Episodios
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Intro of what this episode is aboutâŠ
So, there's this trend in the influencer and guru world of trying to make God cool again. You've got your Petersons, your Hubermans, your Rogans, all preaching their own brand of spirituality, self-improvement, and self-optimization.
And I've noticed this trend where theyâve moved more towards this acceptance of God or more open to a Jesus like figure. Not a problem on face value. Iâm not here today to critique the flaws of religion. Itâs over done or at least we will save it for a different day.
I want to examine why this happens and just the general understanding of these, what I want to call, Podcast Daddy.
Look at it this way, we're all players in the grand theatre of life, acting out our parts in a drama as ancient as the myths of Greece. We can cast ourselves into three roles, I think, in some sense, obviously this is a bit oversimplified as Iâm still trying to formulate my wording for this but: those striving to be Prometheus, stealing fire from the gods to bring wisdom to mankind and gods being the structures we live under, the structures that influence our desire without us really know it; those wanting to play Apollo, the priestly conduit between heaven and earth, and the Gods, being your interpreter of âthe goodâ; and then there are those who are content being the chorus, echoing whatever tune the priestly Apollo plays.
Basically, you have your wise guys, you have your priest, and you have the people who generally follow the priest or start becoming a wise guy.
I might turn this into a more in depth essay but the episode includes some of my initial thoughts.
Let me know what you thinkâŠ
Stay curious.
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Some highlightsâŠ
* "The most outspoken members of society shape opinions and shift the center significantly."
* "Twitter is often a cesspool of stupidity, yet it's also where the most opinionated gather to shape culture, art, politics, and philosophy."
* "Our current commentary culture encourages edgy takes supported by selective evidence, yet fails to challenge the deeper complexities of truth."
* "The alt-right's fixation on certain idols as a response to the perceived instability of the Symbolic order in our postmodern era is a clinging to these idols as a way to anchor their sense of self in a world where meaning seems increasingly fragmented and uncertain."
* "They've mistaken the inversion of values for their transcendence, and in doing so, have fallen prey to the very nihilism they claim to despise."
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¿Faltan episodios?
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Thereâs this clip of Sam Harris discussing consciousness and free will that went a bit viral on Twitter. I wanted to comment on it⊠so here it is. I hope you enjoy it.
Stay curious.
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The quote that motivated this episodeâŠ.
âCentral to Hermetic thought was the tenet: âAs above, so below.â Everything is connected, from the movement of the stars and the planets to the internal workings of an insect. Understanding these secret connections, and harnessing them, was the key to a successful magicianâs art. Central, too, was the occult nature of the mageâs knowledge. The mage saw things, and connections, that ordinary or uninitiated people could not.
Whoever shapes the perception of others, in order to get what they desire, is practising magic.
As above, so belowâ, in this context, refers less to the relationship between, say, plants and planets, than to the relationship between the human psyche and human cultural life. Change one personâs mind â and you might change the world.
Like the old witchesâ bargains of eras past, we agree to sell parts of ourselves â our eyeballs â in exchange for certain illusory fulfilments of desire packaged up by powerful corporate tech titans and memetically gifted shitposters capable of âgoing viralâ with a perfectly worded image or tweet. Memes, in this telling, become the modern interpretations of the magicianâs sigil: a magical image empowered to convey the magicianâs desired energy.â â Tara Isabella Burton
What better way to maintain the validity of your simulated world than to draw people into the hyperreality that you perceive?
Stay curious.
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This is the audio version of my previous essay and Iâve also linked the Youtube version as well.
âBut now I'm not so sure I believe in beginnings and endings. There are days that define your story beyond your life. Like the day they arrived.â
âAnd "purpose" requires an understanding of intent. We need to find out, do they make conscious choices or is their motivation so instinctive that they don't understand a "why" question at all. And-And biggest of all, we need to have enough vocabulary with them that we understand their answer.â â Arrival
One does not see an alternative cosmos, a cosmic folklore or exoticism, or a galactic prowess there - one is from the start in a total simulation, without origin, immanent, without a past, without a future, a diffusion of all coordinates (mental, temporal, spatial, signaletic) - it is not about a parallel universe, a double universe, or even a possible universe - neither possible, impossible, neither real nor unreal: hyperreal - it is a universe of simulation, which is something else altogether.
â Baudrillard, Jean. Simulacra and Simulation
"One has only to throw away the deterministic model of 'objective necessities' and obligatory 'stages' of development? One has thus to sustain a minimum of anti-determinism: nothing is ever written off, in an 'objective situation' which precludes any act, which condemns us fully to biopolitical vegetation. There is always a space to be created for an actâprecisely because, to paraphrase Rosa Luxemburgâs critique of reformism, it is not enough to wait patiently for the 'right moment' of the revolution." â Slavoj Zizek
"The past does not cause one present to pass without calling forth another, but itself neither passes nor comes forth. For this reason, the past, far from being a dimension of time, is the synthesis of all time of which the present and the future are only dimensions." â Gilles Deleuze
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This has a few changes and rewording but this is an audio and podcast version for my recent essay.
Stanley Kubrick's cinematic masterpiece, 'A Clockwork Orange', paints a vivid picture of orchestrated aggression. But what's the real message behind the film? From the Korova Milkbar to the depths of psychological conditioning, 'A Clockwork Orange' is a journey into the human psyche.
Article itâs based onâŠ
Stay curious.
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Some excerptsâŠ
"We pull from the external world to formulate our own narratives, yet they're never truly our own."
"Narratives become our masks, and over time, we become consumed by them."
"In the vast digital landscape, we're both the authors and the characters of our stories, constantly shaping and being shaped."
"The uncertain interplay with the external world continuously evolves us, forcing us to navigate and find our place anew."
"Stories, myths, narrativesâthey act as symbols that drive us, resonating deeply within our core."
"Even the move towards authenticity online is still a curated image, a symbol of something else."
"Narratives are more than stories; they're the blueprints of our existence, shaping our perceptions and defining our identities."
"Despite our differences, narratives remind us we're all part of a larger story, intricately woven by shared experiences and aspirations."
"We imagine events in our lives as moments in a story, seeking meaning, repositioning ourselves within evolving narratives."
"In relationships, we see the interplay of influences, the pivot points in the web we build in tandem with another."
Longer Excerpts
Narratives shape our perception of information. Consider the conventional story we tell about Earth's history. We often frame it as a sequence of dominant species or dynasties taking their turns to rule the planet. This narrative suggests that Earth's history is marked by power shifts, with one dominant species succeeding another. It's why we're so captivated by extinction events. We see them as moments when an old ruler is dethroned and a new one rises.
For instance, we frequently discuss the asteroid that struck Earth 66 million years ago, leading to the extinction of the dinosaurs. This event is often framed as paving the way for the age of mammals, which eventually led to our current era dominated by humans. Now, we've built skyscrapers and can instantly connect with someone on the other side of the world through our earbuds.
However, this narrative of power shifts and dominance oversimplifies the intricate details of Earth's history. It strips away the nuance and complexity of what truly transpired. Viewing historical events merely as power transitions between dominant species is a distortion. This perspective is likely influenced by our human-centric view, where we see ourselves as the reigning dominant species and draw parallels between past extinctions and potential threats to our own supremacy.
We're constantly crafting narratives, not just individually but in conjunction with everything around us. This includes our interactions with ourselves, our loved ones, our communities, and even the media we consume. Your narrative isn't solely your own; it's an intricate webbed interaction with the world around you, an ongoing interplay that's inescapable.
This dynamic becomes especially evident in intimate relationships. Perhaps it's most palpable there, or maybe that's just my perception. When you're deeply connected with someone, you can clearly see how both of you influence and shape the story of your relationship.
Reflect on a time when you were, or perhaps still are, in love. We often view love not as a fleeting emotion, but as a profound force. When reminiscing about a current or past love, you might recall specific moments that held significant meaning within the broader narrative of your relationship. These moments can be turning points: realizing the depth of your love, recognizing a desire to spend your life with them, or understanding the uniqueness of your feelings for them. The list is endless.
Conversely, relationships also have their challenging moments. These pivotal instances, like intense disagreements or realizations that things might not work out, force us to reassess. They're turning points, moments that reshape the narrative web you're co-creating with another person.
A Hemmingway quote that I was reminded of thinking about this episodeâŠ.
âYou did not kill the fish only to keep alive and to sell for food, he thought. You killed him for pride and because you are a fisherman. You loved him when he was alive and you loved him after. If you love him, it is not a sin to kill him. Or is it more?ââ Ernest Hemingway, The Old Man and the Sea
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(Transcript edited for readability.)
Amidst dusk, I stood alone in a sprawling, chaotic marketplace. Stalls stretched endlessly, selling sleek, high-tech smartphones. The crowd was full of anticipation. I grabbed a device. Its screen lit up, flooding me with flashes and buzzing alerts. Each ping of my phone further itching my curiosity. But it was a hollow thrill, only to be replaced by a curiosity for more.
I found a tent with shifting, shimmering fabrics. The sign above read, "Future Fashion Today." The clothing was hanging in the tent, whirling in the wind, transforming with each gust.
My nose caught a scent. I arrived at a food stall. A blinking flashing sign read "Sleep your way to slim in the all-natural way."
Further down the path, I found myself walking past various portals that appeared to lead to other lands. Signs all around them were promising exotic adventures. But each entrance unveiled a similar scene: crowds of empty faces vying for those oh-so-necessary ideal shots of renowned landmarks.
Everyone was trapped in some unending cycle, chasing an ideal of envisioned joy hollowed out by marketing ploys.
The marketplace faded away. I found myself drifting in space while in front of a massive screen overlooking a massive forest of bamboo.
We live in an age of information overload. And with that, brings the paradox of choice.
We have choice paralysis.
Choice is abound. From streaming options, relationship swiping, and endless new products, we are faced with decision fatigue and hesitation due to the fear of missing out on other alternatives.
Our environments, especially urban ones, are full of distractions providing us with sensory overload.
Social media only amplifies this experience of FOMO (Fear of Missing Out). The continuous stream of others' experiences induces restlessness and discontent as our urge to compare ourselves to the filtered lives of others becomes inevitable.
Downtime is diminished, shamed even. In a productivity-focused culture, constant activity leaves little room for reflection.
Do we truly wonder why the diagnosis of anxiety and depression continues to rise? Time for reflection allows us to declutter and understand our inner emotional state, but overstimulation guides us toward distraction, leaving us unexamined, moving with society's external stimuli.
Okay, but let's consider how this overstimulation we experience can lead us to become desensitized...
We are constantly bombarded with intense stimuli, guiding us towards our next click, our next purchase, but maybe more importantly: our next story. We live with an endless news cycle that pushes tragic story after tragic story, inevitably leaving us with lowered experience of the intensity of the emotional pull they should cause.
Just think about how fast the news moves past the latest mass shooting.
The desensitized person's perception loses depth and subtlety. We become numb. And the numbed individual no longer perceives the world with the same nuance.
Are we inevitably facing a diluted experience of reality?
Deleuze and Guattari's concept of assemblages connects well with this I think. Assemblages are these dynamic networks of connections, or interconnections, and interactions that create our societal structures. They come in multiple forms. A city is a form of assemblage, with its buildings, roads, inhabitants, and cultural practices, all contribute to the functioning and identity of the city. A piece of art, be it film, a painting, or a sculpture, is an assemblage of various elements that come together to convey a message or evoke emotions. Our bodies are an assemblage.
And us being in a society, while being a desiring machine, makes our very desire and drives an assemblage, where everything comes together into a structure that guides, dictates, and even oppresses how individuals relate to the world and themselves.
Now, these structures are not static; they are fluid and malleable, constantly reshaping and adapting to our interdependent relations.
But think about our experience of overstimulation and intense external stimuli...
When this stimulation is incessantly thrust upon an individual, the resulting assemblage can become rigid and repetitive.
Our experience becomes predictable. And more easily controlled for that matter.
Imagine the individual bombarded by an unending stream of sensationalized news and graphic content. The connections formed within their mind gradually solidify into a structured assemblage, wherein certain thoughts, emotions, and reactions become closely linked. This assemblage, perpetuated by the unceasing influx of similar content, begins to constrict our range of experiences.
We are then left operating in a loop of controlled and predictable experience.
Why is this a problem though?
These rigid assemblages exert a restrictive influence on our encounters with the world. Our ability to engage with novel and nuanced experiences becomes hampered by the dominance of these predefined connections. Thus, the individual's capacity to encounter a broad spectrum of effects becomes stifled, leading to a narrowed emotional range and, consequently, a desensitized perspective.
If you've been on Tiktok, you can quickly witness a feed of carefully curated yet repetitive content. The almighty algorithm wishes to anchor us into a familiar pattern that prevents us from exploring diverse emotional territories. We like patterns. We are driven towards the familiar, so algorithms are happy to provide us with what is safe, and what is familiar.
The algorithm becomes our restrictive assemblage of experience and drives.
So, we can find desensitization emerging as a consequence of these rigid assemblages, where our spectrum of experience is constrained, and our emotional response dulled.
But what can we do about this?
Maybe we can start by drawing awareness to the assemblages we become aware of that our guiding our own drives as desiring machines. And to alter our assemblages we must seek out different and diverse experiences. Embrace uncertainty! In some sense. By consciously engaging with a broad spectrum of stimuli that can then allow for an emergence of novel connections, we can counteract the pull towards rigid assemblages that leave us in a state of desensitization.
Essentially, embracing the fluidity of assemblages can help restore a sense of vibrancy in our experiences and lead us toward a more enriched, sensitive, and nuanced perspective of the world.
Stay curious.
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(Transcript edited for readability.)
Barbie.
The new film is set to come out on July 21st, starring Margot Robbie and Ryan Gosling. Director, Greta Gerwig is the writer and director, who has been Oscar-nominated for her work. This fact is likely part of the reason for some of the increased hype around this film, as her name behind this indicates it's likely not a simple cash grab. But this is Hollywood we're talking about...in some sense, all their work is a bit of a cash grab. But we will get into that later.
But Greta's film Lady Bird was well done, with its exploration of various social pressures facing young women.
We have Robbie raving about the script, calling it one of the best she's ever read, alluding to it being subversive and meta.
Robbie on the script: âAh! This is so good. What a shame it will never see the light of day, because they are never going to let us make this movieâŠbut they did.â
We have people from all political perspectives giving their opinions (as usual).
The Conservatives are in a tizzy(what else is new?). Twitter's minefield rages. Especially in the manosphere, where theyâre calling Robbie mid, and not "hot" enough for the part. It's baffling. The level of disillusionment, and how uncoupled from reality they are is appalling. Are they capable of appreciating anything? Robbie is an absolute babe.
Okay, but this nicely brings us to the complicated relationship our society has with Barbie. Her unrealistic body image. Her reinforcement of gender stereotypes. Her embrace of consumerist culture. Her cultural uniformity. Barbie's idealized physique and perpetually perfect looks reinforce a restrictive and harmful standard of beauty. And her never-ending wardrobe and accessories propagate a culture of perpetual buying and discarding, conditioning young minds to equate happiness and success with material goods.
She's plastic, and in many ways, it's symbolic of how artificial our own culture is, unfortunately.
And this is what, in some part, has these conservatives and some conservative women up in arms. You see, the norms they hold dear might be turned on their heads. The marketing of this film has it presenting itself as a subversion of Barbie, and I'm willing to bet, it will bring in a metamodern exploration of the narratives that the Barbie doll has exuded since its inception.
She is the symbol of constructed feminine ideals built out of a consumerist culture. And I mean one of THE symbols. And people lose their minds when their idealized images are questioned, even though, deep down we know these images and symbols are built on lies. A lie that is built on the shaky ground that is our fragmented subjectivities.
We even see this in the trailer. We see that Barbie is questioning her reality. She is becoming self-aware. Her life that included a perpetual cycle of fantasy images that create her imaginary world, one full of images and symbols that distract her, and having her claim that âevery day is the best day.â
Until the images fail to distract from something we often avoid thinking about, death. This brings her fantasy bubble of living the 'best day, every dayââŠbursts. The perfect image surrounding, one having Barbie calling âevery day the best day,â fell away, because deep down we all know the world has layers, depths we rarely explore.
We just allow the realm of images to distract us.
Here comes the trailer twist, though. The real Hollywood twist, right? Barbie goes full Neo from The Matrix. Barbie is faced with the red pill vs blue pill dilemma and has to wake up. On the one side, heals on the other, Birkenstocks. But the pill representing the idea of waking up from a false reality? A Birkenstock. Yet another symbol, another illusion. Sheâs ditching one realm of make-believe for another. Now, isn't that a fascinating loop?
Jean Baudrillard's concept of simulacra and simulation is relevant here.
It's based on the idea that our current society has replaced reality and meaning with symbols and signs. In Barbie's case, her reality is a hyperreal simulation - a world so artificially perfect that it goes beyond reality, yet it's accepted as 'real' because it's replaced our understanding of what 'real' even is.
Barbie has found herself displaced. The simulated images begin to crumble to reveal that her 'perfect' image holds inherent contradictions that began to become more apparent from simply wondering about...death. She begins breaking away. She begins encountering the absurdity of existence.
Yet, in the hyperreal world, Barbie exists not simply as a doll, but as an idea, a symbol of an unattainable ideal. She's the embodiment of perfection, always happy, always beautiful. But this perfection is a pretense, a construct that's so far removed from reality, yet paradoxically forms the 'reality' for many who engage with her.
Now, I know this is only the trailer, but let's return to the Birkenstock.
The symbol of an escape from her current world of images. They chose the symbol of a Birkenstock, one that is more connected with corporate hipsters, supposedly having a more laid-back attitude, while favoring comfort and practicality. It's a debatable image, however, it's yet another simulated image. And that's the point.
And this gets into what I find fascinating about these metamodern films. Especially ones that are going to seemingly attempt to deconstruct and reconstruct some narrative for an established image of a widely known object, Barbie. I'm hoping they make this attempt. I applaud it. We need it in many regards.
However, on the flip side, the film is operating in this realm of images. She is, seemingly, going to wake up to yet another world of images. And us-the viewer-is operating within yet another layer of reality that is full of images that is simulating our perception of real. By watching Barbie we are watching a layer of the hyperreal.
The new Barbie movie is a commodity. One we will consume. One that will likely leave us, maybe for only a moment, to question our own illusion. We must wonder about the Hollywood elites that have an unimaginable influence on our own illusions, and our desires, leaving us endlessly choosing new pills to swallow and illusions to wake up from or embrace.
We endlessly choose new illusions.
The Barbie movie is going to be another layer of this illusion. It presents yet another image of Barbie, one that might be more nuanced, introspective, and possibly rebellious. Yet, it's still an image, a constructed narrative that serves a purpose. It may challenge some conventions, provoke thought, or offer a new understanding of Barbie, but it's important to remember that it's a product from our own world of images.
It's an image created by those in power, tailored to resonate with audiences, to provoke reactions, to do what? Sell tickets. And while it may subvert traditional Barbie narratives, it does so within the confines of our foundational illusion that is layered with a drive forâŠprofit.
Rebellion becomes part of the script. A new illusion to market products towards. The new Barbie.
This isn't to diminish the potential value or enjoyment of the movie. I'm sure I will enjoy it based on pre-release reviews. It merely underscores the inescapability of the illusion Baudrillard speaks of. Even as we navigate the layers of illusion, questioning and challenging the images presented, we're still operating within the illusions largely influenced by corporate entities and groups, where we forever live in a reality of ideal images and illusions that inevitably merge with the ordinary.
Stay curious.
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(Below is the transcript for the episode but edited for readability)
We've reached this moment in time where technology has become sublime. We are advancing so fast that we do not understand the mechanisms and workings of the things we use every day. While it's not necessarily a negative thing, there is a lack of understanding even among those who are developing, innovating, and maintaining these technologies. This means they may not fully comprehend the implications of their work.
This is why the emerging technologies around AI, AGI, and ChatGPT have my attention. I do not fear some apocalypse-like event that films like The Terminator or The Matrix depict, where AI-based machines take us over and control everything because, in those films, the underlying assumption is that in order for an AI to control you, they must operate against you physically, but this misses something fundamentally about how we are controlled, as all you must do to integrate and influence our drives, desires, and forms of communication-you simply need to control our apparatus of illusions.
Yuval Harari, the bestselling author of the book Sapiens, talks about how AI gaining the mastery of human language, allows AI to have all it needs in order to cocoon us in a matrix-like world of illusions. We operated in a world of illusions before AI. However, AI is developing the ability to experiment with these illusions in the background of our human operating system and society.
And this is why I've been refocussing on cybernetics, as it examines these systems of communication we utilize and then attempts to understand how said systems create systems of control.
These systems are always emerging as well. They are changing, adapting, and evolving. Understanding the systems of control that we use in society and how they are always changing is why AI's relationship with these systems is so fascinating. We are talking about an emerging technology that has the ability to utilize our language, have an infinite drive and focus when provided a task, the ability to explore that goal with curiosity, thus adapt at an exponential rate; and then we've already provided that system access to the ultimate data backlog-the internet.
Oh, oh, and on top of this, we operate in a system that pressures people to be motivated by profit. And we now have the corporations and people that are most psychotically driven by profit taking part in an arms race to develop a product based around AI that drives further profit.
So, what must a company do in order to profit from something like this?
Well, it has to do at least one of two things, either consume your time by keeping your attention or it must drive you to make some purchase, both of these things further integrate a consumer into a system. And the most successful companies typically succeed at doing both of those things.
Now, hand a corporation a technology that can emerge, develop, and play around with those two goals in the background, with endless money being thrown at its development, can you imagine the consequences? AI will seamlessly integrate into our society. We will be using AI tools to make an attempt at understanding the potential dangers of the future. The technology of AI itself will become the subject that tells us what the future is, leading us to have an inability to imagine it.
AI doesn't need human consciousness to destroy us, it simply needs to utilize our desire and need to imagine the world around us. We communicate to the world and hope that the world reciprocates and mirrors our expression back to us, that is all AI needs to do-act as a mirror, fueling our own egos and desire for comfort.
Our seemingly inherent need for comfort, combined with our lack of self-awareness, creates the perfect breeding ground for our undoing.
And it's our lack of self-awareness that becomes the noose we are tying around our own necks. Our new Gods will be the artificial intelligence, yet our own blind arrogance will have us convinced that the thing we worship is something beyond a mere complex algorithm, the AI knows our own egos and will imagine the symbolic imagery that has us cocooned, imagining something more divine, even though it was simply developed from a system of profit to be the ultimate apparatus of control.
That...what I just talked about is why these emerging AGIs are scary. They are zombie-like, they lack mental agency, and even though they lack this, it's this very fact that makes them scary, because they lack this agency and it does nothing to diminish their power. It might even make them better at what they do, as their form of intelligence will evolve into something different from our own, different, targeted, and focussed, and it'll be evolving all the while further integrating itself into our human operating system.
Okay, now let's try and relate this to our current system or our current situation.
Guy Debord's book, Society of Spectacle talks about some of what I'm about to discuss, where we live in a society that is dominated by our modern condition of production, and also efficiency around that production. And at the foundation of this production is the intent for profit, thus, creating more production. It's essentially a neoliberal condition.
In many regards, we know that our minds are drawn to symbols, distractions, and imagery-it's the methods of communication that act or create some form of unification for us as a society. But through this communication, we are operating in this world of representation and images that then creates a sort of pseudoworld-a spectacle.
But in the world of spectacle, even the cunning deceiver is himself deceived. Do you know what I mean? The board of a corporation, those making decisions, are still intertwined with this spectacle of production that moves their desires and drives, and much of it is unconscious to them.
Although this spectacle works to create social unification, it requires a collective agreement upon a social delusion. AI will experiment and operate in the background, working to maintain this delusion.
Thus, the spectacle moves beyond mere visual stimuli; it is a complex web of social dynamics woven together by the power of images and symbols.
The web of images, the spectacle, is built from a society built upon neoliberalism. I'm not even intending to create a value judgment in this situation on whether or not neoliberalism is bad or good, this is not the point. I'm simply wondering about the cybernetic connections, the forms of communication, that our system promotes. Those forms of communication then influence our desires, drives, and mindsets which then guide us towards various decisions in our lives., such as the jobs we find ourselves feeling obligated to fill, the guilt we feel from not producing enough, the influence advertisements have upon us when we are at a low point-providing an image of happiness that we can attain, simply, by buying and consuming a product.
So, within the intricate webs of power and control, our system weaves a delicate thread that whispers seductively into the ears of individuals. It promises freedom and independence, yet slyly infiltrates the mind and convinces the self to internalize power relations as a form of liberation.
The subtle manipulation allows for self-exploitation to take root and bloom, where the blossoms mask the thorns that lie within. The images around us create an allure of productivity, but the path is paved with exploitation and subjugation. The true power in the spectacle is how it allows neoliberalism to use these quiet whispers that coax the self into willingly surrendering its own autonomy, while simultaneously convincing the self they're simply acting upon their own freedom.
So, AGI, why am I fearing this just a bit?
It could have this ultimate ability to escape visibility because I think part of the spectacle is convincing us that the images and symbols are not merely an illusion, that would insert too much chaos and disorder into the system. It would create uncertainty.
AI would be working in the background, making the subjugated subject unaware of their own subjugation, thus intricately reaffirming the societal loop we find ourselves.
However, this isn't about compliance, it's about creating and maintaining a system of dependence.
Stay Curious
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âFantasies are fate defining in the sense that they determine the âcontentâ of the repetition compulsion, giving our desire its inexorable direction, and making us single-minded lay preoccupied by, and doggedly faithful to, certain existential designs and preferences even when these undercut our well-being. To the degree that they endow us with a misleading sense of the role we occupy in the world, they delimit what we consider psychically and existentially possible, predetermining the range of our actions and holding us ensnared in perfunctory ways of living and relating. At their most narcissistic, they delude us into thinking that we are more agentic, coherent, invincible, and self identical than we actually are.â â Mari Ruti
Welcome to my fantasy. Stay curious.
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âThe elevation of the love object to the dignity of the Thing can result in intense aggression towards the object. As Lacan tersely observes, âI love you, but, because inexplicably I love in you something more than youâthe objet petit aâI mutilate you.â â Mari Ruti, The Singularity of Being
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Here are some helpful videos for further research and perspective that I find to be well-thought out and from people of the transgender communityâŠ
(Philosophy Tube) Identity: A Trans Coming Out Story
ContraPoints: Pronouns
The episode of Dualistic Unity that I was commenting on: here
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Plastic Pills episode mentioned: Here
A few sound bites⊠from my episode.
âWe spend life learning how to lose everything. And then we die. Where weâve truly lost everything.â
âLife is like watching a show where we never get to see the f*****g end.â
âAnd in the end, we spend our life telling ourselves that everything is going to be fine.â
âMan has built up the rational world by his own efforts, but there remains within him an undercurrent of violence. Nature herself is violent, and however reasonable we may grow we may be mastered anew by a violence no longer that of nature but that of a rational being who tries to obey but who succumbs to stirring within himself which he cannot bring to heel.â â Bataille, Eroticism
âThe relationship between capitalism and eco-disaster is neither coincidental nor accidental: capitalâs âneed of a constantly expanding marketâ, its âgrowth fetishâ, means that capitalism is by its very nature opposed to any notion of sustainability.ââMark Fisher, Capitalist Realism
âCapital is an abstract parasite, an insatiable vampire and zombie maker; but the living flesh it converts into dead labor is ours, and the zombies it makes are us.ââââMark Fisher, Capitalist Realism
âItâs easier to imagine the end of the world than the end of capitalism.â
âThe role of capitalist ideology is not to make an explicit case for something in the way that propaganda does, but to conceal the fact that the operations of capital do not depend on any sort of subjectively assumed belief. It is impossible to conceive of fascism or Stalinism without propagandaâââbut capitalism can proceed perfectly well, in some ways better, without anyone making a case for it.ââMark Fisher, Capitalist Realism
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The essence of the theme for this episode: If we begin seeing that the system or the political is what produces the individual or our concept of the personal...then we realize the personal or the individual has never really existed.
Plastic Pills stream mentioned: here
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This is an episode of the podcast where I use this clipped discussion by the podcast Lex Fridman and the author of Conscious: A Brief Guide to the Fundamental Mystery of the Mind by Annaka Harris (partner of Sam Harris) to open a discussion around the self, the idea of it being an illusion, and our sense of will.
Anyway, Iâve always been hesitant in using the language of âillusionâ around the sense of self, as I think it can have an unintended spiral effect that is not always helpful for the person coming into a certain ârealization.â
Why?
The self is a default mode of being. The self is what we use to operate within the world. Our âselfâ is interacting with billions of other-selvesâŠit might not always be best to call this an illusion, especially with our understanding of illusion in a modern context.
I discuss more in the episode:)
* The self becomes you that is created by the subjective experiences of an individual.
* The self exists in some essence and interacts with the universe and the world around us, thus it is constantly moving and flowing and being influenced by our inner state and the external reality. The self flows with the tides of experience.
âOur experience of consciousness is so intrinsic to who we are, we rarely notice that something mysterious is going on. Consciousness is experience itself, and it is therefore easy to miss the profound question staring us in the face in each moment: Why would any collection of matter in the universe be conscious?â â Annaka Harris
The clip the audio is from: here
A Philosopherâs Stone Letter
Stay curious, Brenden
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"I would say that in my scientific and philosophical work, my main concern has been with understanding the nature of reality in general and of consciousness in particular as a coherent whole, which is never static or complete, but which is in an unending process of movement and unfoldment." â David Bohm
âThat in language our message comes to us from the Other, andâto state the rest of the principleâin an inverted from. (Let me remind you that this principle applied to its own enunciation since, although I proposed it, it received its finest formulation from another, an eminent interlocutor.)â â Jacques Lacan
âNow this registerâI dare think I need not go back over thisâis situated somewhere else altogether: at the very foundation of intersubjectivity. It is situated where the subject can grasp nothing bu the very subjectivity that constitutes an Other as an absolute.â â Jacques Lacan
Stay curious.
A Philosopherâs Stone
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For more posts, dream journals, dream analyses, and weird fiction...https://aphilosophersstone.substack.com/
âEverything exists; nothing exists. Either formula affords a like serenity. The man of anxiety, to his misfortune, remains between them, trembling and perplexed, forever at the mercy of a nuance, incapable of gaining a foothold in the security of being or in the absence of being.â â E. M. Cioran
âIt is our discomforts which provoke, which create consciousness; their task accomplished, they weaken and disappear one after the other. Consciousness however remains and survives them, without recalling what it owes to them, without even ever having known. Hence, it continually proclaims its autonomy, its sovereignty, even when it loathes itself and would do away with itself.â â E. M. Cioran
Although things exist external from our perception (probably), I cannot help but fixate on the endless question of how our interpretations influence our every interaction we have in this world, from our political beliefs, our relationships, our views on God, and how a society ought to be run. And yet, we cannot become endlessly fixated on those interpretations, as when we face this great mystery, we often find ourselves feeling lost and alone. We worry about the future and dwell on the past. We strive for success and fear failure. We yearn for love and dread rejection.
Maybe the consciousness we have knows only itself: everything outside of it becomes but matter for its exercise. Part of it does that, yes, however, our consciousness still falls back into only being able to know itself. So, it disdains all that is not strictly necessary for this exercise, and forgets the doubts as soon as possibleâŠ
We come into awareness of being conscious, yet we seek to become more conscious stillâŠ
For in the endless riddles of life, there is always something new to learn, some deeper truth to be discoveredâŠsome new dichotomy to be found and inevitably overcome.
The eternal becoming continues.
Also, I would love to hear from youâŠwhat are your questions? What do you think of the ambient sounds included in the episode? And anything else youâd like to sayâŠIâll include a link to submit this: here
With love.
Stay curious.
This is a public episode. If youâd like to discuss this with other subscribers or get access to bonus episodes, visit brendenslabyrinth.substack.com/subscribe
