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We dive deep into the incredible career of Roger Bart, a Tony Award-winning actor who has brought iconic characters to life on both stage and screen. Currently starring as Doc Brown in Back to the Future: The Musical, Roger shares his journey with us, from his early Broadway debut in Big River to his voice work as young Hercules in Disney's animated classic.
Roger reflects on his career highlights, including his award-winning role as Snoopy in You're a Good Man, Charlie Brown, working with Mel Brooks in The Producers and Young Frankenstein, and his memorable TV roles in Desperate Housewives and Revenge. He offers fascinating behind-the-scenes stories from his time developing Back to the Future from its early days in Europe to its current run on Broadway, touching on the challenges of portraying Doc Brown and how he brings his unique comedic flair to the role. Roger also discusses his love for comedy, the influence of Warner Bros. cartoons on his sense of humor, and how he balances broad comedic moments with genuine character depth. He offers heartfelt advice for young performers: be prepared, be kind, and don’t be afraid to make bold choices.
Roger Bart’s passion for performing began in childhood, using his singing talent to connect with his parents and spark his love for the stage. His professional journey truly began after studying acting at Rutgers’ Mason Gross School of the Arts, where he transitioned from instinctual performing to a more profound understanding of the craft. This education laid the foundation for his wide-ranging career, where his unique blend of humor and depth has become a hallmark of his performances. His comedic style, influenced by the precise timing and structure of Warner Bros. cartoons, was refined during his collaborations with Mel Brooks in the beloved productions of The Producers and Young Frankenstein.
Roger’s career spans both stage and screen. He made his Broadway debut in Big River and won a Tony Award for his portrayal of Snoopy in the 1999 revival of You're a Good Man, Charlie Brown. In addition to his stage work, Roger has also left a mark on television with notable roles in Desperate Housewives, Revenge, Good Trouble, and A Series of Unfortunate Events. Film and voice work include the 2005 movie version of The Producers and voicing young Hercules in Disney’s Hercules. Currently, he stars as Doc Brown in Back to the Future: The Musical, a role that has earned him a Tony nomination and further solidified his reputation as a versatile and beloved actor.
SPECIAL ACCESSIBLE BTTF TICKET INFO, valid on performances Sept 17 - Nov 10, 2024 only
Upper Level Seats from $59 (including fees)
Stage Level Seats from $79 (including fees)
Tickets are available at BackToTheFutureMusical.com, through Telecharge by calling 212-239-6200 or visiting Telecharge.com, or at the Winter Garden Theatre box office.
Connect with Roger:
Instagram: @rogerbartofficial
Watch the full "Shooting Star" cut song from Hercules: https://youtu.be/hkPhGYMGmno
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Originally aired as episode 200 on April 5, 2022.
With a remarkable 14 nominations and six wins across the Emmys, Grammys, Olivier, and Tony Awards, Patti LuPone is a force in the entertainment industry. Her illustrious career includes 27 Broadway credits, most notably her Tony Award-winning roles as Eva Perón in Evita and Rose in the 2008 revival of Gypsy. Other significant Broadway appearances include Anything Goes, Sweeney Todd, Noises Off, Women on the Verge of a Nervous Breakdown, War Paint, Working, Oliver!, The Robber Bridegroom, and The Beggar's Opera.
LuPone has also made her mark on the London stage, originating roles in Les Misérables, The Cradle Will Rock, Sunset Boulevard, and starring in the West End revival of Company. Beyond the stage, her extensive career in television and film includes performances in Driving Miss Daisy, Frasier, Will & Grace, Ugly Betty, 30 Rock, Glee, American Horror Story, Girls, Penny Dreadful, and Life Goes On. A versatile performer, LuPone has also lent her talents to voiceover work, cabaret performances, and regular appearances with the New York Philharmonic, contributing to 22 albums. She is the first American to win an Olivier Award and has been inducted into the American Theater Hall of Fame. Currently, she stars in the Broadway revival of Company.
In this episode, LuPone reflects on her introduction to Gypsy, recalling her role as Louise in high school, and shares the story of how she was once banned from working on any of Arthur Laurents' projects before ultimately winning a Tony Award for her portrayal of Rose. She opens up about the challenges she faced during the COVID-19 shutdown, discussing how the lack of purpose impacted her deeply. She also highlights the strong sense of camaraderie and support among the cast and crew of Company, forged through their shared experiences during the pandemic. LuPone delves into her rehearsal process, explaining why she completes all her preparation in the rehearsal room so that she and the audience can enjoy the spontaneity and energy of live performance. Additionally, she reveals why she makes it a point to look at the audience every night.
In this episode, we discuss:
Being one of the first students in Juilliard’s School of Drama in the 1970s
Her Marilyn Monroe impression at three years old
The joy she finds in eliciting laughter from an audience
The “Italian blast” and her unapologetic lack of a filter
The infamous “Andrew Lloyd Webber memorial pool”
Her frustration with producers who underestimate the intelligence of their audience
Connect with Patti:
Twitter: @pattilupone
IG: @pattilupone
Web: pattilupone.com
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Support us on Patreon: Patreon.com/TheTheatrePodcast
Twitter & Instagram: @theatre_podcast
Facebook.com/OfficialTheatrePodcast
TheTheatrePodcast.com
Alan's personal Instagram: @alanseales
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We explore the remarkable journey of Evan Alexander Smith, whose path from Ontario to Broadway—and beyond—has been marked by diverse experiences and significant milestones. Evan's passion for theatre ignited in his early years, catalyzed by a transformative production of "Oliver" and a pivotal audition opportunity presented by a friend for an arts high school.
Evan reflects on his tenure with Disney Cruise Line, where he not only honed his craft but also experienced a "showmance" that blossomed into marriage, ultimately guiding him to the vibrant theatre scene of New York City. He discusses his role as an audition reader and how this experience helped him demystify the audition process, thereby alleviating his fears and enhancing his performance skills. Having shared the stage with luminaries such as Daniel Radcliffe, Jonathan Groff, and Lindsay Mendez in the production of "Merrily We Roll Along," Evan emphasizes the centrality of storytelling in his approach to acting.
He delves into his current portrayal of George McFly in "Back to the Future: The Musical," a role he approaches with a blend of humor and depth, focusing on George's distinct mannerisms and psychological complexity. Evan concludes with practical advice for aspiring performers: prioritize authenticity and self-belief over concerns about others' perceptions. His insights offer valuable guidance for those navigating the competitive landscape of the performing arts.
Evan Alexander Smith is an actor, singer, and voiceover artist hailing from Toronto. A Dora Award nominee and Gemini Award winner, he starred in the original Canadian production of “The Toxic Avenger” musical and spent two seasons at Canada's prestigious Shaw Festival in productions of “Ragtime”, “His Girl Friday”, “Guys & Dolls”, and “Lady Windermere's Fan”. His National Tour credits include “Dirty Dancing” and “The Play That Goes Wrong”. His Broadway credits include “Amazing Grace” the recent revival of “Merrily We Roll Along" and now, “Back to the Future: The Musical” where he is currently starring as George McFly.
Connect with Evan:
Website: www.evanalexandersmith.com
Instagram: @iamevansmith
Connect with The Theatre Podcast:
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Facebook.com/OfficialTheatrePodcast
TheTheatrePodcast.com
My personal Instagram: @alanseales
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Isaac Mizrahi, an acclaimed fashion designer, performer, and television personality, has achieved an iconic status in the fashion industry—despite initially having little desire for a career in this field. In this episode, Mizrahi unveils the source of his bold creativity and charismatic presence, offering a candid look into his extraordinary journey. From his beginnings in Brooklyn, where his passion for fashion first took root, to his childhood fascination with designing clothes for puppets, his path has been both unique and inspiring. He discusses his formative years at Parsons School of Design and the subsequent launch of his celebrated fashion label.
Mizrahi also shares his personal habit of reading obituaries, driven by a desire to ensure his own legacy is accurately remembered—ideally as a performer rather than merely a fashion icon. Despite his substantial success in fashion, Mizrahi reveals a long-held aspiration to act, sing, and perform—dreams he once hesitated to pursue. With new acting opportunities on the horizon, his future is poised to be as dynamic as ever.
Reflecting on his experiences, Mizrahi expresses a preference for failure over success, acknowledging that setbacks are a natural part of pursuing an acting career. He emphasizes that, regardless of the outcome, delivering a stellar performance in auditions ensures that one's talent is recognized.
Isaac Mizrahi is a creative force with an unparalleled ability to blend fashion, entertainment, and art. He has left an indelible mark on each field he touches, and his journey from the vibrant streets of Brooklyn to the glittering stages of Broadway and the forefront of fashion innovation has been nothing short of extraordinary. With a decades-long career, he has become a household name known for his sharp wit, bold designs, and magnetic personality. Whether behind the scenes or in the spotlight, he has consistently pushed boundaries and redefined what it means to be a modern-day Renaissance man. He can be seen performing at 54 Below from August 28th through 31st.
Connect with Isaac:
Website: https://www.isaacmizrahi.com/
Instagram: @imisaacmizrahi
Isaac Mizrahi: A Brief History at 54 Below: Get tickets here
Connect with Heather Vickery and the Was it Chance podcast:
Slip into our Instagram DMs at @wasitchance
More about Heather via @heather_vickeryandco on Instagram, @Braveheather on TikTok, and listen to The Brave Files
More about Was It Chance using bpn.fm/wasitchance
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Few musicals have captured the hearts of audiences quite like Disney's ALADDIN. But did you know the beloved stage adaptation of the classic animation almost never came to be? This podcast pulls back the curtain on the untold story of ALADDIN's journey from conception to Broadway triumph.
Join 11-time Emmy Award winning entertainment journalist for NY1 and NY1OnStage host Frank DiLella on an in-depth exploration that begins with the initial spark of a stage adaptation. We'll delve into the challenges faced during out-of-town tryouts, the unwavering determination to overcome them, and the celebration of reaching over a decade on Broadway – a remarkable feat in the world of musical theatre.
This captivating series features exclusive conversations with the original cast and creative team behind ALADDIN including Alan Menken, Casey Nicholaw, James Monroe Iglehart, Adam Jacobs, Courtney Reed, Sonya Balsara, Adi Roy and more as they recount their experiences with the show.
Whether you're a lifelong Disney fan, a theatre enthusiast, or simply captivated by the magic of storytelling, this series is a must-listen. Unveil the untold story of ALADDIN and discover the passion, resilience, and drive that created a Broadway sensation.
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Sophie reflects on her remarkable journey from a passionate young dancer in the UK to a celebrated triple-threat performer on London’s West End and New York’s Broadway. She recounts her early dedication to dance, including her practice sessions in a local church hall and self-recorded rehearsals for critique. This unwavering commitment laid the foundation for her illustrious career, which began in the West End and culminated in her Broadway debut.
Sophie provides an insightful look into her audition process for “Moulin Rouge!” conducted via Zoom during the pandemic. She shares how she impressed director Alex Timbers with her fresh and dynamic interpretation of the role of Nini. Additionally, she discusses her transition into television and film, highlighting her significant milestone of securing a non-musical acting role in the UK soap opera “Casualty,” which demonstrated her versatility beyond dance and singing.
Sophie also delves into the camaraderie of performing in productions like “Moulin Rouge!” where the cast becomes a close-knit second family. She contrasts her experiences working in the UK and the US, addressing the challenges of accessibility and financial concerns faced by performers. With her deep passion for the craft, Sophie offers valuable advice to aspiring performers: to push beyond their comfort zones and maintain a balanced life that includes both professional growth and personal enjoyment.
Sophie Carmen-Jones has appeared in several West End productions and UK tours, including “Moulin Rouge!”, “Jersey Boys”, “Wicked”, “We Will Rock You”, and “Chicago”. Her film and TV credits include the live-action films of “The Little Mermaid”, “Cats”, “Aladdin”, and “Beauty and the Beast”, and she recently made her Broadway debut in the Broadway production of “Moulin Rouge!” as Nini.
Connect with Sophie:
Instagram: @sophiecarmenjones
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David Harris is an Australian actor who somehow found himself moving from architecture school to the bright lights of Broadway. He shares his early passion for architecture and how he pivoted to a career in performing arts just three days into his studies. He looks back on his journey, including participating in talent quests at RSL clubs in Australia and having friendly competitions with Broadway performer Ricky Rojas. Being in the workshop and eventually being cast in "The Boy From Oz" marked a significant turning point in his career and what he considers his claim to fame. He reminisces about his experience working with Hugh Jackman in the show, and a memorable commercial shoot with him just before New York shut down for COVID (click here to watch). David reflects on the differences in how musical theatre is perceived in Australia, the UK, and the US, his personal experiences with it, and his frustrations with the lack of recognition for musical theatre actors in Australia compared to Broadway performers in the US. He emphasizes the critical importance of swings and understudies in theatre, and his gratitude for them in keeping the show running smoothly. While he’s already managed to prove naysayers wrong, David has no plans on stopping when it comes to the pursuit of growth and constant learning.
David Harris is a native of Australia, where he's one of the most acclaimed leading men of his generation. In the US, he has received critical praise for his performance of Dan in TheatreWorks’ “Next to Normal”. He starred as Jean Valjean in the Connecticut Repertory Theatre production of “Les Misérables”, which was co-starred and directed by Tony Award winner Terrence Mann. He starred as Billy Crocker in Goodspeed's production of “Anything Goes” and as Father in Barrington Stage Company's “Ragtime” in 2017. He originated the role of Max Bronfman in Stephen Schwartz's new production of “Rags” at Goodspeed Opera House. After playing the role of the Duke on the first national tour of “Moulin Rouge” in 2022, he can now be seen playing the same role in “Moulin Rouge” on Broadway.
Connect with Brian:
Website: www.davidharrisofficial.com
Instagram: @davidharrisoz
Watch David with Hugh Jackman
Connect with The Theatre Podcast:
Support the podcast on Patreon: Patreon.com/TheTheatrePodcast
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Threads, Twitter & Instagram: @theatre_podcast
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Facebook.com/OfficialTheatrePodcast
TheTheatrePodcast.com
My personal Instagram: @alanseales
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Brian Stokes Mitchell is a two-time Tony Award-winning actor who has always thought the universe chose him. Born on Halloween when “people dress up in costumes and pretend to be other people”, the stars have indeed decided. Aside from performing, he also writes, dances, produces his own music, and orchestrates, but out of all the things he can do, his best quality is being a really good student. He details his latest project, “HOPE”, realizing that sometimes creative works have their own timing - this video dropping exactly when we need to hear it the most. He presents a profound metaphor about life as a "long sentence" full of commas rather than periods, and what his “dead questions” are. With an upcoming role in “3 Summers of Lincoln” at the La Jolla Playhouse, he recounts how the project deeply resonated with him upon reading the script. Aside from all his projects, he always makes sure to give back to the community–from being chairman of the board for the Entertainment Community Fund for 19 years to providing entertainment from his balcony during the pandemic. Stokes shares how curiosity continues to motivate him, and why we should follow our heart in all our endeavors.
Brian Stokes Mitchell is a two-time Tony Award-winning, Drama Desk Award-winning, and Outer Critics Award winning actor. He is renowned for his powerful baritone voice and dynamic stage presence with standout performances in Broadway productions like “Ragtime”, “Kiss Me, Kate”, “Man of La Mancha”, and “Shuffle Along”. He's become a celebrated figure in musical theater, but beyond Broadway, he has showcased his talent on television, including shows like “Vampirina”, “Wolverine”, “Billions”, “Mr. Robot”, and of course, “Trapper John, M. D.” He's also recognized for his philanthropic work, particularly for his 19 years of serving as chairman of the board for the Entertainment Community Fund, and is a member of the Theater Hall of Fame since 2016.
Connect with Brian:
Website: www.brianstokes.com
Facebook: @bstokesmitchell
Instagram: @brianstokesm
Youtube: @brianstokesmitchell7280
X: @bstokesmitchell
Listen: Brian Stokes Mitchell - HOPE (feat. Jason Robert Brown)
“3 Summers of Lincoln” at La Jolla Playhouse
What’s Possible When the Arts Belong to Everybody | Lear deBessonet with Brian Stokes Mitchell | TED
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André Ward never played house when he was little, but he always played “New York City Apartment”, and with impressive Broadway credits, he can fully say he’s finally living in the midst of his dream. Growing up a “talkative” child, his teacher recommended he might need to find a way to work out some of his excess energy, and so they sent him to a children's theater company and hasn’t stopped performing since. He also delves into the challenges of transitioning between theater and film, highlighting the differences in performance styles required for each. Currently playing as Toulouse-Lautrec in "Moulin Rouge! The Musical," Andre takes glee in the opportunity to showcase both his comedic and emotional range. He opens up about his fears and aspirations regarding directing and writing, his dream of playing a sci-fi character, and why he continues to strive for balance between work and his personal life.
André Ward is a seasoned Broadway actor with an impressive Broadway resume dating back over 24 years or so, beginning with “Saturday Night Fever”, “Xanadu”, “Rock of Ages”, “Something Rotten”, and “Escape to Margaritaville”. He has five national tours under his belt, including performing as the leading player in “Pippin”, as well as numerous regional credits. His TV and film credits include “Masters of None”, “Broad City”, “Elementary,” and “High Maintenance”. He can be seen now as Toulouse-Lautrec in “Moulin Rouge! The Musical” on Broadway, which just celebrated its 5th Anniversary.
Connect with André:
Instagram: @theandrelward
Connect with The Theatre Podcast:
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TheTheatrePodcast.com
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Originally aired as episode 276 on July 18, 2023.
Conrad Ricamora is a talented actor known for his roles on Broadway and his portrayal of Oliver Hampton in the hit TV series "How to Get Away with Murder." He shares his insights as they delve into his background, including his family's journey from moving to the U.S. to growing up in military bases, and how he got into acting and theater. Conrad discusses the significance of "Here Lies Love," a groundbreaking Broadway production featuring an all-Filipino cast, and shares his experiences with the show, including how it explores the intertwined history between the Philippines and America. He also looks back on how he auditioned and got involved with it 11 years ago. The discussion expands to the challenges of performing on Broadway, the staging of "Here Lies Love," and the unique experiences of interacting with the audience up close. Conrad reflects on the current state of democracy and political issues, drawing parallels between historical events and the fragility of democracy today. From sharing personal anecdotes to addressing important social issues, Conrad's passion for his craft shines through as he tells what motivates him as an actor: storytelling and connecting through stories.
Conrad Ricamora is an actor best known for his role as Oliver on the ABC network hit “How to Get Away with Murder”. His TV and film credits include “Fire Island”, “Over the Moon”, Talladega Nights: The Ballad of Ricky Bobby”, and “The Light of the Moon”. His stage credits include “The King and I”, which was his Broadway debut,” Little Shop of Horrors”, “Soft Power”, and numerous plays penned by Will Shakespeare. He is a 2016 Human Rights Campaign Visibility Award recipient and 2017 Equality California Award recipient. He can now be seen in the Broadway hit, “Here Lies Love”, reprising his role of Ninoy Aquino, which he developed 11 years ago in the original Off-Broadway Workshop.
Connect with Conrad:
Instagram: @conradricamora
TikTok: @conradwaynericamora
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TheTheatrePodcast.com
Alan's personal Instagram: @alanseales
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Growing up in a family deeply entrenched in the arts, Lori Alan naturally gravitated towards the stage and microphone. Her parents were theater majors who later ventured into advertising and directing, so it’s no surprise that growing up in a creative environment played a pivotal role in shaping her career path. She looks back on the early stages of her career, including a Shakey's Pizza commercial she starred in that marked her initial foray into professional acting at the age of 5. Despite getting bullied for her unique voice, she chose to embrace her talent instead. After studying and pursuing a career in acting in New York, she decided to move to LA to explore new opportunities. This marked the beginning of her extensive work in voice acting, including iconic roles in "SpongeBob SquarePants" and "Family Guy". She shares how she honed her skills, her ability to adapt to different genres, and where she usually draws inspiration from in bringing characters to life. Lori also talks about her time in “Reefer Madness”, the show’s success, and a memorable moment when she met Warren Beatty, who had once shown interest in her mother. Beyond her acting and voice career, she is also a dedicated voice acting coach, emphasizing the importance of studying the craft, being in the moment, and giving your all in whatever you do.
Lori Alan is an award-winning actor, writer, producer, and coach who fell out of the womb sitting in front of a microphone. She is the voice of Pearl Krabs on the “SpongeBob SquarePants” animated series and among many other roles has brought to life Diane Simmons on “Family Guy”, Sue Richards aka The Invisible Woman on “The Fantastic Four”, and The Boss on the “Metal Gear Solid” video game series. She originated the role of Mae Coleman in the award-winning musical “Reefer Madness” in 1988, and is now reprising the same role in the current LA production.
Connect with Lori:
Website and VO Coaching: https://www.lorialan.com/
Instagram: @loritalk4
X: @LoriAlan1
Reefer Madness Tickets: https://reefermadness.com/
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TheTheatrePodcast.com
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Alexi Melvin is making significant strides in the Broadway community as a producer in shows like "Here Lies Love," "The Outsiders," and "The Notebook". She highlights the struggle of balancing commercial success with artistic bravery, advocating for more support for innovative and risk-taking productions. Growing up with a professional baseball playing dad, she looks back on her journey to finding her calling, how she developed a love for the arts thanks to her mom, and the unwavering support she got from both parents along the way. With almost 100k followers on TikTok, she reflects on her experience with social media, transitioning from queer relatable content to theater-focused posts, and how her audience has positively received this shift. She also delves into the role of social media in modern theater marketing, and how shows like "The Outsiders" leverage platforms like TikTok to reach more audiences. As more and more shows feature queer stories and diverse casting like "The Notebook" and "Illinois", she stresses the need for more queer representation on stage and the challenges of achieving this in an industry dominated by big-budget musicals. Alexi opens up about her journey with pronouns and gender identity, sharing her transition from they/them to she/they and the importance of creating a safe environment for self-exploration. Whether it’s producing or posting on social media, she encourages aspirants to channel their “fan girl energy” and not shy away from doing what you're a fan of.
Alexi Melvin is a multi-Tony Award-nominated Broadway producer for her work on “Illinois” and “The Outsiders”. She has also done work on the producing teams of “Here Lies Love” and “The Notebook”. A writer and actor who takes the term multi-hyphenate to an all-new level, she is a proud member of and advocate for the LGBTQ-plus community and is deeply involved with type one diabetes organizations such as JDRF and Beyond Type 1. She has notable voice work in “Rogue One: A Star Wars Story” and “Star Wars: The Last Jedi”, onscreen appearances in “Time Out of Mind”, and “Quarter”, and a significant presence as an LGBTQ-plus creator on TikTok with almost 100,000 followers.
Connect with Alexi:
TikTok: @theonlylex
Instagram: @thealexijames
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TheTheatrePodcast.com
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From loving TikTok to enjoying cold readings playing “delightfully stupid” characters, Mary Testa is a talented actress who’s “not on a stardom path and never will be”. She starts off where her acting journey began: choosing between law school and performing. Ultimately, she pursued the latter and eventually moved to New York in 1976, explaining why she just likes working on interesting things with people she loves. She discusses self-taping auditions during the pandemic, and that while she believes it's better to be in the room for auditions, she understands the preliminary role of self-tapes. Known for playing strong-willed characters, Mary reflects on her career as a character actress. She recalls asking Michael John LaChiusa to write a role for her as “a very stupid character”, challenging the usual type casting she gets. She also admits to loving cold readings, the spontaneity, and the challenges that come with them. Reflecting on her journey, she gets real as she talks about perfectionism, how insecurities can lead to tyrannical behavior, and why self-awareness and being comfortable in your own skin is important to keep you grounded.
Mary Testa is an actress with a phenomenal career spanning almost 50 years, which includes 12 Broadway shows such as “Oklahoma!”, “42nd Street”, and “On the Town”, resulting in her three Tony Award nominations. Her TV and film credits beginning in 1979 include “Cagney & Lacey”, “Sex and the City”, “Whoopi”, “The Battery's Down”, “Eat, Pray, Love”, and “The Good Fight”, “The Blacklist”, and many, many more. She's been a part of the “Ratatouille”, the TikTok musical, and is an experienced voiceover artist. She can be heard in the podcast comedy TWITS: A Streampunk Distraction available everywhere you find your podcasts.
Connect with Mary:
Instagram: @marytesta.actress
Listen to TWITS: http://bpn.fm/twits
Connect with The Theatre Podcast:
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Facebook.com/OfficialTheatrePodcast
TheTheatrePodcast.com
My personal Instagram: @alanseales
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Jessica Fontana admits that her need to feel like she’s in control impacts her journey in balancing her professional and personal life. Her passion for performing arts began with ballet, which eventually set the stage for her career in musical theater. While Jessica’s mom highly supported her artistic endeavors, her father initially wasn’t. She talks about her college experience at the University of Michigan and its role in shaping her career and changing her dad’s mind. Married to fellow actor, Santino Fontana, she recalls how they met at Birdland Jazz Club, recounting how he left before they could get a drink together, only to friend her on Facebook later that night, slipping into her DMs. Jessica explained her shift from performing regularly to creating her album, "Every Day Special" – a transition that allowed her more control over her creative work and schedule, reflecting her desire for creative autonomy and finding joy and fun in whatever she does.
Jessica Fontana is an actress, and the writer, host, co-creator, and co-executive producer of “Everyday Special”, an improvised satirical podcast. She has starred on Broadway in the title role of Rodgers and Hammerstein’s “Cinderella”, “Baby It's You”, and “Pipe Dream” in New York City Center's Encores! Series. She's been seen in the hit web series “Submissions Only”, and has starred in the world premiere productions at regional theaters, including the Goodspeed Opera House, Paper Mill Playhouse, Signature Theater, and Carnegie Hall. Also a songwriter, she recently released her solo debut album, “Every Day Special”.
Connect with Jessica:
Website: www.jessica-fontana.com
Instagram: @iamjessfontana
Listen to “Every Day Special” Album
Connect with The Theatre Podcast:
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TheTheatrePodcast.com
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Listen in behind the scenes with this special episode featuring media room speeches from 2024 Tony Award winners Shaina Taub, Dede Ayite, Tom Scutt, George C. Wolfe, Justin Peck, Ryan Rumery, Nikiya Mathis, Will Brill, Kara Young, Daniel Radcliffe, Kecia Lewis, Branden Jacobs-Jenkins, Sarah Paulson, Jonathan Groff, and Maleah Joi Moon.
Guest hosted and edited by fellow Broadway Podcast Network host Sarah Goodman! Make sure to check out her podcast too.
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Listen and follow the podcast at http://bpn.fm/goodshow
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"I love this show and I love this production. This production was so much fun because it spans all theater fans, all ballroom fans, and just people who want to go have a good time will like this." This bonus episode is a recap of "CATS: The Jellicle Ball" featuring Mike and Alan Seales of the Theatre Podcast recorded immediately after seeing a preview of this incredible production. This episode contains a few spoilers about the show but gives a breakdown of the what to expect when you enter the PAC. Mike and Alan give the production high praise and rave about it from start to finish. Be sure to check out this Jellicle masterpiece during their limited run.
Check out The Theatre Podcast on Instagram: @theatre_podcast
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Check out The Theatre Podcast's Website: bpn.fm/ttp
Get your tickets to CATS: The Jellicle Ball: pacnyc.org/whats-on/cats-the-jellicle-ball
Produced by:
Alan Seales & Broadway Podcast Network
Instagram/Twitter/Tik Tok: @TheWrongCatDied
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Currently captivating audiences as Jay Gatsby in the Broadway production of “The Great Gatsby”, Jeremy shares insights into his career, both on stage and screen as we join him for a special press event discussing the upcoming pro-shot release of “Bonnie and Clyde”. After initially performing B&C on Broadway in 2011. He shares the differences between the Broadway and West End productions, especially the challenges of maintaining continuity in his costumes during the filming process, admitting that the lack of tech rehearsals with costumes led to some fun on-the-fly decisions. He also shares his favorite moment in the production, specifically "Bonnie," a solo he performs on the ukulele that makes him feel like a musician.
Jeremy Jordan is an incredibly versatile and dynamic Tony Award-nominated performer, and is currently captivating audiences as Jay Gatsby in the Broadway production of “The Great Gatsby''. He has established himself as a prominent figure in both theater and television, with credits such as “Waitress”, “Newsies”, “American Son”, “The Last Five Years”, “The Flash”, and “Supergirl” among others. Fans are eagerly anticipating the upcoming pro-shot release of “Bonnie and Clyde” on June 24, 2024, where he will once again bring his extraordinary talent to the screen in the beloved musical.
Connect with Jeremy:
Website: www.jeremy-jordan.com
Instagram: @jeremymjordan
Pre-order Bonnie and Clyde tickets: bonnieclydelive.com
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Welcome to a crossover episode of "Was it Chance" where Alan Seales and Heather Vickery peel back the layers of serendipity to uncover the hard work and opportunities behind what looks like mere chance. In today's episode, we bring you a conversation with the extremely handsome and talented Andy Mientus, a true maverick of the stage and screen. From accidentally becoming one of Broadway's first social media managers to his heartwarming experience with Dolly Parton on the set of Heartstrings, and one amazing Broadway production credit after another, Andy's journey is one you don’t want to miss. Andy shares with us his belief in staying proximate to your aspirations, even if the connection seems tangential, and how this philosophy led him to astounding opportunities—like touring with Spring Awakening and soaking in the Wicked Tour which felt like a "warm bath.” We're also have some juicy revelations—such as Alan Seales' surprising stance on Sondheim, the unexpected significance of The Met Gala for the theatre community, and the personal tales of failure that Andy calls his "close friends," teaching him resilience and the art of bouncing back. Moreover, Andy gives us a glimpse into his life beyond the stage lights. As a best-selling author of YA books and an actor who's not shied away from portraying significant LGBTQ+ roles, like the openly Gay character Hartley Rathaway in The Flash, Andy is a testament to the diverse avenues of artistic expression.
Connect with Andy on Instagram. Get his books The Backstagers series: Backstagers and The Ghost, Backstagers and The Theater of the Ancients, Backstagers and the Final Blackout as well as his latest book, Fraternity.
Make sure to follow this podcast everywhere you find podcasts, leave a rating and a review, and slip into our Instagram DMs at @wasitchance.
More about Heather via @heather_vickeryandco on Instagram, @Braveheather on TikTok, and listen to The Brave Files
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TheTheatrePodcast.com
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Eden Espinosa’s performance as Tamara in “Lempicka” garnered her a Tony Award nomination for Best Actress in a Musical…and she’s not guilty about it. She highlights both the triumphs and tribulations of her career – from being a part of Colby's Clubhouse and working at Disneyland when she was young to dealing with rejections and criticisms. Maybe best known for her role in “Wicked”, she shares how she got involved with the show (thanks to fellow Disney performer Stephanie J. Block) and why chose to be a standby over understudy. She delves into her recent role in the musical "Lempicka", how she auditioned for the part, and why ever since then, she made sure it was in her contract that if she had to be replaced, they’d have to pay her. She opens up about the challenges faced by the production, including dealing with its unexpected closing. She reflects on the importance of authentic representation, particularly in portraying queer characters, and the responsibility she feels to honor such roles. Eden shares a memorable interaction with an audience member during the show’s final performance, where she broke character to address a disruptive phone use incident. Despite the show’s sudden closing, Eden’s motivation to connect with others in any way, shape, or form is definitely not going anywhere.
Eden Espinosa made her Broadway debut in 2003 in the original cast of “Wicked” as the Elphaba standby and Nessarose understudy. She also garnered critical acclaim playing Elphaba full-time in the sit-down productions in Los Angeles and San Francisco. She originated the lead role in the show “Brooklyn” in 2004, before going on to the closing company of “Rent” as Maureen in 2008. She graced the screen with roles in shows like “Rapunzel's Tangled Adventure”, and “Alice's Wonderland Bakery” for which she earned an Emmy nomination for her portrayal of Queen of Hearts in 2022. She has two complete solo albums to her name, “Look Around” and “Revelation”, and most recently, her performance in the world premiere of “Lempicka” garnered her a Tony Award nomination for Best Actress in a Musical.
Connect with Eden:
Website: www.edenespinosa.com
Instagram: @edenespinosa
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Dorian Harewood's career journey is anything but ordinary, and he's got three wonderful women (and luck) to thank for it. And after over 45 years, he’s back on the Broadway stage as Older Noah in “The Notebook”. He shares what made him want to come back, owing it to his manager who pushed him to audition for the role. With almost 200 credits under his name, he looks back on what got him to performing – from starting as a singer and auditioning for a four-year scholarship as advised by his teacher to moving to New York at 22 and doing a musical with the legendary Bette Davis, who also became his acting mentor. He looks back on his first acting role, “Don’t Call Back”, and why even though the show opened and closed the same night, it led him to even better opportunities. Being in an industry inherent to rejection and hardship, he discusses the necessity of having hobbies outside of one's profession and pursuing one's passion to help navigate life's challenges. Aside from theater, he actually has more passions: bowling, pool, and blackjack and shares the importance of respecting passions other than theater, whatever they may be, in order to stay happy and healthy. Currently starring as Older Noah in Broadway’s “The Notebook”, he talks about the challenge of keeping performances fresh for the audience and the communal experience live theater offers. With so many accomplishments and lasting legacy to leave behind, Dorian isn’t done learning new things. He shares his philosophy of viewing every day as a "birthday" and a new beginning, expressing gratitude for life itself.
Dorian Harwood made his Broadway acting debut in the 1971 production of “The Two Gentlemen of Verona”. His additional Broadway credits include “The Mighty Gents”, “Streamers”, and “Don't Call Back”. He pivoted to TV and film for almost the next 50 years, racking up a total of 187 credits on IMDb. His film credits include “Gothika”, “Levity”, “Pacific Heights”, and “Full Metal Jacket”. His TV credits include “7th Heaven”, “Criminal Minds”, “Twelve Angry Men”, and “The Roots: The Next Generations”. He's a voiceover artist for cartoons and video games and is now a Tony-nominated actor for his role as Older Noah in “The Notebook” on Broadway, which also happens to be his first time back on the Broadway stage since 1978.
Connect with Dorian:
Website: www.dorianharewood.com
Instagram: @officialdorianharewood
YouTube: officialdorianharewood
Connect with The Theatre Podcast:
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Threads, Twitter & Instagram: @theatre_podcast
TikTok: @thetheatrepodcast
Facebook.com/OfficialTheatrePodcast
TheTheatrePodcast.com
My personal Instagram: @alanseales
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