Episodit
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Sweeping vistas! Dangerous men driven by greed, glory, honor, and obsession! Is this what acclaimed epic director David Lean has in store for us today? Well⊠it does feature some dramatically filmed trains. Thatâs one of his things, right?
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Jacques Demyâs The Umbrellas of Cherbourg (1964).
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I canât help it if Iâm scarred from too many bad 1980s and 90s comic book movie adaptations that werenât faithful to the source material. I know it shouldnât matter. Especially if the movie was made in the 1940s, itâs directed by podcast-favorites Powell and Pressburger, and itâs actually excellent.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing David Leanâs Brief Encounter (1945).
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Puuttuva jakso?
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Can we chalk this up as another Walter Matthau all-time slam-dunk that most people have never heard of? Or is this old man spy caper exactly what it looks like? We are joined by the duo Brad and Jake from the Never Did it podcast as we race across the globe in search of a potential antidote to Moonraker (which Charlie still thinks is a very good old man spy caper for some reason).
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Michael Powell and Emeric Pressburgerâs The Life and Death of Colonel Blimp (1946).
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Singular-voiced American comedic auteur Bobcat Goldthwait writes, directs, and stars in his absurdist satire of the 1980s stand-up comedy scene reimagined as a grimey city infested with infighting sub-castes of clowns whose insecurities, addictions, and lack of talent lock them in a perpetual rut of demeaning gigs, black-out benders, and petty jealousies. But one stands apart: Shakes. Perhaps the most talented and definitely the most alcoholic and self-sabotaging of them all.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Ronald Neamesâ Hopscotch (1980).
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RenĂ© Lalouâs timeless (well, maybe not exactly) hand drawn science fiction epic turns a skeptical eye on human systems of power in an unimaginable world of inhuman blue giants (that are somehow even more human). You know: itâs your basic Jack and the Beanstalk meets Avatar situation. With better (by which I mean funkier) music.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Bobcat Goldthwaitâs Shakes the Clown (1991).
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The good days are long past for Chan and Leung, a couple slowly drifting apart, and losing themselves in the oncoming wave of modernity consisting of unemployment, debt, loneliness, and alienation. But since Edward Yang directed it, somehow itâs all beautiful.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing RenĂ© Lalouâs Fantastic Planet (1973).
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There was a time, believe it or not, when the channel Bravo was willing to pay for some âcelebritiesâ and a camera crew to get out of their comfort zones, go on various excursions around the world, and watch the sparks fly as they bicker, backstab, and try to make ârealityâ look fun for the audiences back home. That time was 1991. Those celebrities were John Lurie, Jim Jarmusch, Tom Waits, Matt Dillon, Willem Dafoe, and Dennis Hopper. They made 6 episodes. Bravo never explored this format further.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Edward Yangâs Taipei Story (1985).
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Brett Morgen's expressionistic documentary seeks to sidestep the question of "which is the real David Bowie?" and instead sees the creation of his personas as just one strategy used by the performer to craft a life of continuous artistic challenge and innovation. "Reinvention" isn't so much a gimmick used to promote album and ticket sales as it is the inevitable path of a creative life. Oh, and it's beautiful and the music is good. Freak out!
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing John Lurie's Fishing With John (1991).
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Director Jacques Becker's belle epoque period drama about gangsters sets their lives on such a delicate balance between honor death that the eponymous pretty blonde is all it takes to bring it crashing down. Would you say a "love quadrangle" or a "love square"?
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Brett Morgenâs Moonage Daydream (2020).
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Indie director Melvin van Peeblesâ one film for Columbia Pictures pointedly slams against the dictates and standards of studio filmmaking with his Godfrey Cambridge-starring vehicle about a white bigot who wakes up black and finds himself in a world that no longer tolerates his existence.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Jacques Beckerâs Casque dâOr (1952).
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Just in time for February: it's... Random Acts of Cinema's Francis Ford Coppola's Bram Stoker's Dracula. Take me away from all of these possessives.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Melvin van Peebles' Watermelon Man (1970).
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An all-star whoâs-who of mid-century Italian comedy (we assume) unite for a picture of staggering proportions! Our boys stumble and bumble their way through a meticulously planned robbery and end up stealing⊠our hearts. Director Mario Monicelli gives the world one of the great prototypes of the comedic heist.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Francis Ford Corollaâs Bram Stokerâs Dracula (1992).
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Content and Spoiler Warning: This film dramatizes bullying, violence, against children, and a school shooting. Those who may not want to listen to this episode should skip this one and join us next week.
Can an all-boys boarding school serve as a microcosm of an entire nation's fractured state of values? More importantly: should it? Director Lindsay Anderson subverts the slice-of-life routines and indignities of British school life with deft surrealist touches and a Malcom MacDowell-starring cast embracing nihilism and revenge.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Mario Monicelli's Big Deal on Madonna Street (1958).
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He lost his job. He got his draft notice. The only path forward for this cinefile is clear: alienate everyone in his life and fracture his sanity by filming a progressively more erratic week of his life. Is he really searching for truth? Is film even the right way to capture truth? Does he really care about truth at all? Director Jim McBride fake documentary is about how everything filmed is a lie.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Lindsay Anderson's If.... (1968)
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In the darkest of night, standing solitary vigil against the forces of evil: there stands the cityâs only hope for justice, for vengeance, for truth. There stands⊠The Cameraman! Director Buster Keaton mines the depths of obsession and action in this late silent-era masterpiece
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Jim McBrideâs David Holzmanâs Diary (1967).
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Director Frank Capra returns to the podcast with his Oscar-hording smash hit romantic comedy starring Clark Gable and Claudette Colbert. A glamorous heiress is on the run from her father as she embarks on a cross-country trek to get back to her playboy husband. But a hard on his luck newspaperman knows a good story when he sees one, and takes her under his wing. And wouldn't you know it? These two hate each other! Which is to say: they desperately love each other and just don't know it yet.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Buster Keaton's The Cameraman (1928).
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Director Spike Jonze upends Hollywood conventions in this mind-bending Malkovich. Can Malkovich Malkovich before Malkovich Malkovich?
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Frank Capra's It Happened Once Night (1934).
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This time, Mira Nair unleashes her penchant for a romance-set-among-a-sprawling-family-drama on the nation of India as a wedding is organized, threatened, and celebrated amidst the intensity of a rainy season that I guess is probably a metaphor for something.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Spike Jonzeâs Being John Malkovitch (1999).
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Hitch is back! Or rather, here he is just as heâs starting to become THE Alfred Hitchcock. His first thriller blurs the boundaries between guilt, loss, obsession, and paranoia as a bloodthirsty killer of women stalks the London streets⊠on Tuesdays.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Mira Nairâs Monsoon Wedding (2001).
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In his first film, renowned director Bernardo Bertolucci prowls through the not-so-innocent lives of strangers who just happened to be in a park on the night of a murder. Each have good reason to embellish and omit details as they recount their day leading up to the murder to the police interrogator, but the director unsparingly shows all of the petty choices and disastrous missteps of them all.
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If youâd like to watch ahead for next weekâs film, we will be discussing and reviewing Alfred Hitchcockâs The Lodger: A Story of the London Fog (1927).
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