Episodit
-
“So, New York City will ultimately build a seawall that it estimates will cost somewhere in the order of 120 billion dollars. And, you know, the fact is that many cities in the United States will not be able to afford that, especially smaller ones and especially southern ones.
A part of planning for this needs to include thinking about managed retreat from highly vulnerable areas. The tax base of that community that supports schools undermines the real estate market and the value of property, and it can lead to a spiral of economic decline that can be really dangerous for the people who remain. This can really hollow out a community and that's an enormous challenge to deal with, but one way to deal with it is to try to keep the resources and infrastructure in a community proportional to the population that's utilizing it and to maintain some energy and prosperity and vitality. So, I think a lot of places in the United States need to plan to get smaller, which is really the antithesis of the American philosophy of growth and economic growth.
If you want to keep your community intact, you could move together, or you could move to a place where your neighbors have also moved or something like that. That's the kind of new idea that is being batted around that can help keep communities coherent.”
Abrahm Lustgarten is an investigative reporter, author, and filmmaker whose work focuses on human adaptation to climate change. His 2010 Frontline documentary The Spill, which investigated BP’s company culture, was nominated for an Emmy. His 2015 longform series Killing the Colorado, about the draining of the Colorado river, was nominated for a Pulitzer Prize. Lustgarten is a senior reporter at ProPublica, and contributes to publications like The New York Times Magazine and The Atlantic. His research on climate migration influenced President Biden’s creation of a climate migration study group. This is also the topic of his newly published book, On The Move: The Overheating Earth and the Uprooting of America in which he explores how climate change is uprooting American lives.
https://abrahm.com
https://us.macmillan.com/books/9780374171735/onthemovewww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
An estimated one in two people will experience degrading environmental conditions this century and will be faced with the difficult question of whether to leave their homes. Will you be among those who migrate in response to climate change? If so, where will you go?
Abrahm Lustgarten is an investigative reporter, author, and filmmaker whose work focuses on human adaptation to climate change. His 2010 Frontline documentary The Spill, which investigated BP’s company culture, was nominated for an Emmy. His 2015 longform series Killing the Colorado, about the draining of the Colorado river, was nominated for a Pulitzer Prize. Lustgarten is a senior reporter at ProPublica, and contributes to publications like The New York Times Magazine and The Atlantic. His research on climate migration influenced President Biden’s creation of a climate migration study group. This is also the topic of his newly published book, On The Move: The Overheating Earth and the Uprooting of America in which he explores how climate change is uprooting American lives.
“So, New York City will ultimately build a seawall that it estimates will cost somewhere in the order of 120 billion dollars. And, you know, the fact is that many cities in the United States will not be able to afford that, especially smaller ones and especially southern ones.
A part of planning for this needs to include thinking about managed retreat from highly vulnerable areas. The tax base of that community that supports schools undermines the real estate market and the value of property, and it can lead to a spiral of economic decline that can be really dangerous for the people who remain. This can really hollow out a community and that's an enormous challenge to deal with, but one way to deal with it is to try to keep the resources and infrastructure in a community proportional to the population that's utilizing it and to maintain some energy and prosperity and vitality. So, I think a lot of places in the United States need to plan to get smaller, which is really the antithesis of the American philosophy of growth and economic growth.
If you want to keep your community intact, you could move together, or you could move to a place where your neighbors have also moved or something like that. That's the kind of new idea that is being batted around that can help keep communities coherent.”
https://abrahm.com
https://us.macmillan.com/books/9780374171735/onthemovewww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
Puuttuva jakso?
-
“So for me, it just kind of removing a lot of the shame and then a lot of the energy that I was wasting trying to fit myself into a neurotypical process or framework or way of thinking or being. So, you know, some people call that unmasking, just kind of removing. I was wasting a lot of energy, basically trying to be someone else and function in a different way. And then just beating myself up internally for not being able to do that. And throughout my healing journey, as I really realized, Oh, that's actually what's happening. Like there's not actually anything wrong with me being able to...That's why it's called Love Your Brain. It's not just, you know, tolerate your brain. Or, fine, you can work with this brain that you have. It's like, no, I genuinely love the weird experiences that my brain can give me and the incredibly rich, deep experience I have of the world. Like I experience nature so deeply and so intensely. I have really strong connections with animals. I have really great intuition, which I think is just from picking up all this sensory data and putting it together. All these experiences that I get to have, but I don't get to have those experiences if I'm just trying to make myself be something else, which I think is most people who are late diagnosed, I feel like that's their experience. It's just like I've been trying to be someone else for so long. It's exhausting. And then you don't have the energy then to be creative, the carving out the time, making the time to actually create.”
Mattia Maurée is an interdisciplinary composer whose work centers around themes of perception, body, sensation, trauma, and resilience. Their scores for critically acclaimed films have been played in 13 countries. Their poems have been featured in Boston City Hall as part of the Mayor's Poetry Program, Guerrilla Opera, and Arc Poetry Magazine. Mattia composes and performs on violin, voice, and piano, and has taught music for over 20 years. They have received a Master's of Music in Composition at New England Conservatory and a Bachelor's of Music from St. Olaf College. They also are an AUDHD coach, host the AuDHD Flourishing podcast and help other neurodivergent folks heal and find their creative flow in their course Love Your Brain.
http://mattiamauree.com
https://studio.com/mattia
https://mattiamauree.com/love-your-brain
https://www.audhdflourishing.com/hellowww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
How can we learn to flourish because of who we are, not in spite of it? What is the sensory experience of the world for people with autism and ADHD? How can music help heal trauma and foster identity?
Mattia Maurée is an interdisciplinary composer whose work centers around themes of perception, body, sensation, trauma, and resilience. Their scores for critically acclaimed films have been played in 13 countries. Their poems have been featured in Boston City Hall as part of the Mayor's Poetry Program, Guerrilla Opera, and Arc Poetry Magazine. Mattia composes and performs on violin, voice, and piano, and has taught music for over 20 years. They have received a Master's of Music in Composition at New England Conservatory and a Bachelor's of Music from St. Olaf College. They also are an AUDHD coach, host the AuDHD Flourishing podcast and help other neurodivergent folks heal and find their creative flow in their course Love Your Brain.
“So for me, it just kind of removing a lot of the shame and then a lot of the energy that I was wasting trying to fit myself into a neurotypical process or framework or way of thinking or being. So, you know, some people call that unmasking, just kind of removing. I was wasting a lot of energy, basically trying to be someone else and function in a different way. And then just beating myself up internally for not being able to do that. And throughout my healing journey, as I really realized, Oh, that's actually what's happening. Like there's not actually anything wrong with me being able to...That's why it's called Love Your Brain. It's not just, you know, tolerate your brain. Or, fine, you can work with this brain that you have. It's like, no, I genuinely love the weird experiences that my brain can give me and the incredibly rich, deep experience I have of the world. Like I experience nature so deeply and so intensely. I have really strong connections with animals. I have really great intuition, which I think is just from picking up all this sensory data and putting it together. All these experiences that I get to have, but I don't get to have those experiences if I'm just trying to make myself be something else, which I think is most people who are late diagnosed, I feel like that's their experience. It's just like I've been trying to be someone else for so long. It's exhausting. And then you don't have the energy then to be creative, the carving out the time, making the time to actually create.”
http://mattiamauree.com
https://studio.com/mattia
https://mattiamauree.com/love-your-brain
https://www.audhdflourishing.com/hellowww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
“The American Climate Corps builds on the legacy of the Civilian Conservation Corps, which came out of the New Deal after the Great Depression in the United States when the country was getting very close to there being a toppling of the government because there was such a crisis here after the Depression. There were Dust Bowls. People were migrating all over the country to try to find work. And it was a really dark time in the United States. So part of the New Deal included establishing this Conservation Corps, where–and it was only men at the time–young men could go to work, earn a liveable wage, work on teams, and help to build things in the United States. And some of them planted trees. So some of it was conservation, some of them planted trees. They helped with the railroads. They built all sorts of things with the Army Corps of Engineers. So there has been a call for a while now to build an American Climate Corps, which is building off of this legacy.
The Biden administration finally announced the American Climate Corps last September during Climate Week. In fact, the announcement came out, and one of the unfortunate things about the Climate Corps is that it builds on this amazing legacy, but it didn't receive much funding because the funding was originally going to be part of the Build Back Better Act, which the Biden administration proposed early on. The climate-related policy that ended up being reformulated and repackaged as the Inflation Reduction Act. the Climate Corps was not funded as part of that. So it's coming out in a much more limited manner, but what it basically is doing is merging a number of preexisting programs that are designed to help train young people to do work around climate change broadly defined across different agencies in the U. S. government to train them so that they have experience working on addressing climate change in a variety of ways, and also have a pathway into doing green jobs. Be they in the federal government, for nonprofits, or elsewhere in the government. And so it's a wonderful opportunity. The hope is that it will expand out to be thousands, if not more than thousands, tens of thousands of jobs.”Dana R. Fisher is the Director of the Center for Environment, Community, & Equity and Professor in the School of International Service at American University. Fisher’s research focuses on questions related to democracy, civic engagement, activism, and climate politics. Current projects include studying political elites’ responses to climate change, and the ways federal service corps programs in the US are integrating climate into their work. She is a self-described climate-apocalyptic optimist and co-developed the framework of AnthroShift to explain how social actors are reconfigured in the aftermath of widespread perceptions and experiences of risk. Her seventh book is Saving Ourselves: From Climate Shocks to Climate Action.
https://danarfisher.com
https://cece.american.edu
www.acc.govwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
How can we make the radical social changes needed to address the climate crisis? What kind of large ecological disaster or mass mobilization in the streets needs to take place before we take meaningful climate action?
Dana R. Fisher is the Director of the Center for Environment, Community, & Equity and Professor in the School of International Service at American University. Fisher’s research focuses on questions related to democracy, civic engagement, activism, and climate politics. Current projects include studying political elites’ responses to climate change, and the ways federal service corps programs in the US are integrating climate into their work. She is a self-described climate-apocalyptic optimist and co-developed the framework of AnthroShift to explain how social actors are reconfigured in the aftermath of widespread perceptions and experiences of risk. Her seventh book is Saving Ourselves: From Climate Shocks to Climate Action.
“The American Climate Corps builds on the legacy of the Civilian Conservation Corps, which came out of the New Deal after the Great Depression in the United States when the country was getting very close to there being a toppling of the government because there was such a crisis here after the Depression. There were Dust Bowls. People were migrating all over the country to try to find work. And it was a really dark time in the United States. So part of the New Deal included establishing this Conservation Corps, where–and it was only men at the time–young men could go to work, earn a liveable wage, work on teams, and help to build things in the United States. And some of them planted trees. So some of it was conservation, some of them planted trees. They helped with the railroads. They built all sorts of things with the Army Corps of Engineers. So there has been a call for a while now to build an American Climate Corps, which is building off of this legacy.
The Biden administration finally announced the American Climate Corps last September during Climate Week. In fact, the announcement came out, and one of the unfortunate things about the Climate Corps is that it builds on this amazing legacy, but it didn't receive much funding because the funding was originally going to be part of the Build Back Better Act, which the Biden administration proposed early on. The climate-related policy that ended up being reformulated and repackaged as the Inflation Reduction Act. the Climate Corps was not funded as part of that. So it's coming out in a much more limited manner, but what it basically is doing is merging a number of preexisting programs that are designed to help train young people to do work around climate change broadly defined across different agencies in the U. S. government to train them so that they have experience working on addressing climate change in a variety of ways, and also have a pathway into doing green jobs. Be they in the federal government, for nonprofits, or elsewhere in the government. And so it's a wonderful opportunity. The hope is that it will expand out to be thousands, if not more than thousands, tens of thousands of jobs.”https://danarfisher.com
https://cece.american.edu
www.acc.govwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcastCredit Sarah Fillman from FillmanFoto, 2023
-
“I'm inspired by a lot of young people who are in their early twenties. They're very interested in these topics. They love thrifting because it is trendy, cool, and affordable. And it's also really good for the environment. I hope that they continue to fight for what is right. I think that what's needed in today's world is that we do create more equitable models, whether it's in business or elsewhere. And that we do have some kind of respect for the planet because the reality is, if we don't, we're the ones that are going to suffer at the end of the day. It's only going to become harder for us, whether it's getting food to eat, whether it's having an environment that's comfortable and hospitable, whether it's having the supply chains we need for all the products in the world. I hope that there is a business model and a path forward, and I hope they're the trailblazers who sort of make it happen. We need to encourage that. We need to create policies that also allow for some of this stuff to flourish.”
Esha Chhabra has written for national and international publications over the last 15 years, focusing on global development, the environment, and the intersection of business and impact. Her work has been featured in The New York Times, The Economist, The Guardian, and other publications. She is the author of Working to Restore: Harnessing the Power of Business to Heal the Earth.
www.eshachhabra.com
www.beacon.org/Working-to-Restore-P2081.aspxwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
What is regenerative business? How can we create a business mindset that addresses social, economic and environmental issues?
Esha Chhabra has written for national and international publications over the last 15 years, focusing on global development, the environment, and the intersection of business and impact. Her work has been featured in The New York Times, The Economist, The Guardian, and other publications. She is the author of Working to Restore: Harnessing the Power of Business to Heal the Earth.
“I'm inspired by a lot of young people who are in their early twenties. They're very interested in these topics. They love thrifting because it is trendy, cool, and affordable. And it's also really good for the environment. I hope that they continue to fight for what is right. I think that what's needed in today's world is that we do create more equitable models, whether it's in business or elsewhere. And that we do have some kind of respect for the planet because the reality is, if we don't, we're the ones that are going to suffer at the end of the day. It's only going to become harder for us, whether it's getting food to eat, whether it's having an environment that's comfortable and hospitable, whether it's having the supply chains we need for all the products in the world. I hope that there is a business model and a path forward, and I hope they're the trailblazers who sort of make it happen. We need to encourage that. We need to create policies that also allow for some of this stuff to flourish.”
www.eshachhabra.com
www.beacon.org/Working-to-Restore-P2081.aspxwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
“The thing that unites my poetry and the nonfiction writing is my main obsession as a writer. It's the question of, how do you live meaningfully in late capitalism? As corporations and global capitalist forces take over the world, what does it mean to try to have a meaningful human life? I think the proliferation of objects might reflect that. A lot of what we do in this world is collect objects, and regardless of whether it's good or bad, you build a nest. I think that in Picture Window in particular, I wanted to write about the domestic in a way that I hadn't written in so far. And then the pandemic happened, so I was forced into this weird, uneasy, claustrophobic domesticity. When your attention is so focused within your own home and within your own family, every object in your house takes on a new resonance. So, when a tennis ball that you've never seen somehow shows up in your house, that's weird. It's poetic. It feels dreamlike.”
Danny Caine is the author of the poetry collections Continental Breakfast, El Dorado Freddy's, Flavortown, and Picture Window, as well as the books How to Protect Bookstores and Why and How to Resist Amazon and Why. His poetry has appeared in The Slowdown, Lit Hub, Diagram, HAD, and Barrelhouse. He's a co-owner of The Raven Bookstore, Publisher's Weekly's 2022 Bookstore of the Year.
www.dannycaine.com
www.ravenbookstore.comwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
What is the future of literature in the age of generative AI? How can bookstores build community and be engines for positive social change? What does it mean to try to have a meaningful human life?
Danny Caine is the author of the poetry collections Continental Breakfast, El Dorado Freddy's, Flavortown, and Picture Window, as well as the books How to Protect Bookstores and Why and How to Resist Amazon and Why. His poetry has appeared in The Slowdown, Lit Hub, Diagram, HAD, and Barrelhouse. He's a co-owner of The Raven Bookstore, Publisher's Weekly's 2022 Bookstore of the Year.
“The thing that unites my poetry and the nonfiction writing is my main obsession as a writer. It's the question of, how do you live meaningfully in late capitalism? As corporations and global capitalist forces take over the world, what does it mean to try to have a meaningful human life? I think the proliferation of objects might reflect that. A lot of what we do in this world is collect objects, and regardless of whether it's good or bad, you build a nest. I think that in Picture Window in particular, I wanted to write about the domestic in a way that I hadn't written in so far. And then the pandemic happened, so I was forced into this weird, uneasy, claustrophobic domesticity. When your attention is so focused within your own home and within your own family, every object in your house takes on a new resonance. So, when a tennis ball that you've never seen somehow shows up in your house, that's weird. It's poetic. It feels dreamlike.”www.dannycaine.com
www.ravenbookstore.comwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
“We actually do need these animals on the landscape, and we're going to protect them and restore them and help their populations increase. And so, to me, beavers are proof that what we're doing as conservationists is not futile, right? That there really is reason for hope and optimism, which beavers demonstrate. I think that's a really important lesson for young people to hear is that you're not just entering this world of eco-anxiety and climate change and depression. There are some really hopeful wildlife stories out there, and you can be part of that future.”
Ben Goldfarb is a conservation journalist. He is the author of Crossings: How Road Ecology Is Shaping The Future of Our Planet, named one of the best books of 2023 by the New York Times, and Eager: The Surprising, Secret Life of Beavers and Why They Matter, winner of the 2019 PEN/E.O. Wilson Literary Science Writing Award.
www.bengoldfarb.com
https://wwnorton.com/books/9781324005896
www.chelseagreen.com/product/eager-paperbackwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
Every year, humanity's footprint casts a deadly shadow over our skies and landscapes, claiming the lives of billions of birds and other wildlife. What is road ecology? How are our roads driving certain species towards extinction? And what can we do about it?
Ben Goldfarb is a conservation journalist. He is the author of Crossings: How Road Ecology Is Shaping The Future of Our Planet, named one of the best books of 2023 by the New York Times, and Eager: The Surprising, Secret Life of Beavers and Why They Matter, winner of the 2019 PEN/E.O. Wilson Literary Science Writing Award.
“We actually do need these animals on the landscape, and we're going to protect them and restore them and help their populations increase. And so, to me, beavers are proof that what we're doing as conservationists is not futile, right? That there really is reason for hope and optimism, which beavers demonstrate. I think that's a really important lesson for young people to hear is that you're not just entering this world of eco-anxiety and climate change and depression. There are some really hopeful wildlife stories out there, and you can be part of that future.”
www.bengoldfarb.com
https://wwnorton.com/books/9781324005896
www.chelseagreen.com/product/eager-paperbackwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
“It's important to imagine, to keep imagining, a world that is free from colonialism, from oppression, from exploitation, also expropriation of nature. And unfortunately this world is not sustainable—we are not living in that kind of world today. But if we want to see the world for our next generation for the future, we need to pass the torch and ask them to imagine, and then perhaps that way the struggle will continue.”
Intan Paramaditha is a writer and an academic. Her novel The Wandering (Harvill Secker/ Penguin Random House UK), translated from the Indonesian language by Stephen J. Epstein, was nominated for the Stella Prize in Australia and awarded the Tempo Best Literary Fiction in Indonesia, English PEN Translates Award, and PEN/ Heim Translation Fund Grant from PEN America. She is the author of the short story collection Apple and Knife, the editor of Deviant Disciples: Indonesian Women Poets, part of the Translating Feminisms series of Tilted Axis Press and the co-editor of The Routledge Companion to Asian Cinemas (forthcoming 2024). Her essay, “On the Complicated Questions Around Writing About Travel,” was selected for The Best American Travel Writing 2021. She holds a Ph.D. from New York University and teaches media and film studies at Macquarie University, Sydney.
https://intanparamaditha.com
www.penguinrandomhouse.ca/books/626055/the-wandering-by-intan-paramaditha/9781787301184www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
How are writing and travel vehicles for understanding? How can we expand the literary canon to include other voices, other cultures, other experiences of the world?
Intan Paramaditha is a writer and an academic. Her novel The Wandering (Harvill Secker/ Penguin Random House UK), translated from the Indonesian language by Stephen J. Epstein, was nominated for the Stella Prize in Australia and awarded the Tempo Best Literary Fiction in Indonesia, English PEN Translates Award, and PEN/ Heim Translation Fund Grant from PEN America. She is the author of the short story collection Apple and Knife, the editor of Deviant Disciples: Indonesian Women Poets, part of the Translating Feminisms series of Tilted Axis Press and the co-editor of The Routledge Companion to Asian Cinemas (forthcoming 2024). Her essay, “On the Complicated Questions Around Writing About Travel,” was selected for The Best American Travel Writing 2021. She holds a Ph.D. from New York University and teaches media and film studies at Macquarie University, Sydney.
“It's important to imagine, to keep imagining, a world that is free from colonialism, from oppression, from exploitation, also expropriation of nature. And unfortunately this world is not sustainable—we are not living in that kind of world today. But if we want to see the world for our next generation for the future, we need to pass the torch and ask them to imagine, and then perhaps that way the struggle will continue.”
https://intanparamaditha.com
www.penguinrandomhouse.ca/books/626055/the-wandering-by-intan-paramaditha/9781787301184www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
Environmentalists, writers, artists, activists, and public policy makers explore the interconnectedness of living beings and ecosystems. They highlight the importance of conservation, promote climate education, advocate for sustainable development, and underscore the vital role of creative and educational communities in driving positive change.
00:00 "The Conditional" by U.S. Poet Laureate Ada Limón
01:27 The Secret Language of Animals: Ingrid Newkirk, President of PETA
03:03 A Love Letter to the Living World: Carl Safina, Ecologist & Author
04:11 Exploring the Mysteries of Soil and Coral Reefs: Merlin Sheldrake, Biologist, Author of Entangled Life
04:47 Exploring Coral Reefs: Richard Vevers, Founder of The Ocean Agency
05:56 The Importance of Climate Education: Kathleen Rogers, President of EarthDay.org
07:02 The Timeless Wisdom of Turtles: Sy Montomery, Naturalist & Author
07:38 Optimism in the Face of Environmental Challenges: Richard Vevers
08:32 Urban Solutions for a Sustainable Future: Paula Pinho, Director, Just Transition, Consumers, Energy Efficiency & Innovation, European Commission
08:57 The Circular Economy: Walter Stahel, Founder & Director of the Product-Life Institute
09:39 The Power of Speaking Out for Sustainability: Paula Pinho
10:16 Empowering the Next Generation Through Education: Jeffrey Sachs, President of the UN Sustainable Development Solutions Network
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.com
https://studiorichtermahr.comMax Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.
-
"We are self-conscious selves who are coming to understand the fact that we are not somehow walled off from the rest of the world. And so if we can begin to reframe some of these frightening relationships as profoundly intimate relationships that certainly require addressing. It's that kind of a reference frame shift that I think is going to help us move out of some of the darkness."
Clayton Page Aldern is an award winning neuroscientist turned environmental journalist whose work has appeared in The Atlantic, The Guardian, The Economist, and Grist, where he is a senior data reporter. A Rhodes Scholar, he holds a Master's in Neuroscience and a Master's in Public Policy from the University of Oxford. He is also a research affiliate at the Center for Studies in Demography and Ecology at the University of Washington. He is the author of The Weight of Nature: How a Changing Climate Changes Our Minds, Brains, and Bodies, which explores the neurobiological impacts of rapid environmental change.
https://claytonaldern.com
www.penguinrandomhouse.com/books/717097/the-weight-of-nature-by-clayton-page-aldern
https://csde.washington.eduwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
How does a changing climate affect our minds, brains and bodies?
Clayton Page Aldern is an award winning neuroscientist turned environmental journalist whose work has appeared in The Atlantic, The Guardian, The Economist, and Grist, where he is a senior data reporter. A Rhodes Scholar, he holds a Master's in Neuroscience and a Master's in Public Policy from the University of Oxford. He is also a research affiliate at the Center for Studies in Demography and Ecology at the University of Washington. He is the author of The Weight of Nature: How a Changing Climate Changes Our Minds, Brains, and Bodies, which explores the neurobiological impacts of rapid environmental change.
"We are self-conscious selves who are coming to understand the fact that we are not somehow walled off from the rest of the world. And so if we can begin to reframe some of these frightening relationships as profoundly intimate relationships that certainly require addressing. It's that kind of a reference frame shift that I think is going to help us move out of some of the darkness."
https://claytonaldern.com
www.penguinrandomhouse.com/books/717097/the-weight-of-nature-by-clayton-page-aldern
https://csde.washington.eduwww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast -
“Doubling is kind of a big theme, and maybe it always is in spy literature, but maybe I think that that's why Viet chose to write a spy novel in a way and play with those sort of tropes because it's central and I think it's central to the message of the show and of the book. This idea that there's another side to every question. I mean, that's the central quandary. There's this problem with the whole Vietnam War. It's saying to Americans, at least put yourself on the other side, the Vietnamese side, and then recognize that that side also has two sides and then within that, there are further divisions. And if you do that, I think what it's proposing is that you have to step back. It forces a sort of objectivity and humility, and it asks you to step back and allow the bigger human questions to resonate."
Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.
He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.
www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_ph
www.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympawww.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcastPhoto courtesy of HBO
-
What are the stories we tell ourselves to justify our actions in times of war? How can the arts convey complexity and foster understanding?
Don McKellar is a highly accomplished writer, director, and actor. He has written films including Roadkill, Highway 61, Dance Me Outside, The Red Violin, and Blindness. He won the Prix de la Jeunesse at the 1988 Cannes Film Festival for his directorial debut, Last Night, which he also wrote and starred in. He is an eight-time Genie Award nominee and a two-time winner.
He wrote the book for the acclaimed musical The Drowsy Chaperone, for which he received a Tony Award. Most recently, Don served as writer, executive producer, and co-showrunner on The Sympathizer, a television adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning novel of the same name. The series was co-created with Park Chan-wook.
“Doubling is kind of a big theme, and maybe it always is in spy literature, but maybe I think that that's why Viet chose to write a spy novel in a way and play with those sort of tropes because it's central and I think it's central to the message of the show and of the book. This idea that there's another side to every question. I mean, that's the central quandary. There's this problem with the whole Vietnam War. It's saying to Americans, at least put yourself on the other side, the Vietnamese side, and then recognize that that side also has two sides and then within that, there are further divisions. And if you do that, I think what it's proposing is that you have to step back. It forces a sort of objectivity and humility, and it asks you to step back and allow the bigger human questions to resonate."
www.imdb.com/name/nm0001528/mediaviewer/rm2411273728/?ref_=nm_ov_ph
www.imdb.com/title/tt14404618/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_the%20sympa
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcastPhotos courtesy of HBO
Susan Downey, Robert Downey Jr., Don McKellar
Robert Downey Jr. in The Sympathizer, photo by Beth Dubber/HBO
Hoa Xuande in The Sympathizer, photo by Hopper Stone/HBO -
In this episode on Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji have a conversation with critical political theorists Adom Getachew and Ayça Çubukçu on the colonial construction of the international system and its organization around the institution of the nation state. The conversation covers and uncovers so many aspects of the hidden colonial history behind the constitution of this system, but also the resistance and creative appropriations by Black, Indigenous, and colonized peoples, allowing us to imagine possible liberatory futures beyond the forms and strictures of the colonial present.
Ayça Çubukçu is associate professor in human rights at the London School of Economics and Political Science and Co-Director of LSE Human Rights. She is the author of For the Love of Humanity: The World Tribunal on Iraq (2018). Her work has appeared in Law and Critique; Polity; London Review of International Law; Thesis 11; Contemporary Political Theory; parallax; Interventions: International Journal of Postcolonial Studies; boundary 2; Law, Culture and the Humanities; Journal of Human Rights; and the Los Angeles Review of Books; the Guardian; Al Jazeera; Truthout; Africa Is a Country; Jadaliyya, and Red Pepper magazine, among other publications. She coedits the journal Humanity and the LSE International Studies Series at Cambridge University Press.
Adom Getachew is Professor of Political Science and Race, Diaspora & Indigeneity at the University of Chicago. She is the author of Worldmaking after Empire: The Rise and Fall of Self-Determination (2019) and co-editor, with Jennifer Pitts, of W. E. B. Du Bois: International Thought (2022). She is currently working on a second book on the intellectual origins and political practices of Garveyism—the black nationalist/pan-African movement, which had its height in the 1920s. Her public writing has appeared in Dissent, Foreign Affairs, the London Review of Books, the Nation, the New York Review of Books, and the New York Times.
www.lse.ac.uk/sociology/people/ayca-cubukcu
www.pennpress.org/9780812225235/for-the-love-of-humanity/
https://political-science.uchicago.edu/directory/Adom-Getachew
https://press.princeton.edu/books/hardcover/9780691179155/worldmaking-after-empire
www.cambridge.org/core/books/w-e-b-du-bois-international-thought/1A9DBFF90AAC53D27EA63C19E3268BE1www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
www.instagram.com/speaking_out_of_place - Näytä enemmän
