Episodit
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Today on the podcast, we welcome Jason Bishop and Bryan Hoffa from the band Bells on Trike. Fun fact: they were around for only a few years in the late '90s, and this is their first-ever interview! Numero Group has their music up on streaming services. Go search it out.
https://www.patreon.com/washedupemo
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Today on the podcast we welcome Amanda MacKaye. Amanda and I chat about the new Bed Maker record that’s out on Dischord, a big discussion about genre, emo, and her take on it from the world she came from in DC. We talk about the industry as a whole and what’s exciting for Amanda in 2024. This was a really great conversation and I kept a lot of the back and forth in more than usual to keep that feeling for you the listener.
https://linktr.ee/bedmakerdc
https://www.patreon.com/washedupemo
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Puuttuva jakso?
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Today on the podcast, we welcome Kristin Thomson and Jenny Toomey from Tsunami and Simple Machines.
We talk about the 90s, running Simple Machines, their new box set out on Numero Group, what DIY means to them, and how it impacts their lives and current work.
I learned a lot from this episode. It was so fun to sit back and be reminded how much more I need to know and listen.
Support: https://www.patreon.com/washedupemo
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We talk about the Seattle scene he grew up in, Acceptance, Anberlin’s new stuff, and we go deep into his years on the road and how he’s balanced his career and family. Plus, your favorite topic, emo. Please listen to the latest Anberlin record, Vega, out on Equal Vision Records.
Support: patreon.com/washedupemo
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Today, we welcome Will Sartain from S&S Presents and Best Friends Forever Festival. Will and I talk about Kilby Court, the longest-running all-ages venue in SLC, and his DIY past. We dive into first thoughts and planning for the festival. It's a really fun look behind the curtain on one of the most unique festivals hitting a specific time frame and Venn diagram we all know and love. If you’re on the way, you’re on your way back. If you've never heard of it, take a second and check it out.
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Today on the podcast, we welcome sunny day real estate. Jeremy Enigk, William Goldsmith, and Dan Hoerner recently took time to chat with me ahead of this run around the anniversary of Diary.
I didn’t edit it. I just talk to them as you would if you got to sit with them for an hour. I hope you feel you’re next to them, chiming in or nodding along. i can’t explain listening back to this the joy I feel hearing them all happy. This is a celebration. A band so cherished and revered is better than they were when you say you saw them first. Go see them now.
I can’t explain how much getting 250 episodes feels, either. I can try, but through many ups and downs, as I’m sure you have going on now, in the past, or up ahead, it felt right to have this happen now. I struggle a lot with keeping up, and I struggle with thinking no one cares. This past year, I spent a lot of time looking for support in those ups and downs.
Hearing SDRE laugh, talk over each other, remind each other of things, and support each other as they go down this road of not nostalgia but celebration and continuation of a band that goes beyond a word, a phase, or even a scene.
From the bottom of my heart, thank you to Jeremy, William, and Dan for coming on and sharing a little about themselves. I hope you enjoy listening along with all the mistakes, my usual questions about emo. I think 250 in, I am not changing the format, there are plenty more stories to hear from our heroes, here’s to 250 more.
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Tony and Jamie from Prawn come on the podcast to talk about getting back together, doomsday prepping, Erewhon, and we inform Tony about a Key and Peele sketch on texting.
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I last spoke to Orenda for episode 181 with her bandmate Maria Taylor for the band Azure Ray. Today, we’re discussing her new book, “The Witch’s Daughter.” I finished this book in about four days and couldn’t put it down. It’s an amazing book about trauma. There will be something that resonates with you, a family member, or a friend at some point while reading this book. If you aren't convinced, you will want to read this book after listening to the conversation.
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Vagrant Records was on fire in the 2000s. That fire was fueled by their music videos, which, at the time, was how you got to the kids. Maureen Barry was a true pioneer in making amazing videos in this scene, and with some timing, millions saw them. This is how she started; the stories are attached to some of your favorite band's music videos and careers.
Support: https://www.patreon.com/washedupemo
Newsletter: https://washedupemo.substack.com/
Podcast network: https://www.doubleelvis.com/
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Today, we welcome John Anderson from Boys Life and Suburban Eyes. We talk about the recent unreleased songs from Boys Life streaming via Numero Group and his new group, Suburban Eyes, with Eric Richter from Christie Front Drive and Jeremy Gomez from Mineral. Suburban Eyes' record is out in August via Spartan Records. I hope you enjoy the episode!
Support: https://www.patreon.com/washedupemo
Boys Life / Suburban Eyes
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David NeSmith has been part of some groundbreaking bands in emo. He's not afraid to say it throughout the episode, either! From Maximillian Colby's screamo days to the dissonance of Sleepytime Trio and his work with Bats & Mice. They all scream not just emo but a need to create and share new sounds still to this day. Dave made a playlist you can check out on WashedUpEmo.com or below on the discography of his career. Dive in.
The new Bats & Mice record is called Ps: Seriously.
Dave's playlist
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Today on the podcast, we welcome John O'Callaghan from The Maine. The Maine have had a long history in the scene and are about to jump on the Sad Summer Tour. John and I spoke about emo extensively and how the band and the music have stayed alive after all these years. I love how little it took to edit. I had a blast talking to John about all things music and emo.
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Today on the podcast, we welcome Vish Khanna from the Kreative Kontrol podcast. Vish has had almost 900 guests from across the creative spectrum. A truly amazing interviewer, and it was an honor to have him on the show. Thanks to Holmes from American Football for connecting us!
http://vishkhanna.com/
https://www.patreon.com/washedupemo
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Today on the podcast, we welcome David Mitchell from the Montreal-based band Gulfer. I have loved them since I first heard them in the 2010s. I’ve had a soft spot for their sound and continued work ethic to make music through things that happen in life. Their most recent album, out as of late February, is called Third Wind, and boy, do we get on the chats about waves of emo and the in-between waves as well. Thanks to Topshelf Records, the excellent label that helped put this interview together. Go check out Gulfer. It's a gem worth taking repeated spins in the car with the windows rolled down.
https://www.patreon.com/washedupemo
Gulfer's Definitive Guide to 4.5 Wave Emo (2015-2018)
https://www.topshelfrecords.com/roster/gulfer
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Today on the podcast, we welcome Dallas Green from City and Colour and Alexisonfire. I’ve had the pleasure of working with him over the years and he helped shape who I am. We got to catch up about emo, what Elliott means to him, Canadian bands you should check out, who has been lost, and what he’s looking forward to. Thank you for listening and thanks to all at Dine Alone team for helping make this happen.
Photo credit: Vanessa Heins
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Originally from Baltimore, Christine Osazuwa got her start in music at 15. She holds degrees in music, marketing and data science and combined those passions into roles in data & marketing at Universal Music Sweden and Warner Music Group in London. Currently, Christine is the Chief Strategy Officer for ticketing & event marketing startup Shoobs where she leads their marketing & brand partnerships strategy. In addition, she sits on the board of The LIVE Association, Indie Venue Week, and Keychange US. Christine is also the Founder of Measure of Music–part conference, part hackathon– which introduces music & data to others while highlighting majority minority attendees and speakers.
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Today on the podcast, we welcome Tim Semple, drummer from Boilermaker. Boilermaker was a band from the San Diego area and was on a few labels, including our friends Better Looking Records, who had a CD compilation called Leucadia that has been taking on a life of its own over the years. As the constant feeding frenzy for what’s not streaming, Boilermaker had a few things not up as they say, and Numero Group stepped in to help get them in the ears of those searching.
One person in Boilermaker hasn’t been able to see this rebirth. Terrin Durfey, who played bass and sang in Boilermaker, passed away from cancer in 2008. Tim speaks about hearing Terrin live and the weird crew of people they connected with within their short time together as a band.
A must listen.
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Today on the podcast, we welcome Jason Trabue. He’s an accomplished tour and production manager for many bands, including Jimmy Eat World and Garbage. His story of how he got there slides into hardcore and emo with his roots in Kansas City, deciding to try something and started learning the road from the other side. You may have seen him with Hopesfall or alongside other bands in that world. This episode is an excellent lesson for working hard and being calm in a place with constant chaos. Look out for some new Casket Lottery with Jason on the drums or see him on the largest tours in the world, holding it down for many years to come. It was an honor to have him talk about his life.
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Garrett Rothman started Art Monk Construction with a friend back in the 90s to release some amazing records. I was obsessed with some of their releases including Seven Storey Mountain and Kerosene 454. Garrett was also in some amazing bands like Junction and Don't Sleep. His most recent project Calling Hours has a new album out now on Revelation Records. Garrett has some amazing stories about his time in bands, running the label, and his connection to DC. Enjoy!
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Today, we welcome Nicholas Pye from the mid-90s band Shotmaker. Recently, Solid Brass compiled all of their music into some beautiful vinyl and digital releases for your ears. They are a fantastic band that was only around for a short period of time, but their sound and influence still resonate today.
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