Episodes
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Knighted in 1950, Sir Arthur Bliss was Master of the Queen’s Music in Great Britain from 1953 until his death in 1975. Raymond Bisha introduces a new album comprising both original works for brass band and arrangements of others for the ensemble that represent the breadth of the composer's output, from pieces of royal association (Welcome the Queen) to music for the concert hall (Kenilworth), the ballet stage (Adam Zero and Checkmate) and the cinema (Things to Come). John Wilson conducts the famous Black Dyke Mills Band, a highly distinguished contributor to the rich heritage of British brass bands. Bliss himself readily acknowledged the astonishing virtuosity of such highly disciplined amateur players, noting that “their rules are nearly as rigid as those of football teams!”
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Raymond Bisha introduces the world premiere recordings of remarkable orchestral works by Maria Herz. Born in Germany, a resident of England and, her final resting place, the United States, her life was beset not only by two World Wars and ravages of the Spanish Flu, but also the attendant anchors of being a female, Jewish composer. Only two of her works were published in her lifetime. Now that her estate of manuscripts has been replanted in the Zurich Central Library, the renaissance of her engaging music has begun.
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Episodes manquant?
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Join Rebeca Omordia as she continues her exploration of African piano music with her new album African Pianism, volume 2. It is a collection of music that combines European music with the traditional music of many different countries in Africa. The results are by turns joyous, beautiful and challenging as this music shows how classical music can be enriched by embracing other cultures. This multicultural heritage is also part of Rebeca’s own background, raised in Romania by a Romanian mother and a Nigerian father.
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Raymond Bisha's podcast spotlights two classic recordings in the Vox Audiophile Edition that were first released in the mid-1970s and feature two former music directors of the St. Louis Symphony Orchestra in their prime – Walter Susskind, who directs orchestral extracts from Smetana's opera The Bartered Bride, and Jerzy Semkow, who leads a performance of Rimsky-Korsakov's Scheherazade, one of the most popular suites in the entire orchestral canon.
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Marking the 200th anniversary of Bruckner's birth, this is the final podcast in Raymond Bisha's four-part survey of Naxos' project to record all 18 versions of the composer's 11 symphonies. With movements performed by the Bruckner Orchester Linz under conductor Markus Poschner, together with observations from Bruckner scholar Paul Hawkshaw, this instalment features movements from Symphonies 8 and 9.
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For all who have heard it, the sound of the choral ensemble The Sixteen, conducted by Harry Christophers is unforgettable and beautiful. This podcast features an interview with Harry Christophers, and music by William Byrd, Thomas Tallis and Arvo Pärt, from their album The Deer’s Cry. On the eve of their US tour, this podcast celebrates their 45th anniversary.
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Marking the 200th anniversary of Bruckner's birth, this is the third podcast in Raymond Bisha's four-part survey of Naxos' project to record all 18 versions of the composer's 11 symphonies. With movements performed by the Bruckner Orchester Linz and the ORF Radio Vienna Symphony Orchestra, plus annotations from music scholar Robert Simpson, this instalment features movements from Symphonies 6 and 7.
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Marking the 200th anniversary of Bruckner's birth, this is the second podcast in Raymond Bisha's four-part survey of Naxos' project to record all 18 versions of the composer's 11 symphonies. Featuring movements performed by the Bruckner Orchester Linz and the ORF Radio Vienna Symphony Orchestra, plus annotations from conductor Markus Poschner and Bruckner scholar Professor Paul Hawkshaw, this installment features movements from Symphonies 3, 4 and 5.
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Marking the 200th anniversary of Bruckner's birth, Raymond Bisha dips into the fruits of Naxos' project to record all 18 versions of the composer's 11 symphonies. Featuring movements performed by the Bruckner Orchester Linz and the ORF Radio Vienna Symphony Orchestra, plus annotations from conductor Markus Poschner and Bruckner scholar Professor Paul Hawkshaw, Raymond Bisha opens his 4-part survey with an introduction to Symphonies 0, 1 and 2. The Complete Symphonies Box Set is now available, Naxos catalogue number 8.501804
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A recent new album of American organ concertos featuring multi-award-winning artists brought together the artistry of organist Paul Jacobs and the contemporary music pedigree of the Nashville Symphony Orchestra under the baton of Giancarlo Guerrero. The high expectations generated by such a rare programme were met with distinction and this podcast conversation between Raymond Bisha and Paul Jacobs reveals both the practical challenges and the musical rewards behind the making of the recording.
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In the first half of the 20th century, Catalan instrumental music was dominated by works for the piano and the cello. As a result, the importance of Catalan violin repertoire is often overlooked. Raymond Bisha introduces a new album of such works for violin and piano that's full of captivating contrasts, featuring twelve works by five composers that were written over the course of more than a century.
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Conductor Adam Fischer and the Danish Chamber Orchestra have already persuaded audiences to absorb the symphonies of Brahms and Beethoven through their distinctive lens. Now they're midway through a series of recordings of Haydn's great late symphonies. Raymond Bisha's conversation with Fischer draws the curtain on just how he fathoms Haydn's essence: “He's hiding his ideas in the scores, and we have to discover them.”
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Mario Castelnuovo-Tedesco, perhaps best known for his numerous film scores and works for guitar, also composed in a variety of other genres, from transcriptions for cello to violin concertos, piano works and orchestral music. Raymond Bisha turns our attention in this podcast to his three string quartets, written respectively in 1929, 1948 and 1964, and heard in authoritative performances on a new album by Italy's noted Quartetto Adorno.
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Grammy winning Panamanian jazz musician Danilo Pérez is many things - pianist, composer, educator, humanitarian, organizer of the Panama Jazz Festival, UNESCO Artist for Peace and Panama's Cultural Ambassador. In this podcast he talks about his new album Lumen that he recorded with Sweden's Bohuslän Big Band.
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In this podcast, Raymond Bisha talks with American composer Margaret Brouwer about the inspiration and compositional approach behind the orchestral pieces on the programme of her new album. Spanning a period of twenty-four years, the works are brilliantly performed by Marin Alsop and the ORF Vienna Radio Symphony Orchestra, vividly capturing the music's wide range of expression, from sparkling sonorities to virtuosic challenges and beautiful evocations of nature.
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Five years into the celebrated Naxos Music of Brazil series, we reach Vol. 21 and the music of Oscar Lorenzo Fernández (1897-1948), who was a key figure in the cultural life of Rio de Janeiro.
Lorenzo Fernández’s two symphonies suffered neglect after the composer’s untimely death at the age of fifty. Raymond Bisha introduces the world premiere recording of the powerful First Symphony, and the first modern studio recording of the programmatic Second Symphony.
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Smetana's Má vlast is an unprecedented cycle of six related symphonic poems that evoke Czech legends and celebrate the beauty of the country’s landscapes. Received with “unending storms of applause” at its 1882 premiere, Má vlast reflects the unique characteristics that form the heart and soul of the Czech nation. Raymond Bisha introduces an acclaimed 1975 recording of the work by the St Louis Symphony under Walter Susskind, which has been given a new lease of life by returning to the original Elite Recordings master tapes and effecting a high-definition transfer of the original sound.
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Pianist Quynh Nguyen discusses her recording of the complete piano works of Paul Chihara, the distinguished American composer whose output includes the scores for over 100 motion pictures and television series. Past exchanges between performer and composer about the items on the programme reflect an intensely deep and detailed collaboration, with AllMusic.com warmly welcoming the album as “ingenious and richly evocative and beautifully and quietly played … this is a wonderful release.” Raymond Bisha presents.
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During his lifetime, Charles Martin Loeffler was one of the most performed American composers. His octet was completed in 1896, played twice the following year and then forgotten. Clarnetist Graeme Steele Johnson rediscovered the manuscript in the Library of Congress, took a year to create a performing edition from the score, and recorded the work for Delos, DE3603. In this podcast, he talks about that journey.
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