Episodios
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Episode Notes"Basquiat." The Brooklyn Museum. https://www.brooklynmuseum.org/exhibitions/basquiat.Buchhart, Dieter, ed. Jean-Michel Basquiat: Now's the Time. Milan: Skira, 2015. https://www.skira.net/en/books/jean-michel-basquiat-now-s-the-time.Emmerling, Leonhard. Jean-Michel Basquiat: 1960–1988: The Explosive Force of the Streets. Cologne: Taschen, 2003. https://www.taschen.com/pages/en/catalogue/art/all/06716/facts.jeanmichel_basquiat_19601988.htm.Hoban, Phoebe. Basquiat: A Quick Killing in Art. New York: Penguin Books, 2002. https://www.penguinrandomhouse.com/books/60742/basquiat-by-phoebe-hoban/.Marshall, Richard, et al. Jean-Michel Basquiat. New York: Whitney Museum of American Art, 1992. https://archive.org/details/jeanmichelbasqui00whit.Saggese, Jordana Moore. Reading Basquiat: Exploring Ambivalence in American Art. Berkeley: University of California Press, 2014. https://www.ucpress.edu/book/9780520274423/reading-basquiat.Schimmel, Paul, et al. Basquiat. Vienna: Hatje Cantz, 2010. https://www.hatjecantz.de/basquiat-3209-1.html.Shengold, Nina. "Jean-Michel Basquiat." Artforum International, vol. 27, no. 4, December 1988, pp. 109-110. JSTOR, https://www.jstor.org/stable/777002.Sirmans, Franklin, et al. Basquiat. Paris: Editions Gallimard, 2010. https://www.gallimard.fr/Catalogue/GALLIMARD/Art-et-Architecture/Basquiat.SNAKE-1, et al. "Basquiat: His Journey Through the 20th Century." Jean-Michel Basquiat, 2021, https://jean-michelbasquiat.com/basquiat-his-journey-through-the-20th-century/.
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Episode Notes
Ruben Salazar. (n.d.). In Wikipedia. Retrieved April 26, 2024, from https://en.wikipedia.org/wiki/Ruben_SalazarPulido, L. (2015). The Death of Rubén Salazar: Surreptitious Specters, Hidden Histories, and the Disavowal of Mexican America. American Quarterly, 67(2), 309-331. https://doi.org/10.1353/aq.2015.0016Rodriguez, G. (2014, August 29). How a Legendary L.A. Reporter Who Knew Too Much Met His Mysterious End. Los Angeles Times. https://www.latimes.com/local/la-me-ruben-salazar-20140830-story.htmlMujeres Muralistas. (n.d.). In Chicano Park Virtual Tour. Retrieved April 26, 2024, from https://www.chicanoparksandiego.com/muralistsChicano Park Murals. (n.d.). In Digital Archive of Mural Art. Retrieved April 26, 2024, from https://muralarchive.library.ucla.edu/node/43
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Barnett Newman Foundation. "Broken Obelisk." Barnett Newman Foundation, https://www.barnettnewman.org/sculpture/broken-obelisk.Museum of Modern Art. "Broken Obelisk, Barnett Newman (United States, 1905–1970)." MoMA, https://www.moma.org/collection/works/81736.Houston Chronicle. "What’s the Story Behind Houston’s Broken Obelisk?". Houston Chronicle, https://www.houstonchronicle.com/news/houston-texas/houston/article/What-s-the-story-behind-Houston-s-Broken-Obelisk-6116775.php.University of Washington Libraries Digital Collections. "Broken Obelisk, Barnett Newman." University of Washington Libraries Digital Collections, https://digitalcollections.lib.washington.edu/digital/collection/hoover/id/112."Broken Obelisk by Barnett Newman." Encyclopedia Britannica, https://www.britannica.com/topic/Broken-Obelisk.
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BibliographyMorris, Sarah. "Sarah Morris: 1972." Guggenheim Museum Publications, 2009. This publication provides an overview of Sarah Morris's artistic practice, including her work "1952 (Rings)".Dziewior, Yilmaz. "Sarah Morris: Beijing." Hatje Cantz, 2010. Although this book focuses primarily on Morris's work related to Beijing, it offers insights into her broader artistic themes and influences, which may shed light on "1952 (Rings)".Gioni, Massimiliano, and Sarah Morris. "Sarah Morris: Capital." Charta, 2001. This publication accompanies an exhibition of Morris's work, including "1952 (Rings)". It likely contains critical essays and images related to the artwork.Kamps, Toby, et al. "Sarah Morris: Bye Bye Brazil." Richter Verlag, 2010. While this book centers on Morris's project in Brazil, it could offer contextual information relevant to understanding "1952 (Rings)" in the context of her broader body of work.Morris, Sarah, et al. "Sarah Morris: Los Angeles." JRP|Ringier, 2019. This publication may not directly discuss "1952 (Rings)", but it provides insight into Morris's exploration of urban landscapes and architecture, which are themes present in her work.Obrist, Hans Ulrich, and Sarah Morris. "Sarah Morris." Moderna Museet, 2009. Published in conjunction with an exhibition at the Moderna Museet, this book could contain critical essays and interviews that touch upon "1952 (Rings)".Schwabsky, Barry, et al. "Sarah Morris: Paintings, Drawings, Films." Richter Verlag, 2005. While primarily focusing on Morris's paintings, drawings, and films, this book may provide valuable background information on "1952 (Rings)".Searle, Adrian, et al. "Sarah Morris: Beijing." Modern Art Oxford, 2008. This catalog accompanies an exhibition of Morris's work in Beijing, offering insights into her artistic process and themes, which could aid in understanding "1952 (Rings)".Sirmans, Franklin, and Sarah Morris. "Sarah Morris: Rio." Artangel, 2005. Although centered on Morris's project in Rio de Janeiro, this publication may contain discussions or images that relate to "1952 (Rings)".Tumlir, Jan, et al. "Sarah Morris: Midtown." JRP|Ringier, 2006. While focused on Morris's exploration of Midtown Manhattan, this book could provide useful context for understanding "1952 (Rings)" within the broader scope of her urban-themed works.
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Sculpture "Love" by Marisol at Whitney Museum of American ArtWebsite: https://whitney.org/collection/works/1131
Marisol Escobar - The Metropolitan Museum of ArtWebsite: https://www.metmuseum.org/toah/hd/mari/hd_mari.htm
Marisol Escobar Biography - The Art StoryWebsite: https://www.theartstory.org/artist/escobar-marisol/
Marisol Escobar - Encyclopedia BritannicaWebsite: https://www.britannica.com/biography/Marisol
Marisol Escobar Biography - National Gallery of ArtWebsite: https://www.nga.gov/collection/artist-info.3995.html
Marisol (Marisol Escobar) - GuggenheimWebsite: https://www.guggenheim.org/artwork/artist/marisol-escobar
Marisol - Museum of Modern Art (MoMA)Website: https://www.moma.org/artists/3840
Marisol Escobar - Smithsonian American Art MuseumWebsite: https://americanart.si.edu/artist/marisol-escobar-1442
Marisol Escobar - TateWebsite: https://www.tate.org.uk/art/artists/marisol-escobar-1058
Marisol - The Art Institute of ChicagoWebsite: https://www.artic.edu/artists/27459/marisol
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Bruce Conner: Biography. (n.d.). Retrieved from https://www.theartstory.org/artist/conner-bruce/Bruce Conner. (2022). In Wikipedia. Retrieved from https://en.wikipedia.org/wiki/Bruce_ConnerBruce Conner: It's All True. (2016). San Francisco Museum of Modern Art. Retrieved from https://www.sfmoma.org/exhibition/bruce-conner-its-all-true/Bruce Conner: The Art of Montage. (2016). Retrieved from https://www.moma.org/calendar/exhibitions/1580Bruce Conner. (n.d.). In Guggenheim Collection Online. Retrieved from https://www.guggenheim.org/artwork/artist/bruce-connerBruce Conner: Dream Logic. (2017). Museum of Modern Art. Retrieved from https://www.moma.org/calendar/exhibitions/3645
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Episode NotesDrew, J. (2008). "Social Media: Genealogy, Culture, Politics." Edited by Jose van Dijck and Thomas Poell. Sage Publications.Drew, J. (2012). "Making Waves: The Cultural Impact of Media Technology." Edited by José van Dijck, Thomas Poell, and Martijn de Waal. Amsterdam University Press.Drew, J. (2013). "The Popular Music Studies Reader." Edited by Andy Bennett, Barry Shank, and Jason Toynbee. Routledge.Drew, J., & Wills, D. (2008). "Media Interventions." Polity Press.Drew, J. (2016). "A Counter-Hegemonic Approach to Media Studies: The Critical Media Lab." Communication, Culture & Critique, 9(1), 156-170.Drew, J. (2010). "Digital Media: An Introduction." Oxford University Press.Drew, J. (2018). "Media Activism in the Digital Age." Routledge.Drew, J., & Gigi, A. (2015). "50 Years of Recuperation of the Situationist International." Princeton Architectural Press.Drew, J., & Dunbar-Hester, C. (2019). "Beyond the Media Fix: Resisting the Attention Economy." Polity Press.Drew, J. (2005). "We Are Everywhere: The Irresistible Rise of Global Anticapitalism." Verso Books.
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Episode NotesKim, H. K., & Nam June Paik Art Center. (2008). Nam June Paik. Nam June Paik Art Center. https://njpac-en.ggcf.kr/exhibition/nam-june-paik/Electronic Arts Intermix. (n.d.). Nam June Paik: Bakelite Robot. Electronic Arts Intermix. https://www.eai.org/titles/bakelite-robotTate. (n.d.). Nam June Paik: Bakelite Robot (2002) – Artwork details. Tate. https://www.tate.org.uk/art/artworks/paik-bakelite-robot-t12764Solomon R. Guggenheim Museum. (n.d.). Nam June Paik: Bakelite Robot (2002) – Exhibition Overview. Solomon R. Guggenheim Museum. https://www.guggenheim.org/exhibition/nam-june-paikNam June Paik Estate. (n.d.). Bakelite Robot. Nam June Paik Estate. http://www.paikstudios.com/pages/bakelite-robotThe Museum of Modern Art. (n.d.). Nam June Paik. The Museum of Modern Art. https://www.moma.org/artists/4471Harvard Art Museums. (n.d.). Paik, Nam June. Harvard Art Museums. https://www.harvardartmuseums.org/collections/person/28226?person=28226Centre Pompidou. (n.d.). Nam June Paik. Centre Pompidou. https://www.centrepompidou.fr/en/ressources/personne/c8GyjkMoMA PS1. (n.d.). Nam June Paik: Becoming Robot. MoMA PS1. https://www.moma.org/calendar/exhibitions/4099Smithsonian American Art Museum. (n.d.). Paik, Nam June. Smithsonian American Art Museum. https://americanart.si.edu/artist/nam-june-paik-3737
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Holzwarth, Hans Werner. (2016). Clyfford Still. Taschen. [https://www.taschen.com/pages/en/catalogue/art/all/44668/facts.clyfford_still.htm]
Anfam, David. (2012). Clyfford Still: The Artist's Materials. Clyfford Still Museum. [https://clyffordstillmuseum.org/publication/clyfford-still-the-artists-materials/]
Still, Clyfford. (2012). Clyfford Still: The Artist's Museum. Clyfford Still Museum. [https://clyffordstillmuseum.org/publication/clyfford-still-the-artists-museum/]
Giménez, Carmen, & Still, Clyfford. (2001). Clyfford Still: 1904-1980. The Menil Collection. [https://www.menil.org/exhibitions/153-clyfford-still-1904-1980]
Still, Clyfford. (1997). Clyfford Still: Paintings, 1944-1960. The Metropolitan Museum of Art. [https://www.metmuseum.org/art/metpublications/Clyfford_Still_Paintings_1944_1960]
Marika Herskovic. (2003). American Abstract Expressionism of the 1950s: An Illustrated Survey. New York School Press.
Sandler, Irving. (1970). The Triumph of American Painting: A History of Abstract Expressionism. Praeger Publishers.
Kramer, Hilton. (1959). The New York School: A Cultural Reckoning. Harper & Row.
Kuspit, Donald. (1990). Clyfford Still: Paintings 1944-1960. Hirshhorn Museum and Sculpture Garden.Clyfford Still Museum. (n.d.). Clyfford Still Biography. [https://clyffordstillmuseum.org/clyfford-still/biography/]
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Bibliography
"Equal (2015)" - Dia Art Foundation. https://www.diaart.org/visit/visit/dia-beacon-beacon-new-york-usa/artwork/equal-2015-richard-serra"Equal (2015) by Richard Serra" - Artsy. https://www.artsy.net/artwork/richard-serra-equal"Equal" - Wikipedia. https://en.wikipedia.org/wiki/Equal_(sculpture)"Richard Serra: Sculpture, Prints, Drawings" - Gagosian. https://gagosian.com/artists/richard-serra/"Richard Serra" - The Museum of Modern Art (MoMA). https://www.moma.org/artists/5345"Richard Serra’s ‘Equal’ at David Zwirner, London" - Blouin ArtInfo. https://www.blouinartinfo.com/news/story/1251698/richard-serras-equal-at-david-zwirner-london"Richard Serra: Equal" - David Zwirner Gallery. https://www.davidzwirner.com/exhibitions/2015/richard-serra-equal"Equal by Richard Serra" - The Broad. https://www.thebroad.org/art/richard-serra/equal"Richard Serra" - Guggenheim Museum. https://www.guggenheim.org/artwork/artist/richard-serra"Equal" - Public Art Archive. https://www.publicartarchive.org/work/equalFind out more at https://three-minute-modernist.pinecast.co
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Episode Notes
Arnason, H. H. (2014). History of Modern Art: Painting, Sculpture, Architecture, Photography (7th ed.). Pearson.
<pre>- [https://www.pearson.com/us/higher-education/program/Arnason-History-of-Modern-Art-Vol-1-Paperback-Plus-MySearchLab-with-eText-Package-7th-Edition/PGM270428.html](https://www.pearson.com/us/higher-education/program/Arnason-History-of-Modern-Art-Vol-1-Paperback-Plus-MySearchLab-with-eText-Package-7th-Edition/PGM270428.html)- - Celant, Germano. (1997). Damien Hirst. Fondazione Prada.- URL: [https://www.fondazioneprada.org/prodotto/damien-hirst/](https://www.fondazioneprada.org/prodotto/damien-hirst/)</pre>Gagosian Gallery. (2006). Damien Hirst: A Thousand Years. Gagosian Gallery.URL: https://gagosian.com/shop/books/2006-damien-hirst-a-thousand-years/Hirst, Damien. (1992). I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now. Thames & Hudson.URL: https://thamesandhudson.com/i-want-to-spend-the-rest-of-my-life-everywhere-with-everyone-one-to-one-always-forever-now-9780500276600Hirst, Damien. (1997). Damien Hirst: I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now. Booth-Clibborn Editions.URL: https://www.booth-clibborn.com/product/damien-hirst-i-want-to-spend-the-rest-of-my-life-everywhere-with-everyone-one-to-one-always-forever-now/Schama, Simon. (1997). Dead Right: The Great Adventure of Damien Hirst. The New Yorker, 73(26), 46-55.URL: https://www.newyorker.com/magazine/1997/09/22/dead-rightLivingstone, Marco. (2000). Damien Hirst. Tate Publishing.URL: https://shop.tate.org.uk/damien-hirst/15967.htmlHeartney, Eleanor. (2004). Damien Hirst. Taschen.URL: https://www.taschen.com/pages/en/catalogue/art/all/45308/facts.damien_hirst.htmSmith, Karen. (2012). Who's afraid of Damien Hirst? Visual Culture in Britain, 13(3), 359-383.URL: https://www.tandfonline.com/doi/abs/10.1080/14714787.2012.707529Stallabrass, Julian. (1999). High Art Lite: British Art in the 1990s. Verso.URL: https://www.versobooks.com/books/498-high-art-liteBishop, Claire. (2006). The Social Turn: Collaboration and Its Discontents. Artforum International, 44(6), 178-183.URL: https://www.artforum.com/print/200604/the-social-turn-collaboration-and-its-discontents-12309Hirst, Damien. (1993). Some Went Mad, Some Ran Away. Boxtree.URL: https://www.goodreads.com/book/show/566545.Some_Went_Mad_Some_Ran_AwayGraham-Dixon, Andrew. (2001). Damien Hirst. Harry N. Abrams.URL: https://www.penguinrandomhouse.com/books/116562/damien-hirst-by-andrew-graham-dixon/Jones, Jonathan. (2001). Damien Hirst: On the Way to Work. Faber & Faber.URL: https://www.faber.co.uk/9780571219112-damien-hirst.htmlGompertz, Will. (2015). What Are You Looking At? The Surprising, Shocking, and Sometimes Strange Story of 150 Years of Modern Art. Plume.URL: https://www.penguinrandomhouse.com/books/308087/what-are-you-looking-at-by-will-gompertz/Ferguson, Russell. (1996). The Young British Artists. Thames & Hudson.URL: https://www.thamesandhudson.com/the-young-british-artists-0-500-28039-1Kent, Sarah. (1999). Young British Art: The Saatchi Decade. Booth-Clibborn Editions.URL: https://www.goodreads.com/book/show/5464349-young-british-artKent, Sarah. (2001). Shark-Infested Waters: The Saatchi Collection of British Art in the 90s. Thames & Hudson.URL: https://www.thamesandhudson.com/shark-infested-waters-9780500282328Barber, Fionna. (1999). The Art of Medicine. BMJ: British Medical Journal, 319(7223), 1580.URL: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1117243/Gompertz, Will. (1997). The Other Hirst. The Guardian. Retrieved from https://www.theguardian.com/education/1997/sep/16/arts.highereducationSchama, Simon. (1997). Dead Right: The Great Adventure of Damien Hirst. The New Yorker, 73(26), 46-55.URL: https://www.newyorker.com/magazine/1997/09/22/dead-rightWalker, John A. (2000). Art in the Age of Mass Media. Pluto Press.URL: https://www.plutobooks.com/9780745316422/art-in-the-age-of-mass-media/Curtis, Penelope. (2001). Sculpture 1900-1945. Oxford University Press.URL: https://global.oup.com/academic/product/sculpture-9780192842057?cc=us&lang=en&Dorment, Richard. (2012). Damien Hirst: Why the artist is more important than the art. The Telegraph. Retrieved from https://www.telegraph.co.uk/culture/art/9572193/Damien-Hirst-Why-the-artist-is-more-important-than-the-art.htmlKing, Elliott H. (2008). Damien Hirst and the Death of Art. New England Review, 29(3), 139-144.URL: https://www.jstor.org/stable/30042283Mullins, Edwin. (2006). The Painted Word: British Conceptualism 1964-1989. Ridinghouse.URL: https://www.ridinghouse.co.uk/publications/44/Knight, Christopher. (1999). For Art's Sake: An Open Letter to Charles Saatchi. Los Angeles Times. Retrieved from https://www.latimes.com/archives/la-xpm-1999-jun-20-ca-48476-story.htmlWullschlager, Jackie. (2009). The Stuckists: punk art rebels. Financial Times. Retrieved from https://www.ft.com/content/0c413354-9299-11de-aed2-00144feabdc0Morris, Catherine. (2003). Strange Pilgrimages: Damien Hirst's “End of an Era” and the Production of British Art History. Oxford Art Journal, 26(1), 35–52.URL: https://academic.oup.com/oaj/article/26/1/35/1346697Molloy, Sean. (2008). Hirst's animal art under investigation. The Independent. Retrieved from https://www.independent.co.uk/arts-entertainment/art/news/hirsts-animal-art-under-investigation-771465.htmlCohen, Patricia. (2009). Art Review: Death Be Not Proud? The New York Times. Retrieved from https://www.nytimes.com/2009/06/01/arts/design/01hirst.htmlGleadell, Colin. (2010). Damien Hirst: What’s the Big Idea? The Telegraph. Retrieved from https://www.telegraph.co.uk/culture/art/artsales/7626885/Damien-Hirst-whats-the-big-idea.htmlDorment, Richard. (2008). Damien Hirst: This artist's a sensation, but is he a great artist? The Telegraph. Retrieved from https://www.telegraph.co.uk/culture/art/3673577/Damien-Hirst-This-artists-a-sensation-but-is-he-a-great-artist.htmlChilvers, Ian, and Glaves-Smith, John. (2009). A Dictionary of Modern and Contemporary Art (2nd ed.). Oxford University Press.URL: https://global.oup.com/academic/product/a-dictionary-of-modern-and-contemporary-art-9780199239658?cc=us&lang=en&Robertson, Jean. (2006). The Art Business. Routledge.URL: https://www.routledge.com/The-Art-Business/Robertson/p/book/9780415364796Find out more at https://three-minute-modernist.pinecast.co
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Bibliography
Serra, Richard. Writings/Interviews. Edited by Douglas Crimp, University of Chicago Press, 1994.Serra, Richard, and Kynaston McShine. Richard Serra Sculpture: Forty Years. Museum of Modern Art, 2007.Serra, Richard, and Hal Foster. Richard Serra, Sculpture. Guggenheim Museum, 1992.Foster, Hal. "The Return of the Real: Richard Serra's Drawings." October, vol. 58, 1991, pp. 31-41.Brenson, Michael. "ART VIEW; Richard Serra: The Space Between." The New York Times, 9 Nov. 1986, www.nytimes.com/1986/11/09/arts/art-view-richard-serra-the-space-between.html.Kimmelman, Michael. "Richard Serra, Sculptor: Constructing New Worlds with Steel." The New York Times, 29 Mar. 1987, www.nytimes.com/1987/03/29/arts/art-view-richard-serra-sculptor-constructing-new-worlds-with-steel.html.Hobbs, Robert. "Richard Serra." Artforum International, vol. 32, no. 9, 1994, pp. 82–87.Ellegood, Anne, et al. Focus: Richard Serra. The Museum of Contemporary Art, Los Angeles, 2006.Goldberg, Vicki. "Serra’s Public Art: Challenge and Awe." The New York Times, 16 June 1985, www.nytimes.com/1985/06/16/arts/art-view-serra-s-public-art-challenge-and-awe.html.Kertess, Klaus. Richard Serra Sculpture: Forty Years. Museum of Modern Art, 2007.McShine, Kynaston, and Lynne Cooke. Richard Serra Drawing: A Retrospective. The Menil Collection, 2011.Zelevansky, Lynn. "Richard Serra's 'Prop Pieces': An Interview." Artforum International, vol. 20, no. 7, 1982, pp. 30–35.Krauss, Rosalind E. "The Originality of the Avant-Garde and Other Modernist Myths." The MIT Press, 1985.Kramer, Hilton. "The Art World's Giant with the Flair of a Lilliputian." The New York Times, 20 Mar. 1983, www.nytimes.com/1983/03/20/arts/the-art-world-s-giant-with-the-flair-of-a-lilliputian.html.Kimmelman, Michael. "Experiencing Richard Serra's Mammoth 'Intersection'." The New York Times, 11 Oct. 1992, www.nytimes.com/1992/10/11/arts/art-experiencing-richard-serra-s-mammoth-intersection.html.Find out more at https://three-minute-modernist.pinecast.co
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Resources for info on Cy Twombly
The Cy Twombly Foundation Website (cytwombly.org)The Museum of Modern Art (MoMA) (moma.org)The Gagosian Gallery (gagosian.com)Tate Modern (tate.org.uk)The Whitney Museum of American Art (whitney.org)Artforum (artforum.com)The Art Story (theartstory.org)The Guardian Art & Design Section (theguardian.com/artanddesign)The New York Times Art Section (nytimes.com/section/arts)Google Arts & Culture (artsandculture.google.com)Support our Patreon - https://www.patreon.com/3MinModernist
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Art Institute page
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Joan Brown (1938-1990) was an American figurative painter who was a key figure in the Bay Area Figurative Movement, which emerged in San Francisco in the 1950s and 60s. Her work is known for its powerful use of color and its exploration of identity, often focusing on the female experience.Brown was born in San Francisco and studied at the California School of Fine Arts (now the San Francisco Art Institute). She was strongly influenced by the Bay Area Figurative painters, including Richard Diebenkorn and David Park, who emphasized the importance of the human figure in their work.Brown's early paintings were characterized by a bold use of color and a focus on the human form, often depicting herself or her family members. In the 1960s, her work became more abstract, with a greater emphasis on texture and surface.In the 1970s, Brown returned to figurative painting, creating powerful images of women that challenged traditional notions of femininity. Her work often explored themes of motherhood, sexuality, and identity, and she was one of the few female artists of her time to gain widespread recognition.Brown's work has been exhibited widely in the United States and abroad, and she has been the subject of numerous retrospectives, including a major exhibition at the Berkeley Art Museum in 1990, the year of her death. Her legacy continues to influence contemporary artists today.
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https://www.ubu.com/aspen/aspen3/
Aspen magazine issue three is an utterly important document of pop art, a magazine a document of pop art Go figure, but Aspen was different. It was a magazine in a box. It was a bunch of loose printed pieces and audio pieces and sometimes even video pieces placed into a box and sold the 1960s and into the early 70s. I own three of them and sadly not issue three which is the pop art issue, which was designed by Andy Warhol and David Dalton. And this is an absolutely massively important piece. The pieces range from the Velvet Underground, the view from the bandstand which includes their a flexi disc and some of their music. It includes pieces by John Cale and Peter Walker, a wonderful 12 paintings from the powers collection. And that's the art collection of Thomas powers. And it has James Rosenquist, Bridget Riley, Joe Lang, Lichtenstein, Noland Warhol, Klaus Oldenburg plays Oldenburger Larry Poons, Jasper Jones, de Kooning, an underground movie flipbook by Warhol were you flipping it includes Warhols kiss a 10 trip ticket book, which was from the Berkeley conference on LSD, the plastic exploding inevitable, which is a one shot newspaper done for the Velvet Underground and Warhols factory show series. what's incredible about this isn't necessarily the quality of individual pieces, but how the consolidation of them into a box makes so much sense with the method because the cover is done as a mock of FAB detergent, and it says fab 10 cents off and then there's now Aspen it's an incredibly pop art image. And since it's a box, it's mocking and mimicking a boxed product. In essence, this is exactly what pop art is doing. It is documenting the everyday world and showing it back at you in a way that you will recognize and this magazine and the link I'll include is just phenomenal. And I'll do another couple of aspen issues, including two that I own. So stay tuned.
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