Episodios
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David Duvshani talks with Ohad Meromi about sculpting, modernism, the 1990s, exile, and border crossings
Visit: tohumagazine.com
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ููุฏูู ูุณุงู ุฌุจุฑุงู ูุฑุงุกุฉ ุนุฑูุถุฉ ููู ุดุฑูุน ุงููููู ููููุงู ุงูููุณุทููู ุงูุฑุงุญู ุฃูู ู ุตูููุฉ. ููู ูุชุญููู ุงูุฌุณุฏ ุงูุจุดุฑูู ุฅูู ูุถุงุก ูุญูู ูุบุฉ ุงูุญุฑููุฉ ููุฌุณูุฏ ูููุง ุงูุฑููุต ุงุฎุชุฑุงููุง ููู ุฃููู ุจููู ุชูุงุตููู ุงูุฌุฑูุฆุฉ ุงูุชู ุชุฎูุถ ูู ุณุคุงู ุงูุญุฑููุฉ ูุชุณุจุฑ ุบูุฑ ุงูุฐุงุช ูุชููููุง ู ุฌูุจุฉ ุนู ุฃุณุฆูุฉ ูุฌูุฏููุฉ ุฌููุฑููุฉ.
Visit: tohumagazine.com
For this article: ุฃูู ู ุตูููุฉ: ุญุฌู ุงููุฑุงุบ ูุณุคุงู ุงูู ุง ุจุนุฏ
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¿Faltan episodios?
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ืืคืจืง ืืฉืืืฉื ืฉื ืืคืืืงืกื ืืขืืกืง ืืืืืืื ืฉืื ืื ืฉื ืจืืื ืืืช ืืชืจืืืช, ืืืชื ืื ืืฉื ืืฉืืื ืขื ืกืืืืื ืื ื ื, ืืืจืช ืื ืืจื ืืืืคืืช ืืชืืงื ืืืืขืจืืช. ืืืืจ ืฉืืื ืืืืืื ืืืืจืืคื, ืืืื ืืืจืฆืืช ืืืจืืช ืืืฉื ื - 25 ืฉื ื, ืืืื ืกืืืืื ืื ืื ืกืื ืืืช ืืงืืจืกืื ืืืืืืฆืื ืืืืจื ืกืคืืจืืฆืื ืืืจื ืืื ืืจื ืืืฉืจืื ืืืจืืื ืืขืืื. ืืื ืคืืชืื ืฉืืืช ืืืืื ื ืืืืฆืขืืช ืชืืฆืืืช ืคืจืืื, ืืฉืจ ืฉืืจืฉืื ืืฆืืืื ืืคืจืืื ืฉืืืื ืืื ืืงืืืื ื ืฉื ืืืฉื ืืคืื ื. ืืื ืืฉื ืช 1978 ืืืชื ืกืืืืื ืชืืืืืชื ืฉื ืืืฉื, ืืืืฉืจืื ืฉืื ืงืืืื ืืช ืืืฉืจืชื. ืกืคืจื ืืฉื ื ืขืืื ืืฆืืช ืืืืจ ืืงืจืื ืชืืช ืืืืชืจืช "ืืืจื ืืืืฉืจ ืขืืืื - ืืื ืขื ืืืฉื".
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ูุชุงุจุชูุง ูู ุฌูุฉ ุชููู ู ูุงูุง ูุณุชุนุฑุถ ูุชุงุจูุง ุจู ูุถูุน ุงูู ุณุชูุจููุฉ-ุงูุงูุฑูููุฉุ ูุงุฏ ูู ู ุณููู ุงู ุงูู ุชูุตู ูุจุญุซ ู ูููู ุงูู ุณุชูุจููุฉ ุงูุนุฑุจูุฉุ ุงูุฐู ูุง ุฒุงู ูุฎุทู ุฎุทูุงุชู ุงูุฃูููุ ุงุฑุชุจุงุทูุง ุจุงูููุฉ ุงููุงู ูุฉ ูู ูุฐู ุงูููุฑุฉ ูู ุชุดูู ู ุฑูุจูุง ู ุฑูุฒูุง ูู ุงูุฌุฏู ุงูุฑุงูู ุญูู ุงูุซูุงูุฉ ุงูุนุฑุจูุฉ ุนู ูู ุง ูุงูุซูุงูุฉ ุงูููุณุทูููุฉ ุฎุตูุตูุง
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โWhat it Means to Write About Art features conversations with writers who average three decades of experience turning phrases that go to press with a bold, uninhibited passion for art.โ Matt Hanson reviews Jarrett Earnestโs recent book, a collection of interviews with prominent art writers such as Jerry Saltz, Roberta Smith, Lucy Lippard, Rosalind Krauss, and Yve Alain Bois.
Reading: Matt Hanson
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ืืชืืืช ืกืงืืจื ืขื ืกืคืจ ืื ืืฉื ืืคืจื-ืคืืืืจืืื ืขืืืจ ืืืืื ืชืืื ืืืืื ืืช ืืื ืกืืืืืื ืืืืื ืืช ืจืขืืื ืืคืืืืจืืื ืืขืจืื, ืฉื ืืฆื ืขืืืื ืืืืชืืืื. ืืจื ืขืืืืืช ืฉื ืืื ืื ืืื ืืจืืกื ืกื ืกืืจ, ืกืืืืืื ืื'ืื ืืงืืืงืืื ืชืฉืืืืฉ, ืืืืงืช ืกืืืืืื ืืช ืืคืืื ืฆืืื ืฉื ืืคืืืืจืืื ืืขืจืื ืืืคืื ืืืจืืื ืืจืืื ืืืืื ืืขืืฉืื ืขื ืชืจืืืช ืขืจืืืช ืืืื ืืชืจืืืช ืคืืกืืื ืืช ืืคืจื.
ืืงืจืืื: ืืืื ื. ืจืื
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ืืืื ืืืกืฃ ืฉืฉืื ืฆืื, ืืืื ืืืื, ืฉืื ืืคืืขื ืืืืกืืจืื, ืขืืื ืืืงืื ืคืจืืืงื ืจืื ืืืืื ืืืจืืื ืืืงืืื ืืืืกืืจืื, ืืืจืืฉืืื ืืืืืื. ืืืฉืืจืจ ืืืกืืคืจ ืืชื ืฉืืืืืืฃ ืืฉืืื ืขืื ืขื ืฉื ืืชืื ืืืื ืืืฉืจืื ืืขืืืช ืืืืชื ืืื ืืืืื ืืืื ืืืืจืืคื, ืขื ืืืืืช, ืขื ืืืืช, ืขื ืืืจื, ืืขื ืืกืชืจื ืืื ืืื.
ืืงืจืื: ืืชื ืฉืืืืืืฃ
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David Duvshani talks with Rafram Chaddad, artist and connoisseur of cooking traditions of the Mediterranean, who lives in Tunisia. They discuss art and food, wandering, traditions and their preservation, artworks created by Chaddad in recent years, and the contemporary art scene in Tunisia.
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David Duvshani talks with Raymond Pettibon about politics, nostalgia, baseball, and drawing, on the occasion of Pettibonโs exhibition โAnd What is Drawing For,โ currently at the Tel Aviv Museum of Art.
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From researching and re-imagining a 1943 exhibition of modern Lebanese art in Jerusalem to writing for a leading independent arts magazine, to being part of an artist-run gallery in Brooklyn, Hakim Bishara has been experimenting with various practices in the past few years. David Duvshani recently met the Palestinian writer, curator, and artist in New York for a conversation about these multiple ventures and about the New York cultural scene in the Trump era.
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In this Tohu Podcast, David Duvshani meets performance and social practice art pioneer Mierle Laderman Ukeles in Jerusalem for a conversation following her move to Jerusalem and her latest retrospective exhibition at the Queens Museum in New York. They talk about manifestos, authenticity, collaboration, art education, women artists, labor organization, life in Jerusalem, and the state of the political Left in the US and in Israel/Palestine.
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ืึถืกึฐืึตึผืช (ืคืืืงืืกื) ืืืฉ ืืืืช ืชืืื. ืืงืฉืืื ืืืืชื ืื ืืฉื ืืฉืืื ืืื ืคืจืง ืขื ืืืฉืืืช ืืขื ืืื ืช ืืืจืช ืื ืืฉืืื ืฉืืื ืจืื ืืชืจืืืช.
"ืืืืื ืื ืฉืืงืืฃ ืฉื ืืืฆืจ ืคืจืืข ืืืื" - ืืืกืืช ืืจืืฉืื, ืืืชื ืื ืืฉื ืืฉืืื ืขื ืฉื ืืืืื, ืกืืคืจ, ืืืื ืืขืืช, ืืืจื ืจืืื ื, ืืจืฆื ืืืืื. ืชืืจืชื ืืกืคืจืื ืฉื ืืืืื ืืฉืืืื ืคืกืืืืืืืื ืคืืคืืืจืืช ืืคืืืืกืืคืื ืืขืจืืืช ืืืืจืืืช. ืืื 2012 ืืื ืืชืืืจืจ ืืืืื ืืืจืืื, ืฉื ืืืกื ืืจืื ืืืืื ืืืืคืื ืืืืงืืฉ ืืฉืืืืช ืฉืคืืชื. -
In the second chapter of this podcast, which focuses on matters between the spiritual and the cultural, Eitan Ben Moshe talks with Maya Dunsky โ Butoh dancer, choreographer, and painter โ about the Japanese avant-garde spiritual dance, and about its principles that find expression also in everyday life.
ืืคืจืง ืืฉื ื ืฉื ืืคืืืงืกื ืื ืืฉืืื ืฉืืื ืจืื ืืชืจืืืช, ืืืชื ืื ืืฉื ืืฉืืื ืขื ืืื ืืื ืกืงื, ืจืงืื ืืช ืืืื, ืืืจืืืืืจืคืืช ืืฆืืืจืช, ืืืืืช ืืืื ืื ืฉืื ืืืืื ืืจืื ืืืคื ื ืืขืงืจืื ืืชืื ืืคื ืฉืื ืืืื ืืืื ืืืืื ืื ืืืืื ืืืืืืืืืื.
