Episodit
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"Namaskar Friends, In this episode, we will try to get deeper into the world of Mantras with our esteemed guest, "Manish Vyas Ji". We will try to understand the importance of a Guru/Mentor in the life of a Musician, significance of a structured learning & many other aspects of Devotional music, Bhajans & all." Nipoon Joshi, Podcaster, Delhi, India @GISTTClips
WATCH FULL PODCAST WITH VIDEO : https://youtu.be/2T2VnXHpoR8?si=jHJTlNu17l7nZAnI
नमस्कार दोस्तों
इस एपिसोड में हम, मंत्र, शास्त्रीय संगीत, गुरु का संगीतज्ञ के जीवन में प्रभाव, ओशो के विषय पे हमारे आज के गेस्ट "मनीष व्यास जी" से चर्चा करेंग।
00:00 - Trailer
01:14 - Introduction
03:44 - Early Years of Guest's life in Gujarat
10:10 - Life in Osho Ashram
11:44 - Training under Ustad Allah Rakha Ji
13:00 - Ishta Devata & Moving to Switzerland
17:17 - Practices which Guest follows to keep the voice melodious.
18:39 - Distinguishing between throat Vs chest singing
20:47 - Ishta Devata as a guiding light
23:53 - Do Musicians belonging from a lineage or Gharana keep certain nuances of the craft secretive.
26:05 - Hindustani Classical Music going through variations in different regions of India
28:15 - Importance of starting Early in Classical Music
32:18 - Importance of studying Classical Music in Bharat
36:20 - Balancing tradition with Innovation
40:43 - Purpose with which many Foreigners pursue Indian Classical Music
46:41 - Power of Music to do wonders
50:24 - Life at Osho Ashram
54:54 - Memorable performance anecdotes and epiphanies
58:17 - Devotional Music as a Catharsis
1:04:28 - Any Regrets in life.
1:07:31 - Contributions of Visuals & storytelling in Music
1:09:39 - Guest's take on Sufism
1:17:46 - Guest's team
1:18:45 - What kind of opportunities you are looking forward to?
1:22:09 - How can creators & Music enthusiasts get in touch with you.
1:23:37 - Info on all the upcoming projects. -
The tradition of Mantra is Mantra-Chanting, what is known as Mantra Japa, and Manish explains how to use it in "listening-meditation," which can be a very powerful technique to soothe the mind, remain attentive and integrate the energy within.
Mostly, as we know, we live on the level of 'body and mind' and most of the energy goes into dealing with issues on these fields. So if Mantra is used in the right way, it has the capacity to take us beyond the physicality and the mental planes, to come in contact with the real being. Here is where the potential of 'mantra listening' comes in.
If we observe ourselves, we can see that our whole struggle in our outer life is to 'become something' and that is very, very exhausting. A meditation technique using Mantra can simply bring us into a space of "just-being" and that's the highest outcome of Mantra meditation technique, involving energy awakening, energy rising and energy settling. -
Puuttuva jakso?
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Sufi music provides a space to experience closeness with divinity and love, and Sufis have always been inclined towards the musical expressions of their poetries.
A warmhearted talk, where Manish describes his latest album, Salaam E Sufi, explaining how the Sufi path has inspired the seven tracks on his new CD along many years on his musical journey as composer: "Sufi songs have this flavor of Love, Ishq Haqiqi: the love affair with the Truth."
Sufism is a path of love, devotion and surrender. And when surrender happens, one journey ends and another journey begins: a journey of total trust, peace and freedom.
Sufi mystics wrote some amazing poetries down the centuries and down the ages, where they expressed their longing for dissolving into nothingness (dissolving of the ego) and these songs in "Salaam E Sufi" reflect the ideas inspired by the Sufis in a musical interpretation. These Sufi poetries are drenched with this kind of love and longing for the Supreme, that which is eternal.
"The only lasting beauty is the beauty of the heart." Rumi
Music at the beginning and end of the podcast, from the album "Salaam E Sufi".
www.manishvyas.com/sufi
#music #poetry #sufi #kabir #bulleshah #trust #bliss #innerjourney -
“The highest goal of a Yoga practitioner should be to come to a level where one is maintaining one’s balance perfectly all the time. Ups and downs are part of life, situations are never in our hands, but how to deal with them is in our hands.”
These are the words of Dr. Hansaji Yogendra, director of the Yoga Institute in Mumbai. She’s a mentor and role model to millions of lives and has conducted more than fifty thousand powerful sessions on yog, wellness and mental health.
We were fortunate enough to meet her in person whole working on the ongoing documentary project about Mantra. In this podcast, we present a talk where we discussed subjects related to Yoga and Mantra, and the aspects involved in both practices. We present here part of this short but powerful conversation, and the clear vision of a great wise referent who is highly experienced and is able to express the key aspects involved along the path of yoga, answering questions such as what should be the highest goal of a yoga practitioner.
Some quotes of Hansaji:
“Every yoga teacher should aim at having mastery over their minds.”
“What we are teaching, every human should learn, because it’s the foundation of life, on which then you build whatever you want to build; but the life formation has to be strong.”
“In the west, yoga has become very commercial, having as aim to earn money. Technology of yoga (asana, pranayama, etc.) has become very popular, but they are not yogis, because they are dealing only with their bodies.”
“For inner peace, for spirituality, the world is looking at India; people come to India due to soul-pain.”
“When the student is ready, the whole nature will help to move ahead in life.”
Short Reference: Hansa Yogendra (born 1947) is an Indian yoga guru, author, researcher and media personality. She is director of The Yoga Institute in Mumbai, founded by her father-in-law Shri Yogendra. It is a government recognized non-profit organization and the oldest organized yoga center in the world, founded in 1918. She was presenter of the television series Yoga for Better Living, aired in 1980s. She is the chair of the Yoga Certification Committee and President of the International Board of Yoga, and Vice President of the Indian Yoga Association.
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A conversation with a being who lifts and illuminates others around him.
Bruno Wildhaber was born in Interlaken, Switzerland and studied and lived many years in the US. He’s a doctor, writer, teacher, public talker, life coach… and, as he says, a “lifelong learner.”Bruno’s vision, direction, work and dream is to create a healthy community where everyone is ok and in balance within the first circle: “just oneself,” uncontaminated from outer inputs and acquired conditionings – then, that inner harmony from the first circle will create ripples and expand throughout all the outer circles (family, friends, work, school, society…) into the whole universe, creating naturally peace and harmony.
It’s interesting to see how different paths can lead to the purification of the mind. We hear this talk, and realize that so many earnest paths conduct to the same destination, to the search of truth, to the highest realization, to the place where one is not affected any more by the yin and yan of life, simply remaining in the middle, in the balance point.
Bruno’s path has been that of learning through experience, hardship, observation, reflection, investigation, discrimination, analysis, self-inquiry. It probably started when he had to experience many challenges in early life, which gave him a vision of what not to give energy to, what to discard from one’s life, what futile and inmature stuff not to apprehend from the outer world, what not to take, what to let go. This led him to a life of introspection and a sincere practice of ‘being with oneself’, as he refers to the first circle, which, as a consequence gave birth to a new vision, to the manifestation of the sadguru - inner guru, inner wisdom - in life. He says pain has been a great teacher, but the power of the re-birth from darkness to light, together with the right understanding, brings along the best possible version of oneself; by trusting and being taken to higher energetic realms, where there is more light and consequently peace.All this self inner work led him to be able to help people later in life. After having worked on the field of medicine and body-mind healing, Bruno diverted his time and focus to the study and comprehension of the human psyche, which he currently shares with people through his work, his books, talks and personal consultations.
It was a pleasure to be able to interview Bruno; he is a true inspiration for all those who access his work or are able to connect with him through his publications.Quotes from the interview:
“Premature degeneration within the body begins with something that confuses the system.”
“If one has emotional and mental issues, then, there’s a friction in the expression of one’s spiritual self, which manifests as disease.”
“Every single person has an antena going from oneself to the universal intelligence, where all information – present, past, future – is available to us.”
“The light only can enter you through your scars, through your pain.”
“Only outside the circle of confidence can we grow. Inside the circle of confidence, you will stagnate – you will be comfortable but you won’t grow.”
“Why don’t we learn to love to learn?” (about the education system)
“We have a one-sided educational system.”
“The school teacher was a perfect mentor for me: how not to teach, how not to be with children…”
“The smallest thing holds back the greatest force.”
“We have to create alchemy again.”
“There is value in suffering.”
“The truth is that you are alone.”
“Understand the laws of nature and follow them.”
Bruno Wildhaber: www.brunowild.com
Published books:
Hashashin (2018)
Ein Hemd allein fliegt in Richtung Wolkenwelt (2022)
Upcoming books:
Bells
Blood
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A very inspiring, honest, touching and mature talk with the outstanding Bansuri player from India, Milind Date, that surely will spark any student or lover of Indian music, connecting them to India and its magical music and learning paths.
Some of the main subjects covered in this interview conducted by Manish Vyas:
The relationship with the music Guru and the blessing of such invaluable guidance in the path of a student.
“At some point, I was thinking, what can I give to my Guru in return? I though a lot about it – I came to the conclusion that the best thing I could give him in return was to play the best as possible, because that was the only reason why he was teaching me. So that became very clear.”
Key aspects and requirements to be a student of Indian music.
“I have practised eighteen, nineteen, twenty hours a day easily. Not once, not twice… many, many times. I would wake up at three in the morning. I have practised a lot. That entire inspiration came from my Guruji, Pandit Hariprasad Chaurasia.”
The importance of understanding Ragas (moods of the music based on sets of notes) and what they express.
“Every serious student of Indian classical music is a composer, because in our learning system, from day-one a student starts to create his own music.”
A total different approach to the western music system. The depth of Indian music goes much beyond the technique and the music itself.
“The entire household of my Guruji kept me in the right direction. Right from the second class, I knew why I was going there.”
“If you learn Indian music, you need a lot of love towards the classical music of India and its thousands of years of tradition. You learn a lot of things besides music. It’s not just to pick up an instrument and make some sounds out of it.”The tight relationship between spirituality, meditation and music.
“My way of meditation is through the sound: the purity of sound, the purity of the Raga. The spiritual connection is possible because of the purity of sound, purity of thoughts and purity of music. If that is achieved, you’re lucky.”
Indian music in the West and the problem of cultural (mis)appropriation.
“When you’re learning Indian music without understanding the fundamentals of it, even if you are talented and can imitate or fake, it is going to mislead people. You should find a Guru – youtube is not a Guru."
About:Milind Date is a renowned musician from Pune, India. A Bansuri player and composer, who has grasped the essence of Indian culture through his art. Known as the ‘Virtuoso’ and a ‘Stage King’ for his immaculate Indian bamboo flute playing, Milind is one of the senior-most disciples of Bansuri legend, Pandit Hariprasad Chaurasia. Milind's roots are in Indian classical music, but he also plays compositions for films, devotional music, fusion, world music and jazz among other genres. He has released several albums of his own production, as well as he contributed to hundreds of other third-party projects.
Milind started learning Bansuri and Indian classical music when he was around fifteen years old. Soon after, he met Pandit Hariprasad Chaurasia from Mumbai, who became his Guru: a world-renowned name in the world of Indian classical music and Bansuri flute… one of the most amazing contemporary flute players in the world and of all times.
Thank you Milind for this wonderful contribution and inspiration!Links:
webpage: www.milind.date
Bandcamp: milinddate.bandcamp.com
Song at the end of podcast: Govindam (Manish Vyas), Bansuri-flute by Milind Date -
An enriching conversation for anyone interested in Indian music, for enjoyment, for personal learning or simply for cultural interest or curiosity about the endless world of Indian music, which highly differs from western music, even in the most subtle aspects.
the attitude of simplicity and gratitudeIndian music learning requires to go inwardsit's not about performing and entertainmentbeing a performer is not a goal but a by-productthis is a personal journey and it takes timecommiting to a Guru with blind trustthe wonder and power of ragasmantra singing requires proper learning of Indian music firstnothing in this path is about fame, glamour and successthe importance of developing both the learning and sharing skills
Palash Dholakia is a sincere student and professional musician of Indian vocal. He studied bachelor and masters in music at Saurashtra University and is disciple of Pandit Ajoy Chakrabarty (a classical vocalist, composer, lyricist and gurudev of the Patiala-Kasur gharana; considered to be one of the proverbial figures of Indian classical music.)
Palash breathed Indian music since he can remember, born in the state of Gujarat, he lived in a family where his ancestors were all deeply connected to classical music. He witnessed as a child his grandfather having conversations with Pandit Ravi Shankar, to whom he was very close. Through this early connection and exposure to refined sources of Indian music, he carries these sounds in his innermost being.
"WHATEVER I AM IN MUSIC, IS ONLY THROUGH THIS BEAUTY OF RAGA MUSIC. I FOUND A BEAUTIFUL WAY OF LIVING — MUSIC ALSO TAUGHT ME THE ART OF LIVING."
A tradition like no other.
We talked about the value for a musician to grow up in the atmosphere of Indian music, the vocal training, the learning attitude, the discipline of the learning, the blessing to find a Guru and the meaning of a Guru in one's path. One can feel that when one embodies a tradition, it is not an effort to communicate in such a clear, humble and competent way showing a total love and deep commitment on the chosen path.
"INDIAN MUSIC IS BASED ON SPONTANEITY, THAT'S WHY THERE'S NO SYLLABUS IN INDIAN MUSIC LEARNING. THAT'S WHY THERE'S SUCH A DIFFERENCE BETWEEN WESTERN AND EASTERN WAY OF LEARNING MUSIC... WE FOLLOW THE GURU-DISCIPLE TRADITION."
The role of a Guru.
The role of a Guru-disciple relationship is to develop oneself as a good human being and as a good musician. A Guru is a much larger scale than a teacher, that's why it is so hard to find a true Guru. A Guru gives you the right understanding.
"MUSIC WILL DEVELOP YOU AS A SIMPLE BEING, BECAUSE BY SEEING THE VASTNESS OF THIS MUSIC WE SEE HOW SMALL WE ARE IN FRONT OF IT. THE ULTIMATE PATH IN INDIAN MUSIC IS TO REACH THAT DIVINITY."
About Mantras presented with music.
Mantras, which are very precious and are from India, need Indian music training and language pronunciation in order to catch the original, authentic sound. Truthfulness is key.
Summary of themes covered in the talk.
Palash finsihes the interview singing a brief piece in Raag Gunkali, a raag based on Bhairav Thaat.
"GOING DEEP INTO ONESELF ONE CAN EXPLORE THE MUSIC WITH MUCH MORE DEPTH" —Palash Dholakia
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Links:
facebook: Palash Dholakia | Facebook
instagram: @palashdholakia
podcasts Manish Vyas : manishvyas.com/podcast -
Ram and Sonali Banerjee are originally from India living in England and since the last seven years they have been organising the World Yoga Festival in the outskirts of London, which has been getting more and more local and international response, having become a referent in the true world of Yoga in the west.
Initially they started the project just knowing that Europe needed an authentic Yoga Festival presentation, and that's how the first festival happened in the summer of 2016 and subsequent years, having brought thousands of people together along these years in a green field site with beautiful nature right outside London. The festival happens each year in the summer, towards end of July and lasts for four days.
"The totality of Yoga, that is what we want to bring." Ram
What they envision to bring to the festival is a glimpse of the authentic nature of Yoga, which is not about "stretching and excercising" as often understood in the west; they have taken a vision in the eight limbs of Yoga considering all the aspects, in order to keep the lineage transparent and true.
The activities range from asana, pranayam, meditation, yogic techniques, use of sound - until Advait Vedanta and Sanskrit lessons... and much more. They also keep the true flavour of the yogic path from India by serving wonderful Indian and other vegetarian food and keeping the festival away from alchohol. This allows them to create a beautiful energy and atmosphere for any Yoga practitioner, for a seeker, or for anyone interested in the sciences from India for the wellness of the body-mind system. The musical programs are also a way to bring an atmosphere of celebration and joy to the gathering.
Manish Vyas will be present also with his band offering a Mantra - Kirtan concert in the evening of July 29, 2022 plus a Naad Yoga Workshop next morning. That is how in this opportunity, Manish is interviewing the founders of this project, to share with the world their incredible vision.
"In Yoga, you don't have to re-invent a lot - you just have to maintain it, continue it, keep the authenticity and everything will be fine." Ram
If you are interested in the path of Yoga, wherever you are in the world and wherever you are in the path, there will be something for that (and the next step beyond) waiting for you at this unique festival.
+ Information about the festival Summer-2022: World Yoga Festival |Berkshire |United Kingdom
Transcription of the Interview in our Blog
Youtube video -
Music from India is a path of eternal learning. In this path the concept of "continuously learning" is one of the key aspects to understand from the beginning, before undertaking this magic journey. This is so because in Indian music we always remain a student, we never stop learning.
Manish talks about the journey of learning music from India, including singing, instruments, its language, Mantra singing, and many other important dimensions:
- the cultural input where the student will also be representing a whole tradition behind the teaching
- the importance of the strong foundation in the sense that music from India follows the lineage system, therefore, the main ingredient should be love: doing it for the love of it and nothing else; this love will automatically generate respect
- the key ingredients in learning arts and music from India are trust and patience
- the connection with the essence of this music can only be learned from a proper trained teacher and experienced musician; making the source of learning the first key aspect of the process
How the learning of music happens in India and how it happens in the West is really "East and West", meaning completely opposite in the system and in the approach. Though this gap will never meet, and that is ok, it is important that the student at least becomes aware of the cultural aspect of India: this will help the process of learning in the right direction and with the right attititude.
When one is learning music in India, one is breathing the music in all aspects and situations that emerge in the surroundings. Meaning, we breath music! ...through the rhythm of the streets, the colors, the sounds, the energy. This should try to be incorporated as much as possible for people learning around the world who are not in the atmosphere of India. Remaining in the "mahol" of music, in the atmosphere of music is one of the key aspects of learning.
And last but not least, knowing and remembering that in India we are disciples forever. No Pandit, Ustad, Master, Guru or music genius from India will ever say "I am a master", "I have arrived." And their lies its beauty, its power, its heritage.
More details, videos and information about learning music from India with Manish Vyas: www.manishvyas.com/lessons -
For every person in India, Shiva means a lot — and Manish is not an exception. That is why he has worked on a very special album exclusively for Lord Shiva, which will be his 2021 yearly release. Powerful yet meditative vibrations: ADIYOGI, publishing worldwide on December 11, 2021. A ten track CD of almost seventy minutes.
The album in the praise of Shiva features beautiful texts, verses and poetries praising His presence, His raw beauty, His wisdom, His amazing being. “As far as Sanatan Dharma is concerned there are thousands of mantras and other prayers and texts written in Sanskrit dedicated to Shiva,” explains Manish.
The music composed for these amazing ancient texts displays different ragas carefully chosen to fulfill the energy required; as well as the singing which must be presented with perfect application of the Sanskrit language.
Shiva also represents various dimensions of energy, so this project also had to contemplate how to bring or reflect all those multi-dimensional aspects of Shiva in the music, and this was somewhat challenging: “Somewhere the energy of Shiva kept on guiding me and giving me the right path along the creative process of this project…” says Manish.
“Shiva is joy, celebration, bliss… and at the same time Shiva is the destroyer of the false and the unnecessary. Shiva has contributed so much to the spiritual life of any seeker, that no matter how much we may offer our gratitude, it’s never enough.”
The intention behind this work is to express that gratitude and at the same time connect the listener to the energy of Shiva and its enlightening and eternal essence of truth.
Om Namah Shivay
www.manishvyas.com/shiva -
In the third and final episode of this series of dialogues with the great Gundecha Brothers, they have shared their insights about the magic and power of Sanskrit language and how it can become a medium to a cosmic experience, whether by speaking it or by listening to it.
As far as Sanskrit, Mantra, Indian music or any ancient tradition is concerned, they also talked about the importance of learning them from an authentic source, so that one can go deeper into the vast world and wisdom of these ancient cultures.
And finally they graced and beautified the end of this podcast with a heartfelt devotional song in Raga Shiva-Ranjani.
First interview https://www.buzzsprout.com/1504945/8875578
Second interview https://www.buzzsprout.com/1504945/8805504 -
Following the previous interview with Gundecha Brothers, who dedicated their lives to continuing this style of music, we present the part II of the talk, where among other interesting insights, the main topics covered are:
The importance of Sanskrit and the connection between Dhrupad and this language, the three notes used in the Vedic chanting style, and the difference between mantra chanting and mantra singing.
Dhrupad claims the distinction of being the oldest form of Indian Classical music heard today, its origin can be traced back to the chanting of Vedic hymns and mantras. The birth of Dhrupad as we know it today coincided with the Bhakti movement and consequently was more devotional in nature. It was rendered in temples facing the the Divinity full of devotion and bhaav, this was the genesis of what became known as Haveli Dhrupad/Sangeet.
Dhrupad is a body of spiritual and mystical knowledge to be practiced with devotion (Bhakthi) and dedication (Shraddha). It is primarily an act of submission to one's inner spirit, not a tool for entertainment.
The Gundecha Brothers from Ujjain, India are classical vocalists of the Dhrupad genre of the Dagar Vani (a tradition of classical Dhrupad of 20 generations tracking back to Swami Haridas.) From 1985 to 2019 the duo consisted of brothers Umakant Gundecha and Ramakant Gundecha and were awarded the Padma Sri for art for 2012. Following the death of Ramakant Gundecha in 2019, his son Anant began to perform with Umakant in the Gundecha Bandhu. They also run a Dhrupad institute outside Bhopal, India, where they teach students from all over the world according to the guru–shishya tradition, or parampara ("lineage"), denoting a succession of teachers and disciples.
"Dhrupad is the search of the ultimate, the search for a true sound, the eternal sound, the sound of the cosmos. Dhrupad is Nada Yoga - the yoga of sound. It is the best way to get yourself into a calm, peaceful state of mind." Umakant Gundecha"In Dhrupad, we sing the notes in their pure form. Both the performers as well as the listeners experience the life energy in these notes. Dhrupad is therefore really about going deep into the essence of everything, including oneself. You can see yourself through Dhrupad." Ramakant Gundecha
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In the series of the three podcasts from a meeting with one of the most well-known Dhrupad singers from India namely GUNDECHA BROTHERS, the first part covers the insights about the connection between Dhrupad and Naad Yoga or Yoga of Sound, as well as Dhrupad’s approach towards the concept of BHAVA or expression and RASA or flavor. In India we say, “If it’s not touching your soul, it’s not music,” and this music has this intrinsic power.
This very statement describes the potential of this music from India which has been one of the most ancient forms of music. It was traditionally performed only in temples, as an offering to the deities. That is why even now, the sounds and vibrations of Dhrupad are able to take a listener into a very deep state of silence and serenity.
“The ultimate goal of Dhrupad is to reach a state of thoughtlessness.” Umakant Gundecha
Dhrupad is said to be the oldest existing form of North Indian classical music and it has continued due to the persistence and dedication of different masters who have passed it from generation to generation along the centuries.
Due to its strict adherence to purity, learning Dhrupad is very difficult. It takes years of rigorous and painstaking practice, involving many hours - eight or more - of singing everyday, before a Dhrupad student can reach a stage when he will be ready to perform competently. These early years of total devotion to learning also mean total financial dependence, as the student does not have the time to earn a living. In the past, the teacher took care of the needs of students, so that they could commit themselves completely to the study of music.
You can also watch part of the talk in Youtube : https://youtu.be/8_s-SiLOjkU -
At the beginning, Yoga was not written down anywhere, the teachings were passed by the Guru to a disciple personally. The first books where Yoga is mentioned were the ancient Tantras and later the Vedas, then the Upanishads expanded deeper about it. Based on all this, much later Patanjali wrote the Yoga Sutras (in Sanskrit) as an eight-fold path: yama, niyama, asana, pranayama, pratyahara, dharana, dhyana, samadhi.
Therefore, the meaning of yoga and the path of yoga is not what frequently many think when relating it only to exercise, stretching, bending, breathing practices, or asana. It is so much more than that!
The science of Yoga applies itself to all aspects of life. Yoga means choosing a lifestyle of excellence and awareness in everything that we do and live according to that. So ideally, it should to be understood in this direction, in order to focus on this path with an earnest approach and to benefit from it beyond the aspects of the physical plane which are only temporary and worldly in nature. The path of Yoga as any other spiritual path in India is to awaken and eventually come to the realization that we are not the body, so too much focus on the body would defeat its own purpose.
The so called 'modernization' does not justify the disappearance of the key and fundamental aspects of Yoga and its nature -- otherwise it would not be Yoga, but something else.
This time Manish is interviewing Arpit Agrawal, an experienced Yoga teacher from Rishikesh India who studied in the traditional Bihar School of Yoga, discussing different aspects of Yoga and Yoga learning, which give a clear scenario of the vastness and richness of this tradition.
The interview also includes clarifications about types of yoga which have traditionally been part of the true yogic path since ancient times, as well as certain yoga styles which have developed or become popular in the west which are not truly reflecting the real Yoga tradition. One of these is 'Kundalini Yoga'. Although kundalini yoga practices exists in India, they have truly little to do with what became so popular in the USA and then was adopted around the world. That practice is honestly not the real tradition with the roots in our Indian Yoga heritage, and each practitioner should at least have the right to know this, how it developed, where it came from and which practices are authentic and which ones are not, as many styles had been basically developed mainly for yoga-commercialization, packaged in an attractive way to catch followers attention. It is ok if one practices that if one likes it, but one should know what is what.
We thank Arpit so much for this interesting and clarifying interview, where we can easily distinguish the pillars on this path, and understand the basis of this amazing practice of Yoga, with roots in ancient India and widely adopted by now in almost each corner of the world.
"Asana is for sure important, to keep yourself healthy. And we need some kind of flexibility as well, as we say the higher purpose of yoga (asana) is to sit in meditation for longer time, and those things come by the yoga asana. So it’s important only for that purpose. But yoga asana is only one limb of yoga, it’s not everything. Yoga tells you how to live, how to eat, how to walk, how to practice… everything comes from yoga. It’s like developing the awareness on how to do any action." Arpit Agrawal
About Arpit :
Sri Yoga Ashram, Rishikesh @yogawitharpit / www.sriyogaashram.com
This podcast is also transcribed in our blog, you can read it here: https://www.manishvyas.ch/post/_yoga
watch related youtube video: https://youtu.be/qRmKJ_nFyLQ -
Manish takes us through the beautiful journey of sacred music from India with interesting explanations and a variety of songs to help us understand the vast spectrum of music from India: "We have traditions that beyond being learnt, they are carried in the blood since many, many generations, by families and musicians who have grown in that atmosphere of devotion and music, besides a deep connection and love for these traditions. Specially the most ancient the tradition, the deeper roots it has and the more one has to access the right source, if interested in connecting to them."
India has always kept music as a way to connect to the divine, and ultimately to oneself. Songs and poetries have been written since millennia by rishis and enlightened ones, where wisdom was combined with music, raising the potential to penetrate the listener connecting him/her with the meaning of those sacred verses, of the ultimate wisdom.
It is important to know what is what and how to approach the diverse styles of music from India. That is why I always emphasize that not everything which comes from the India is a mantra and some people who don't know the language and the science of mantra get confused very easily. There are chalisas, shlokas, strotras, sahasranaams, mantras, kavach, bhajans, shabad, kirtan, etc. And the ability to distinguish is key to know what is what, to honor this ancient tradition from India, and for a better understanding of our culture, for those interested in it and for a successful practice.
Music Credits briefly played as examples in the Podcast, by order of appearance:
Aham Brahmasmi - Manish Vyas
Shloka - Ketan Patwardhan
Stotra - Manish Vyas
Surya Sahasranaam - Pt. Rattanmohan Sharma
Guru Ramdas, Gurbani - Manish Vyas
Om Gam Ganapataye Namaha, mantra - Manish Vyas
Durga Saptashati - Amkitkumar Pandey
Tumi Bhaja re Mana, bhajan - Manish Vyas
Shabad Gurbani - Bhai Gagandeep Singh
Kabir bhajan - Pt. Kumar Gandharva
Sufi Qawwali - U. Nusrat Fateh Ali Khan
Jaya Govinda Hare, kirtan - Manish Vyas
www.manishvyas.com -
Amano Manish, a gifted Mohan Veena (slide guitar) player from India disciple of Brij Bushan Kabra, interviews Manish Vyas. They talk about the journey of learning, composing and presenting music from India. A very interesting conversation for those fascinated by the world of Indian arts and the different genres of Indian music: classical, spiritual, Sufi and other.
In this pleasant conversation, they talk about their beginnings in music, arts, expressing and composing music, the skills required to be trained – and the influence of Osho in their musical path. In Indian music there is a whole journey of learning which never ends, a journey of performing where it it’s not about the performer but about the music and a journey of creativity which is enhanced along the path in different ways and through different experiences.
“The focus of creating and sharing music should always be on enjoying what one is doing, without thinking of achieving anything in particular.” Manish Vyas
It is also discussed the spreading of Mantra around the world using it in music and the tendency of distortion in its public presentation; together with the importance and responsibility of putting the right music to a sacred genre like Mantra.
The importance in connecting with the right music and the right source lies in the possibility to discover and relate to the true essence of this millenary culture from India.
“The art in Indian arts and music is to remain open and available and becoming empty like a hollow bamboo – then the music can play through you. Versatility is currently the dimension of life.” Manish Vyas
Manish Vyas: www.manishvyas.com
Amano Manish (interviewer): www.amanomanish.com -
The whole meditative life of the Sufis is built upon the mystery of the world. The word Sufi is connected with sophia, which means wisdom -- not cleverness, because cleverness cannot be wisdom; but the wisdom learned from within.
The path of a Sufi is a path of devotion, a path of Bhakti, a path of surrender and complete trust.Sufi traditions and music have been very close to India since hundreds of years, being the path of Sufism a beautiful and poetic approach to spirituality, in which the longing and connection to the divine, is pursued through bhakti (devotion,) total surrender, let-go, love and dissolution. In this, music has a very important role in Sufism and its different practices.
Manish talks about the Sufi traditions as he experienced them himself in India, its music and singers, and practices such as whirling and other active meditations, where the use of music is key to take the listener to that space or total merging with the higher Self, the Beyond, the Eternal.
"Wisdom is the interpretation of life, made by someone whose point of view has become different by looking at life in the sunlight." H. Inahat Khan -
The focus in India has always been to find inner richness, inner fulfillment. For this, different tools and paths have been used since millennia. These traditions have been practiced and followed in a certain way... which ultimate point is the attainment of liberation, the highest vibrational level in human plane.
Yoga is a path of spiritual growth deeply rooted in an ancient heritage -- not exercise. Mantra is a deep spiritual sacred practice based on the science of sound -- not a music show.Many different subjects about the world of those spiritual practices from India are covered in this interview. Simple questions with straight forward and realistic answers. What is mantra, where does it come from, who are the creators, where were they documented, when something is a mantra, the power of Sanskrit, what is Naad Yoga, what is the actual mantra tradition.
The podcast also covers a sincere, open and honest explanation related to the meaning and practice of Yoga as a way of life of excellence, and how it arrived to the west to soon loose or forget the connection to the source, to the essence, to the true meaning of yoga and its ultimate purpose.
“If you want to reach the soundless first you have to come in contact with the right sound. When you come in contact with the right source, your spiritual journey can start – from the sound to the soundless; from the gross to the most subtle.”
This talk is part of an interview conducted by Marc Zürcher, an architect from Zürich who is also a Yoga student since many years. Some pieces have been cut due to its length. Gratitude to him for this interview and for his genuine interest. -
With roots along the ancient path of Sanatan Dharma, many different roads have been used amid thousands of years to arrive to the same ultimate destination, realize the God within. One of these paths is mantra, the science of sound, by which one can invoke a particular energy through the use of certain sounds. One of the most famous texts has been known as Gayatri Mantra, which is in Sanskrit and comes from the Rig Veda.
In the occasion of his recent 8-minute Gayatri Mantra release and his upcoming release of 108-chanting, Manish Vyas presents the subject of Gayatri in a half hour podcast, with very interesting stories and information which may help any person from any background interested in the subject know more about the incredible science of sound from India, and moreover, understand how to approach it.
What is the best way to use this mantra, what is its origin, who was the author and the history behind it, what kind of music should be used with it, what are its essential elements, what is Gayatri Sadhana, how to use it for listening meditation or pranayam practice...? These are some of the points covered in this pleasant interview.
"Important is that the purpose of each mantra is served; the reason why mantras are there, has never been to use them for entertainment, but firstly to be aware of what we are dealing with when we talk about 'mantra' in general and each mantra in particular; and second, use them adequately and if possible keeping in sight their full potential. Then their purpose is served with grace and respect to this ancient practice discovered by enlightened sages, wise ancestors of humanity." Manish
Gayatri Mantra link : www.manishvyas.com/gayatri
Youtube video : https://youtu.be/YDKNkIYgWT8 -
I personally have always considered it as a blessing for me to have been born in such a culture like Bhārat (India) with its ancient roots and its vast, bottomless, fascinating world around mystical wisdom and spiritual legacy, reflected also in all of our forms of arts expression, like music, dance and so many others.
This podcast features a very interesting interview to Bapu Padmanabha, a musician from South India, who besides being a wonderful Bansuri player disciple of Hariprasad Chaurasia, is also a genuine presenter of this ancient science and ancient tradition of Mantra, Vedic chanting and other styles.
The interview takes us through a journey across the world of sacred music from India and its authentic practices, what it takes to represent this tradition, how many years of learning and dedication are invested in such journey, what is the path of a musician, a teacher, a spiritual seeker and an eternal student, when it comes to music from India.
Besides other long and patient trainings, just to start with Bapu’s training in chanting, we know that he dedicated around twelve years, every single day, two hours per day... on getting trained in the atmosphere of this discipline, in a Hindu Vedic school in South India, knowing that this is the required patience and dedication to honor this tradition.
Listen more to his interesting stories and answers to questions from Manish Vyas in this interview. Specially conceived for lovers of traditions from India, its music and the science of Mantra.You can also find a video about Bapu’s music and work in this link, when he contributed to the upcoming documentary, “The True World of Mantra and Sacred Music from India”: https://youtu.be/DlqABwkXwbs
- Näytä enemmän
