Episodit
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This week, we are joined by documentary filmmaker RYAN WORLSEY to discuss her film STAND BY FOR FAILURE: A DOCUMENTARY ABOUT NEGATIVLAND. We discuss how Ryan was introduced to the world of Negativland and what she thought of it, how she decided the best way to tell their complicated but surpringly emotional story, the fair use doctrine and copyright law, are Negativland really a band, David Wills (aka The Weatherman) and his astonishing talents & laughter through it all, Negativland's origin story, how Negativland’s current live show We Can Really Feel LIke We’re Here might be their most powerful work to date, the band signing and then getting sued by SST Records, their long-running radio show Over The Edge, what Negativland did with band member Don Joyce’s ashes after his passing, can you still culture jam today, plunderphonics, how Negativland’s perceptions of the world are formed through their music and then mirrored back to us, Richard Lyons' and his alter egos, the U2 lawsuit against the band, the majesty of Casey Casem swearing, the resilience of the band through all their hardships, seeing the inside of The Residents’ recording studio in the film, the Christianity Is Stupid murder myth, how artist’s are still getting ripped off, what it’s like being the subject of a documentary, where Ryan & Negativland stand on AI, and the cultural desert that is the suburbs.
Is there any escape from noise? Find out on this week’s episode of Revolutions Per Movie!!!
RYAN WORSLEY:
http://pool-food.com/failure/
NEGATIVLAND:
https://negativland.com/
https://negativland.com/negativland-documentary
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we welcome the most rock person to ever appear on the show—the legendary comedian, actor, musician, and shredder DAVE HILL, who picked THE ROLLING STONES ROCK AND ROLL CIRCUS to discuss. We also discuss how Exile On Main Street should be the only album played in restaurants, Dave’s inner fifteen year old, Crab Bucket Syndrome and the “Law Of Jante”, which is more taxing: touring as a musician or as a comedian, what commericals would have played on this British TV show, do the Stones pull off their bad boy/satanic imagery, missing the Jethro Tull boat, the origins of the film and why it remained in the vault for almost 30 years, who else should have been in the show, Led Zeppelin, tattoo nightmares, The Action, the original tour concept with The Small Faces & The Who, the first recorded instance of Ian Anderson standing on one leg, Richard Meltzer, getting scared by album artwork, Gary Panter and Songs For Swinging Larvae, Tommy Iommi subbing in here for Jethro Tull, why Dave Hill thinks Marianne Faithfull steals the film, hanging out with Yoko Ono, Robert De Niro and a toolbox, Charlie Is My Darling and the Irish Rolling Stones riots, and Dave has a last minute regret on this very special episode of Revolutions Per Movie.
Yer blues, John, Yer blues…on this week’s episode of Revolutions Per Movie!!!
DAVE HILL:
https://www.davehillonline.com/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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Puuttuva jakso?
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This week, we talk to actor, writer, and improviser DAVID PASQUESI (Strangers With Candy, Lodge 49, At Home With Amy Sedaris, Veep, TJ & Dave) about Martin Scorsese’s concert film about THE BAND, THE LAST WALTZ !!!
We discuss David’s connection with The Band and the the sadness inherent in the film, how every member of The Band can be the coolest depending on which way you’re watching, how the film can be tainted by their history, how David discovered and watched the entire evening of music and what’s missing from the film, marveling in how long the night actually lasted and imagining what the turkey dinner tasted like, Scorsese’s secretive approach to intially making the film, how they got all these masters of cinematography to participate, The Staple Singers &Van Morrison, how the first song seen in the film is the last song they performed that night, The Basement Tapes, Chris’s family’s 3 generation admiration of David’s work & how David uses silence in his work, how The Band seemed small town-ish while being one of the biggest rock bands in the world, the debate on who wrote the actual lyrics, how heavily Scorsese storyboarded and prepared for this film, how they had to transform the Filmore to film the concert, the song Stage Fright and if David ever gets that when performing, Joni Mitchell stealing the show, gettting Neil Young’s rare ability to smile and his cocaine nose booger removal techinolgoy, the accidents that happen in this film and why they are magical, the band/gang mentality vs. being a loner, the fear of public humilation, Dylan’s decision at the last minute that he didn’t want to be filmed for the movie and how they got him to change his mind, the endless end of night jams with Ringo and Ron Wood, Scorsese’s flawed Rolling Stones film and more!
So let’s fill up on a turkey, waltz, and dance to The Band on this week’s episode of Revolutions Per Movie!!!
DAVE PASQUESI:
https://www.davidpasquesi.com/
https://www.tjanddave.com/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we celebrate Revolutions Per Movie’s 1 year anniversary with filmmaker and actor OWEN KLINE (A24’s Funny Pages), who chose one of the most anticipated music films to discuss on the podcast, THE WHO’S TOMMY.
We discuss the chicken/egg of the movie vs. the lp, the baked bean mythology, Ken Russell’s pre-filmmaking history from being a ballet dancer to dodging the war, Russell’s early BBC Composer films, Richard Lester and Lindsay Anderson, Robert Crumb and Fantagraphics Books, being a cultural dinosaur, the concept of selling out, the precision of the film that betrays its midnight movie status, Who’s Next, how the Tommy LP kept The Who from breaking up, the ARP synth, the use of repetition in both the LP and the movie, transgressive music, how and why Townshend kept changing the shape of the story of Tommy, the aborted projects LIFEHOUSE & THE ANGELS that used elements to make the film Tommy, could we pick up the concept album plot before seeing the movie (and even after seeing it!), Ann-Margret’s Oscar-nominated performance, the amount of sweat that appears on actors in the film, the surprising debut acting turn of Roger Daltrey, the UK white boy blues movement, Russell’s choice of having the actor sing, including Jack Nicholson’s strange turn, Keith Moon’s approach to Uncle Ernie, Chris’s concept double album Colonel Jeffrey Pumpernickel, Tina Turner’s incredible performance as the acid queen and how Mick Jagger was in talks to do the role instead, does Elton John and Tina turner steal the film, the strange final 1/3 of the film, Dauhgltrey’s perfect cartwheels, acting through song and so much more!
We are also joined by special guest Barry Winch, who starred in TOMMY as ‘Young Tommy’!!! He illuminates us both about being a child on the set of the strange film, what it was like working with Ken Russell, Ann-Margret & Oliver Reed, how they got honest performances out of him as a child actor, how The Who protested going to the premiere unless he was invited (since he was underage), how Ken Russell himself accidentally cast him, his family’s acting history, playing hide and seek with Oliver Reed, what it felt like being on the set of that movie, what the Tommy props from the film have been auctioned at, why he wasn’t allowed to wander around the set, his favorite memories and some moments of being afraid as well.
All this and more as we celebrate the one year anniversary of REVOLUTIONS PER MOVIE!!!
OWEN KLINE:
https://a24films.com/films/funny-pages
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to CRAIG FINN of THE HOLD STEADY & ’That’s How I Remember It’ podcast about the legendary cult classic ROCK ’N’ ROLL HIGH SCHOOL! We discuss how discovering THE RAMONES is a young person’s game, reading THRASHER magazine in the school library, not knowing what bands sounded like, KTEL record complitaions and ROCK 80 LP, the Summer of 1980 AM Rock Radio, Craig seeing STYX’s KILROY WAS HERE tour, vomiting at a DEVO show, $1.92 new wave shows, fantasing about where bands are getting coffee in your hometown when they come through on tour, the VHS release of the film, ROAD TO RUIN LP, Craig getting guitar lessons from punk legend Chris Osgood of The Suicide Commandoes, the singleminded yet 4 headed songwriting beast that was THE RAMONES & the cultish nature of the band, Joe Dante’s script, how producer ROGER CORMAN wanted to cut out the middle of The Ramones songs, DISCO HIGH, teaching the Ramones to walk in the film, staying overnight to get concert tickets, getting punished by your parents by them forcing you to go see a LAURIE ANDERSON concert, our big Ramones regrets, the trouble with filmming the Ramones' live footage and how it almost started a riot, learning about Chicken Vindaloo through the band’s song lyrics, getting the courage to go to a punk rock show, Violent Femmes, our first punk/new wave show we went too, clove cigarettes, The Replacements, ticket prices vs. record prices, under attended hardcore matinee shows, Clint Howard, PJ Soles & Vince Van Patton, does the movie hold up as a cult film, High School permanent records, how the soundtrack turned us on to the MC5 and ENO and the search for those records, Mudhoney & Tad, how the film smartly adds more and more Ramones to the film as it goes on, the Americana side of the Ramones, what Ramones lyric would Craig wished he had written and what lyric of his is the most Ramones, what would a Roger Corman produced Hold Steady movie consist of and what role Clint Howard would play in it and so much more!!!
So, let’s tear up our permanent records on this episode of Revolutions Per Movie!!!
CRAIG FINN:
https://craigfinn.net/
https://theholdsteady.net/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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For our 50th episode, we talk to the legend PEACHES CHRIST about one of her favorite music documentaries, D.A. Pennebaker & Chris Hegedus’ DEPECHE MODE 101. We discuss why this film became Pennebaker’s favorite film (over his films about Dylan & Bowie) and why the film director wasn’t a fan when he first started the project, Peaches discovery and obsession with the VHS tape of this doc, how even though Depeche Mode were straight they loved their queer fans, how the band grew into a global sensation, the choices of editing in the film, how the filim was the precusor to MTV’s The Real World & Road Rules, the time Peaches set the stage of her celebration of the film CARRIE on fire, John Waters & Mink Stole, youthful indescretions, the legendary film series MIDNIGHT MASS which includes drag queen rollerderbies and free lap dances with each tub of popcorn purchased, early Halloween productions in the woods, dealing with Russ Meyer, The Cockettes, the boredom and nerves of waiting to go onstage, how different the era was for the the kids in the film and how different it would be made today, the pressure of Depeche Mode playing the rose bowl, nerds as rock icon, Wax Trax Records, trying to upset your parents through your music tastes, when people who are mean to you start loving your favorite bands, Dave Gahan’s stage presence, Freddie Mercury, Peaches’ regrets with Depeche Mode and the band’s crossover into the masses, waiting in line to get concert tickets in a mall, Robert Smith Vs. Ticketmaster, what the fans felt as Alan left Depeche Mode, the grind of band interviews, and Chris discusses the early days of his video store and the search for cult film obscurities.
So let’s watch the curtain drop to reveal the band on this week’s Revolutions Per Movie!!!
https://peacheschrist.com
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to DANIEL RACHEL, the author of TOO MUCH TOO YOUNG, THE 2 TONE RECORDS STORY, about the 1981 2 Tone concert film DANCE CRAZE. We discuss the film’s volatile production, how the film’s genesis started at a swimming pool in L.A., Jerry Dammers unwavering work ethic, seeing people skanking in the aisles at the movie screening, the short life span of The Selecter and The Body Snatchers, how the film sneaks in concert footage shot in New Jersey vs. the UK, the moment Daniel noticed that 2 Tone had swept the playground, the dimantleing of the scene by the British music press, the skinhead movement and the violence within the scene, the genius of Terry Hall and Pauline Black, the non-Ska bands that continued on the 2 tone label, how the ska bands had the best band logos, the fashion of the scene, seeing a multi-racial band on TV, tribal musical groups moving across the British musical landscape, The Mods, the short time span of pop music movements, stealing lyric sheets from a Virgin Megastore, how original director Joe Massot was kicked off the film and also screwed up his intitial shoot of Led Zeppelin’s The Song Remains The Same movie, Garvick Losey’s involvment with the film, how Jerry Dammers and Madness were initially wary of making the film, how the soundtrack contains recordings that were not from the movie (or even the same band lineup), the punk vs. ska astecthic,The Specials’ tour with The Clash and how the band found their idenity on it, how the inventor of the Steadycam was one of the cmaera opperators for this film, how the bands would fake violence on stage to stop the violence in the audience, Rock Against Racism, The Stranglers, then negative response from the bands when the film was initially releaesd, what it was like figuring out the More Specials LP, Funboy Three & Special AKA, and Chris breaks Daniel by asking his final question.
So lip up fatty and get into this week’s episode of Revolutions Per Movie!
DANIEL RACHEL:
https://danielrachel.com/
Book tour w/ Daniel Rachel:
https://danielrachel.com/events/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to legendary actor, musician, performance artist, and writer ANN MAGNUSON (Bongwater, The Hunger, Making Mr. Right, Cabin Boy, Pyramid Club, Club 57) about the influential cinema jazz documentary Jazz On A Summer’s Day. We discuss the performances in the film (including Thelonious Monk, Anita O’ Day, Chico Hamilton, Eric Dolphy to name a few performers), what it was like for Ann to inhabit Anita O’Day for the audio book of her autobiography, first impressions of Lou Reed’s Metal Machine Music, Ann’s programing at the legendary NYC Club 57, Ann’s new song ’Ghost Cat’ with producer Don Dixon, her early life in West Virginia, D.I.Y. & Ann’s SurRURALism techniques, success in the underground being a dirty word, the return of Vulcan Death Grip, being a professional walk-a-thoner, photographer & filmmaker Bert Stern, how the film brings a visceral sense of childhood for Ann, how Stern made the whole project happen with his own equipment and financing, Ann’s parents and the dry Jazz club scene in West Virginia, filming Making Mr. Right and the new wave sensibility of the 80s, how Monk’s performance is presented in the film, Chris scats the Anita O’ Day finale of ‘Tea For Two’ from his memory of repeated listening of the film at his video store, the white privilege throughout in the film, midnight Mahalia Jackson performances, how protest music is needed now more than ever and Ann reads from Anita O’day’s memoir about the performance that was filmed for this movie and how it changed O’Days life.
So let’s never sing the same song the same way twice on this week’s episode of Revolutions Per Movie!
ANN MAGNUSON:
https://annmagnuson.com/
https://annmagnuson.bandcamp.com/album/ghost-cat
VULCAN DEATH GRIP:
https://www.youtube.com/watch?v=f2_dWSpDXJE
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to Australian musician, actor, and podcaster BEN LEE about the classic THE DECLINE OF WESTERN CIVILIZATION 2: THE METAL YEARS!!! We discuss how the film compares to the original punk rock film, Ben’s genuinie love of heavy metal and the shot by shot tribute he made to this film for his latest music video, seeing the Mötley Crüe Dr. Feelgood tour, Ben’s transtion from metal into punk, Ben’s thoughts on why Australia might not have the perfomative distance needed to have more glammy metal bands, the sadness that often permiates both films, the divisiveness within the 80s metal scene, the hightened sense of making it in L.A., Gene Simmons & Paul Stanley’s scenes in the movie, Weezer, the Rainbow and the Sunset Strip, selling the rock n roll fantasy to teenagers, the 80s metal MTV video output, Lemmy, the brilliance of Penelope Spheeris’s approach to connecting to these kids in all the L.A. music scenes, the sexism in the film, Lizzy Borden, how some bands prefered asthetic over songs, seprateing the fake album titles from the actual album titles, the Grunge movement, how the idea of careerism came into the underground, taco bell and tour scheudling, Faster Pussycat, hiding the pain through comedy, the pay to play scam, the L.A. police crackdown on the punk, hiphop and metal scenes, satanic panic, not understanind the cultures that come after your time, the Chris Holmes swimming pool scene, the dissappearnce of tribalism in the scene, Redd Kross, losing friends to other music scenes, is music better than sex like they mention in the film, Prince, creativity and sexuality, Megadeth and more!
So get ready to tease your hair and scream for Odin in this week’s episode of REVOLUTIONS PER MOVIE!!!
BEN LEE:
https://www.ben-lee.com/
Ben’s music video tribute to THE DECLINE PT. 2 https://www.youtube.com/watch?v=Ojoi9iqXGHY
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talked to punk legend Jerry A Lang of Poison Idea, who discussed The Decline Of Western Civilization and the punk rock scene of that time. We talk about power of power of The Germs, Black Flag, Circle Jerks, the professionalism of X and Fear, how The Weirdos were supposed to have been in the film, how the audience in the movie theater started stage diving & smashing up the theater, the soundtrack LP, seeing Italy’s Raw Power play in your basement, The Desperate Bicycles, Slash & Search And Destroy magazine, booking punk shows, rock star attitudes in early punk rock, Poison Idea being the opening band for the movie and the fight that happened when the crowd showed up, being scared by The Fall and the No Wave LP, the death of Darby Crash, Chris’ time working at a pizza parlor with four members of Poison Idea, the economics of punk rock living, crossing the street from heavy metal dudes, dressing like James Chance, the impact the film has as a younger viewer vs. as an older viewer, seeing The Wipers’ first show, kids putting on Pere Ubu Shows, soup kitchen rock stars, punk rockers scaring your home town residents, having being a treasurer in the early punk rock scene, why Social Distortion & Youth Brigade from the punk doc Another State Of Mind were not allowed to play in Portland, the short life span of 80s punk rock venues, is the film a Slash Records commercial, what bands would be in our dream version of Decline and so much more.
So, let’s innocently stage dive off the movie theater’s stage for this week’s Revolutions Per Movie!
JERRY A LANG:
https://americanleatherrecords.bigcartel.com/
https://rarebirdlit.com/black-heart-fades-blue-signed-by-jerry-a-lang/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talked to Homer Flynn of The Cryptic Corporation, who represents the mysterious, unknown collective, THE RESIDENTS, and discussed their legacy in film and video. Topics included the band’s Theory Of Obscurity, which Resident is the easiest to negotiate with, how the band couldn’t even give their initial records away and the moment that changed, creating the Ralph Records logo, what the Residents think of A.I., how they created their album artwork and music videos, collaborating with Night Flight, being The Residents during the pandemic, why The the collective gravitated to and stayed in S.F., working with John Sanborn & Graeme Whifler, The Residents’ filmmaking heroes, making music videos in an era where there was no place to show them, how the Cryptic Corp deals with the band’s larger than life concepts, the folly of trying to accomplish everything in one’s lifetime, the story behind their Ugly Grey Theater not being allowed to exist, their early 70s feature length epic Vileness Fats and how it lead to the false start film Double Trouble which then led to their first feature length film 50 years later, Triple Trouble, and their discussion on their next large scale projects including a one song concert in Geneva and Paris.
So come all you sinister exaggerators and let’s talk the visuals of The Residents.
THE RESIDENTS:
https://www.residents.com/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talked to Grammy Nominated Visual Artist & Musician Perry Shall & Fangoria Magazine’s Editor In Chief Phil Nobile Jr about arguably their favorite film of all time, Phantom Of The Paradise!!! We discuss the film’s incredible songs and performance by Paul Williams, Brian DePalma’s homages and obsessions within the film, the ties (and lawsuit) associated with this film and Led Zeppelin, the 70s obsession with the 50s, our love for the character BEEF, our childhood discovery of this film, the iconic visual identity of the film, which came first Kiss or the movie, one fan’s obsession with restoring the film to its original state, bootlegging cable, the power of the indie video horror movie shelf, Jessica Harper’s iconic performance, the mask design of the Phantom and the Japanese Manga movement around it, slumber party watch parties, being scared of rock concerts and their potential violence, style vs substance, who is the mysterious billed ‘rock freak’ & how one lone city in the world has never stopped loving this film.
So let's discuss the man who made it, the girl who sang it and the monster who stole it on this week's episode of Revolutions Per Movie!!!
Perry Shall: https://www.perryshall.com/
Phil Nobile Jr: https://www.fangoria.com/authors/phil-nobile-jr/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to rapper, producer, visual artist, and video director VIDEO DAVE (whose new album with OPEN MIKE EAGLE & STILL RIFT as PREVIOUS INDUSTRIES is out now on MERGE RECORDS) about a film that speaks to him from the heart of his home town of Chicago and both of our childhoods, THE BLUES BROTHERS. We discuss the film’s impact on Chicago (and vice-versa), tech vs. artistry, the incredible musical cameos in the film, Dave’s original story & the development of his iconic sewing skills, how he created a Jaws shot by shot video that he made for Previous Industries, splitting time between disciplines, making art on acid, the difficulty of being asked what your favorite movie is, 1980’s banner year for R-rated comedies, how the studio wanted The Blues Brothers to go disco instead of blues, how as kids the film was our first exposure to John Lee Hooker, James Brown and Aretha Franklin, the extended version of the film and what was cut out of the original release, Cab Calloway’s sequence in the movie, Dr. Detroit disappointment, the lovely sloppiness inherent in the film, Donald “Duck” Dunn & Steve Cropper, the chicken wire bar scene and what venues Video Dave has played that were close to that experience, musicians being actors vs. actors being musicians, The Pope coming to The Blues Brothers’ movie set, other classic musicals, John Waters’ films being locked away in the adult section of the video store and so much more!
So let’s get the band back together on this week’s Revolutions Per Movie!!!
VIDEO DAVE:
https://vaud.art/
https://videodave.bandcamp.com/
https://www.mergerecords.com/artist/previous_industries
Pliers Music Video: https://www.youtube.com/watch?v=blmGMjkxJVk
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talk to comedian/actor Andy Kindler (Bob's Burgers, Late Night w/ David Letterman, Maron, Everybody Loves Raymond) & Mike Lisk (executive producer of The Best Show w/ Tom Scharpling and host of Egg Foo What?!) about a documentary whose subject matter is dear to both of their hearts (yet full of confusion and mystery for host Chris Slusarenko), The Grateful Dead documentary series, LONG STRANGE TRIP. These two have a history with each other, and out of the gate, an old Zappa argument and apology appear out of nowhere, and then it’s off to the races. We discussed whether Bob Weir is essential to the band, the stage banter of the Grateful Dead, Andy’s 70s rock band TransFusion, their viewpoints on Pigpen—the original rapper, which of the two drummers had the goods, Mountain Dew vs. Morning Dew, Andy’s LSD induced concert going-ons and his naked prog-rock band stories, Mike’s experience of almost being trampled at a Grateful Dead concert, pocket pool advice from the band, Tom Scharpling, Robert Hunter’s lyrics, Donna & Keith, Mike meeting Garcia as a teenager, sneaking drugs into concerts, digitally erasing crowd nudity from concert footage, why they think they are the quintessential American band, The Velvet Underground and the dissonance of the Grateful Dead, Disco Dead, Marvin Gaye, can you be a cynic and give yourself over to the band, losing punk rock friends to the Dead, Altamont, tape trading, Europe ’72, the sadness in the Jerry Garcia story, Hot Tuna, The Warlocks, Dead & Co., how the documentary is critical of a portion of their fan base, the Dead telling their fans to stop being assholes, Mickey Finn’s father ripping the band off, the Phil Zone and Mike gives us a crash course on the essential shows and recordings to listen to.
So let’s time your trip perfectly on this very funny yet heartfelt episode of Revolutions Per Movie.
ANDY KINDLER:
twitter.com/AndyKindler
MIKE LISK:
thebestshow.net
Egg Foo What: https://podcasts.apple.com/us/podcast/egg-foo-what/id1635904703
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive physical goods just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talked to Jay Gonzalez (solo artist and member of Drive-By Truckers) about the Rockpile (Nick Lowe & Dave Edmunds) British TV Doc, Born Fighters. We discuss the Pub Rock scene, Edmunds & Lowe’s early bands, Rockpile getting lumped into the New Wave Scene, Stiff Records, Nick Lowe’s incredible ability to write unforgettable pop songs, recording on 4-track vs. larger studios, RockPile’s amazing quips, playing country fairs, the amount of incredible access given to the filmmakers in this documentary, the debatable merits of Blue Nun Wine and we also have our first Revolutions Per Movie one act-play using dialogue taken verbatim from the climax of the film!
So let's get into our cups on this week's episode of Revolutions Per Movie!
JAY GONZALEZ:
http://www.jaygonzalez.com/
https://www.drivebytruckers.com/index.html
REVOLUTIONS PER MOVIE:
New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly exclusive bonus episodes and physical goods just by joining!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talked to musician and vital member of the late 70s/early 80s Portland Punk Scene, KT Kincaid, who picked the incredible doc, THE SLITS HERE TO BE HEARD. We discussed her and her sister’s importance in the creation of the punk scene, their band NEO BOYS (whose recordings were reissued on K Records), discovering Bowie, seeing punkers before hearing punk, the rarity of finding punk records, picking the bass guitar over other instruments, nobody sounding like The Slits & the genius of Viv Albertine’s guitar playing, being in a band with your sister, getting 50 people to come to a show, the video for ‘Earthbeat’, The Flowers Of Romance, the punk collective mindset & loyalties in the punk scene, opening for Television, practicing non-stop in your first band & taking it so seriously, pooling money to buy records, the violence towards the early punk scene, the gang mentality of being in a band, the magic of chance meetings, getting pissed at the Guardian’s review of this documentary, and Chris reads the minutes from one of the Portland punk collective’s meetings from the late 70s.
Nothing typical here as we dive into this week’s episode of Revolutions Per Movie!
NEO BOYS:
https://neoboys.bandcamp.com/album/sooner-or-later-vol-1-klp242
THE SLITS ‘Earthbeat’ video
https://www.youtube.com/watch?v=SqiFYcKEhxs
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, I’m joined by JASON P. WOODBURY (of Aquarium Drunkard) and filmmakers BRIAN LINDSTROM & ANDY BROWN to discuss their incredible new film LOST ANGEL: THE GENIUS OF JUDEE SILL. We talked about Judee Sill’s gnostic relationship to her music and how she backed it up in her lifestyle, what our introductions to her music were like, Sill’s disdain of being lumped in with Christian Rock & opening for rock bands, her influence on Andy Partridge of XTC, how the filmmakers shaped the film over the past ten years, Tooth & Nail Records, the mythologizing of a subject’s life in documentary filmmaking, Asylum Records and her ups and downs with David Geffen, Some Kind Of Monster, Sill’s vulnerability and ego in her diary writings and drawings, how they chose to animate Sill’s artwork and found her voice, Sill’s influence on a new generation of musicians, her iconic Old Grey Whistle Test performance of “The Kiss,” how the film addresses childhood trauma, addiction, and resilience, what parts of Sill’s life didn’t fit into the film, and the power of Alice Coltrane, Sun Ra, Guided By Voices & SST Records,
So join us as we talk about one of the greatest songwriters to ever be part of the cosmos, Judee Sill, on this week’s Revolutions Per Movie.
WATCH LOST ANGEL: THE GENIUS OF JUDEE SILL
https://greenwichentertainment.com/film/
JASON P. WOODBURY:
https://jasonpwoodbury.com
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week we talked to the legendary musician Bob Bert of Sonic Youth, Pussy Galore, Chrome Cranks, Lydia Lunch Retrovirus & Bewitched, who picked the equally legendary Danny Fields documentary, Danny Says, to discuss. We talk about Danny’s trials with the bands he loved and discovered (including The Stooges, MC5, Jonathan Richman & The Ramones); the notion of chance meetings in art; Danny breaking the news of John Lennon saying ‘The Beatles are bigger than Jesus Christ’ and the aftermath he created for them; changing a guitar string without stopping playing a song; 16 Magazine; Bob’s early shows seeing Suicide, Wayne County, Patti Smith, New York Dolls & Television; the greatness of Dead Moon & The Scientists; WFMU; shoplifting MC5 records; the Super 8mm punk document Blank Generation; how he joined both Sonic Youth & Pussy Galore; Rock Scene magazine, the genesis of the Pussy Galore drum set he built and how it hurts to play it, his process with publishing BB Gun Magazine, doing drugs and seeing Pink Floyd, unsung NYC band heroes, planning out your whole week around rock shows, Max’s Kansas City and why we haven’t gotten a Jonathan Richman documentary yet!
So, let’s roll our eyes along with the singular force that changed music forever on this week’s Revolutions Per Movie.
BOB BERT:
https://goner-records.com/products/im-just-drummer-bob-bert-book-hozac
Instagram: @therealbobbert
LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:
revolutionspermovie.bandcamp.com
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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This week, we talked to UK journalist, author & manager Ralph Moore, who chose the documentary about Amy Winehouse, AMY, to discuss. We talk about the line you have to walk managing artists, Amy’s parent’s new documentary Reclaiming Amy, The Frank album, Mark Ronson, the Coventry Music scene, how the film is one of the best representations of what it is like to be hounded by the paparazzi and what has changed with the UK press since Amy’s life, how they acquired the footage in the film, seeing Amy Winehouse live, how the film is like a home movie where Amy is looking you in the eyes, how the film does not romanticize Amy’s life or her addictions, the trials of being a public figure, aligning the morals of the artist with the art, Radiohead, the pressures of being a true icon, the early adopters of Nirvana and Oasis, seeing a band you love on the cusp of breaking through, the UK music press and how it has changed over the years, can you manage an artist and still be a friend, art and commerce, Amy and Tony Bennett’s moment together in the film and so much more.
So join us on this week's Revolutions Per Movie as we discuss one of the most personal looks at an artist ever made.
LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:
revolutionspermovie.bandcamp.com
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly exclusive bonus episodes and physical goods just by joining!
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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My guest this week is Jim Gavin (the creator of AMC’s incredible series Lodge 49 and author of Middle Men), who chose to discuss the Jawbreaker documentary Don’t Break Down. We talk about the band’s grip on their fans, the eventual backlash against Jawbreaker, lyrics that destroy you, the Masonic world and the genesis of Lodge 49, East Coast punk vs. West Coast punk, Lilies/Broadcast/Stereolab and other sonic rabbit holes, creating imaginary mentors, the legendary Jabberjaw/L.A. scene, creating your own mythology about a band, obsessing over Blake’s lyrics, the nature of imploding bands, the concept of selling out and Nirvana’s success, music as time travel, looking for a specific sound and hiring a private detective to find a specific song.
So please don't turn your back towards the band on this week's Revolutions Per Movie!!!
JIM GAVIN:
https://www.vogue.com/article/lodge-49-ode-the-best-television-show-you-missed
https://twitter.com/jimatdeltaco
https://www.tigervanbooks.com/
LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:
revolutionspermovie.bandcamp.com
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
https://linktr.ee/mymetalhand
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
- Näytä enemmän
