Episodios
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**Please be sure to catch the link to a powerful testimonial about Greg's practice below! JN
In this episode, Greg Spence of Mystery to Mastery and Denver-based amateur trumpeter Julie Baxes discuss experiences and strategies for overcoming focal dystonia.
Recorded at the recent ITG conference in Anaheim, Julie shares her near-recovery journey from dystonia, while Greg explains how his Mystery to Mastery program unintentionally became a beacon for dystonia sufferers.
Julie candidly describes her initial focal dystonia symptoms, her reconnection with Greg during COVID, and the intensive process of understanding and managing the condition. She recounts her personal struggles, including a misinterpretation of feedback from a conductor,which led to a great deal of personal shame. Ultimately this led to a loss of control of her physical abilities, and even a sense of isolation from the music community.
Listen to Julie recount her determined comeback into the ranks of performing artists through patience, a conscientious mindset re: music and finding her place in her local scene given her experiences.
Emphasized throughout the interview is the importance of stillness, error detection, and a step-by-step approach to remapping neural pathways.
Julie and Greg both stress the need for open conversations about focal dystonia in the musician community and the importance of catching early signs. The episode closes with advice for those potentially facing the condition and a call to action for orchestras and universities to support affected musicians.
Episode highlights
01:46 Julie's Journey with Focal Dystonia
02:07 Greg's Teaching Approach
04:00 The Mystery to Mastery Program
05:50 Understanding Stillness and Anxiety
14:00 Julie's Personal Struggles
34:23 The Challenge of Achieving Stillness
35:35 The Importance of Closing Your Eyes
37:16 Understanding Focal Dystonia
39:47 The Error Trilogy: Detection, Rejection, Correction
40:40 Personal Experiences and Techniques
41:52 The Role of Psychological Factors
43:22 The Journey to Recovery
49:12 The Importance of Open Communication
53:59 Distinguishing Focal Dystonia from Performance Anxiety
56:07 Advice for Musicians to Prevent Focal Dystonia
01:04:39 Final Thoughts and Encouragement
Resources mentioned:
Mystery to Mastery
"Greg Spence Changed My Life" video
About the guests:
Julie Baxes is an amateur trumpet player who began her music journey as a pianist, performing with church choirs, in small ensembles and for weddings and other special occasions. She picked up trumpet in her mid 40s and has studied with a variety of teachers over the years, most recently working exclusively with Greg Spence for the past 4 years.
Julie has performed with the Jeffco Community Band, Jeffco Brass (for wedding receptions, civic events, church services and retirement communities), university jazz and concert bands, and the Rocky Mountain Brassworks, a British-style brass band that performs in Denver metro area venues.
Julie has worked in the marketing communications and public affairs field for more than 30 years as a writer, editor, public speaker, staff manager, marketing and public affairs strategist, and special events manager. She holds a BA in journalism and a marketing minor from Arizona State University.
___
Greg Spence
From a...
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Jason Harrelson is the founder of Harrelson Trumpets, and has been universally reviled by professional trumpet players the world over as a peddler of snake oil, overrated, garbage, and much more.
But he's been at it a long time, and so there's got to be some method to the madness!
Jason and I first met in the early 2000's in the fledgling days of his now-successful trumpet-making business. He modified old trumpets into things that looked like spaceships.
Did it make them play better?
It's been so long, I honestly don't remember.
But it sure looked cool!
At any rate, Jason and I reconnected at the recent ITG conference in Anaheim, CA and he was game to record a podcast.
I've now shared with you what you likely already knew about Jason.
What you likely did NOT know is that Jason has suffered from mild heart attacks and mini-strokes his entire life due to a birth defect.
In fact, around 2012, Jason nearly succumbed to a massive heart attack and stroke which left him alive, yet completely without memory of any part of his past.
In this episode, Jason will share about his condition, his medical "event" as the doctors say, and the long road to recovery to form as not only a great trumpet maker, but as an exceptional human being.
Episode Highlights:
00:30 Early Days and Unique Trumpet Designs
01:56 Personalization and Client Reactions
05:11 Health Challenges and Musical Passion
08:03 Living with a Hidden Disability
09:11 Experiencing Heart Attacks and Strokes
12:46 The Major Health Event of 2012
18:32 Seeking Medical Help: Finding the Right Doctor
19:54 Understanding PFO and Aura Migraines
22:30 The Role of Trumpet Playing in Health
24:54 The Road to Recovery: Overcoming Strokes
30:25 Relearning Life Skills Post-Stroke
36:20 Future Aspirations and Final Thoughts
Resources mentioned:
Harrelson Trumpets
Brass Mastery YouTube channel
About the Guest:
Jason Harrelson, founder of Harrelson Trumpets, was playing a 60's Bach Stradivarius in 1992. When asked to trade horns for a few minutes, he took his friend's brand new Bach Strad 37 into a practice room and was promptly blown away. The new Bach played circles around his own horn! And his friend returned the vintage Bach complaining that it didn't play very well.
This was the beginning of what has become the world's most comprehensive resource for the advancement of brass instrument technology. Jason began experimenting with trumpet design and the tedious work of dispelling hundreds of unfounded brass playing myths. Three years later, he began formally exploring the physics of sound and brass instrument design in the physics lab under the supervision of an accomplished acoustician. His mentor was the lead physicist working with Yamaha to re-design their line of acoustic guitars. Needless to say, Jason listened, learned and eventually dropped out of college to pursue his passion designing, building and performing a new breed of brass instruments.
Body + Mind + Spirit = Mastery. Now available is a collection of excerpts from some of the most popular episodes of the Trumpet Dynamics podcast featuring the likes of Chris Coletti, Sergei Nakariakov, Manny Laureano, and more.
It's a FREE download available right now on brassmastery.com!
Mentioned in this episode:
CTA
Look us up on the web...
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Today's episode features an interview with trombonist/publisher David Vining, recorded at the 2024 ITG Conference in Anaheim, California.
David was diagnosed with focal dystonia in 2003. In our interview, he discusses his struggles, eventual recovery through holistic movement therapies such as Feldenkrais, Alexander Technique, and body mapping and exposing the vastly understudied diagnoses and treatment of focal dystonia.
Perhaps the biggest misconception about focal dystonia is that it is a physical problem. While the symptoms manifest in the physical realm, it is a distinctly neurological issue which disrupts musicians' fine motor skills.
David's diagnosis and eventual recovery inspired him to establish Mountain Peak Music, which offers resources and materials aimed at promoting healthy playing and living habits, as well as taking a preventative approach to issues like dystonia.
Episode Highlights:
01:25 David Vining's Musical Journey
04:37 The Onset of Focal Dystonia
05:43 Diagnosis and Initial Struggles
09:24 Exploring Treatment Options
18:34 Movement Therapies and Recovery
25:29 Redefining Embouchure and Global Awareness
26:46 Rafael Mendez a Model of Overcoming Adversity
27:54 Recovering from Focal Dystonia
29:33 Founding Mountain Peak Music
30:19 The Breathing Book and Body Mapping
32:32 Innovative Learning Materials
36:49 Success Stories and Cross Training
45:02 Challenges with High Brass Players
46:42 Final Thoughts and Advice
Resources mentioned:
Mountain Peak Music
About the Guest:
Trombonist David Vining is the founder of Mountain Peak Music, a publishing company devoted to offering innovative, healthy teaching methods for all musicians. Mountain Peak Music represents Mr. Vining’s personal mission, combining his extensive performing and teaching background with insights learned through his remarkable recovery from embouchure dystonia. His Mountain Peak Music publications include the Breathing Book series, Flow Studies, Daily Routines, Long Tone Duets, Trombone Intonation Mastery, Dueling Fundamentals for Trombones, Cross Training for Musicians, The Big Book of Sight Reading Duets, Teaching Brass, and Rangesongs.
Currently Professor of Trombone at Northern Arizona University in Flagstaff, Arizona, Mr. Vining has also served on the faculties of the University of Cincinnati’s College-Conservatory of Music and the University of Kansas. Professor Vining’s teaching transcends his trombone specialty, covering a wide range of topics appealing to musicians of every discipline. He is equally at home teaching trombone technique, helping instrumentalists and vocalists become more efficient, and helping musicians cope with injuries, among other topics.
Mr. Vining is a dynamic performer who has delivered hundreds of recitals nationwide. As trombonist with the Chestnut Brass Company, he recorded several CD’s and toured the United States and Europe performing recitals, masterclasses, and concerts with orchestras. Currently a member of the Flagstaff Symphony, he has performed with the Cincinnati Symphony, Kansas City Symphony and the Philadelphia Orchestra. Mr. Vining has appeared on college campuses coast-to-coast in recital and as a guest soloist with ensembles, and recorded a solo CD, Arrows of Time.
Body + Mind + Spirit = Mastery. Now available is a collection of excerpts from some of the most popular...
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Welcome to the show. Today we’re tackling a topic that sends chills down the spines of many: mastering auditions. Whether you’re aiming for a spot in an orchestra, prepping for a college jury, or even gearing up for that pivotal job interview, the anxiety and fear of auditions is a universal experience.
Auditions can feel like stepping into the unknown, a daunting challenge that tests not only your skills but also your nerves. But here's the good news: just like any other challenge, the more you familiarize yourself with the process, the less intimidating it becomes. Remember the first time you rode a bike or spoke in public? The fear melted away with practice and preparation, and auditions are no different.
Our guest on this episode is Micah Wilkinson, principal trumpet with the Pittsburgh Symphony Orchestra. Micah has been on both sides of the audition table and understands the nuances that can make or break a performance.
Our hope is that by the end of this episode, you’ll feel more confident and equipped to tackle your next big opportunity with ease. Let’s turn those audition fears into triumphs!
Episode Highlights:
-Micah shares his musical background in the Atlanta area...02:25
-"You have what it takes to be a principal player"; a mentor spurs on a promising career...06:06
-Micah's personal experience with auditions (what worked, what didn't)...12:05
-Success in certain roles requires a certain amount of "healthy arrogance"...17:25
-Focus on the music vs. YOU and no one hardly notices the mistakes...23:19
-How do you play "consistently"; and what does "consistency" even mean?...28:35
-How a giant whiteboard and recording device can help you track progress on audition prep...32:00
-"There's no doubt in my mind the person who won [the recent PSO audition] was more prepared than anyone else"...35:00
-View articulation more as properly expressing the language of the music vs. tonguing or fingering with a certain technique...43:00
-Plus whatever your discerning ears deem worthy of your time and interest...
Episode Sponsor:
MF Lip Grip
About the Guest:
Micah Wilkinson has enjoyed a varied career as an orchestral musician, soloist, chamber artist, and teacher. He was appointed Principal Trumpet of the Pittsburgh Symphony Orchestra by Music Director Manfred Honeck in September 2017. Wilkinson came to the Pittsburgh Symphony from the San Diego Symphony, where he served as Principal Trumpet for three years. He previously held positions with the Houston Symphony, the San Francisco Symphony, the Oregon Symphony, and the Tucson Symphony. He recently performed in subscription programs as Guest Principal Trumpet with the New York Philharmonic, Chicago Symphony Orchestra, St. Louis Symphony, and the Seoul Philharmonic. In the summers, he performs as Principal Trumpet of the Chautauqua Symphony Orchestra.
As an educator, he strives to help the next generation of brass players to find their own unique voices as musical artists. He is quickly becoming one of the most sought-after instructors for trumpet in the United States and enjoys working privately with students at his home studio in Pittsburgh and online through virtual platforms. He is currently on the faculty at Duquesne University in Pittsburgh and at the Chautauqua Institution School of Music. He has also taught at the Aspen Music Festival, Eastman Summer Music Institute, Round Top Festival Hill Institute, and the Brevard Music Center. He previously served on the faculties of the University of Houston and Portland State University, and has presented master classes and clinics for colleges and universities all over the United States, as well as Europe and Asia.
Wilkinson grew up in Norcross, Georgia. A...
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We welcome to the podcast Marcus Reynolds, who with his Stratos Brass device has provided a beacon of hope for the thousands of brass players across the globe who struggle with embouchure issues.
Like many great triumphs in life, Marcus' journey to becoming a tireless promoter of safer and healthier brass playing began with a tragedy. A major lip injury completely derailed Marcus' successful playing career. In an instant his sole source of income and personal identity was gone.
In this episode, Marcus shares in-depth the painful - both physical and psychological - road to recovery, and how a mysterious "nocturnal hieroglyphic" ultimately became the inspiration for a device that is changing lives for the better. Indeed it is no exaggeration to say that Marcus' tireless efforts have even extended playing careers that once appeared to have reached their end.
Enjoy the episode!
Episode highlights:
-Belief in the mission compels a tireless promotion of the solution for the problem...01:55
-A catastrophic lip injury set Marcus through the extreme depths and heights of human emotion...03:50
-The psychological damage was just as profound as the physical...09:35
-A "nocturnal hieroglyphic" circa 2008 is ultimately the genesis of the Stratos Brass device....11:05
-You become a self-psychologist when your identity is taken away from you...18:10
-Clarifying the "upstream" and "downstream" of air flow...24:40
-Success stories from high-profile musicians who've worked with Marcus and his invention...27:30
-The basic physiology of what's going on with your body when you use the Stratos device...33:00
-How Marcus' personality and self-perception has changed after becoming a quasi-celebrity in the brass world...45:05
-"It's very possible that you've had a greater impact in light of that accident than you ever would have had you stayed perfectly healthy"... 54:50
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:Stratos BrassBrass Mastery podcast w/ Larry Meregillano
About the Guest:"
I am a brass instrument tutor of over 40 years experience in both the private and local government sectors. As well as general brass teaching, I also specialise in embouchure development and rescue for brass players. Building on my experience as a teacher and professional musician I am also the creator of the unique STRATOS Embouchure System. I am also an author of ‘Range without Resistance’. Stratos Encore Pro is an adaptable and adjustable embouchure system that can be fitted to virtually all brass instruments to help players adapt and improve their embouchure. I have also written a series of articles on the brass embouchure which have been published in Brass Band World, Brass Herald and British Trombone Society Magazine.
As a professional musician I have over 30 years experience of recording music and performing live, both as a lead trombonist and a solo artist. I also have many years experience in the role of musical director for several big bands and brass ensembles. I currently play a Rath R12 trombone which I co-developed with Michael Rath Trombones."
Body + Mind + Spirit = Mastery. Now available is a collection of excerpts from some of the most popular episodes of the Trumpet Dynamics podcast featuring the likes of Chris Coletti, Sergei Nakariakov, Manny Laureano, and more.
It's a FREE download available right now on brassmastery.com!
Mentioned in this...
This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit brassmastery.substack.com -
Malcolm McNab is quite possibly the greatest trumpeter in the world that you've never heard of. I recall a friend of mine back in 2008-09 timeframe putting in Malcolm's CD Exquisite, and being unable to believe what I was hearing. The range, the accuracy, the musicality.
My friend said something along the lines of, "This is the guy who played the lead part on Jurassic Park."
"Oh," was my reply.
Why is it I've never heard of this guy?!
One of this life's great injustices is that the musicians on those movies we've grown up with do not get proper credit for their work. The music makes or breaks the movie. Any director or producer will tell you that.
The Hollywood scene is not one with which I have any familiarity, so I'll keep further judgment to myself. But suffice it to say I'm grateful to be able to share some of Malcolm's thoughts with y'all listening into the podcast.
We began talking about the great Raphael Mendez, including an incredible story from his childhood that very well could have contributed to him being such a kind and generous person on and off the stage.
And talking with a great master of his craft, the conversation naturally drifted into pedagogy, as well as some cool stories of Malcolm's interactions with some of the elite Hollywood directors and producers, including Steven Spielberg making a cameo appearance playing clarinet on Jaws.
Yes, it's that kind of episode.
Enjoy!
BTW, I have an extremely limited number of Malcolm's CD's available FOR FREE. Yes, no cost. Malcolm had some of his CD's with him at the conference, and he told me to just give them out to people.
So tune in to the very end of the episode to learn how you can get a copy of one of Malcolm's CD's for free (if you can pay for shipping, it's appreciated but not required.)
Episode highlights:
-The incredible story of Raphael Mendez being conscripted into Pancho Villa's army as a child...04:20
-Raphael's firing from a studio gig became the catalyst for his great solo career...08:30
-Raphael's story as told in an opera has sadly been lost to posterity...13:36
-How Malcolm continues his legacy by passing on his knowledge to others with lessons and camps...21:22
-Looking for the "sweet spot" with the tone and pitch...28:52
-If you can master the physical side of playing, it naturally has a positive effect on your mental and spiritual wellbeing...32:30
-Breaking into the Hollywood music scene and making connections with some of the great filmmakers...45:51
-The future of "Camp McNab" in wake of the pandemic's devastating effects...57:38
-Suffering in life comes full circle years later...1:05:48
-Plus whatever your discerning ears deem worthy of your time and interest...
Body + Mind + Spirit = Mastery. Now available is a collection of excerpts from some of the most popular episodes of the Trumpet Dynamics podcast featuring the likes of Chris Coletti, Sergei Nakariakov, Manny Laureano, and more.
It's a FREE download available right now on brassmastery.com!
About the Guest:
Malcolm Boyd McNab was born in Cleveland, Ohio on March 25th 1943. That summer, his family moved out to California where he was raised in the San Gabriel Valley. He began studying the trumpet at the age of nine, with his father Boyd McNab as his first teacher. Later, he studied with Pasadena trumpet teacher Walter Laursen, and performed with the Pasadena Symphony at the age of fourteen while still a student at Mark Keppel High School in Alhambra.
In 1958 at the age of 15, Malcolm began playing with the Young Musicians Foundation Debut Orchestra under conductors Dr. Miklos Rosza, Lawrence Foster, Gerhard Samuel and Henry Lewis. He soon became...
This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit brassmastery.substack.com -
Body + Mind + Spirit = Mastery. Now available is a collection of excerpts from some of the most popular episodes of the Trumpet Dynamics podcast featuring the likes of Chris Coletti, Sergei Nakariakov, Manny Laureano, and more.
It's a FREE download available right now on brassmastery.com!
Mentioned in this episode:
CTA
Look us up on the web at brassmastery.com, and connect with us on Instagram! The handle is @brassmastery.
This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit brassmastery.substack.com -
Body + Mind + Spirit = Mastery. Now available is a collection of excerpts from some of the most popular episodes of the Trumpet Dynamics podcast featuring the likes of Chris Coletti, Sergei Nakariakov, Manny Laureano, and more.
It's a FREE download available right now on brassmastery.com!
brassmastery.com/bergman
When I first approached Jason Bergman about appearing on the Brass Mastery™ podcast, the first thing I asked him was, "What do you want to talk about?"
It's always best to play to the strengths of your guests when one is doing a creative endeavor such as this.
Jason replied he'd like to delve into the realm of self-care as it pertains to teaching brass instrumentalists.
As professor of trumpet at the prestigious Jacobs School of Music at Indiana University, Jason has learned a thing or two on this topic (or one would assume), so I agreed to discuss this on the show, eager to hear what he has to say on the topic.
The thing we ended up talking about the most is how shame affects our self-perception as musicians, hindering our musical output and progression - to the point some even get discouraged and leave music as a serious pursuit altogether.
What is the root cause of this shame and deleterious effects it has on us?
Jason opens up on some of his own setbacks as a performer and teacher, and shares some of the innovative teaching techniques he employs at IU to confront the many barriers we put up that inhibit our progress as musicians and play to the best of our ability.
Episode highlights:
-Brief rundown of Jason's academic career...03:00
-Giving credit to impactful figures who don't seek the spotlight...05:15
-One seemingly insignificant thing we say today may make a massive impact in the future...07:45
-Jason's founding origins on trumpet and music...11:20
-The students became the mentor...17:35
-Self-awareness, and the need to care for one's self in order to best help those charged to our care...22:50
-An examination of shame and how it affects our mindset and overall wellbeing as musicians...29:00
-We get ourselves tied up in knots when we're thinking about the notes vs. the musical product...36:00
-When you're "okay with being unokay" the mistakes magically dissipate...38:40
-"A rising tide lifts all ships" i.e. when one succeeds, all succeed...41:40
-Meat therapy, and how Jason decompresses during down time...46:10
Resources mentioned:
Brene Brown videos
About the Guest:
American trumpeter Jason Bergman was appointed Associate Professor of Music in Trumpet at the Indiana University Jacobs School of Music in 2022.
He has performed throughout the United States, South America, Europe, and China. In 2008, Bergman was named Associate Principal Trumpet of the Santiago Philharmonic in Chile and more recently has been Principal Trumpet of the Mobile Symphony Orchestra and Mobile Opera. He has also performed with the Utah Symphony, Indianapolis Chamber Orchestra, Dallas Symphony, Dallas Opera, Fort Worth Symphony, and the Dallas Winds, including on their Grammy-nominated album featuring the music of John Williams. Additionally, Bergman has performed in concert with the Canadian Brass, Rhythm & Brass and with conductor David Robertson at Carnegie Hall as part of the Weill Music Institute. He also performed as a fellow at the Music Academy of the West.
Bergman has given recitals and master classes at numerous institutions worldwide and has performed and presented at the Midwest Band and Orchestra Clinic, College Music Society, International Tuba and Euphonium...
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Brass Mastery...
What does that even mean?
There's always something to work on; something that can be done better. Some thing that wasn't perfect.
And then when we do master that thing, it's on to the next thing that seems impossible, always bringing us back to reality.
It's always two steps forward, one step back, isn't it? making the idea of Brass Mastery truly elusive.
But what if our instrument is not the thing we should be trying to master.
Maybe there's more to Brass Mastery than playing at a certain level, finding the perfect mouthpiece, or playing higher, faster and louder than the next guy.
What if we are the ones we need to master? Our body, mind and spirit.
And if we're able to master ourself, does it even matter whether we master our instrument?
My name is James D. Newcomb, and in this podcast we will uncover the secrets of those who have seemingly mastered their brass instrument. We will dive deep into conquering those elements - body, mind, spirit (with just enough pedagogy to keep it real) - in hopes of taking our playing and our quality of life to the next level.
Will some view this project as a high-minded fool's errand? Just another podcast that's trying to make a quick buck?
Perhaps.
But I'm willing to take that risk to see if Brass Mastery is truly possible.
Will you join me?
Then let's begin.
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Our esteemed guest, Jim Olcott, is someone whose work I've long admired. He's the retired professor of trumpet at Miami University of Ohio, the founder of Triplo Press, and the musical director of the Twin Cities Trumpet Ensemble. His extensive background in trumpet music promised an enriching conversation.
In this episode, we touched on several fascinating topics:
The Intersection of Music and Life: Jim provided his balanced and insightful views on how music should weave into our lives.Changing Perspectives with Age: We discussed how our viewpoints and priorities evolve as we grow older.The Essence of Performance: I was curious about Jim's thoughts on the purpose behind performing - whether it's to inspire, to enrich, or something else entirely.For those interested in diving deeper into Jim's world, our show notes at trumpetdynamics.com/olcott, which contain links to some of his recent recordings.
Jim candidly admitted that he might not be at the peak of his playing abilities compared to his younger years. However, I assured you, dear listener, that his performance remains outstanding, reflecting the nuanced reality of aging in the arts.
This episode is a beautiful blend of personal stories, professional insights, and even some music for you listening pleasure at the very end. With my wife Sana adding adding a few of her thoughts in the middle, it's the perfect way to get your mind focused on making some great music!
This is more than just a podcast episode; it's a journey through the realms of trumpet music, teaching, and the art of living a life deeply intertwined with music.
A few highlights from this episode:
Twin Cities' Musical Opportunities: The episode begins with a discussion at 05:00 about the benefits of moving to the Twin Cities, highlighting the abundant playing opportunities and the community's generous spirit in music.Passion for Playing and Teaching: At 09:50, there's a reflection on the joy of playing, teaching, and the aspiration to inspire others, as well as the importance of camaraderie among musicians.Age and Its Effects on Musicians: At 15:00, the conversation turns to how aging inevitably affects musicians differently, impacting their physical abilities.The Orchestra as an Instrument: A unique perspective is shared at 16:45, where the orchestra is described as an instrument in itself, offering a collective musical experience.Visualizing Music: At 19:45, the technique of visualizing dramatic scenes to enhance musical performance is discussed.Inspiring vs. Enriching Audiences: Ronald Romm's teachings on the profound difference between inspiring and enriching audiences are explored at 22:15.Self-Concept in Musicians: A deep dive into the complex nature of self-concept among musicians occurs at 28:40, emphasizing how it's shaped by perceptions rather than reality.Maurice Andre's Lessons on Trumpet Playing: At 34:35, lessons from Maurice Andre highlight the distinction between impressive and elegant trumpet playing.Triplo Press's Founding and Publication Process: The founding of Triplo Press and the criteria for vetting new pieces for publication are discussed at 39:30.The Book of Life: At 47:45, there's a philosophical exploration of the four essential actions to be included in the 'Book of Life.'Learning from William Vacchiano:...
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In this podcast featuring the great Rex Richardson, various facets of his life and career are explored, providing insights into his journey and philosophy as a musician:
Anthropology Degree (03:00): The podcast reveals Rex's unexpected academic background with a degree in anthropology from Northwestern University. This segment discusses how his studies in anthropology have influenced his music career.Founding Rhythm and Brass (06:30): The origins of the musical group Rhythm and Brass, which Rex helped establish, are discussed.Connections with Audiences (08:10): Rex talks about the relationship between audiences and abstract compositions, exploring how listeners interact with and interpret more complex pieces.Commitment to Musical Mastery (10:45): The conversation touches on the ability of audiences to recognize a musician's dedication to mastering their craft, emphasizing the importance of commitment in music.Meaning of Virtuoso (14:00): The true essence of being a virtuoso is discussed, going beyond technical skills to include emotional depth and artistic expression.Expression in Music (16:00): Rex shares his views on the musician's role in expression versus emoting, highlighting the distinction between conveying emotions and deeper artistic intentions.Audience Takeaways (17:45): He expresses his desire for audiences to appreciate more than just the technical aspects of his performances, aiming to leave them with a deeper, more meaningful musical experience.Multiphonics (22:00): The podcast includes an educational segment on multiphonics, demonstrating Rex's expertise in this advanced brass playing technique.Early Challenges (25:50): Rex reflects on his initial struggles with the trumpet and shares insights on how to maximize efficiency in learning and playing the instrument.Balancing Schedules (27:30): He discusses how he manages a demanding schedule that includes both constant travel and a full-time teaching role.Rex's Varied Roles (31:45): It turns out that there are people with Rex's name out there, one of whom is the current mayor of Long Beach, CA and another who is a prominent real estate professional!Resources mentioned:
Trumpet Dynamics episode with Paul Merkelo
Trumpet Dynamics episode with Chris Botti
About the Guest:
"A startling display of virtuosity...This was something very different, played by a performer of rare gifts indeed." -- 4barsRest.com, in a review of Rex Richardson's performance at the 2013 World Music Championship in Kerkrade, Netherlands
Renowned as champion of new, genre-busting music featuring the trumpet as a solo voice, Yamaha Performing Artist Rex Richardson was named the 2008 Brass Herald International Personality of the Year, has been called “One of the finest virtuosos of our time” (Brass Herald, 2018).
A veteran of the acclaimed chamber ensemble Rhythm & Brass, jazz legend Joe Henderson's Quintet and Sextet, William Russo's Chicago Jazz Ensemble, and the world-renowned Brass Band of Battle Creek, his hundreds of soloist appearances include festivals and ensembles on six continents, such as the Phoenix Symphony and Thailand Philharmonic Orchestras, the U.S. Army Field Band and Tokyo Symphonic Winds, England's Fodens Brass Band, and the U.S. Air Force's Airmen of Note Jazz Ensemble.
His latest CD Freedom of Movement: 21st Century Trumpet Concertos was released to critical and public acclaim, and named...
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You may recall that a few weeks ago, I played a couple of interviews with the great Vinny Ciesielski. He's a wonderful person and has been a mainstay for years in the Nashville music scene. Vinnie really acquitted himself well in the podcast, so much so that I thought it would be interesting to see what would happen if I were to give him the reins for an interview on this podcast!
What you'll hear in this episode:
-Mike shares his founding origins on trumpet in the Nashville area...04:30
-Successes and pitfalls breaking into the Nashville scene in the late 1970's...09:45
-Mike and Vinnie discuss equipment for varying situations...19:05
-The worst things often lead to the best things...22:30
-How "overuse syndrome" nearly derailed a boatload of "natural talent"...29:15
-Serve the music, and remember just because you have it doesn't mean you need it...37:00
-The spirituality of the practice of music within and without...41:30
-What Mike would teach his teenage self...52:00
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Trumpet Dynamics podcast episodes with Vinnie Ciesielski
The Way of the Peaceful Warrior
About the Guest:
Attending Towson University in Maryland, Vinnie Ciesielski majored in music performance on trumpet, which he has played professionally for over 50 years.
Since coming to Nashville in 1992, Vinnie has played on thousands of recordings with artists such as Lyle Lovett, Travis Tritt, Tracy Byrd, Smokey Norful, Tanya Tucker, Glenn Frey, T.D. Jakes, Lynyrd Skynyrd, Bad Company, Gregg Allman, Kirk Franklin, Queen Latifah, Yolanda Adams, Donnie McClurkin, Israel Houghton, Demi Lovato, Grace Potter, Delbert McClinton, Alison Krauss, Taylor Swift, The Clark Sisters, Thomas Rhett, Nuno Betencort, Marcus Scott (Tower of Power) Steven Tyler, Vince Gill, Michael McDonald, Keb Mo, Johnny Taylor, Bobby Blue Bland, Via Con Dios, Martina McBride, Don Was, Zac Brown Band, and many more.
He has performed live with artists such as Bruce Springsteen, Gladys Knight, Kid Rock, Keith Richards, Jimmy Buffett, Paul Simon, Sting, Tony Bennett, Glenn Frey, Don Henley, Kenny Rogers, Shelby Lynne, The Temptations, The Four Tops, The O’Jays, Aretha Franklin, Percy Sledge, Shawn Colvin, Eddie Floyd, Booker T. and the MGs, Vince Gill, Amy Grant, Bob Hope, Frankie Valli, Sheryl Crow, Adrian Belew, Bruce Hornsby, Michael McDonald, Carrie Underwood, Jennifer Nettles and The Beach Boys.
He has also appeared on The Tonight Show with Jay Leno,, Late Night with David Letterman, Conan O’Brien, Jimmy Kimmel, Good Morning America, The Today Show, The Tonight Show with Jimmy Fallon, CBS New Years Eve Bash, The Road, SoundStage, Disney and Universal TV specials, Nashville Now, Music City Tonight, Austin City Limits, Grand Old Opry, Rosie O’Donnell, Ellen’s Really Big Show, Crossroads, The Dove Awards and The Stellar Awards. Vinnie has performed on numerous Radio, Internet, TV and Movie soundtracks and Trailers. He has also performed with the Nashville Symphony, Chattanooga Symphony, Orchestra Kentucky, Nashville and Knoxville Jazz Orchestras.
Well known in the performance and recording community, Vinnie’s resume includes work on over 6,000 recording sessions, 50 Grammy-nominated and 25 Grammy-winning recordingsand dozens of Stellar and Dove Award nominated and winning recordings. Vinnie has also been the horn arranger on multiple Grammy, Dove and Stellar nominated and winning recordings.
Thank you for joining us on "Trumpet Dynamics" – telling the story of the trumpet, in the words of those who play it....
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Have you ever heard the saying, "Love is what drives the world"? It’s a phrase we encounter often, but have you ever connected its essence to something you're deeply passionate about?
In this episode featuring the great Nathaniel Mayfield, we'll dive deep into this concept, and what we uncover might surprise you!
A trumpet is nothing more than a simple piece of plumbing. But when we breathe life into it, it becomes intimately personal, a vessel for our emotions, a conduit through which we pour out the deepest sentiments of our heart.
When you play or engage in your craft, whatever it may be, it’s not just about the technicalities; it's about the love and soul you invest into it. Every note, every brushstroke, every word – they become extensions of your essence, speaking your unique language of love.
So, ask yourself: when you delve into your passion, are you truly connecting with it? Are you letting it be a bridge to something larger, something divine?
Can you feel that energy, that love, coursing through you, making every act of creation a testament to your connection with the universe?
Your journey as a trumpeter, or whatever craft you may pursue, is filled with challenges. But imagine facing every intricate detail, every hurdle you overcome with an overwhelming embrace of love.
Not just as a fleeting emotion, but as a driving force that propels you to evolve, learn, and express in ways you might not have thought possible before.
Isn’t that the beauty of love? In every aspect of your life, when you let love be the guide, your experiences transform. You discover resilience in tough times, glean wisdom from setbacks, and above all, unearth the profound purpose behind your passions.
So I ask you to ponder this: are you allowing love to navigate your journey? Is it truly your guiding star?
When we allow love to influence our choices, shape our experiences, and redefine your reality, it could very well be the secret to unlocking your ultimate potential.
Here are a few highlights you'll hear in this episode with Nathaniel Mayfield:
-Music is a spiritual journey, and it doesn't matter how much we're involved with it...04:10
-Nate's personal journey with trumpet, from young boy to the present...06:00
-"I don't care about winning competitions; I just want to enjoy music"...10:30
-"You feel like a part of you is missing"...14:10
-Everything we do as it pertains to music is done out of love...17:50
-Serendipitous callings back to trumpet...20:45
-The love of trumpet was dissipated by The Grind of competing and touring...24:30
-Maturity leads to how you self-identify as it pertains to music and trumpet...31:50
-Nate describes in detail his recent psychedelic journey in Tijuana...36:00
-Reconciled previous destructive behavior from trumpet playing...01:01:00
-What might a Nate Mayfield "trumpet comeback" look like?...01:02:30
-Trumpet is our first love, which is why so many feel disillusioned by it...01:06:30
-Plus whatever your discerning ears deem worthy of your time and interest...
Thank you for joining us on "Trumpet Dynamics" – telling the story of the trumpet, in the words of those who play it.
For more captivating episodes and exclusive content, visit our official website at trumpetdynamics.com. There you can dive deeper into the interviews, discover additional resources, and connect with your fellow trumpeters.
Also be sure to subscribe to the podcast on your favorite podcast platform, and even leave a rating and review. It really helps with the visibility of the show.
Until we meet again, may your fingers be fluid, your breath unimpeded, and your chops ever fresh.
Play hard!
**Many thanks to the great
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What are borders but mere lines imagined by politicians to separate and divide human beings?
And just as borders between states and countries are rather arbitrary, so are the borders we put on certain instruments, even entire genres of music.
Paul Merkelo stopped in to the Trumpet Dynamics Central Headquarters to discuss his collaboration with the great Wynton Marsalis on a brand new concerto written for trumpet that is making waves in the trumpet world and beyond.
Wynton's new concerto not only pushes the finest players to their utmost limits as performers, but it transcends many of the arbitrary boundaries that have been placed upon the trumpet, and even ethnic and national identities related to music.
Paul was honored by being asked to help bring this piece into the public consciousness, and in this episode, he shares his experience of being included in the esteemed group of trumpeters who are premiering the piece around the world. The interview includes a detailed description of the process of preparing and allowing to see the light of day a piece of music that we expect will be part of the standard trumpet repertoire, regularly called upon by orchestras the world over, in due time.
We even managed to sneak in a hat tip to elephant sounds and horse whinnies, so you're going to want to hang out until the very end of the episode!
What you'll hear in this episode:
-How Paul was chosen to premiere Wynton's concerto in Canada...03:30
-The moment Paul stepped on stage to premiere the piece...06:30
-"Like jumping out of an airplane"...13:20
-We've got to build the repertoire by crossing musical borders...15:45
-You can't simply play with technical precision; you must play musically...18:30
-The "perfect" performance redefined...23:25
-The very long process of preparing for The Day of the performance...28:10
-Balancing the prep and practice with family and obligations to the day job...36:45
-Efforts to get the word out about the concerto...40:30
-How to make an elephant call with a trumpet...46:30
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Paul Merkelo's website
Gershwin's World on Medici TV featuring Paul Merkelo
A Conversation with Rafael Payare, Wynton Marsalis and Paul Merkelo
Trumpet Dynamics episode with Scott "Horse Whinny Maestro" Moore of the Memphis Symphony
About the Guest:
Paul Merkelo has been hailed as ‘the new Maurice André’ by the Australian Broadcasting Corporation, and is recognized as ‘a spectacular soloist... a most impressive master of his instrument’ (Montreal Gazette) who ‘knows no limits’ (Der Spiegel online - Germany) with ‘unusual lyrical gifts’ (Gramophone). Principal trumpet with the Orchestre symphonique de Montréal since 1995, he has been featured frequently with the OSM, including tours to South America and at the Lincoln Center in New York, and is the first member of the orchestra to be invited to record a debut solo album with the orchestra (French Trumpet Concertos - Kent Nagano).
In 1999, he was appointed Canadian musical ambassador to China for the inauguration of the Montreal Park in Shanghai, and as soloist with the Shanghai Symphony Orchestra in a national telecast. Merkelo made his New York...
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Larry Meregillano has been performing on the trumpet professionally since he was 15 years old.
In that time, he has performed all over the world, performing in the background, in the foreground, and everywhere in between.
As you can imagine, he needed to develop a great deal of endurance in order to meet the demands of his profession, playing lead in the Disneyland Band, leading cruise ship bands, and much more.
His experience and knowledge led to him creating the The Compression Training System (CTS), a tool that is taking the brass world by storm, and changing the way thousands of players approach their craft and improving their range and endurance.
I wanted to get Larry on the show to discuss the CTS, its founding origins, how it works, how it benefits any type of player. And while this might sound like an infomercial, I humbly suggest the info shared in this episode favors the "info" more than the "mercial".
Enjoy the episode!
What you'll hear in this episode:
-Larry shares some of his travel and performing adventures!...01:45
-Why major stars wear a "mask" when among the public vs. their private selves...04:15
-The trumpet has somehow managed to remain relevant in pop culture over time...06:15
-The greats don't need to mimic or compare themselves to other great players...09:45
-Fear of success, and why we're terrified of creating something truly unique...11:55
-The basic science behind the The Compression Training System (CTS)...16:45
-Compression described as it relates to playing trumpet...20:30
-What's going on inside the mouth is the "missing link" when it comes to trumpet pedagogy...26:40
-How the CTS enables trumpeters to utilize "progressive overload training" as incorporated by professional weight lifters...31:00
-How the CTS works in improving ranger, power and endurance...36:20
-Plus whatever your discerning ears deem worthy of your time and interest...
Episode sponsor:
Odd-Meter Technical Exercises by Michael Hengst: Original exercises and adaptations of your favorite exercises, all in 5/8 and 7/8 time.
Resources mentioned:
The Compression Training System (CTS)
About the Guest:
Larry Meregillano is a Eclipse artist/clinician. He started his professional career playing in big bands in San Diego in the early 1970’s. In 1976, he was hired to play in Tom Ranier’s Show band at Disneyland.
A year later, Mr. Meregillano joined the gospel group Truth and soon after went on to perform and tour with The Bill Gaither Trio. While traveling and recording with The Bill Gaither Trio, he also recorded with Sandi Patti, David T, Clydsdale, Ron Huff, Don Marsh and many others.
In 1980, Larry returned to California and became the lead trumpet player for the world-famous Disneyland Band. In the late 1980’s, Larry was hired to play in the PTL Television Orchestra with Jim and Tammy Faye Baker. From there he joined Princess Cruise lines as Musical Director.
After many years, Mr. Meregillano moved to Orlando, Florida, where he performed with many bands at Walt Disney World, MGM Studios, Epcot Center, Universal Studios and Pleasure Island. He has also been the Musical Director and performer for many cruise lines including the world-famous Queen Elizabeth 2.
Larry has toured with the Temptations and The Four Tops, and has been a sideman for Rosemary Clooney, Joe Williams, Jack Jones, Bob...
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John Daniel's ears must have been ringing throughout the month of September as several guests, including Del Lyren, Bobby Medina, Vinnie Ciesielski and others mentioned him on the podcast in this last month.
So I decided it was time to reach out and see if we could schedule a podcast!
John was game, and we ended up having a terrific discussion on Gestalt theory as it pertains to trumpet (a first on the podcast), the unique qualities of the cornet vs. the trumpet, recollections of the early days of the amazing Brass Band of Battle Creek and much more.
Enjoy the interview, and be sure to check out John's book Special Studies for Trumpet!
What you'll hear in this episode:
-John's beginning struggles on trumpet as a kid...03:00
-What is "gestalt" theory as it pertains to trumpet?...05:45
-About John's upcoming album featuring Bb and soprano cornet...08:30
-Unique characteristics of playing Bb vs. soprano cornet vs. trumpet...12:00
-Memories playing alongside the great Peter Roberts!...15:40
-There's no "right way" to play and teach a brass instrument...20:00
-A rare discussion on pedagogy here on the podcast lol...25:00
-Memories of the early days of the Brass Band of Battle Creek...33:20
-Cultural differences in cornet v. trumpet and how the BBBC has helped popularize the genre...38:45
-Moving on from a top-flight academia gig and preparing for the new album release!...41:10
-A profoundly different experience playing trumpet v. cornet...49:00
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
John's website and "Special Studies for Trumpet" book
Trumpet Dynamics Facebook group
About the Guest:
John Daniel is the Professor of Trumpet at Lawrence University. He received the Specialist in Music degree from the University of Michigan, Master of Arts in Music from the University of Iowa, and Bachelor of Music from Ball State University. His primary teachers were David Greenhoe, Richard Giangiulio, and Armando Ghitalla. Mr. Daniel previously held tenured positions at Penn State University and Abilene Christian University. While attending the University of Michigan on full scholarship, he won the graduate concerto award and was principal trumpet of orchestras in Ann Arbor and Saginaw, Michigan.
Mr. Daniel served as principal trumpet with the San Angelo Symphony Orchestra and Abilene Philharmonic Orchestra for nine years and has performed with the San Antonio Symphony, Pennsylvania Ballet Orchestra, Palm Beach Opera, New Jersey Symphony Orchestra, and Music at Penn’s Woods Orchestra, as well as on Broadway for revivals of Annie Get Your Gun and Gypsy. He has played recitals in Carnegie Hall, the Kennedy Center, throughout South Korea, the Eastman School of music, the Julliard School, and throughout the United States.
As a jazz musician he has appeared with Lionel Hampton, Bill Watrous, Wycliff Gordon, Marvin Stamm, Vinnie DiMartino, Phil Woods, Ernie Watts, the Nelson Riddle Orchestra and many others. Mr. Daniel released A Calling in 2004, a jazz CD featuring his compositions and is featured on a 2006 Mark Masters release, Karel Husa Trumpet Concertos. The Husa CD was on the entry list to be nominated for a Grammy Award in the category “Best solo with orchestra” and “Best classical recording”. He has been a member of North America’s finest brass band, the Brass Band of Battle Creek, since 1993. He plays Schilke trumpets, flugelhorn and cornets exclusively.
Thank you for joining us on "Trumpet Dynamics" – telling
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We have the great Chris Botti on the show today. I'm really excited about this one to both record and share it with you. On a whim I checked out Chris' website and happened to see that he was going to be in my neck of the woods, which these days is Virginia Beach, Virginia.
This interview that you're about to hear is not like the definitive explanation of Chris's philosophy, his approach to technique and pedagogy, his full history as a trumpeter.
I simply went on to some Facebook groups and just said, "Hey, I'm interviewing Chris Botti, what should I ask him?" A few people responded with some really good questions, and that's basically the meat and potatoes of the interview.
Enjoy!
What you'll hear in this episode:
-Why Trumpet is Chris' "calling card" in this new music business...04:20
-The paradigm shift of the music business explained from the perspective of one at the top...08:00
-One door closes, another opens for the little guy...14:40
-Chris' inspirations and influences as a trumpeter...19:45
-Why record making and gigging need to be approached radically differently...26:00
-Chris' recording and performing sound equipment...30:20
-Chris' daily routine and maintenance of the chops while touring...36:15
-Why Chris can't bear to part ways with his Martin Committee...37:30
-Why Sergei Nakariakov rarely tours in the U.S....42:00
-Reflections from host James Newcomb on the interview...44:55
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Chris' website
Other Side of the Bell podcast with Chris Botti
About the Guest:
GRAMMY-winning trumpeter Chris Botti has been one of the most popular instrumentalists in the world for nearly three decades; he’s collaborated with some of the biggest superstars on the planet, including Sting, Paul Simon, Barbra Streisand, Lady Gaga, Tony Bennett, Frank Sinatra, Aretha Franklin, Bette Midler, Joni Mitchell, Steven Tyler, Andrea Bocelli, Herbie Hancock, Yo-Yo Ma, and others; he’s topped the jazz charts with numerous albums, earned multiple Gold and Platinum records, performed with symphony orchestras and on prestigious stages from Carnegie Hall to the Hollywood Bowl to the Sydney Opera House.
In short, Chris Botti really needs no introduction. Yet with his Blue Note Records debut, he’s offering one anyway. Vol.1 is in many ways a fresh start for the trumpeter. Having successfully crossed over from jazz renown to pop stardom, Botti’s first album in more than a decade finds him crossing back, with a small group project focused on acoustic jazz and classic standards.
“I turned 60 in 2022, at a time that seemed like a restart for so many things in the world,” Botti says. “I wanted to strip away all the orchestral arrangements and special guests and focus more on my playing, the playing of my band, and these jazz classics that we always love playing on stage.”
While Botti could boast of the major names with whom he’s shared stages, this project allows him to share his enthusiasm for the jazz greats past and present that excite him – his conversation is peppered with references to everyone from Miles Davis to Keith Jarrett to Pat Metheny to Brad Mehldau. He points to landmark albums like Davis’ Kind of Blue, John Coltrane and Johnny Hartman, or Metheny’s duo outing with Charlie Haden, Beyond the Missouri Sky as models for the kind of “lifestyle” music he set out to make – music that is exquisite on its own but can also set the scene for a coffee shop or hotel lounge, instantly generating a sophisticated...
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Welcome to Part 2 of my interview with Vinnie Ciesielski!
Before I say anything else, let me point out that the link I share to access the show notes during the episode is incorrect. The show notes for this episode are https://trumpetdynamics.com/trumpetvinnie2. I believe I left out the number 2 during the interview because I initially planned to have this be one giant episode, but wisely chose to break it into two parts.
And what a part this is. Vinnie and I dove deep into the "why" of playing trumpet. The "How" tends to be rather superficial, which is why I don't have much interest in podcasts like that.
But the "why" is what gets me excited, and Vinnie surely did not disappoint with his insightful comments in this one.
Enjoy!
What you'll hear in this episode:
-More in-depth dialogue on the "good day and great day" concept...05:05
-The need for healthy lifestyle for success on trumpet and overall quality of life...08:30
-Self-loathing equates to loathing your environment...13:30
-Why and how Vinnie has played with a rare condition that causes loss of feeling on the left side of his body...17:20
-If you can feel your face, you're ahead of the game!...25:00
-Shame is a wasted emotion...32:00
-Keeping things real regarding the importance of trumpet...36:00
-Adapting to radically changed physicality, and thoughtfully losing weight so it stays off...43:30
-Music a salve for tremendous joy and intense loss...53:45
-Are we "called" to trumpet?...58:45
-A father's offhand comment while watching TV proves prophetic...01:03:30
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Vinnie's website
My Fitness Pal app
Trumpet Dynamics podcast with Beth Peroutka
About the Guest:
Attending Towson University in Maryland, Vinnie Ciesielski majored in music performance on trumpet, which he has played professionally for over 50 years.
Since coming to Nashville in 1992, Vinnie has played on thousands of recordings with artists such as Lyle Lovett, Travis Tritt, Tracy Byrd, Smokey Norful, Tanya Tucker, Glenn Frey, T.D. Jakes, Lynyrd Skynyrd, Bad Company, Gregg Allman, Kirk Franklin, Queen Latifah, Yolanda Adams, Donnie McClurkin, Israel Houghton, Demi Lovato, Grace Potter, Delbert McClinton, Alison Krauss, Taylor Swift, The Clark Sisters, Thomas Rhett, Nuno Betencort, Marcus Scott (Tower of Power) Steven Tyler, Vince Gill, Michael McDonald, Keb Mo, Johnny Taylor, Bobby Blue Bland, Via Con Dios, Martina McBride, Don Was, Zac Brown Band, and many more.
He has performed live with artists such as Bruce Springsteen, Gladys Knight, Kid Rock, Keith Richards, Jimmy Buffett, Paul Simon, Sting, Tony Bennett, Glenn Frey, Don Henley, Kenny Rogers, Shelby Lynne, The Temptations, The Four Tops, The O’Jays, Aretha Franklin, Percy Sledge, Shawn Colvin, Eddie Floyd, Booker T. and the MGs, Vince Gill, Amy Grant, Bob Hope, Frankie Valli, Sheryl Crow, Adrian Belew, Bruce Hornsby, Michael McDonald, Carrie Underwood, Jennifer Nettles and The Beach Boys.
He has also appeared on The Tonight Show with Jay Leno,, Late Night with David Letterman, Conan O’Brien, Jimmy Kimmel, Good Morning America, The Today Show, The Tonight Show with Jimmy Fallon, CBS New Years Eve Bash, The Road, SoundStage, Disney and Universal TV specials, Nashville Now, Music City Tonight, Austin City Limits, Grand Old Opry, Rosie O’Donnell, Ellen’s Really Big Show, Crossroads, The Dove Awards and The Stellar...
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I want to give a special thanks to previous podcast guest Del Lyren for introducing me to our guest today, Vinnie Ciesielski. Vinnie is a longtime stalwart of the Nashville music scene. His playing can be heard on countless recordings, commercials, soundtracks, symphony concerts, and the list goes on and on.
Vinnie is also founder of a group called Vinnie And the Hitmen, of whom you can hear some samples on his website.
In this episode, Vinnie talked a good deal about his founding origins as a trumpeter, and has some poignant insights into the importance of pop music, even for those of us who maybe have a tendency to thumb our noses at it while salivating over the likes of Mahler and Strauss.
You've got be able to put food on the table at the end of the day, and sometimes mastering the art of pop music is what is necessary if you expect to put some of that food on the table with your musical skills.
Our time went by so fast, which meant as usual we were just warming up to each other by the time we had to part ways. So we went ahead and scheduled another recording session! This Part 1 is great in many respects, and Part 2 is great as well, and deeply personal. So I highly recommend you listen to that one as well.
Probably best to listen to them in order as you get to hear host and guest establish rapport before diving deep into the "why" of doing music, and how it relates to the deep needs within all of us.
That's all I'll share about Part 2, for now enjoy Part 1!
What you'll hear in this episode:
-Ciesielski is spelled how it sounds...06:00
-How to find your way into a local scene, and play what you really want to play...11:30
-Vinnie's founding origins as a trumpeter...16:15
-Good days and great days...19:00
-A solid foundation on the mental element of trumpet playing...23:00
-Pop music pays the bills...30:00
-What we call "classical" music was at one time "pop" music...33:00
-Why do we thumb our noses at "pop" music?...38:45
-Movie soundtracks and classical music finding its niche in modern culture...42:00
-The need for a pleasing personality in keeping the gig...48:00
-There are no bad days; there are only good days and great days...53:00
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Check out James Newcomb's new book: PinPoint Persuasion
Vinnie's website
Trumpet Dynamics podcast with Paul Baron and Bobby Medina
Trumpet Diagnostics
About the Guest:
Attending Towson University in Maryland, Vinnie Ciesielski majored in music performance on trumpet, which he has played professionally for over 50 years.
Since coming to Nashville in 1992, Vinnie has played on thousands of recordings with artists such as Lyle Lovett, Travis Tritt, Tracy Byrd, Smokey Norful, Tanya Tucker, Glenn Frey, T.D. Jakes, Lynyrd Skynyrd, Bad Company, Gregg Allman, Kirk Franklin, Queen Latifah, Yolanda Adams, Donnie McClurkin, Israel Houghton, Demi Lovato, Grace Potter, Delbert McClinton, Alison Krauss, Taylor Swift, The Clark Sisters, Thomas Rhett, Nuno Betencort, Marcus Scott (Tower of Power) Steven Tyler, Vince Gill, Michael McDonald, Keb Mo, Johnny Taylor, Bobby Blue Bland, Via Con Dios, Martina McBride, Don Was, Zac Brown Band, and many more.
He has performed live with artists such...
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It's no secret that our bodies, our minds, our perspectives in life change as we age. Yet we often believe that what we learned about playing trumpet while we were in our teens and early twenties will continue to work as we get older.
Maybe it's because we heard something in a masterclass and decided this is the way to do it. Or we attended a certain school where certain dogmas regarding trumpet playing prevailed, even overshadowing individual needs of the player.
This was more or less the impetus of Paul Baron and Bobby Medina beginning first a Facebook targeted at older players, and then eventually becoming a full-fledged training regimen called Trumpet Diagnostics. I wanted to pick the brains of the founders of the program about their experiences working with older players, and what they aim to achieve with their program.
Thankfully we were able to get all three of us on a Zoom call from various parts of the U.S. and talk about their program.
Enjoy the interview!
What you'll hear in this episode:
-The founding origins of the Trumpet Diagnostics program...02:30
-The Facebook group becomes a webinar, which becomes the program...05:30
-What does "Body Mechanics Mastery" mean?...06:30
-Why certain methods we swear by are sometimes limited in their efficacy in teaching us how to play efficiently...08:40
-Learning "the method of no method"; becoming our own teachers...13:00
-Why have we moved beyond the various "schools" of thought regarding trumpet playing?...14:15
-Martial arts lessons applied to the physicality of trumpet...18:30
-Efficiency (i.e. minimal playing) is key to longevity as a trumpeter...23:00
-Don't worry about aesthetics based on showmanship, worry about what works for you...27:30
-What is the biggest hurdles Paul and Bobby's students need to overcome?...29:00
-Neuroplasticity and repetition over a long period of time is key to improving your playing...34:30
-What you'll experience with the Trumpet Diagnostics program...38:05
-Plus whatever your discerning ears deem worthy of your time and interest...
Resources mentioned:
Trumpet Diagnostics
Tips for Trumpeters 50 and Beyond! Facebook group
About the Guests:
Bobby Medina
Four solo recordings under his name along with world tours and live performances with legendary musical artists including Ray Charles, Frankie Valli, Wayne Newton, Mel Torme, Temptations, National Touring Broadway shows and more. Student of legendary teachers including James Stamp, Bobby Shew, Carmine Caruso, Charley Davis. Medina's 40+ years experience has been presented at masterclasses in the USA, Europe, South America and Asia helping players of all levels overcome their playing deficiencies and frustrations through specialized mental and mechanical techniques.
Paul Baron
Paul's professional career began 40 years ago. His lead trumpet can be heard on over 1,000 jingles, hundreds of albums, dozens of movie scores and he's played, recorded and toured with Aerosmith, Lynrd Skynrd, Barry Manilow, Bob Hope, Wayne Newton, nearly twenty Broadway shows including Disney's Newsies, Aladdin, Frozen and many more. Paul's teaching has led him to give nearly 100 masterclasses and decades of private instruction teaching players how to repair and reprogram their playing to be the most efficient possible.
Thank you for joining us on "Trumpet Dynamics" – telling the story of the trumpet, in the words of those who play it....
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