DN367: A Deep Dive into ‘Burning Cane’, Phillip Youmans’ Debut Feature Which Made Tribeca History

Episodes

DN372: The Passion of Desire Spans Decades in Lucio Castro’s Queer Romance Feature ‘End of the Century’
23 déc. 2019· Directors Notes
Lucio Castro joins DN with decade spanning film 'End of the Century' which reunites 2 men for a one night stand whose seeds were sown two decades earlier.
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DN371: Maura Delpero Embarks on an Enthralling Exploration of the Meaning of Motherhood in Dramatic Debut ‘Maternal’
20 déc. 2019· Directors Notes
Maura Delpero reveals how she built cohesion between the professional, non-professional and child performances needed for her drama debut 'Maternal'.
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DN370: Eryk Rocha Captures the Financial and Emotional Struggles of a Nocturnal Rio Cab Driver in ‘Burning Night’
8 déc. 2019· Directors Notes
Eryk Rocha tells DN how the themes of isolation & economic struggle in his story of a Rio cab driver, 'Burning Night' mirror the current crisis in Brazil.
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DN369: Henry Blake Exposes the Cruel Exploitation of Britain’s Youth by Drugs Gangs in Shocking Debut ‘County Lines’
30 nov. 2019· Directors Notes
Director Henry Blake reveals the many ways his proof-of-concept short paved the way for the creation of his powerful debut feature 'County Lines'.
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DN368: A Defiant Teen Discovers the Destructive Power of Lies in Svetla Tsotsorkova’s Bulgarian Drama ‘Sister’
16 nov. 2019· Directors Notes
Svetla Tsotsorkova joins DN to discuss her drama feature 'Sister' the story of a compulsive liar whose fanciful stories threaten to tear her family apart.
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DN367: A Deep Dive into ‘Burning Cane’, Phillip Youmans’ Debut Feature Which Made Tribeca History
6 nov. 2019· Directors Notes
Phillip Youmans joins DN to discuss the experience of taking on multiple production roles for his Tribeca winning debut feature 'Burning Cane'.
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DN366: Hari Sama Returns to the Hedonistic Days of Mexico City’s Post-Punk Scene in ‘This Is Not Berlin’
2 nov. 2019· Directors Notes
Hari Sama talks to DN about heading back to the post-punk days of sexual liberty, outsider art and drugs which helped shape him in 'This Is Not Berlin'.
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DN365: Isabella Eklöf Exposes the Rot Beneath the Glitzy Veneer of Power & Money in Unflinching Debut ‘Holiday’
30 nov. 2018· Directors Notes
Isabella Eklöf discusses 'Holiday', her unflinching depiction of the control and sexual violence lurking beneath the glitzy veneer of power and money.
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DN364: Philippe Faucon Contemplates the Loneliness of Economic Migration in French Drama ‘Amin’
23 nov. 2018· Directors Notes
Philippe Faucon discusses the integral role non-actors played in bringing authenticity to his story of economic separation and loneliness, 'Amin'.
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DN363: Sara Colangelo Tracks a Destructive Spiral of Obsession in Feature Thriller ‘The Kindergarten Teacher’
15 nov. 2018· Directors Notes
Sara Colangelo joins us to discuss her process for working with actors, the advantages of a Netflix release and why directing shouldn't be a dictatorship.
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DN362: A Troubled Imposter Tries to Find Her Way Home in Christina Choe’s Psychodrama ‘Nancy’
8 nov. 2018· Directors Notes
DN speaks to Christina Choe about her debut psychodrama 'Nancy' and the difficulties of bringing stories led by complex female protagonists to screen.
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DN361: Erik Poppe Forces Us to Experience Norway’s Terror Attack First Hand in One-Shot Feature ‘Utøya – July 22’
2 nov. 2018· Directors Notes
DN speaks to director Erik Poppe about the moral and cinematic considerations which led him to recreate Norway's Utøya tragedy in a gruelling single shot.
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DN360: London Film Festival 2018 – Female Filmmaker Panel
25 oct. 2018· Directors Notes
LFF Female Filmmaker panellists discuss the gender barriers they overcame to make their films and strategies to level the filmmaking playing field for all.
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DN359: Matthew Jones Charts the Rise, Fall & Redemption of James Lavelle in ‘The Man from Mo’Wax’
30 août 2018· Directors Notes
Matthew Jones takes DN through the hurdles he surmounted to bring the story of seminal record label Mo'Wax and its driven owner James Lavelle to screen.
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DN358: Luca Dipierro Animates the Death of a Band in ‘Rising. A Requiem For Father Murphy’
6 avril 2018· Directors Notes
Luca Dipierro & Father Murphy join us on the podcast to look back at their fruitful collaboration and reveal details of their new stop motion feature film.
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DN357: James Erskine Documents the Awe-Inspiring Artistic, Athletic & Societal Struggle of ‘The Ice King’
23 févr. 2018· Directors Notes
James Erskine shares how he crafted a documentary about the artistic, athletic and societal struggle of John Curry, the world's greatest ice skater.
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DN356: Dustin Guy Defa Weaves a Whimsical Tapestry of New York Stories in Ensemble Feature ‘Person to Person’
21 déc. 2017· Directors Notes
Dustin Guy Defa shares why we had to wait 6 years for his second feature and how short films paved the way for his ensemble New York story.
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DN355: A Prima Ballerina Fights for Relevance & Perfection in Birgitte Stærmose’s Psycho Thriller ‘Darling’
9 nov. 2017· Directors Notes
Denmark's Birgitte Stærmose discusses 'Darling', her intense story of pain and perfection which unfolds in the demanding world of professional ballet.
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DN354: An English Boxer Fights to Survive a Brutal Thai Prison in Jean-Stéphane Sauvaire’s ‘A Prayer Before Dawn’
26 oct. 2017· Directors Notes
How director Jean-Stéphane Sauvaire brought the brutal reality of an English boxer's life in one Thailand's most notorious prisons to screen.
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DN353: Rob Curry & Tim Plester Herald the Rebirth of a Folk Legend in ‘The Ballad of Shirley Collins’
19 oct. 2017· Directors Notes
Rob Curry & Tim Plester craft a lyrical response to the life, work & tragic loss of the High Queene of English Folk music, Shirley Collins.
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Episodes

DN372: The Passion of Desire Spans Decades in Lucio Castro’s Queer Romance Feature ‘End of the Century’

DN371: Maura Delpero Embarks on an Enthralling Exploration of the Meaning of Motherhood in Dramatic Debut ‘Maternal’

DN370: Eryk Rocha Captures the Financial and Emotional Struggles of a Nocturnal Rio Cab Driver in ‘Burning Night’

DN369: Henry Blake Exposes the Cruel Exploitation of Britain’s Youth by Drugs Gangs in Shocking Debut ‘County Lines’

DN368: A Defiant Teen Discovers the Destructive Power of Lies in Svetla Tsotsorkova’s Bulgarian Drama ‘Sister’

DN366: Hari Sama Returns to the Hedonistic Days of Mexico City’s Post-Punk Scene in ‘This Is Not Berlin’

DN365: Isabella Eklöf Exposes the Rot Beneath the Glitzy Veneer of Power & Money in Unflinching Debut ‘Holiday’

DN364: Philippe Faucon Contemplates the Loneliness of Economic Migration in French Drama ‘Amin’

DN363: Sara Colangelo Tracks a Destructive Spiral of Obsession in Feature Thriller ‘The Kindergarten Teacher’

DN362: A Troubled Imposter Tries to Find Her Way Home in Christina Choe’s Psychodrama ‘Nancy’

DN361: Erik Poppe Forces Us to Experience Norway’s Terror Attack First Hand in One-Shot Feature ‘Utøya – July 22’

DN360: London Film Festival 2018 – Female Filmmaker Panel

DN359: Matthew Jones Charts the Rise, Fall & Redemption of James Lavelle in ‘The Man from Mo’Wax’

DN358: Luca Dipierro Animates the Death of a Band in ‘Rising. A Requiem For Father Murphy’

DN357: James Erskine Documents the Awe-Inspiring Artistic, Athletic & Societal Struggle of ‘The Ice King’

DN356: Dustin Guy Defa Weaves a Whimsical Tapestry of New York Stories in Ensemble Feature ‘Person to Person’

DN355: A Prima Ballerina Fights for Relevance & Perfection in Birgitte Stærmose’s Psycho Thriller ‘Darling’

DN354: An English Boxer Fights to Survive a Brutal Thai Prison in Jean-Stéphane Sauvaire’s ‘A Prayer Before Dawn’

DN353: Rob Curry & Tim Plester Herald the Rebirth of a Folk Legend in ‘The Ballad of Shirley Collins’