Episodit
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Episode three of my new piano podcast deals with basic chords [triads] and their possible 'inversions', or put another way, the rearranging of their constituent parts. We consider some examples, and attempt to analyze how the music changes when we use chords in their root, first, and second inversion positions. What is the purpose of inversions - why should we use them in our music?
Happy piano playing!
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Episode Two of my new piano podcast deals with the subtle but profound distinction we hear and feel in Western music, caused by the simple change in the third note of the diatonic scale - creating a ‘major’ or ‘minor’ atmosphere. We will explore the meaning of the terms, and compare compositional examples.
If you have not yet caught the Introduction or Episode One of this piano podcast, please do so if you have time, because they lay the foundations for what we are discussing today! And if you are enjoying the show so far, do please leave me a rating, thumbs up, or comment - perhaps let me know in which part of the world you are listening?
Next week, we will continue the discussion, by analysing chord inversions, and attempting to understand how this simple re-arranging of note order affects the intent, and our subsequent appreciation, of the music we’re listening to.
Happy piano playing/learning to everyone!
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Puuttuva jakso?
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For Episode One of my new piano podcast, I thought the Harmonic Series might be a suitable place to start, because it is the scientific underpinning of our entire tonal system, expounding eloquently the pre-ordained. mathematical relationships between notes of the scale - be they harmonious, or dissonant, in nature. I shall attempt to break down what exactly is meant by the Harmonic or ‘Overtones’ Series, and offer an explanation as to why our scale is divided into twelve equal intervals, forming the basis of our diatonic - major and minor - understanding of music.
Unbeknownst to most of us, when we listen to a particular note, or ‘tone’ - for example, as played on the keyboard of a piano, bowed against the string of a violin, struck on the side of a bell, blown through a flute, or even sung by a vocalist - we are actually hearing a long and unique series of interrelated tones, possessing sympathetic vibrations with one another, on the factual basis that each sound wave oscillates at multiple divisions at once. These multiple frequencies, at the fundamental, half, third, quarter, and so on, cause harmonics, or overtones, thus giving each particular note its individual quality or ‘timbre’.
When a low C on the piano is struck, with a frequency [in Hertz] of 65, it also produces faint, related overtones, at each multiple above, thus 65, 130, 195, and so on. This in part explains the richness and complexity we hear in low base notes, as our ears [consciously or otherwise] are able to pick out elements of the Harmonic Series.
If you have an acoustic or digital piano to hand, or if you are just moderately interested in the instrument: grab a drink, and sit down with me for half an hour, as we unpick the extraordinary, fascinating divinity of sound!
For further information, please visit my website: whaviland.com/podcast
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Greetings piano enthusiasts, and welcome to the introductory episode of my new piano podcast: Piano Key A to G! I'm William Haviland, and it's lovely to have you with me.
We're going to take a weekly journey together, discussing various musical elements related to the keyboard - be it melody, harmony, history, all with a view to better understanding the great compositions - whether Classical, popular, folk, and so on - that we've inherited.
I will be sharing my thoughts on a multitude of musical works, each time attempting to uncover what makes them special. If you are a beginner or more experienced player, just a piano fan, or perhaps someone considering picking up the instrument, this podcast will have something for you.
If you enjoy the show, please subscribe for future content. And mostly importantly... Happy playing!
