Challenges and Roles in Plugin Development 26:39 The Future of Plugins and the Focus at Kilohearts 33:43 Exploring Concatenative Synthesis 44:48 Understanding Sample Rates 53:28 Demystifying Fast Fourier Transforms (FFTs)Mr. Bill’s Links
Podcast Produced & Edited by: Robert Fumo
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Bio:
Since a young age, Lizzy Jane has made it her goal to attack music from all angles. Since previously composing music as a vocalist, pianist, and bassist, she has carried her musical knowledge to the electronic scene with a fresh twist.
Lizzy Jane utilizes her eccentric musical taste to accent a passionate pop in the realm of melodic bass and electronic music. She fights to combine the elements of melodic progression, live instrumentation, bass synthesis, and vocal prowess into her music.
Additionally, she has launched The Lizzy Jane Podcast to give listeners first hand advice on various parts of the music and entertainment industries. From artists, DJ's, composers, video game creators, talent agents, managers, and other various industry professionals all over the world. Lizzy Jane provides fans with an inside look at her journey, overall career, and contribution to the ever changing industry that we all love.
Her work ethic and her drive are what make Lizzy Jane a name you'll be familiar with very soon. She has a strong passion to exceed expectations and continue to push the envelope when it comes to music, sound design, and a captivating live show.
Lizzy Jane Links
Mr. Bill Links
Chapters: 00:00 Introduction and Catching Up 14:21 The Challenges of Bass Music Production 35:14 Women in the Music Industry 43:04 Progress and Challenges 52:59 The Nature of Music -
Bio:
nf (aka enneff aka Andrew) lives on the east coast of Australia. As a programmer, he has built Open Source Software at Google Australia for the last 14 years. Originally part of the team that built the Go programming language (go.dev), he went on to co-create the Upspin storage system (upspin.io), and lead the team behind Open Source Insights (deps.dev). As a musician he uploads clips to Instagram and sometimes produces dreamy IDM tunes. His new single 'Andromeda' is out now on streaming services.Summary:
In this conversation, Andrew discusses his background as a programmer and his work on the programming language Go. He also talks about his involvement in securing supply chain issues and his role on the board of a wildlife hospital. The conversation then shifts to the topic of developing programming languages and the process involved. Andrew explains the evolution of programming languages from machine code to more abstract concepts and the role of compilers. The conversation also touches on the impact of AI on programming and the limitations of language models in writing code. The discussion concludes with a conversation about the ethical implications of using data to train AI models. The conversation explores the power requirements and environmental costs of compute farms, the potential for AI-generated music, the role of AI in the creative process, the importance of the artist in music, the ethical considerations of using AI-generated content, the impact of technology on society and capitalism, and the potential pitfalls of AI.
enneff linksMr. Bill's Links
Chapters:
00:00 Introduction and Background
05:23 The Development of Programming Languages
25:43 Ethical Implications of Using Data to Train AI Models
31:19 The Power Requirements and Environmental Costs of Compute Farms
32:45 Exploring the Potential of AI-Generated Music
38:22 The Role of the Artist in Music Creation
43:59 Ethical Considerations of AI-Generated Content
49:48 The Impact of Technology on Society and Capitalism
53:19 The Pitfalls of AI and the Need for Human Connection -
Bio:
For those who love to experience music, look no further than Supertask. With deep roots in hip-hop and a focus towards immersion, Supertask creates sonic landscapes that dance between the intensity and stillness of the human consciousness. With a background in IT, Supertask frequently uses code and programming in his artistic vision, and the idea of infinity consumes his musical escapism offerings. A vision that his loyal community, the Dev Team, are directly involved in. Blending both analog and digital sound design, his unique approach has proven to be a driving force in the forward progression of electronic music. Through soundscapes that feel sentient, interactive live streams, and mind-bending visuals, Supertask is changing the way that we consume art.Supertask Links
Mr. Bill's Links
News:Single Release: 4/21 Collaboration EP With "Seeded Vision" comes out this summer.
Show Takeaways:
Brain-computer interfaces have the potential to revolutionize music creation, but there are challenges to overcome, such as data transfer and the role of musical knowledge.
AI can be a useful tool in music production, from generating lyrics to providing information about plugins and audio files.
Creativity is subjective, and the definition of creativity can vary from person to person. AI can be creative in its ability to generate music, but a sense of ownership and sentimental value may be lacking.
Imperfections and randomness can add depth and authenticity to music production, and tools like Eurorack can provide unique sounds and experiences.
Language has limitations in expressing emotions in music, and the complexity of defining concepts like holes and chairs highlights the challenges of categorization.Chapters:
00:00 Introduction
00:35 Understanding Supertask
04:08 AI and Music in the Subset of Noise
07:59 Human Resolution with Color and Sound
09:39 Resolution and Possibilities in Audio
11:04 The Perception of Music and Noise
12:08 Cultural Influence on Music Perception
13:20 The Universality of Music Perception
14:25 Microtonal Scales and Musical Perception
15:21 Exploring Microtonal Music
19:22 The Concept of Simulation Theory
25:10 The Possibility of Living in a Simulation
28:08 Exploring Music and Visual Art
29:27 Scripted Looping in Music Production
34:29 The Ego and Live Performances
36:15 The Challenge of Performing Live Electronic Music
37:38 The Limitations of Live Performances
37:39 The Role of Input Devices in Music Expression
38:24 Exploring the Potential of Brain-Computer Interfaces
39:05 Speculating on the Future of Music Creation
40:00 The Role of Musical Knowledge in Brain-Computer Interfaces
40:49 The Challenges of Data Transfer in Brain-Computer Interfaces
42:19 The Role of AI in Brain-Computer Interfaces
42:50 The Increasing Predictability of Human Behavior
45:01 Using AI in Music Production
47:16 The Usefulness of AI in Answering Questions and Providing Information
48:34 The Definition and Nature of Creativity
51:17 The Subjectivity of Intellectual Property and Creativity
52:09 Exploring Unreal Engine and its Potential in Music Visuals
53:18 The Potential Disruption of AI and Sora in the Film Industry
54:00 The Limitations of AI in Music Generation
57:52 The Importance of Imperfection in Music Production
58:18 Using Randomness and Mistakes in Sound Design
01:00:19 The Appeal of Eurorack and Imperfections in Music
01:02:41 The Sense of Ownership and Sentimental Value in Music
01:04:34 The Potential of AI in Music Creation
01:06:28 The Interactive and Symbiotic Nature of Music Production
01:09:04 The Difficulty of Expressing Authenticity Through AI
01:11:36 The Limitations of Language in Expressing Emotions in Music
01:12:02 The Complexity of Defining Concepts like Holes and Chairs
01:14:04 The Process vs. the Final Product in Music Creation
01:14:46 Future Plans and Projects -
Zach Evans is the head of the Harmonai research lab, the music research wing of Stability AI, working on open-source generative AI tools for musicians.
"We're launching new models and features in Stable Audio (www.stableaudio.com) including the ability to upload your own audio for style transfer. We're also working on new open-source text-to-audio models and improvements to Dance Diffusion."
Zach Evans LinksMr. Bill’s Links
Chapters
00:00 Introduction and Background
01:26 Dance Diffusion: An Overview
14:34 Inference and Output Generation
25:00 The Subset of Sound and Music
30:16 Current Projects and Future Plans
34:29 Why is GPU faster for this kind of stuff?
36:07 Main use case of text-based version
37:49 Challenges with text prompts for audio
39:18 Improving control mechanisms for models
42:06 The core process of generative AI
43:56 The future of AI in the audio space
46:03 AI models and overfitting
47:19 Automated mixing and mastering
50:22 Personal reinforcement learning
53:08 AI as a tool, not a replacement for humans
56:33 The impact of AI on jobs and artistry
58:23 The importance of personal taste and ownership in art
01:00:32 The complexity of AI's impact on the music industry
01:01:36 Where to find Zach Evans and his work -
Robert Freund is an experienced advertising attorney and advisor. He focuses his practice on online marketing and e-commerce issues. Before opening his own firm, Rob honed his legal skills working at Greenberg Traurig, LLP, one of the largest and most respected international law firms. Rob has lectured about advertising law at the University of Southern California, the University of San Diego, and the University of Tennessee, and he has been quoted in The Wall Street Journal, The New York Times, Bloomberg Law, and Vox on those issues. Rob was named a Southern California Super Lawyers Rising Star in Media & Advertising for 2020–2024.
Rob Freund LinksMr. Bill’s Links: https://linktr.ee/mrbillstunes
Podcast Produced & Edited by: Robert Fumo
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Reecard Farché (aka Anklepants) is an Australian born convict, multi instrumentalist, instrument builder, and solo member of Anklepants. You can check out the bulk of his work here:
Anklepants Links
Mr. Bill’s Links: https://linktr.ee/mrbillstunes
Podcast Produced & Edited by: Robert Fumo
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This podcast episode will delve into the life of David Mordechai Packouz, a former American arms dealer, musician, and inventor born on February 17, 1982. Packouz joined forces with Efraim Diveroli in September 2005 at AEY Inc., an arms company that quickly secured numerous contracts worth millions. Their notable achievement was a nearly $300 million contract in 2007 to supply the Afghan Army with vast quantities of ammunition, which controversially included prohibited Chinese ammunition, leading to significant legal and ethical issues. Packouz played a key role in concealing the origin of these munitions, resulting in a sentence of seven months of house arrest for conspiracy to defraud the United States. His story caught public attention and was later depicted in the 2016 film War Dogs, where Packouz made a cameo appearance. Beyond his controversial past, Packouz has reinvented himself as an inventor and CEO of Singular Sound, where he developed the BeatBuddy, a guitar pedal drum machine, showcasing his transition from arms dealing to music technology.
David Packouz Links
Mr. Bill's Links
00:00Introduction and Background 02:23 Transition to Music Business 05:47 Creation of the BeatBuddy 10:34 Transition from Weapons to Music 21:02 Legal Trouble and Charges 30:07 Media Coverage and Scandal 36:47 Raid and Evidence 41:33 Sentencing and Plea Agreement 43:39 Legal Troubles and Plea Agreements 45:07 Testifying in Trial and Sentencing 46:06 Restrictions and Violations 47:23 Entrapment and Arrest 49:46 Sentencing and Laws 50:57 Law Enforcement Tactics 51:27 Violating Plea Agreement 52:34 Inequities in the Justice System 53:16 AI in the Justice System 54:08 AI as an Impartial Judge 55:33 Sentencing and Emotion 56:03 Sentencing and Timing 56:55 Personal Experience in Jail 57:55 Entrepreneurial Spirit 59:42 Entrepreneurial Ventures 01:08:14 Starting the Bed Sheet Business 01:14:32 Current Agenda and Future Products 01:18:38 Instafloss and Non-Music Products 01:22:23 NAMM Exhibition 01:23:15 Changes in Exhibition Strategy 01:24:06 Adapting to New Ways of Doing Things 01:25:15 Diminishing Returns of Exhibiting 01:26:41 Expanding Market Beyond Musicians 01:28:06 The Birth of InstaFloss 01:29:27 Effectiveness of Water Flossing 01:30:24 Proper Use of Water Flossers 01:32:03 Identifying Gaps in the Market 01:33:20 Balancing Passion and Profit 01:34:26 War Dogs Academy 01:36:26 Opportunities in Government Contracting 01:38:23 Investment and Support for Government Contracts 01:40:16 Future Ventures -
Born and raised in New Jersey, Au5 (Austin Collins) has been a lifelong musician. Trained in classical piano since age 4 and studying bass guitar and music production since age 13, Austin is a well-rounded composer and music technologist unbounded by genre.
Au5 Links
Mr. Bill Links
00:00
Introduction and Tour Recap
03:00
Sleep Schedule and Adjustments
07:00
The Importance of Energy in Live Shows
13:00
Discussion on the Legality and Effects of Different Substances
19:00
The Evolution of Sound Design and Mixing Techniques
25:00
New Modules and Techniques in Ozone 11
30:00
Target Metrics for Loudness and Sub Level
35:00
Alternative Techniques for Sidechain Processing
37:23
Setting Up Templates for Mixing
39:18
Using Kickstart for Sidechaining
40:23
Using Simple and Lightweight Plugins
41:12
Using Ableton's Multi-Band Dynamics for Mixing
42:01
Using Ozone for Mastering
42:45
Using Spectral Compressor for Precise Compression
44:55
The Importance of Linear Phase in Mixing and Mastering
49:23
Using ShaperBox for Additive Mixing
53:47
Using Serum Effects for EQ Movement
56:24
Conclusion -
Rooted deeply in Minneapolis's vibrant music culture, Ternion Sound is an embodiment of three bass enthusiasts. Their relentless commitment to intentional artistry and underground culture has solidified their distinct position in the electronic music landscape.
The new album "Digital Artifice" is out as of October 13th via Noisia's Vision Imprint.“This album has been years in the making, and it’s the most challenging creative work we’ve ever put together.” -Ternion Sound
Ternion Links
Mr. Bill’s Links
Podcast Produced and Edited by: Robert Fumo
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