Episodit

  • Yvonne Abercrombie is a contemporary artist living in Helensville just north of Tāmaki Makaurau, Auckland. Applying the figure to an abstract landscape is where Yvonne’s practice is situated. Yvonne combines personal narratives and imagination with an exploration and development of the painting process.

    It was so lovely for me to speak to someone I know quite well and a friend and discover so much about her work.In this episode Yvonne talks about her love of traditional hearty cooking and how that translates into her paintings and how she handles paint, and her love for dressing well and accessorising and how that contrasts with the use of colour in her work.

    We talk about how painting realistically felt disappointing to Yvonne, how she finally found her identity and ways to express her personal stories in a less realistic form during her masters degree and how she transitioned from studying painting at uni to managing her own painting practice and earning power.

    Yvonne describes her work as abstract figuration paintings - personal or reimagined narratives but not necessarily expressed in the traditional way, that develop organically. Largely about the human condition, existence, who and what we are. She shares why she likes to paint the naked form, exposing rawness and vulnerability and symbolising the narrative.

    Yvonne goes into great detail about her painting process, which is fascinating, and her yearning and drive to create something she has never seen before.

    We discuss how she landed into community art spaces, how working in these diverse artistic environments contributes to her art practice and the benefits she sees in community art galleries.

    Yvonne is showing her latest work in a joint show entitled Reimagined by the Muse, which opens this week on June 25th and runs until July 10th 2024, at The Frame Workshop and Gallery in Herne Bay Auckland.

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  • Rachael Errington is a visual artist living, working and exhibiting in both New Zealand and Australia. She has been showing her paintings professionally for over 20 years, and has had 40 major solo exhibitions to date.

    Rachael grew up living in the middle of an English wood, where she and her brother spent most of their time making dens and treehouses. It is undoubtedly this experience that created her fascination with painting trees. Her work is inspired by colours in nature and the way light filters through flora, creating emotive connections for the viewer, encouraging them to ‘feel’ something that is peaceful, wistful and calming.

    It was such a pleasure meeting the wonderfully vivacious Rachael. Her positive outlook on life and her approach to her art business and painting practice is really inspiring. She has some great tips for artists and valuable insights for us all after experiencing a traumatic health event in 2020.

    Rachel goes into fascinating depth about her painting practice: how she paints her entire canvas black before starting a painting; how her underpainting becomes a simple landscape with a light point which are beautiful in themselves; how she creates the sculptural elements in her trees; how she adds in the light rays and mists at the end and why she loves to paint big.

    You can see her current solo show Memoirs from Nature on now at Art Bay Gallery in Queenstown, running from June 19th - July 3rd 2024.

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  • Tim Jones is a contemporary painter born in the UK and living in Matakana New Zealand. He creates bold abstract paintings through the use of strong gestural mark making.

    Driven by inquiry, and with evocative reference to the natural environment, colour and painterly form are intertwined and steeped in rhythm and movement.

    Tim talks about how he has always liked to draw and paint and also take photographs and how his background travelling extensively, diving and working on super yachts has ultimately informed his art practice. He shares his intuitive painting process, the worlds he creates in his work and what they mean to him.

    We talk about NFT scams and the merits and downsides of social media, how his identity has been stolen more than once on Instagram and the difficulty he has had resolving this issue. He shares how he sometimes experiences imposter syndrome as a self taught artist and how he deals with that.

    We discuss Tim's current solo show Quo Vadis at Parnell Gallery in Tāmaki Makaurau, Auckland and we explore some of the works within the exhibition. Quo Vadis is on now and runs until June 25th 2024.

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  • Zoë Nash is a multidisciplinary artist based in Tāmaki Makaurau, Auckland. Her brightly coloured, abstract works explore a slow and mindful accumulation of repeated and highly detailed mark making.

    Reflecting her love of nature, Zoë’s works increasingly draw on selected plant and flower motifs as inspiration. Frequently initiated by things seen, things spoken, or things remembered, narrative and nostalgia are also used to trigger personal connection with viewers.

    After taking some art classes with Zoë at Browne School of Art, it was a real privilege to talk to her and get to know her and her practice a little better. Zoë speaks about the 'round about way' she came to design and the fine arts arena and her challenging time completing a masters degree in fine arts without having an art practice at the time, and how she didn't make art for 4 years after this experience.

    We discuss her identity crisis at the age of 30 as a British born woman who had lived in NZ for as long as she'd lived in the UK and how this translated into her fine arts study, which focused on identity, the use of autobiography and the role of female narratives. Zoë talks about how renting her own art studio finally kick started her art practice again and why her work became so connected to nature. She shares the ideas behind the presence of dots and repeated marks in her work and how that can be therapeutic and sometimes reflects her own personal stories.

    AND Zoë has the best list yet of artists and reasons why they have inspired her and informed her practice.

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  • Belinda Griffiths is a conceptual figurative artist based in Tāmaki Makaurau, Auckland. Her work lies within the disciplines of painting and printmaking and explores the expressive power of the gestural mark.

    When coupled with depictions of the human form, this tension between mark and form has the potential to dig deeper and communicate something of the human experience that becomes instinctive and visceral. Belinda's work is an ongoing exploration of that potential.

    In this episode we talk about how she came to emigrate from South Africa to New Zealand at the age of 18, how she started her career in design and then made the switch to full time artist. We discuss how she discovered printmaking and what she loves about monotypes, why she likes to create monotypes as well as paintings and her printmaking process.

    We talk about the different residencies Belinda has done and how they have influenced her work, how she knows when a work is finished and successful, how she manages the push and pull between marks and form. And how she sees her process as a metaphor for her work and why she doesn't like to share all parts of her process.

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  • Clinton Christian (aka Clint© or CC'd) is an award winning contemporary New Zealand artist based in Hamilton New Zealand.

    His graphic style, themes and mediums reflect his personality - fun, bright, shiny and often nostalgic with a love of all things 70s and 80s.

    Clint initially gained a big following with his animal pop portrait series ‘Animal Instinct’ during 2020/21 and he has recently developed a new collection of work ‘Retrovision’ that dives into his youthful nostalgic memories of the 1970’s -80’s.

    Clint loves making people smile and is super passionate about what he does. In this episode we talk about Clint's journey from architectural designer to full time artist and how well received his work has been right from when he started painting only 6 years ago. He talks about a pivotal light bulb moment in 2018 after a tough year when he decided to leave his job and start creating, even though he initially didn't know what form this would take. We discuss how he once thought he wasn't 'creative' because he would draw what he sees and didn't feel he had his own ideas - ideas is defintely not something he is short of today!

    Clint has a very entrepreneurial approach to his art career. He talks about some of his tricks and techniques he has for promoting and selling his work, connecting with artists and gallerists and building a loyal following. He unpacks his painting and sculptural practice and goes into great depth about his process, from sourcing and using resin and how he builds his pieces to the way he transfers the text in his Title Deeds series and his favourite paints to use. Such a good listen!
    https://www.creativematters.co.nz/post/creative-matters-with-clint-christian

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  • POPUP is a versatile platform for artists, organisations, and venues in Aotearoa to produce their own online experiences. Born out of years of online event production, POPUP allows users to effortlessly create and manage their online events.

    The platform's immersive virtual spaces facilitate serendipitous encounters and meaningful interactions. From customisable environments to interactive features such as video chat and spatialised sound, POPUP empowers users to curate memorable experiences tailored to their unique visions. Additionally, the platform prioritises ease of use, ensuring everyone can participate fully in the digital realm.

    Artist Naomi Azoulay, who I spoke to on the podcast in episode 106, talks about this amazing virtual resource for artists, what it offers, how it works, who could use it and why and how she can help you set up your very own virtual meeting, exhibition, event, interview, or party (fully funded until the end of July). I'm already working on my own virtual space for the podcast, with the help of Naomi, and I can't wait to see what we can do with this exciting way of communicating and sharing the work we do.
    https://www.instagram.com/naomi_azoulay_collage/

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  • Dunedin based artist Nic Dempster has been part of the city’s art scene for over twenty years. His bold colourful geometric style has developed out of contemporary landscape work and reflects his love for architecture and design.

    His works play with ideas of urbanisation, our infatuation with property and the great kiwi quarter acre dream.

    It was such a pleasure meeting Nic. We talk about how he went from studying history at Uni and gaining a masters degree to full time artist. He shares how he approaches the composition of his work, how he fills a space and the mathematical formula he uses to construct the shapes and form of his paintings. We discuss his colour palettes and use of shades and tints, his signature black outlines and what drew him to this style, how he orders his process, how his work has evolved over the years and where he can see his work heading in the future.

    This is a lovely chat I know you'll enjoy. Nic also very generously shares his personal surrogacy journey, which I'm sure you'll appreciate as much as I did.

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  • In this episode I'm chatting to Charles Tongue, the founder and CEO of Brother Theo - a platform dedicated to career coaching and legacy planning, tailored specifically for artists.

    Brother Theo provides a range of perspectives to help artists plan and grow their career as well as their legacy. Whether you’re just starting out or looking to take your career to the next level, Brother Theo helps you achieve your goals and reach your full potential as an artist.

    Charles talks about the Studio of Contemporary Art Gallery which his mother founded and he went on to buy and then run for 15 years, his experiences in the art industry in Aotearoa NZ and what he has learnt. He shares what information artists should collect and how to put it all together, archiving and cataloging artworks, creating processes and outsourcing, approaching galleries and pricing work. And so much more! You can learn more out Brother Theo and the services they provide at brotheo.com

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  • Robyn Fleet is a painter from the Hawkes Bay. Her paintings capture the essence of human experiences and our deep connections to the environment.

    Robyn is obsessed with the materiality of paint itself and all its possibilities.

    A common thread in Robyn's work is 'the human condition' suggesting avenues of emotion and thought, the human experience through sensations of materiality and tactility.

    We discuss the Ruahine Ranges landscape series which help to tell the story of an accident her father had in 1955 in the ranges which has had a big impact on Robyn.

    Robyn talks about her jury member portrait series and where these characters come from, her deep connection to land, people and animals (especially her cats and her gorgeous lab/retriever cross Fred), how she likes to paint and why she is drawn to dark moody landscapes. She shares how caregiving gives her insight and often informs her practice

    Robyn has a solo show coming up at the Frame Workshop and Gallery 9th May - 25th May 2024, with an opening event on May 9th from 4pm - 6pm.
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  • Sally Bulling is a contemporary New Zealand painter living in Queenstown.

    Invoking a sense of energy, Sally Bulling's abstract works are created with physical movements, sweeping marks, dripping flicks and elaborate pours. Her love of colour, light and reflection is captured in her beautiful paintings.

    After a successful career in the fashion and fine art industry she returned to her love of painting in 2020 and now works full time on her art practice.

    I loved hanging out with Sally in my Muriwai studio. What a gorgeous woman! We share a love of sparkles and colour and I found our chat very inspiring as I'm sure you will too. Sally talks about her career in art consultancy and shares some great tips for approaching galleries, choosing a gallery for your work, the advantages of being represented by a gallery and what galleries look for in an artist.

    She talks about how she got back in to painting in 2020, how she came to use mirrors as a canvas and stickers as a medium and how her first work sold in a gallery within 3 hours - marking the beginning of a very successful artistic career. We chat about her process from sourcing and cutting mirrors, selecting and layering paint to tinting and applying epoxy resin, adding gilding to the edges of her work and her technical approach to colour.

    Sally has a solo show at Parnell Gallery coming up - A Pansy for your Thoughts -

    14 - 28 May. Preview: Tuesday 14 May, 5.30-7pm.

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  • Tim Christie is a designer and artist currently based in Wellington New Zealand.

    His innovative, fashion-forward artistic style has been described as a modern synthesis of op art, pop art, street art and geometric expressionism.

    Over the last two years he has extended his collection to include light boxes, large original acrylic paintings and illuminated weavings, enjoying playing with the space or ‘void’ between abstract and representational art.

    Tim shares his inspirational story from graphic designer to successful artist and some of the stories in between! He talks about how he first came up with the idea for digital artworks while holidaying in Scotland, how he gained momentum early on with sell out shows and a huge amount of interest from collectors, how he came to exhibit internationally and how he now manages a very busy art practice and artistic business.

    Tim unpacks his varied digital and painting art practice and shares his fascinating creative process. He talks about another of his artistic ventures this time with his wife Katie, Yogallery - a hybrid world of art and yoga contained in a large light filled space in central Wellington.
    https://www.creativematters.co.nz/post/creative-matters-with-tim-christie

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  • Alison Gilmour is a painter from Auckland, New Zealand. She grew up in Devonport, a coastal suburb in Auckland, which has instilled a deep love of the sea inspiring her to paint it in its many forms. She is also well known for her beautiful floral and still life paintings.

    Alison captures the endless beauty of her environment with delicate brushwork – creating images which have a photo-realistic quality and hues which reflect the clarity, light and richness of the South Pacific.

    In this episode Alison tells the great story of meeting Tim Wilson, one of New Zealand’s most successful landscape artists and often referred to as the 'Master of Light'. She talks about how she came to be mentored by Tim two years later, how he got her into painting with oils and how she was eventually invited to exhibit in his acclaimed gallery in Queenstown, the Tim Wilson Gallery. Through this connection Alison increased her global profile, commanded bigger prices for her work and gained confidence in herself as a fine artist.

    We discuss her 40 year career in graphic design and how it has informed her art practice and parts of her process. We have an interesting conversation about realism and the unique elements she brings to her realistic paintings and she shares parts of her process such as how she adds layers and why she sometimes likes to paint upside down. We talk about a pop up gallery she created with a friend and her plan to allow herself a few months to purely experiment and play with a view to possibly bringing some new techniques and ideas to her practice.

    https://www.creativematters.co.nz/post/creative-matters-with-alison-gilmour

    https://www.instagram.com/alisongilmour_artist/

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  • This episode is kindly supported by Turua Gallery

    Dominique Marriott is a Waikato-based artist living near Raglan on the west coast. She specialises in life drawing and is well known for her minimalistic nude paintings created with sumi ink and calligraphy brushes.

    Dominique works in a bold and uninhibited way to capture the essence of the human form. Her work reflects a deep appreciation for simplicity, energy, and the intrinsic beauty of the body. Guided by the principles of Zen, Dominique approaches her artistic practice as a form of active meditation and self medication.

    This is another gorgeous, honest conversation. We had a beautiful time together in my studio at Muriwai Beach.. Dominique talks about why and how she got into life drawing after studying fine arts at Uni and what she loves about this art form.We talk about her unique process of creating multiple drawings in each sitting, why she likes to leave negative space in her drawings, how she chooses which drawings to add to her collection and which ones to discard and why life drawing is so good for her well being and her ADHD brain.

    Dom shares her life drawing commission process, why she believes every artist should use life drawing as part of their practice, her amazing life drawing performances and how she has become so comfortable with this process after initially being fearful of painting in front of others.

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  • Raymond Sagapolutele is an Aotearoa NZ-born Sāmoan artist and academic living in Manurewa in Auckland. His photographic practice focuses on his lived experiences, his heritage and his cultural ties to the history of and the lands within the Pacific.

    In his hands, the camera gains a voice and connects to the cherished Samoan tradition of storytelling. As Raymond says, his camera has been there when he has laughed with friends, it's been there when he has cried with family and it's been there when he has sought inspiration, clarification and resolution.

    Raymond is a natural orator and storyteller. This episode is a wonderful account of not only his life as an artist and his art practice but how he sees himself as a Samoan born in Aotearoa, the importance of aiga - family, ways he has honoured his parents and siblings through his art.

    He speaks of the concept of the 'va' and how that is represented in his work and he unpacks a number of his photographic works and series in fascinating detail.

    I learnt a lot from this talanoa, this conversation with Raymond today and really appreciate his honesty, insights and perspectives. As I know you will too.

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  • Auckland based artist James Emery has always had a keen interest in art and art history, particularly NZ art from the 1950s and 60s and the American abstract expressionists.

    Majoring in art history at Auckland Uni James worked within the art industry for many years before developing his own practice only 2 years ago. This month he celebrates his first solo show at The Grey Place in Grey Lynn, Auckland, which opens March 26th 2024.

    This chat was highly motivating and interesting for me and honestly made me feel so keen to get back into my own painting practice. We talk about NZ art and artists and discover a mutual admiration for a number of abstract artists. James talks about how his natural eye for good aesthetics influenced his early career buying and selling art, decorative arts and jewellery.

    We discuss how James started his painting practice after years of observing, researching and thinking; how paint and process drives him, how he strives to create a new approach or technique in painting that could leave some kind of legacy and how he is never short of ideas, just time.

    James talks about how circuit boards as objects and metaphors first inspired him to create his series "Incommunicado". We discuss his latest series for his upcoming solo show Tension and Attitude and he shares his innovative painting process, tools and techniques.

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  • Jae Frew is a contemporary portrait photographer previously based in Tāmaki Makaurau, Auckland and now living in Mahurangi.

    Jae's commercial career spans over 30 years and the highly respected and sought-after photographer lists prime ministers, heads of state, TV personalities, corporate CEO’s, film and television actors, and prominent sports people among his subjects.

    With time and space to pursue his own photographic projects during the 2020 / 2021 COVID lockdowns, Jae began exploring a more personal side to his practice and Manu Kōingo – Birds of Yearning was formed. A concept that had been pressing on his mind for many years – to create a series of works that speaks to and engages with the interests of his youth while raising awareness of Aotearoa's fragile and diminishing bird life.


    We talk about Jae's commercial photography and some of the amazing New Zealanders he has photographed such as Jacinda Adern, Sir Edmund Hillary and Dame Kiri Te Kanawa.


    We go deep into Manu Kōingo - Birds of Yearning, how he developed this more personal side of his photographic practice and the shows he's had since, why he likes to construct the native wood frames for each of his works.


    He talks about his upcoming solo show at Parnell Gallery which opens on April 4th in Auckland and runs til April 21st 2024.

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  • Artist Michael McHugh is New Zealand born and resides in Sydney Australia. For more than three decades, he has been exploring the vast potential of colour, composition and abstract form with an inquisitive emphasis on the natural world.

    McHugh believes constant drawing and collaging to be fundamental to his painting process. This foundation enables him to fully explore composition and vigorously push boundaries with colour, pattern and technique.

    I had a lovely chat with Michael. We talk about his career in advertising and media and how he juggles life as Editor in Chief of the Mindfood magazine which he and his wife founded in 2008 with his art practice and how working in publishing influences his art practice and the way he works. We discuss his initial lack of confidence in his own art and how the passing of his beloved mother became a catalyst for developing his art practice further. He shares the story of his first opportunity to show his work and how to his surprise the show sold out within 20 minutes. This marked the beginning of his very successful career as an artist.

    We hear all about his painting and drawing process and he shares some of the tools, tricks and techniques he likes to use. Michael talks about his current solo show entitled CHROMA at Martin Browne Contemporary in Sydney, which is on now and runs until the end of March 2024.

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  • Faleata Ualesi is an emerging contemporary Samoan Artist living in Tāmaki Makaurau Auckland. His current work is built around motifs shown through grids and pacific patterns.

    I loved meeting Faleata and welcoming him to my studio (and black taro patch) at Muriwai Beach. In this episode we talk about Faleata's teaching career, how he manages his art practice around his job, and how he feels having a full time job in a way takes away the pressure to sell his artwork, allowing him to focus on experimenting and exploring and trying new techniques and media.

    Faleata is a proud South Aucklander raised in Ōtara. He has participated in the South Versed annual group shows for the last 2 years and will again in 2024. Faleata talks passionately about his work inspired by siapo, tapa cloth and Samoan tattoo and how he is currently experimenting with "breaking free out of the box" using more open curved lines, texture, colour and pattern. We discuss his use of acrylic pens, his commission work, his drawings and paintings, his light boxes and the beautiful installation tribute to his parents in the Auckland CBD.

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  • Tony Ogle is known as one of New Zealand’s leading screen printers. He currently lives in Tairāwhiti, Gisborne.

    Next month in March Tony celebrates a prolific art career of more than 30 years with a retrospective solo exhibition at Parnell Gallery in Tamaki Makaurau Auckland, showing more than 60 of his original paintings that have rarely been seen in their original state.

    Tony digs deep into his fascinating life story and art practice. He talks about how his grandmother inspired him as a youngster and the long summer days he spent exploring the NZ coastline and the Hauraki Gulf in Auckland with his family, sparking his curiosity and imagination and consequently influencing his art practice.

    We discuss how he got into screen printing, what he loves about this form of printmaking, his screen printing process and how it has allowed him to work full time as an artist for so long and make such a name for himself.

    Tony also tells a few awesome stories about the old villa he used to flat in on Takapuna Beach that later became the Lakehouse Arts Centre and his involvement in creating the Lakehouse Trust to retain the house for the future.

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    If you'd like to support the show with a $3, $5, $8 or $10 monthly donation to help with production costs, please follow this link: https://www.buzzsprout.com/1713946/supporters/new

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