Episodit
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If there's one thing we've learned about guest Bob Kerr it's that he has a taste for the macabre. How else do you explain his love of Ernest Saves Christmas? This year we made him watch 1954's White Christmas - a movie this avowed lover of Christmas had never seen before - just to see if his head would explode. Did he find something to love? Give a listen to find out. Another fun episode.
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Jimmy and Phil dare to challenge each other to watch a movie they've never seen before. Phil makes Jimmy watch The Matrix. Jim takes Phil back to WWII for Hail the Conquering Hero. Can something modern turn Jimmy's crank? And what about Phil, can he get into something - even a comedy - that came out long before he was born . You'll be surprised! An episode that wasn't really planned but just kind of happened with surprising results.
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Gerry Hall takes us out to the ballgame for his take on the greatest baseball movie of all time prior to 2000, 1989's Major League. Surprisingly, he has a criteria that coulld possibly support his argument. Contains discussion of Gerry's career and the grand-daddy of all co-incidences. Lot of fun - and not just for baseball fans.
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Barry Carter drops by to extolls the virtues of the quirky Grosse Point Blank from 1997. Does it sell out its premise to become just another rom-com or does it never lose its edge? There's holes and Jimmy ineveitably falls into them.
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Talk about spooky! For our Halloween episode, guest Ryan Sim defends a movie that's credited with killing the Evil Dead series. What's worse, engineer Phil, loves the movie too. Stayed tuned to the very end for Ryan's challenge to Jimmy.
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Not without its flawa but Jimmy actually agrees with guest Chris Jarvie that The Sandlot is not without its charm. But is it the best movie about baseball ever made? That was supposed to be Chris' position - but it's Chris Jarvie and you'll hear what that means.
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Guest Chris Wuergler revels in this off-beat gothic-romance, while Phil and Jimmy confess they enjoyed it while being constantly confused by exactly when it's taking place. Big revelation of the episode: Chris used Avon Make-up. If you've seen the movie you'll know why that's significant.
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Not just a classic but considered one of the seminal films of American cinema. It stands up for guest Chris Wuergler and engineer Phil as still powerful after all this time. The big question on Jimmy's mind? Did it really happen. Just one of the intriguing ways it send this talk down a very deep rabbit hole.
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Most people probably don't know that The Money Pit was actually a remake of an old Cary Grant - Myrna Loy movie called Mr. Blandings Builds His Dream House - a movie that's among Jimmy's favourites. Does it hold up or will guests Mario Bernardi and Chris Wuergler see something less in it.
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For a twist - and to celebrate (late again) our 200th episode - Mario Bernardi and Joel Van Vliet turn the tables on Jimmy and make him the guest who has to talk about one of his favourite films: Pee-Wee's Big Adventure. Jimmy says it's a unique, cultural masterpiece. Will that be the prevailing opinion? Listen to find out if it it - and why this is such a special appearance by Joel. Mario, not so much but Joel!
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Jimmy's new favourite episode. Guest Larry Smith and guest engineer Mitch McBeaudry bring a wealth of information and love for this movie. The result is hilarious, intriguing and hugely entertaining.
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The ever horrifying Bob Kerr is back to talk about Stephen King's Cat's Eye. Is it a horror anthology? Is it a black comedy? Is it another attempt to gross Jimmy out? Okay, it's not very gross but it has some weird ideas.
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Guest Nik Duncan surprises Jimmy with a rigorous defense of the virtues of Meet Joe Black. Includes a brief interlude where they may have been visited by the ghost of Barry White. Actually the 200th episode of Back to the Balcony - just not the 200th anniversary celebration of the show.
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Better late than never (explanation for why we're a weak late will be in the next expisode). Chris Wuergler revisits her Hitchcock obsession with 1954's Rear Window, a fascinating movie that seems so unlikely to work but somehow does. Jimmy tries to poke holes but it's hard because this movie forces you to suspend your disbelief. Funny, as always but with some fascinating sidebars about eavesdropping. Are we alll guilty of it? Listen and decide for yourself.
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We spend just about as much time talking about the political and social ramifications of this movie and events as we do about the movie itself. Like always it's funny but Jimmy and guest Mario Bernardi meander in a lot of directions with this one.
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It's hard to review funny movies but Groundhog Day may be the most hilarious and the most well thought out comedy movie of all time. Guest Scott Faulconbridge makes a compelling argument for why it's so good and what we respond to in the movie.
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What happens two distant generations meet a movie hit from the 40's? Will it stand up or was this a huge mistake? Mario Bernardi guests with Chris Jarvie (who is literally, half his age) to talk about the best of the Bob Hope and Bing Crosby road pictures, The Road to Morocco. Is here a renaissance coming, will a new generation embrace it? Will the old generation ev en remember it? Turns out to be a pretty fascinating discussion with an unexpected obstacle to universal acceptance.
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Bret Measor joins Jimmy along with guest engineer Kristian Reimer (who forgot to turn his microphone on) to talk about the legacy of Rodney Dangerfield and his 1986 movie, Back to School. Bret loves it, Jimmy likes it but wishes it could have revealed more of Rodney and less shenanigans. Is he right or Bret? Give it a listen to find out.
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Ryan Sim and Mitch McBeaudry join Jimmy to figure out if Leslie Neilen is a great comedian or someone who just got lucky a couple times and coasted on that career ever afterwards. Ryan Sinm says he was a natural comedian and 1988's The Naked Gun proves it. Mitch says no, just look at 1995's Dracula: Dead and Loving It. Somewhere's along the way Mel Brooks gets bashed.
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Just in time for Valentine's Day it's Chris Wuergler and Kristian Reimer the most romantic movie. Is it 2004's paean to gooey love The Notebook or that tale of gritty sacrifice, 1942's Casablanca? A fun episode that also speaks to the romance in all of us.
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