Episodit

  • 249: Production Workflow of My New Show, Fractal Bitcoin (video and audio)

    249: Production Workflow of My New Show, Fractal Bitcoin (video and audio)

    · The Podcast Engineering Show

    In this episode I detail my production workflow for my new show, Fractal Bitcoin. I publish daily episodes both as video and audio-only. Fractal Bitcoin covers Bitcoin news and other Bitcoin topics.

    Overview my current audio equipment setup:

    RE20 microphone — https://products.electrovoice.com/na/en/re20/ sE Electronics DM1 Dynamite Active Inline Preamp — https://seelectronics.com/products/dm1/ Neve Portico II Channel Strip — https://www.soundonsound.com/reviews/rupert-neve-designs-portico-ii-channel Sound Devices MixPre-6 Gen.1 — https://www.sounddevices.com/product/mixpre-6/

    Overview my production workflow:

    Gather posts and news stories from Nostr, X and a few other industry websites. (Takes me around 2 hours) Order all the posts and stories for the shownotes. Create a title for the episode. Create a 16x9 thumbnail for the episode using ChatGPT which uses DALL-E 3 to generate images. — https://chatgpt.com/ Restart my computer. Arrange all the browser tabs. Open OBS Studio and do a short test recording. (My audio levels, video camera and lighting stay the same everyday) I record my episode as if it’s LIVE to a .mov file at 1920x1080, 60 frames per second, video bitrate at 16,000 kbps, and audio bitrate at 2304 kbps. (My average video is about 15 min. long, which ends up being around a 2Gb .mov file)

    First I produce the video:

    Process the audio in iZotope RX: Make it a mono file, usually Silence any lipsmacks and noises (can’t delete anything because the audio has to line up with the video) Level it to -16.5 LUFS mono or -13.5 LUFS stereo (for video) Save it as a 32-bit .wav file Bring the raw video and processed audio into Screenflow. Usually I don’t need to make any edits but sometimes I do. — https://www.telestream.net/screenflow/overview.htm Render the video as a .mp4 file at 1920x1080, 60 frames per second, video bitrate at 16,000 kbps, and audio bitrate at 256 kbps and audio sample rate at 48kHz. (The resulting file size ends up being the same as the raw video recording — about 2Gb for a 15 min. long file) Upload and publish the video to YouTube, Rumble, Bitchute, TikTok, and Flare.pub (a Nostr platform to which I upload a smaller 960x540 version) I promote my YouTube video on Nostr, X, Instagram, LinkedIn, and a few other platforms. I also post the Youtube link to my Locals community that I’m growing. I also use Opus Clip to create 5 shorts from each of my daily videos. I post all 5 to YouTube Shorts, Instagram Reels, TikTok and LinkedIn. — https://www.opus.pro/

    Then I produce the audio-only podcast:

    I edit the audio a bit: Remove any isolated umms and flubs Reduce the length of any dead air, if there is any, in order to speed up the pacing slightly. Level it to -18.5 LUFS mono or -15.5 LUFS stereo (for audio-only podcast) Save it as a 32-bit .wav file as well as an .mp3 file (96 kbps mono or 192 kbps stereo). Tag the .mp3 using ID3 Editor. — http://www.pa-software.com/id3editor/ Upload .mp3 to Captivate along with shownotes and publish. — https://www.captivate.fm/ For my website I use Podpage which automatically brings in each podcast episode from Captivate as a blog post. I’m able to quickly optimize the post, add the YouTube video, and add images, etc. — https://www.podpage.com/

    FRACTAL BITCOIN LINKS:

    YouTube — https://www.youtube.com/@fractalbitcoin Rumble — https://rumble.com/c/c-5471042 Twitter — https://twitter.com/fractalBitcoin Nostr — https://nostr.com/npub1jz42cy8qxw6dres86sn0cr42hww24pnjqssa4k9wxqvzm5l0mvqsq2f5ku Instagram — https://www.instagram.com/fractalbitcoin/

    A GREAT BITCOIN RESOURCE:

    BOOK — The Bitcoin Standard by Saifedean Ammous — https://saifedean.com/tbs

    OTHER NOTES:

    The start date for the next PES semester is JUNE 4, 2024! (fyi, the course is delivered once per quarter)

    Check out the PES YouTube channel.

    My smaller course for editors/producers who want higher-paying clients: Getting New Clients at Higher Rates.

    Let me know if you have any questions or need any help with anything,

    ~Chris

  • 248: Eight Lessons in Podcast Audio Production

    248: Eight Lessons in Podcast Audio Production

    · The Podcast Engineering Show

    I overview 8 podcast production tips and techniques from recent blog posts (see list below).

    My blog posts discussed in this episode: Upward Compression --*** FabFilter video on Upward Compression Is It Necessary to Tweak the Sound of Royalty-free/Stock Music Tracks? Want To Approach Potential Clients but You Have a Fear of Rejection --*** Rejection Proof book Unplugged Kingsize Megaphones in the PĂ€hni Nature Centre by students of the Estonian Academy of Arts Can Some Particular Microphones Exacerbate Sibilance? Podcast Editing: A Chore or Labor of Love? Are Your Podcast Episodes Loud Enough? Independent Podcast Editors and Producers: Are You Profiting Enough? Other Notes: If you ever have questions please reach out! The start date for the next PES semester is February 20, 2024! (fyi, the course is delivered once per quarter) Check out the PES YouTube channel If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find useful” with this link: https://podcastengineeringschool.com/subscribe/ My smaller course for editors/producers who want higher-paying clients: Getting New Clients at Higher Rates

    Let me know if you have any questions or need any help with anything,
    ~Chris

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  • 247: Nine Teaching Points To Expand Your Audio Production Knowledge

    247: Nine Teaching Points To Expand Your Audio Production Knowledge

    · The Podcast Engineering Show

    I overview 9 podcast production tips and techniques from recent Daily Goody posts Mar. 18 thru Apr. 8, 2022 (see list below). Also, you can sign up to receive Daily Goody’s in your email every day or a weekly roundup.

    Daily Goody posts that I discussed in this episode: Microphone Polar Patterns – A Complete Guide 3 Plugins I Purchased but Rarely Use (Unfortunately) — Level Magic (Flux/JĂŒnger Audio), Split EQ (Eventide), dear VR pro (Plugin Alliance) DynaCaster Microphone from sE Electronics Limiting a Bit Before Compressing Bleeping Curse Words Audio Normalization Tips for Pitching Yourself To Be a Guest on Other Podcasts I Love This: Morbid Podcast Mixes Their Ads a Bit Lower in Volume Plugin Doctor, a Plugin Analyzer for VST and AU Plugins Other Notes: If you ever have questions please reach out! The start date for the next PES semester is January 9, 2024! (fyi, the course is delivered once per quarter) Check out the PES YouTube channel I started a new Podcasting community on Nostr protocol -- you are welcome to join! If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find useful” with this link: https://podcastengineeringschool.com/subscribe/ My smaller course for editors/producers who want higher-paying clients: Getting New Clients at Higher Rates

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 246: Tom Pink on Sound Design for Podcasts

    246: Tom Pink on Sound Design for Podcasts

    · The Podcast Engineering Show

    Listen to my conversation with Tom Pink - Head of Mix, Mastering and Sound Design at Noiser. We discuss sound design in podcast production including lots of helpful tips - basics, advanced, nuances, and lots more.

    You're welcome to check out some of the shows Tom and his team are producing at Noiser.com.

    Other Notes: If you ever have questions please reach out! The start date for the next PES semester is June 27, 2023! (fyi, the course is delivered once per quarter) If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/ My smaller course for editors/producers who want more good clients: Getting New Clients at Higher Rates

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 245: Normalization vs Compression vs Limiting (With Audio Examples)

    245: Normalization vs Compression vs Limiting (With Audio Examples)

    · The Podcast Engineering Show

    I define and discuss the differences between normalization, compression and limiting. Also the usefulness of each and when to use them. And I play audio examples!

    FYI, you can sign up to receive my Daily Goody posts in your email every day or a weekly roundup. Sign up here.

    Here are the plugins I referred to (by category):

    Compressors:

    Scheps Omni Channel — https://www.waves.com/plugins/scheps-omni-channel CLA-2A — https://www.waves.com/plugins/cla-2a-compressor-limiter CLA-76 — https://www.waves.com/plugins/cla-76-compressor-limiter Abbey Road RS124 — https://www.waves.com/plugins/abbey-road-rs124-compressor#introducing-abbey-road-rs124-compressor

    Channel Strips:

    Scheps Omni Channel — https://www.waves.com/plugins/scheps-omni-channel Focusrite SC — https://www.plugin-alliance.com/en/products/bx_console_focusrite_sc.html SSL E Channel — https://www.waves.com/plugins/ssl-e-channel —OR— https://www.plugin-alliance.com/en/products/bx_console_ssl_4000_e.html

    Upward Compression:

    MaxxVolume — https://www.waves.com/plugins/maxxvolume MV2 — https://www.waves.com/plugins/mv2 Fabfilter Pro-MB — https://www.fabfilter.com/products/pro-mb-multiband-compressor-plug-in Neutron 3 — https://www.izotope.com/en/products/neutron.html Oxford Inflator — https://www.sonnox.com/plugin/oxford-inflator-v3

    Vocal Riders:

    Vocal Rider — https://www.waves.com/plugins/vocal-rider MAutoVolume — https://www.meldaproduction.com/MAutoVolume HoRNet AutoGain Pro MK2 — https://www.hornetplugins.com/plugins/hornet-autogain-pro-mk2/ DynaRide2 — https://www.tbproaudio.de/products/dynaride GainRider3 — https://www.tbproaudio.de/products/gainrider Outlaw — https://www.waproduction.com/plugins/view/outlaw POWAIR — https://www.soundradix.com/products/powair/

    Limiters:

    Pro-L 2 — https://www.fabfilter.com/products/pro-l-2-limiter-plug-in Scheps Omni Channel — https://www.waves.com/plugins/scheps-omni-channel CLA-2A — https://www.waves.com/plugins/cla-2a-compressor-limiter Focusrite SC — https://www.plugin-alliance.com/en/products/bx_console_focusrite_sc.html SSL E Channel — https://www.waves.com/plugins/ssl-e-channel —OR— https://www.plugin-alliance.com/en/products/bx_console_ssl_4000_e.html Pro-MB — https://www.fabfilter.com/products/pro-mb-multiband-compressor-plug-in

    Dual Stage Compressors:

    Aquamarine 4 — https://www.acustica-audio.com/store/products/aquamarine Shadow Hills Class A Mastering Compressor — https://www.plugin-alliance.com/en/products/shadow_hills_class_a_mastering_comp.html

    Multiband Compression: (great for people who move on and off mic a lot)

    Pro-MB — https://www.fabfilter.com/products/pro-mb-multiband-compressor-plug-in C6 — https://www.waves.com/plugins/c6-multiband-compressor Neutron 3 — https://www.izotope.com/en/products/neutron.html Ozone 9 — https://www.izotope.com/en/products/ozone.html Other Notes: If you ever have questions please reach out! The start date for the next PES semester is April 4, 2023 and then June 27, 2023! (fyi, the course is delivered once per quarter) If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/ My smaller course for editors/producers who want more good clients: Getting New Clients at Higher Rates

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 244: Ten Terrific Tips for Podcast Production

    244: Ten Terrific Tips for Podcast Production

    · The Podcast Engineering Show

    I overview 10 podcast production tips and techniques from recent Daily Goody posts Feb. 14 thru Mar. 9, 2022 (see list below). You can sign up to receive Daily Goody’s in your email every day or a weekly roundup. Sign up here.

    Daily Goody posts that I discussed in this episode: The Debate Over Editing Out Breaths vs. Leaving Breaths In How To Handle Clients That Won’t Heed Your Advice To Improve Their Audio Quality Using Pixels to Track Podcast Ad Stats? Here's the article I mentioned Reasons I Sometimes Use Volume Boost in My Podcast Player App RØDE Broadcaster (Microphone) What Equipment Do You Recommend for New Podcasters? Here's the post I mentioned: An Inexpensive Podcasting Equipment Setup to Sound Great Fabfilter Pro-DS, an Exceptional De-esser When a Remote Guests’ Internet Fails and They Disconnect Want Me to Dial-in Custom Settings for Your Voice? (EQ, Compression, Etc.) Editing the Timing Between a Question and the Answer Other Notes: If you ever have questions please reach out! The start date for the next PES semester is April 4, 2023! (fyi, the course is delivered once per quarter) If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/ My smaller course for editors/producers who want more good clients: Getting New Clients at Higher Rates

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 243: Ten Advanced Podcast Production Tips

    243: Ten Advanced Podcast Production Tips

    · The Podcast Engineering Show

    I overview 9 podcast production tips and techniques from recent Daily Goody posts Jan. 19 thru Feb. 11, 2022 (see list below). You can sign up to receive Daily Goody’s in your email every day or a weekly roundup. Sign up here.

    Daily Goody posts that I discussed in this episode: Expecting a Plugin Preset to Do What the Name Says My Experience Opening and Operating a Brick and Mortar Podcast Studio for 3 Years – PES 230 When Editing Out Silence To Increase Pacing, Be Sure To
 Loudness Range of Final Episodes – What’s Good and What’s Bad? The “White Glove” Service: Engineering Client Recording Sessions Remotely Using Cable Labels to Reduce “Spaghetti” Confusion in Your Studio Best Sounding Microphone Emulation *For My Voice* Using My Sphere L22 Microphone Gain Rider Plugin: DynaRide2 Should You Ask Remote Guests to Record Their Own Audio Locally? Best Recording Tip for Someone Who Speaks at a Soft, Low Volume [VIDEO] MaxxVolume Plugin for Podcast Production (Handy as Heck!) As I mentioned, here’s episode 225 where I used the Sphere L22 with the U47 emulation. Other Notes: If you ever have questions please reach out! The start date for the next PES semester is January 10, 2023! (fyi, the course is delivered once per quarter) If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/ My smaller course for editors/producers who want more good clients: Getting New Clients at Higher Rates

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 242: Nine More Production Tips For You

    242: Nine More Production Tips For You

    · The Podcast Engineering Show

    I overview 9 podcast production tips and techniques from recent Daily Goody posts Dec.13, 2021 thru Jan.17, 2022 (see list below). You can sign up to receive Daily Goody’s in your email every day or a weekly roundup. Sign up here.

    Daily Goody posts that I discussed in this episode: Putting the Finishing Touch on Your Podcast Audio Before Publishing How Much Would You Like To Earn Producing Podcasts, $25k/year? $50k? $100k? Corey Marie Green, Author of The Podcaster’s Audio Handbook – PES 228 Get Fuller Sound by Manipulating Harmonics Do This Before New Years Day Urgent Advice for Any Podcaster Using a Blue Yeti Chris’s Goody Bag – PES 229 Do You Breakdown and Put Away Your Equipment After Recording, Or
? Brainworx bx_console AMEK 9099 Please Don’t Ever Use Your Computers Built-in Microphone for Recording Podcasts Riverside’s Noise Suppression Feature VIDEO: CLA-2A Compressor/Limiter Plugin (Waves) for Podcast Production Other Notes: If you ever have questions please reach out! The start date for the next PES semester is January 10, 2023! (fyi, the course is delivered once per quarter) If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/ My smaller course for editors/producers who want more good clients: Getting New Clients at Higher Rates

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 241: Barry Gary Providing Top-Notch Production Services to Organizations

    241: Barry Gary Providing Top-Notch Production Services to Organizations

    · The Podcast Engineering Show

    Returning guest Barry Gary shares so many excellent tips for producing podcasts for companies and organizations. Barry is the host of The Louisville Cycling Podcast. He also produces other podcasts including Medchat and Parenting With You. Also, here is Barry’s first appearance on this show.

    Barry and I discussed many things including:

    Equipment: Shure SM7b, Cloudlifter, dbx 286s, Focusrite Scarlett 18i20, Yamaha monitors Apps: Adobe Audition, Riverside Processing: Compression, EQ Show development for clients Internal podcasts for clients Workflow changes: Stopped going on-site to record, and now does most of his editing in Adobe Audition now.

    NEWS: In case you missed it, I'm now publishing a YouTube video everyday here on the PES channel. Please consider subscribing.

    Other Notes: If you ever have questions please reach out! You can sign up to receive Daily Goody’s in your email a few times per week or a weekly roundup. Sign up here. The start date for the next PES semester is January 10, 2023! (fyi, the course is delivered once per quarter) If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/)

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 240: Running a Successful Podcast Production Studio with Zack Hanni

    240: Running a Successful Podcast Production Studio with Zack Hanni

    · The Podcast Engineering Show

    Enjoy my chat with Zack Hanni, owner and audio engineer at Sounds Like Soma in Philadelphia. He produces podcasts as well as music. We discuss podcast audio production in depth as well as the business aspects of being a podcast producer. Also check out his TikTok and YouTube channels.

    Also check out Zack's first appearance on this show. Ep. 40 HERE

    In case you missed it, I'm now publishing a YouTube video everyday here on the PES channel. Consider subscribing.

    Other Notes: If you ever have questions please reach out! You can sign up to receive Daily Goody’s in your email a few times per week or a weekly roundup. Sign up here. The start date for the next PES semester is January 10, 2023! (fyi, the course is delivered once per quarter) If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/)

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 239: Mistakes I’ve Made Producing Podcasts

    239: Mistakes I’ve Made Producing Podcasts

    · The Podcast Engineering Show

    Today I’m going to discuss some mistakes I’ve made producing podcasts.

    Microphone: In this episode I’m using my Electro-Voice RE320 microphone plugged into my Neve Portico II channel strip (using compression, EQ and a bit of saturation). The same microphone you see in my daily short videos here.

    I mention a recent hiking experience I had where a guy who saw my shirt (which says Ask Me About My Podcast) and asked, "What's your podcast?" And then immediately added, "JUST KIDDING!” We all laughed and he didn’t ask again so I didn’t mention my podcast at all. HA

    Mistakes I’ve Made Producing Podcasts: I published one of my client’s episodes with 30 seconds of silence at the beginning. The client alerted me and I fixed it immediately. During an online recording session, after a participant dropped off and then returned, I forgot to press record again in Squadcast, but of course I was recording a local backup which I ended up using (though it was a bit of a pain because all participants were mixed together in the backup recording). NOTE: Squadcast fixed this issue a long time ago. On an in-person recording session I forgot to hit record and realized it after about 5 minutes so we had to start the episode over again and sort of feign authentic enthusiasm when redoing the intro. I've mixed audio on my monitor speakers while mistakenly using the calibration profile for my headphones. Untold inaccuracies using processors too aggressively, or not aggressively enough — Compression, de-noise, de-plosive, EQ, etc. Other Notes: If you ever have questions please reach out! You can sign up to receive Daily Goody’s in your email a few times per week or a weekly roundup. Sign up here. The start date for the next PES semester is January 10, 2023! (fyi, the course is delivered once per quarter) If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/)

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 238: How To Handle Loudness Properly in All Stages of Your Podcast Production Workflow

    238: How To Handle Loudness Properly in All Stages of Your Podcast Production Workflow

    · The Podcast Engineering Show

    NOTE: In this episode I’m using a Sennheiser e835 microphone into my Portico 2 channel strip and using these plugins in post: KIT BB N105, Shadow Hills Class A Mastering Compressor, Saturn 2, and Aquamarine 4.

    Here's the summary of what I discuss on How To Handle Loudness Properly in All Stages of Your Podcast Production Workflow: Record all raw tracks at a healthy level (not too low or too hot) Set all raw tracks to the same LUFS before bringing them into your DAW. (I do this at the end of my cleanup phase after I remove background noise, plosives, hums, and other blemishes) Use Compression and/or MaxxVolume/Vocal Rider to compress/tame the loud parts as well as boost the lower volume parts. (NOTE: This step will effectively amplify any background noise, so be sure to absolutely minimize the background noise before pressing record!) Adjust the overall level of each participant so they all sound good compared to each other. (as part of your mixing phase, where you can also use other processing like EQ, saturation, etc.) After rendering the final episode audio, process this file so it adheres to the “unofficial” loudness standards of podcasting: -19 LUFS for mono episodes, or -16 LUFS for stereo episodes. Other Notes: If you ever have questions please reach out! You can sign up to receive Daily Goody’s in your email a few times per week or a weekly roundup. Sign up here. The start date for the next PES semester is January 10, 2023! (fyi, the course is delivered once per quarter) If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/)

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 237: Max Flight and Your Mid-summer Podcast Re-evaluation

    237: Max Flight and Your Mid-summer Podcast Re-evaluation

    · The Podcast Engineering Show

    Returning all-star guest Max Flight helps me cover 17 ways to re-evaluate your podcast this summer, and we also discuss Max's latest podcast production workflow, equipment, software and more.

    Max has been producing aviation podcasts since 2008:

    Airplane Geeks (now over 700 episodes!) The UAV Digest (looking at unmanned aircraft or drones) Check out his main site — http://thirtythousandfeet.com/ He was previously on episodes 20 and 39 of this show Check out his equipment, software, services and more below... We discuss these 17 ways in which you can re-evaluate and improve your show this summer: Update your goals Change the format Start using chapters Personal focus on eliminating verbal crutches. (A short duration of intense focus will provide years of good results) Change and/or add equipment Sell old equipment Treat yourself to that mic you've always wanted Sound absorption and diffusers Add a new segment Cover new yet pertinent subject matter topics Publish in video format as well Publish better shownotes Revamp your marketing Evaluate the shows overall effectiveness Hire a VA Bring on a cohost Decide to end your show??? Perhaps decide you want to become a professional podcast engineer/producer and earn a great living producing podcasts for clients - from home?! And here's a lot more detail on Max's production:

    Big changes since PES 20 and PES 39 mostly involve a simplification of the signal path:

    Skype and cohost multi-enders replaced by Riverside.fm Behringer mixer (still going strong since 2009!) replaced with MixPre The MixPre handles all mic pre-amplification Sound clips and pre-recorded segments played through Riverside, replacing an iOS soundboard Backup recording is handled by the MixPre

    Current equipment:

    Sound Devices MixPre-6 Also use a MixPre-3 Gen 2 for field recordings Zoom H5 for field recordings, too Heil PR40 Sennheiser MD46 interview mic Dell XPS 16 and MacBook Pro 15-inch, 2018 model, 2.9GHz i9 32 GB laptops Audio Technica ATH-M50x headphones Yamaha HS5 monitors

    Software:

    Riverside.fm (was Skype then Squadcast) Hindenburg Journalist Pro Audacity (yep!) iZotope RX 8 Advanced ID3 Editor for tagging

    Services:

    Media hosting: Blubrry and Libsyn Website hosting: Bluehost and SiteGround

    Notes from Max:

    I'm retired and traveling more which makes weekly podcast production a bit more difficult. Biggest current problem: At the home studio I mix/master with my Yamaha monitors, which I love. I can't master properly with the Audio Technica headphones when traveling. Other Notes: If you ever have questions please reach out! You can sign up to receive Daily Goody’s in your email a few times per week or a weekly roundup. Sign up here. The start date for the next PES semester is Sep. 13, 2022! (fyi, the course is delivered once per quarter) If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/)

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 236: Nine Tips for Podcast Audio Production

    236: Nine Tips for Podcast Audio Production

    · The Podcast Engineering Show

    I overview 9 podcast production tips and techniques from recent Daily Goody posts Oct. 25 - Dec. 10, 2021 (see list below). You can sign up to receive Daily Goody’s in your email every day or a weekly roundup. Sign up here.

    Daily Goody posts that I discussed in this episode: What is Mastering in Podcast Production? Musicians Can Fund Their Music Careers by Earning $50-150 Per Hour Producing Podcasts From Home Name One Song That Sounds Amazing/Perfect to You AKG K 240 MK II Stereo Studio Headphones Background Noise Is Exacerbated by Compression SplitEQ from Eventide 3 Different Categories of “Noise” to Avoid When Recording Podcasts One Participant Using a Condenser Mic, the Other Using a Dynamic Mic Do You Feel Hurried or Chill When You Edit Your Podcast? Other Notes: Podcast Services Mastermind Workshop ($199) - A one day immersive and collaborative in-person event designed to build & grow your service based business! Full explanation of the program HERE. If you ever have questions please reach out! The start date for the next PES semester is Sep. 13, 2022! (fyi, the course is delivered once per quarter) If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/) My smaller course that I mentioned: Getting New Clients at Higher Rates

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 235: My Experience at Podfest 2022

    235: My Experience at Podfest 2022

    · The Podcast Engineering Show

    I've attended every single Podfest since 2014. And this year it was great to see so many friends and colleagues in person again!

    Here are some of my experiences, notes and highlights of the event:

    MY TALK:

    "How to Use Compression & Normalization (Mandatory for Creating Professional Grade Audio)" ---> The full presentation will be published soon!

    Outline what I covered:

    Normalization (Peak and Loudness) (When and where to normalize audio) Compression (Why, controls) (Demonstrations of compressors, upward compression, vocal riding, limiter, and a great sounding plugin chain)

    *Audio Production Challenge for my listeners: Compress the ultra-dynamic audio clip that I used for demonstration in my presentation and send me your processed audio file!

    Links to Apps and Plugins I Mentioned in My Talk at Podfest 2022 on “Compression and Normalization”

    Link to 4 recent overview posts:

    What is Compression? (Audio Processing) Introduction to Compressor Controls What Are Audio Plugins? (Audio Processing) Introduction to Plugin Chains PODCASTING 2.0, CRYPTO, BLOCKCHAIN, ETC.: Spoke with several podcast industry pro's about Podcasting 22.0, crypto integrations into podcast feeds and websites, etc. Hardly anyone was talking about this. It's still VERY early. The Florida Bitcoin & Blockchain Summit PRESENTATIONS I SAW:

    Seth Silvers, CEO of Story On Media --- "The Roadmap To Using NFTs To Engage Your Podcast Audience and Increase Revenue"

    Focus on "how can NFTs help build my community, instead of how can NFTs make me money." Think of an NFT as an access card. "Gratitude" NFTs just for people to support the show. (offer NFTs of every episode, etc.) Never-ending tickets. Uncut.fm "Collect NFTs from your favorite podcasts"

    TikTok presentation by Melissa Hughes

    *Mindset when creating TikTok posts: Document instead of create. WHAT I WAS INSPIRED TO CHANGE/DO: Create a new short course?? TikTok posting for marketing purposes? (Am I really going to commit to this?!?!) Join a songwriting group (which I discussed w/Ashley Lehmann)

    Other interesting things I learned about:

    Snowpixel: AI-generated images (Natalie Champa Jennings told me about this) "Dream 100", gatekeepers, (from my conversation with Seth Silvers) -- The Dream 100 are relationships with people and/or companies who can help me market my business to their audiences. Instead of focusing on marketing, focus on building these 100 relationships. MY OVERALL EVALUATION OF THE ENTIRE EVENT: All in all very good Perhaps too many speakers and tracks, etc. Felt a bit too spread out I should have bought groceries PEOPLE I HUNG OUT WITH: Seth Silvers Jennie Wren Steve Stewart and Mark Deal Glenn the Geek Mike Helms Marc Johanssen Roy Stegman Harry Duran Natalie Champa Jennings Ashley Lehmann Paul Desmond Adams Gordon Firemark Bryan Entzminger Julia Levine Ross Brand Dave Jackson Dan Hughley Daniel Abendroth MANY OTHERS!

    NOTE: The next semester of PES starts on June 28, 2022.

  • 234: Into the Goody Bag With Chris and Barry

    234: Into the Goody Bag With Chris and Barry

    · The Podcast Engineering Show

    I overview 8 podcast production tips and techniques from Oct. 6 - Oct. 22, 2021 (see list below). You can sign up to receive these Daily Goody’s in your email every day or a weekly roundup. Sign up here.

    Daily Goody posts that I discussed in this episode: Captivate’s Interview Management & Guest Booking Platform Integrates With SquadCast Remote Recording Using WiFi vs Ethernet Cable Being Ready at Least 5-10 Minutes Before Each Recording Session How to Make Decisions Regarding Buying New Plugins Podcast Intro Music: How Loud Should It Be? Bad Edits Are Terrible – Don’t Make Bad Edits! iZotope RX 9 Using “Room Tone” When Editing Podcasts Other Notes: If you ever have questions please reach out! The start date for the next PES semester is June 28, 2022! (fyi, the course is delivered once per quarter) If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/) My smaller course that I mentioned: Getting New Clients at Higher Rates

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 233: Eight Fat Nuggets

    233: Eight Fat Nuggets

    · The Podcast Engineering Show

    I overview 8 recent Daily Goody‘s from Sep. 20 - Oct. 4, 2021 (see list below). You can sign up to receive Daily Goody’s in your email every day or a weekly roundup. Sign up here.

    Daily Goody posts that I discussed in this episode: Reduce Editing Time With Better Recording Habits Referencing Your Old Episodes to Evaluate the Sound Earning Over $100k Producing Podcasts From Home Audio Production Fundamentals Apollo x4 Audio Interface How Podcasters Can Receive Crypto From Listeners (PES 226) Sound Absorbing Items in Your Recording Space Gullfoss Master

    NOTE: In post-production I processed my voice (recorded on a Shure SM7b into a Sound Devices MixPre-6 first gen.) using the following plugins (in this order):

    Fabfilter Pro-G (gate) BB N105 channel strip (for saturation and EQ) Abbey Road RS124 (compressor) Aquamarine 4 (compressor) Other Notes: If you ever have questions please reach out! The start date for the next PES semester is April 19, 2022! (fyi, the course is delivered once per quarter) If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/)

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 232: Chris’s Goody Bag

    232: Chris’s Goody Bag

    · The Podcast Engineering Show

    I overview 8 recent Daily Goody‘s from June 21 - Sep. 20, 2021 (see list below). You can sign up to receive Daily Goody’s in your email every day or a weekly roundup. Sign up here.

    NOTE: In this episode I’m using the new DynaCaster microphone from sE Electronics! I think it ended up sounding great. Also be sure to watch Podcastage’s excellent test and review of this microphone: sE Electronics Dynacaster Review / Test (vs. SM7b, RE20, Ethos)

    Daily Goody posts that I discussed in this episode: Reduce Editing Time With Better Recording Habits Be Delicate When De-essing BB N105 Plugin (EQ and Saturation) Edit Out Awkward Silence or Not? Nicest Looking Website-Embeddable Podcast Players? Kali Audio LP-6 Active Near-field Monitors MJUC Compressor Plugin from Klanghelm Adjusting a Compressors Release Time and What Effect That Has on the Sound Martín Gonzalez, Audio Engineer at Pushkin Industries – PES 221 Other Notes: If you ever have questions please reach out! The start date for the next PES semester is April 19, 2022! If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/)

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 231: Back Into the Goody Bag

    231: Back Into the Goody Bag

    · The Podcast Engineering Show

    I overview 9 recent Daily Goody‘s from May 21 though June 18, 2021 (see list below). You can sign up to receive Daily Goody’s in your email every day or a weekly roundup. Sign up here.

    I also demonstrate the three best Townsend Labs Sphere L22 microphone emulations for my voice (as judged by me). Which do you like best for my voice?:

    OW-12 #2 LD-414 NYLON (Overall Winner in my opinion!!!) BP-251E Daily Goody posts that I discussed in this episode: Here’s When I DON’T Edit Out a Word Mispronounced Then Repeated Correctly Do You “Cheat” and Publish Your Episodes Louder Than the Unofficial Loudness Standards?? I Do. Up for a “New Client Challenge”? Perception of Space Sennheiser MKH 416 – Short Shotgun Interference Tube Microphone SSL UC1 Hardware Plug-in Controller Steinberg WaveLab (Mastering Software) Jason Sheesley episode I Held an ATR2100USB in My Hand This Whole Episode Other Notes: If you ever have questions please reach out! The start date for the next PES semester is April 19, 2022! If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/)

    Let me know if you have any questions or need any help with anything,
    ~Chris

  • 230: My Experience Opening and Operating a Brick and Mortar Podcast Studio for 3 Years

    230: My Experience Opening and Operating a Brick and Mortar Podcast Studio for 3 Years

    · The Podcast Engineering Show

    I discuss my experience opening and operating a brick and mortar podcast studio for 3 years, including:

    Discovering podcasting in late 2011

    Starting my own show in my apartment solely for the experience of starting a podcast – The Chris Curran Show!

    Why I decided to open a physical podcast studio in June 2012

    Economics:

    I had no idea if this kind of business could be profitable, but I was so energized to do it that I took the leap. I’ll talk more later about the monetary success or failure of the studio ;)

    History:

    Before Serial hit in the fall of 2014 the podcasting space was still relatively small and unknown. I don’t know anyone who ran a physical podcast studio back when I did, but I’m sure at least a few people must have.

    What were my competitive advantages?

    My audio experience My local networking experience

    I was fortunate that:

    I found a space very close to my apartment. I had previously been a member of the largest Chamber of Commerce in that area, so I knew a bunch of people already.

    i signed a 3 year lease, but it wasn’t overly expensive because it was in an older building and the space was unique (perhaps difficult to sell to most average businesses).

    Fractal Recording was born in June 2012.

    Equipment setup:

    4 mics (Sennheiser e835’s) 4 Heil boom arms 4 channels of dbx 166xs Headphone amp Digital hybrid to take actual phone calls iPad for playing music and sound clips Bought my first Mac for the studio Focusrite interface (stereo!) Bought a couch, chairs, and a round table

    Started several shows to jumpstart the content coming out of my studio. I did this to generate as much buzz as possible around my studio.

    Attending Chamber of Commerce networking events to promote my studio and invite local business people to be interviewed on my local business podcast. *Back then most people didn’t even know what podcasts were!

    I met Barry the maintenance guy and got to know him.

    Trying to partner with 2 different people – both were going to be in charge of marketing and sales (obviously because I wanted to focus on the audio production!) – and both ended up in tragedy.

    The studio not being soundproof
 UGH.

    THE END: Deciding to NOT sign up for another 3 years, which happened to coincide with my move to Colorado (where I would start doing all client recordings virtually).

    To sum up my experience having the studio for 3 years:

    Overall, I absolutely loved it. I learned so much and had so much fun. Got tons of experience hosting shows. Made some good friends. I paid my dues for what was to come next. The painful aspects of that experience have completely dissolved into nothingness.

    Was the studio profitable? Barely. It took a lot of effort and technically the studio was profitable but not by much. If I had a good salesperson it could have been more profitable.

    The Universe is funny – as soon as we moved to Colorado I got a call from a NJ business (who lived close to my old studio) who wanted to hire me to produce their podcast, but they did NOT want to come into my studio, and I said GREAT that works out nicely!

    I started on-boarding additional remote production clients and within 5 months I got a huge contract with Forbes to produce their podcast network remotely.

    What Did I Learn:

    When you know you can be successful at something, you just have to be bold and keep working hard and adapt when you need to. Eventually you will arrive in a place where you are making a good living doing something you love, though that place will definitely NOT be the place you originally had in mind.

    Hope you enjoyed that.

    Other Notes: If you ever have questions please reach out! The start date for the next PES semester is April 19, 2022! If you’d like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here’s a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/)

    Let me know if you have any questions or need any help with anything,
    ~Chris

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