Episodit
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Joseph Brady is a geographer with a special interest in the changing landscape of the city and county of Dublin. A discussion on Dublin since the 1970s brings us through things like smog, the stinking Liffey, the quays and the changing docklands. Some change was good, some wasn't, and some remains on the table.
Brady's new study Dublin from 1970 to 1990: The City Transformed is available now.
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Thomas Kinsella from The Ranch was one of Ireland's great poets, but Dublin - and working class Dublin especially - was at the very heart of his work. This podcast explores what we might call Thomas Kinsella's Dublin, from his home on the border of Inchicore and Ballyfermot to Wood Quay.
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"In writing The Playboy of the Western World, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers."
Why did Synge's masterpiece cause such trouble in the Dublin of 1907, and was it really a 'riot' or something else?
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The story of 24 April 1916 is well told. What about the day before?
In Dublin, the eve of an insurrection was a strange day of rumour, horse racing tips and - in Phibsborough - a kidnap saga.
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This edition of the podcast explores some of the poetry of the late Vincent Caprani. A proud Italo-Irish Dub, Caprani wrote some excellent and memorable poems about the city and its people. He died last October. Contains bad language, but plenty of soul.
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Alderman Tom Kelly is one of Dublin's great forgotten heroes. A Councillor who championed housing (even before the houses of the city were collapsing in 1913) he came from Dublin's tenements and insisted on the need to replace them with good quality housing. Part of his legacy is The Tenters, a series of streets in Dublin 8.
Cathy Scuffil is a Historian in Residence to Dublin City Council and an authority on Dublin 8.
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Dublin is a city and county with some brilliant and downright odd street names, reflecting all from industrial history to the moon landings. This week we're exploring some of the more unusual ones, and looking at some names which have somehow survived major change.
(Podcast thumbnail: William Murphy, Flickr)
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We're back! Series 2, Episode 1.
In recent weeks, there has been much talk about the Russian Embassy on Orwell Road. The story of Ireland's connections to the former Soviet Union is a sometimes surprising journey, taking in all from the Lockout to the (alleged) Russian Crown Jewels.
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Kathryn Milligan is the author of one of my favourite books on Dublin in recent years, Painting Dublin: 1886-1949. It explores how various artists have depicted the Hibernian Metropolis. We share a great love for Harry Kernoff, and in this episode she shares great insights into the man and the artist.
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How can we compare the handing over of Dublin Castle with key moments in the history of other nations like India or Barbados? How accurate was the depiction of the transfer of power in Neil Jordan's 1996 classic Michael Collins? Kate O'Malley, co-author of The Handover (with John Gibney) joined me to explore what the handing over of Dublin Castle meant in the context of Empire.
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This year marks the fiftieth anniversary of the passing of Dublin's first female Lord Mayor, Kathleen Clarke. A founding member of Fianna Fáil, her time in the Mansion House brought her into serious confrontation with the party. She transformed the symbols of the city and paved the way for the nine other women who have followed her.
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A red flag over the Rotunda, and a manifesto which demanded employment. The 1922 protest of the unemployed led by World War One veteran and writer Liam O'Flaherty grabbed plenty of headlines in Ireland and internationally. A century on, this is the story of what some called 'The Rotunda Soviet'.
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It is sixty years since the arrival of Irish television. De Valera launched the station into the world, telling viewers that "I must admit that sometimes when I think of television and radio and their immense power I feel somewhat afraid." What did television mean for Dublin?
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January is a time for thinking about mental health. Few names are as important in that story in an Irish context as Jonathan Swift, the founder of Saint Patrick's Hospital. Swift transformed the area around his Cathedral, ensuring work and dignity for the people of the Liberties, but the hospital remains the most important part of his legacy.
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Dublin has been well served by photographers, men and women who have captured the Hibernian Metropolis in all of its glory and tragedy. A new exhibition tells the story of photography in Ireland from 1839 right up to the present.
(Thumbnail: Elinor Wiltshire image of Arbour Hill, NLI)
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In 2002, Dr. Ruth McManus published her landmark study Dublin 1910-1940, shaping the city and suburbs. Now, ahead of its twentieth anniversary, it is back on our shelves. Ruth joined me to talk about all things planning and suburbia in a Dublin that was changing rapidly.
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Agnes Bernelle brought the spirit of Berlin to the stage of Dublin. Described in one obituary as "a true Bohemian", she was a guiding light to a generation of Irish performers. Her story passes through Blitz-era London, the development of young Phil Chevron and more besides.
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As we say goodbye to Chapters, TCB looks at some of Dublin's great bookshops of old and more recent times.
How did British copyright law shape our bookshops? What impact did censorship have? How did a theatre end up in the back of Connolly Books?
If you like TCB support it at www.patreon.com/threecastlesburning
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Frank McDonald's The Destruction of Dublin (1985) is one of the most important books ever written on this city. His latest book, A Little History of the Future of Dublin (Martello Publishing) takes up some of the same battles. What is to be done?
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Last week, Cormac O'Malley joined me to talk about his father and his journey to the War of Independence. This week, we talk about the life of Ernie O'Malley from the Civil War through to his great contributions to Bohemian Dublin's art scene, and his marriage to Helen Hooker. Ernie O'Malley: A Life is out now (Merrion Press)
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