Episodios
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The drumbeat of Washington, D.C. and the surrounding area is not politics. It’s go-go music.
The genre developed by Chuck Brown in 1976 features syncopated rhythms, a large ensemble of musicians and a rich drum beat to create a live experience that has fans dancing ’till they can't dance no more. Go-go has been nurtured by D.C. natives for decades, from the time the District was considered a majority Black “Chocolate City,” and the music has significantly influenced the broader region into Maryland and Virginia, known as the DMV. Its influence can be seen from fashion to food to lingo, especially among Black residents of the region.
Go-go became the official music of Washington, D.C. in 2020, and in early 2025 the Go-Go Museum and Café will open in the southeast neighborhood of Anacostia — the cultural heart of Chocolate City. However, it wasn’t an easy road for go-go to become widely celebrated in the District. Its evolution mirrors the trials and transformations of a rapidly changing D.C. and the feeling of many Black people who have found it harder and harder to call Washington home.
In this episode, host Kai Wright hands the mic to producer Siona Peterous, who grew up in the DMV and has spent much of her adult life immersed in D.C.'s vibrant arts and culture scene. With a deep love for go-go, Peterous sits down to learn more about it from the co-founders of the Go-Go Museum and Café, Ronald Moten and Dr. Natalie Hopkinson. She also talks with Chris Proctor, lead talker of the Take Over Band (T.O.B.), which will celebrate 20 years in the go-go scene this Christmas Day.
This episode serves as a primer to the complex and rich history of go-go, taking listeners on a journey to explore how the genre was born, how it became a cultural touchstone during some of D.C.'s darker times, and breaking down the elements that make go-go so unique. Whether you’re new to the sound or already a fan, this episode will help you better understand what makes go-go such a powerful, enduring force in the city’s identity.
After you listen to the show, check out our playlist of go-go essentials here.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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Host Kai Wright celebrates the many years and iterations of Notes from America by revisiting some of the show’s most engaging listener moments.
He’s joined by producer Regina de Heer to open up the listener mailbag of responses to recent episodes and highlights from live events and focus groups. Then, we listen back to a conversation with Lindsay Kimball, program director for Minnesota Public Radio’s renowned music station The Current, accompanied by a holiday music playlist curated with the help of listeners (who also graced us with some impromptu live performances).
Dear Listener, thank you for always spending time with us and adding your voice to our show.
Check out our original holiday playlist here!
Companion Listening:
“Nikki Giovanni and Kimberly McGlonn on space travel, sustainable fashion and Black liberation” (November 13, 2023)
Guest host Janae Pierre sits down with legendary poet and activist Nikki Giovanni, who is the subject of a new documentary, “Going To Mars: The Nikki Giovanni Project.” Giovanni reflects on the legacy of Black storytelling, gospel music, what she describes as original libraries, and why she’s working to get more Black women involved in space travel.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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College student Hisham Awartani, 21, was visiting family in Vermont over Thanksgiving break in 2023 when he and two of his friends were shot. All three victims are of Palestinian descent and were wearing traditional Palestinian scarves when the attack happened. Awartani and the other two young men, Kinnan Abdalhamid and Tahseen Ali Ahmed, all survived. However, Awartani was left paralyzed from the waist down and over the past year, he’s been learning how to live a new life that involves using a wheelchair.
Over that year, Notes From America has spent time with Awartani, following his physical recovery and the emotional hurdles he’s grappled with at Brown University where he became a reluctant poster child of the movement for the university to divest from companies associated with the Israeli military.
As Awartani prepares to return home to the West Bank for the first time since his injury, producer Suzanne Gaber takes us through his year in recovery and what he hopes for next as the war in his homeland continues to escalate.
CORRECTION: A previous version of this piece incorrectly attributed an anecdote about the Awartani family in the Middle East being forced to leave their homes in 1948 when many Palestinians, including the family, were pushed out during an expansion of Israeli territory. The story is in reference to a 1967 evacuation of their village and the piece has since been updated to reflect the correct year.
Series Coverage of Hisham Awartani's Story:
A Palestinian-American Victim of American Gun Violence Becomes A Reluctant Poster Child (February 19, 2024)
Still In Recovery From Being Shot, Hisham Awartani Commits To a Summer of Activism (June 6, 2024)
Q&A with series producer Suzanne Gaber
Our show has been following 21-year-old Hisham Awartani since his release from a rehabilitation center where he was receiving treatment for a paralyzing injury after being shot in Vermont. Awartani is a remarkable young man from the West Bank who attends school at Brown University where he found himself in the spotlight as a victim of U.S. gun violence and representative for the movement to free Palestine. Gaber recently concluded her reporting on his healing journey and shares some thoughts about Awartani and the assignment.
Q: You got to know Hisham over the course of a year. What's the biggest challenge of reporting on someone for an extended time?
It was really special to get to get to know different versions of the same person over the course of a year. The biggest challenge was coming into someone’s life at such an intense moment of trauma, not only his physical trauma, but the emotional trauma he was experiencing as a Palestinian living abroad in a moment of war. For Hisham, who is a pretty reserved person, there was a lot of processing in real time and being able to hold that processing and maintain a respectful and professional distance is hard when you see someone going through such intense struggle. Over the year, as I got to know him better and he got to know me, we were able to have honest conversations about when he needed to process and when sharing those moments might be able to help listeners better understand his experience.
Q: What was a moment that says a lot about who Hisham is that didn't make it into the final cut?
This story was really about Hisham’s year learning to adjust to his new life, emotionally and physically, and that often meant we had to cut moments for time that were really special. One aspect of Hisham’s personality I wish we could have shared more of is his deep love for his friends. When I went to visit Vermont for the one year anniversary of the shooting, I got to see Hisham with his friend Tahseen, who had also been shot the day of the attack. Hisham’s face lit up sitting next to Tahseen at Thanksgiving, just chatting about everything from high school crushes, to how they got into college. Tahseen didn’t get into the colleges he had wanted originally so he took a gap year, and Hisham spent that year helping Tahseen studying so that his friend would get the education he wanted and the two of them would be near each other for school on the East Coast. The friendships these boys have is really much more like a brotherhood, and it is so clear how much they care about each other and the community they grew up with.
Q: What do you hope your reporting contributes to the canon of coverage of the ongoing war in the Middle East? Or do you think of it that way?
One of the things that [New Yorker Radio Hour host] David Remnick said early on in the war that stuck with me was that to cover Palestine, “the only way to tell this story is to try to tell it truthfully and to know that you will fail.” It is very easy when covering this conflict to want to have your work feel like it is making an impact, moving the needle towards understanding in some way, but that is an enormous task that puts a lot of pressure on one piece or one story. So as the year progressed, I tried to view this piece more as an oral history of Hisham’s life, for him, his family, and the listeners. There is a lot to be learned about the Palestinian experience through Hisham, as there is with the life stories of many other people from the region. I just hope this piece gives a glimpse into one Palestinian experience and perseveres a moment in history and in this man’s life that allows people to view his community with a level of nuance that may get lost in the daily news updates.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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This episode was originally published March 1, 2024.
Host Kai Wright started his career covering the impact of HIV and AIDS on communities in America. A new project brings that experience full circle. Kai hosts the latest season of the Blindspot podcast, “The Plague In The Shadows,” which introduces listeners to people who were affected in the early years of the HIV and AIDS epidemics.
Decades later, AIDS is still with us and its status as an epidemic remains accurate. In this episode, we learn why that is from two women whose careers have centered around this disease in different ways. Journalist Linda Villarosa is the author of “Under the Skin: The Hidden Toll of Racism on American Lives and on the Health of Our Nation;” and June Gipson, Ph.D. is the director of the organization My Brother’s Keeper, which works on both HIV prevention and access to treatment in Mississippi. They discuss the medical achievements in the field of HIV and AIDS treatment, as well as the barriers to eradication. Plus, listeners from across the country weigh in with their own stories and we hear from one of the people you meet in the Blindspot podcast, Victor Reyes, who was born with HIV in Harlem in 1989.
To hear more of Blindspot: The Plague In The Shadows, listen and subscribe here.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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Our guest on the final episode of “Notes on a Native Son” is British writer Ekow Eshun. He has been described as a cultural polymath. At a startlingly young age, 29, he became the first Black editor of Arena, a mainstream magazine in the UK. He continued to break new ground when he became the first Black director of a major cultural institution, London’s Institute of Contemporary Arts, a stone's throw from Buckingham Palace. These days, as chair of the Commissioning Group for the Fourth Plinth in Trafalgar Square, he leads one of the world's most famous and sometimes controversial public art projects, always worth a visit if you're in London.
Eshun’s choice of Baldwin's work for our conversation is informed by a book he's recently written called “The Strangers,” about five prominent Black figures and their sense of isolation and exile. Host Razia Iqbal meets with Eshun at Princeton University where he was lecturing about art, curation, and happily for us, James Baldwin.
You can find the entire "Notes on a Native Son" series here.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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The public debate over policing has made more of us more familiar with ideas like defunding or abolishing the police, but these ideas are still often dismissed as infeasible. In this episode, host Kai Wright is joined by three experts who have seen communities sustain and improve public safety absent of law enforcement.
First, we meet Dennis Flores, a Nuyorican multimedia artist, activist and educator born and raised in Sunset Park, Brooklyn. He is the co-founder of El Grito de Sunset Park, a grassroots community-based organization that advocates around issues of discriminatory policing and housing rights. Flores is also the lead organizer of the Sunset Park Puerto Rican Day Parade, which, entering its ninth year, has created a celebration of Puerto Rican culture safe from police harassment. Flores shares how own experience with our justice system led him to find alternatives to police presence to keep his community safe.
Next, Kai is joined by Philip V. McHarris, an assistant professor in the Department of Black Studies and Frederick Douglas Institute at the University of Rochester, and author of the book, “Beyond Policing.” McHarris breaks down the history of our police system and how learning about the white supremacist origins of law enforcement can help us discover better alternatives.
Then Danielle Sered, executive director of the award-winning organization Common Justice, talks about developing and advancing solutions to violence that meet the needs of those harmed and foster racial equity without relying on incarceration. Sered is the author of “Until We Reckon: Violence, Mass Incarceration, and a Road to Repair” and her organization is at the forefront of alternatives to prison. She shares her takeaways from working on the frontlines — both with victims and perpetrators.
Companion Listening: “People Feel Unsafe–and It’s More Than Crime” (March 14, 2022)
The social fabric is torn. People nationwide are scared, some going so far as to arm themselves. What can we learn from our history as we react to this fear?
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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In the 10th episode of “Notes on a Native Son,” host Razia Iqbal sits down with writer and former architect Hisham Matar. He won the Pulitzer Prize for his profound and painful memoir, “The Return,” which chronicles his return to Libya after the overthrow of Colonel Gaddafi. Gaddafi had his father Jaballa kidnapped and thrown into jail, never to be seen again. This has haunted Matar's life and work, an overshadowing that he has transformed into books of extraordinary power and beauty.
For this episode, Matar speaks with Iqbal about one of Baldwin’s profound television appearances in which Baldwin breaks down the foundational flaws of America’s racial hierarchy. Matar says Baldwin’s calm and patient demeanor on the program strengthens his powerful arguments, making it an even more compelling watch.
Matar teaches at Barnard College in New York. His first novel was shortlisted for the Booker Prize, and his third novel was longlisted for the same prize.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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This is Uncomfortable is a podcast from Marketplace. For their season premiere earlier in 2024, host Reema Khrais shared a conversation with one of our favorite writers, Hanif Abdurraqib, and we're excited to share it with you. He joins her for a wide-ranging conversation about the moral judgments we’re quick to make about people’s financial circumstances, notions of success and legacy, and what it means to be “good” versus “bad” in an unequal world. Abdurraqib also reveals one of the most challenging financial moments of his life and the reasons behind his commitment to giving away so much of his income.
Hanif Abdurraqib is an award-winning poet, cultural critic and author from Columbus, Ohio. He’s written six books, several of which are bestsellers, including his most recent, “There’s Always This Year.” His work spans sports, pop culture and politics, often focusing on issues of race and class, while also delving into themes of grief, beauty and love. He’s been the recipient of a MacArthur Foundation “genius grant” and a finalist for the National Book Award, among other accolades.
Learn more about This is Uncomfortable here.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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For nearly a decade, Donald Trump and his political allies have made it clear that one of their primary goals is mass deportation of undocumented people living in the U.S. After the election, this rhetoric is set to become a policy reality, affecting millions of people across all sectors of society.
While Trump and right-wing conservatives have proudly embraced an anti-immigration stance, it's important to recognize that Republicans aren't the only party that set the stage for mass deportations. Over the years, Democrats have also shifted rightward on immigration, increasingly echoing the foundational principles of conservative immigration policies. After all, there's a reason President Obama earned the nickname "Deporter-in-Chief": 3 million people were deported during his presidency.
As questions arise about what mass deportations will look like under a Trump administration, many wonder how it will differ from the current system. In our latest episode, host Kai Wright speaks with Jasmine Garsd, NPR's immigration correspondent and the host of The Last Cup, as well as Ronnie James, director of national community engagement for the UndocuBlack Network, an organization that supports Black migrants who are either currently or formerly undocumented. They explore how both parties have mishandled immigration over the years, the myths and misconceptions that shape immigration policy, the economic impacts of mass deportations, and what these policies could actually look like in practice. James also shares how people can get involved in efforts to push back against these policies.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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As a young woman, poet and writer Nikki Giovanni could see that no one was interested in a Black girl writing what was seen as militant and revolutionary poetry. So she formed a company and published it herself. Her second book was launched at the famous New York jazz venue Birdland as she was making a name for herself. When she was 28, she flew to London to sit with James Baldwin and record a conversation for the PBS television series, “Soul.” Baldwin was in his late-40s and an established figure in literature.
As event television, it was electric. And clips from that 1971 program continue to be shared. For many young people, that interview is how they first encounter Baldwin, and Giovanni. She's now 81 years old, and has had a garlanded career, including a Grammy nomination, bestselling books and work as a distinguished professor of English at Virginia Tech. Giovanni tells host Razia Iqbal why Baldwin’s prose is a beautiful container for the fiery rage found in his messages.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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What do the results of the presidential election tell us about our country? We asked a veteran movement organizer to reflect on what feels like a rejection of her core values.
To help him make sense of all the post-election feelings, host Kai Wright gets advice from his mentor in the movement for racial and social justice, Rinku Sen. Sen is the executive director of the Narrative Initiative, which focuses on social movements working to root our multiracial democracy in equity and justice. She shares reflections and lessons from her own journey as an organizer and thinker.
Plus, Kai turns to reporter Brandon Tensley, who covers national politics for Capital B News, to break down what we know and don’t know about the incoming Trump Administration, and how he is preparing for what is to come professionally — and personally.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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Award-winning Irish writer Colm Toibin has long admired James Baldwin, ever since he read “Go Tell It on the Mountain" as a teenager, and has now written a book about him called simply “On James Baldwin.” When he picked “Go Tell It on the Mountain" from a shelf years ago, Toibin hadn’t heard or read anything about the novel, one of Baldwin’s most famous works. And without any pretense, he found himself immersed in the book’s words and characters. Reading it later in life as an accomplished author and professor, Toibin’s respect grew for Baldwin’s skill at depicting the human experience defined by interiority rather than external events. Toibin shares his insights with host Razia Iqbal, and describes how Baldwin managed to satisfy so many different kinds of readers — giving them a diversity of ideas and perspectives to take away from the pages.
Toibin is the author of 11 novels, including “The Master,” “Brooklyn” and “Nora Webster.” He's also written essays, journalism and a book of poetry. His work's been shortlisted for the Booker Prize three times and he has won the Costa Novel Award and the Impact Award. He writes regularly for the New York Review of Books, the London Review of Books, the New York Times and many other publications. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University in New York, where we sat with him in his office, teeming with books, papers, and as you’ll hear, a love for Baldwin.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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Former President Donald Trump has spent the last days of his 2024 campaign casting doubt on the U.S. election system, even taking the stage at a rally in Pennsylvania to say he “shouldn’t have left” the White House in 2020. The rhetoric and lies coming from the Trump campaign have also included a false narrative that non-U.S. citizens are voting illegally in large numbers, setting a stage to justify mass deportations or, if needed, declaring a stolen victory.
To put it bluntly, there will likely be no simple resolution to the outcome of this election.
Anne Applebaum, a staff writer for The Atlantic, Pulitzer Prize-winning author and co-host of the podcast Autocracy in America, joins host Kai Wright to discuss and dissect the ways the Trump campaign has laid the groundwork for distrust in the election results, no matter what they are.
Plus, we hear from NBC News disinformation reporter Brandy Zadrozny about the spaces where these lies are spreading and how to weed through disinformation on Election Day and beyond.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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In the seventh episode of “Notes on a Native Son" our guest is writer, philologist and James Baldwin biographer David Leeming.
In the biography, Leeming tells us that almost from the moment h e met Baldwin, he recognized that he was in the presence of a highly complex and driven individual, who was more intensely serious than anyone he had ever encountered.
It was in 1961, during Leeming’s time as head of English at the Robert College in Istanbul, that he first met Baldwin. Over the years, Leeming worked as an assistant to Baldwin, who gave him permission to take care of his papers. He tells host Razia Iqbal that he was at the author’s side during some of Baldwn’s liveliest years.
Leeming eventually became professor of English and comparative literature at the University of Connecticut. He has written several books on comparative literature and mythology, as well as a biography of the painter Beauford Delaney, who Baldwin regarded as his spiritual father.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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This presidential election is likely to be a squeaker, decided by a handful of votes in some key swing states. In this episode from our friends at the podcast Code Switch, we visit one of them — Michigan — in order to hear from some of the most influential and misunderstood voters in the country: Arab Americans in Dearborn.
Code Switch host Gene Demby reports that The Dearbornites they met said that the war in Gaza is one of the key issues weighing on their minds as they consider how to cast their ballots. But what that will mean in the voting booth is still a complex question. Will they go for Kamala Harris? Donald Trump? A third party candidate? No one at all?
What these voters ultimately decide could have huge consequences for the whole country.
Companion listening for this episode: "Voter Vibe Check: Democratic Voters Are Torn Over Biden’s Gaza Policy" (published March 18, 2024)
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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With the 2024 presidential election right around the corner, all eyes are on the swing states. In this episode, host Kai Wright travels to Atlanta, the heart of one swing state where early voting numbers are at a record high, to hear about the historically large political gender gap.
While the show was in town, Atlanta hosted homecoming festivities for Morehouse and Spelman Colleges, two of the nation’s most famous historically Black schools — and the perfect campuses to talk politics with students and alumni in between the parties.
Kai is joined by Omar Ali, a local Atlanta business owner and political organizer; Rose Scott, host of the daily news magazine Closer Look on WABE, Atlanta Public Radio; and Errin Haines, co-founder and editor-at-large of The 19th, a newsroom that covers the intersections of gender, politics and policy. Plus, listeners tell us how the candidates’ appeals to their gender identity will affect their vote.
Thanks to our station partner WABE for collaborating on this episode.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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In the sixth episode of “Notes on a Native Son,” writer Caryl Phillips shares the experience of getting to know James Baldwin beyond the pages of his work. Phillips not only respected Baldwin as a writer, but regarded him as a friend and perhaps a mentor, too.
Phillips was born on the Caribbean island of St. Kitts, and moved to Leeds, in northern England, when he was just 4 months old. It was as a student at Oxford where he first encountered the work of Baldwin. He tells host Razia Iqbal that meeting Baldwin was the first time he’d ever met a writer, something he knew he wanted to be.
Caryl Phillips was on the 1993 Granta list of Best of Young British Writers. His literary awards include Britain's oldest literary award, the James Tait Black Memorial Prize, for “Crossing the River,” which was also shortlisted for the 1993 Booker Prize. “A Distant Shore" was longlisted for the 2003 Booker Prize, and won the 2004 Commonwealth Writers Prize. He is a Fellow of the Royal Society of Literature and the Royal Society of the Arts, and a member of the American Academy of Arts and Letters. He currently teaches English at Yale University.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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There is a longstanding, widely held belief that the best chance at a better future is to go off to college – especially for people from marginalized communities.
Whether it was your teacher, general political rhetoric, or one of many sitcoms that reflect middle class American life, the message was to go to school or risk failure — dismissing millions of people who decided not to go to college and created viable, sustainable careers in trade professions, from manufacturing and welding to plumbing and software engineering.
And now, as college costs continue to rise and more people want to develop a sense of financial stability, education and careers in the trades through vocational schools are becoming not only more accepted, but also encouraged across all factors of society.
In our latest episode, host Kai Wright talks to Maya Bhattacharjee-Marcantonio, co-founder of The Marcy Lab School in Brooklyn, New York, and Eric Kelderman, a senior writer at the Chronicle of Higher Education about the shifting cultural cachet around earning a 4-year college degree. We talk about what motivates some students to pursue vocational education, what this change might mean long-term for Americans across demographics, and why some still prefer a professional path that includes college.
Support of WNYC’s coverage of economic mobility and opportunity is provided in part by the Bill & Melinda Gates Foundation. For more information about how the Gates Foundation supports economic mobility and opportunity, visit usprogram.gatesfoundation.org.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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In the fifth episode of Notes on a Native Son, our guest is Turkish-British writer Elif Shafak. She has published 21 books, 13 of them novels — including “The Forty Rules of Love” and her latest, “There are Rivers in the Sky” — and her work has been translated into 58 languages. Shafak is among those contemporary writers who are both lauded with awards, and deeply beloved by her readers.
Born in Strasbourg, France to Turkish parents, Shafak’s early life was peripatetic, living in both Ankara and Istanbul for long periods of time before moving to London. She tells host Razia Iqbal that her love for Istanbul connects her to James Baldwin, who also lived there on and off during the 1960s and early 1970s.
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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Ketanji Onyika Brown Jackson has always aspired to be a federal judge. In fact, the newest appointed associate justice of the United States Supreme Court wrote in her application to Harvard University that she wished “to attend Harvard Law School as I believed it might help me ‘to fulfill my fantasy of becoming the first Black, female Supreme Court justice to appear on a Broadway stage.’” She tells stories like these in her new memoir, "Lovely One."
Justice Jackson joins host Kai Wright to discuss the bestselling book and more in a live conversation recorded at the U.S. National Archives in Washington D.C. They are accompanied by musical performances from the percussive and vocal group The Women of the Calabash.
This episode was made in partnership with the March On Festival, telling stories that move, and AIDS Healthcare Foundation, through its We The People National Campaign, elevating the power of democracy for all Americans.
Notes from America is a 2024 Signal Awards finalist! Community voting is now open for the show to earn a Listener’s Choice honor for Best Live Podcast Recording, and we would be honored for you to take a minute to cast a vote our way. Click here to vote through October 17, and thank you for listening and supporting Notes from America!
Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at [email protected]. Send us a voice message by recording yourself on your phone and emailing us, or record one here.
Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
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