Episodes
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The second instalment of the NFA Convention Series is out and I am spoiling you all rotten!
This week’s guest is soloist, University of Iowa professor, recording artist and all-round flute superstar; Nicole Esposito.
I’ve been a fan of Nicole’s for 13 (!) years and I finally got to meet her and record a wee episode together. She chats about everything from how she judges competitions and her impressive NFA stats to her two recent flute and harp albums and studying with some of the greatest female flutists in US music history (amongst many other things).
It’s a brilliant episode, I enjoyed this so much and I know you lot will too, you lucky wee ducks.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
3:15 - Judging Competitions
9:35 - Teaching the Post-COVID Generation
15:25 - Intersections, Turkish music and Beyond
24:21 - Dancing in Dreams
29:55 - Fluting Queens
40:15 - Social Media and it’s Developments
51:10 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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From jägerbombs to secret parties, and stellar guests to plastic babies; this week’s podcast reflects on my time at the NFA Annual Flute Convention in San Antonio, Texas.
I look at all the things the NFA got right, my own personal scandals, the cultural differences in the US, a hot take that will kill all my sponsorship chances and finally; why you should join me next year in Atlanta.
(There’s also a wee rant against Woodify and other related snake-oil products, sorry I got carried away x)
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - Sneaky Snakey Oil
5:09 - Fables from the Exhibitor Hall
15:58 - Big up Flute Center
18:18 - What NFA nailed
20:40 - Stereotypes and Secret Parties
30:51 - Help
32:44 - A Complaint
36:15 - Atlanta (Atlantic City?)
Hosted on Acast. See acast.com/privacy for more information.
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Episodes manquant?
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Fresh off the plane from the US, this week’s episode is one of several recorded at the NFA Convention in sickly humid San Antonio, Texas. Kicking us off from across the pond is my friend and yours, Scottish flute superstar Stephen Clark.
I haven’t seen Stephen in near 10 years, so this was just a lovely wee catch up that happened to be filmed where we chatted about cultural differences between the US and UK flute worlds, daily challenges for gigging musicians, keeping your trousers on whilst bowing and the musical stylings of Cyndi Lauper.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - A sickly intro
3:47 - USA vs UK
18:22 - Teaching in the US
27:53 - Gigging and Stage Fright
43:28 - The Waistcoat Revolution
52:05 - Fun Questions
Hosted on Acast. See acast.com/privacy for more information.
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Is there truly an American School of Flute Playing, similar to that of France, or is it purely said French School with an American accent?
I haven’t got the answer yet, but come join me as I trace the origins of American Flute Playing back to a Frenchman, which then passed through William Kincaid, Joseph Mariano and Julius Baker, to a potential tradition of American Flute Playing.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
00:00 - The Ghost of Christmas Past
03:29 - French, German and English Cultures
06:45 - What is American Culture?
10:15 - Georges Barrère to USA
19:45 - Dear Listener
23:45 - Billy Kincaid and a Hot Take
35:41 - Joseph Mariano and St Patrick
38:39 - Julius and Julia Baker
41:39 - What is the American School then?
Hosted on Acast. See acast.com/privacy for more information.
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Two weeks in a row, Inline G is bringing you former winners of the Kobe International Flute Competition; with this week welcoming Spanish-Filipino flutist Rafael Adobas Bayog.
Rafael and I chatted about the unique musical education he got in Ibiza, his compositional style, the Nielsen and Kobe competitions and how channelling your inner lion may be the key to success.
We also chat about our shared love of Steve Aoki and try to name as many Taylor Swift hits as we can.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
00:00 - A quick hello from just me
04:04 - Rafael Adobas on Ibiza and Vicens Prats
11:38 - Nielsen and other flute competitions
21:48 - Kobe in the Times of Corona
25:15 - Composing
29:14 - Channelling Lions
37:35 - Baroque Flute
43:08 - Orchestral Solos
48:48 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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This week’s episode comes fresh off the press from the Luxembourg Philharomie with orchestral flute superstar, former Kobe Flute Competition Winner, Jolivet aficionado and super-mom; Hélène Boulègue.
I’ve been a fan of Hélène for years now, so getting to sit down with her to chat about her career, social media and most strikingly, motherhood was a legit privilege.
If you only watch one part of this episode, skip ahead to the chapter on motherhood; especially if you’re a fella.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - A Quick Intro
2:32 - Orchestral Auditions at 19
12:50 - Preparing for Kobe
26:28 - Principal Flute
34:28 - Motherhood
51:03 - Changing Artistic Priorities
52:32 - Quickfire Questions
Hosted on Acast. See acast.com/privacy for more information.
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All music is political; the fact it even exists is a political debate. So on the most political day of the year for the flute, join me as I discuss the role it plays as a symbol for both the Ulster Unionist and Catholic Nationalist communities across Ireland.
I also chat about why music is inherently left-wing, and why classical music insists of being apolitical in an ever changing world.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
And finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)
Chapters:
0:00 - Is Music Political?
4:02 - The Flute in both Irelands
22:22 - Comparing Rebel and Orange Songs
27:36 - Right Wing Music (and why it’s shite)
29:54 - Patreon and Flute Center
32:40 - Classical Music’s Apolitical Attempts
38:13 - Ireland and Palestine
Hosted on Acast. See acast.com/privacy for more information.
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The Punk Ethos is defined by anti-authoritarian and anti-establishment views, carried out in a DIY fashion. Is there anyone in Classical Music truly doing this, or is elitism too deeply ingrained in the culture?
I explore the roots of punk, the differences between punk as a genre and as an ethos, and finally I give my 3 favourite classical music “punks.”
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - The Origins of Punk
7:55 - Disco, LGBTQ+ and Kneecap
12:20 - Support your local Punk
14:40 - Why Classical Music ISN’T Punk
18:55 - Franz Liszt and Clevage
25:55 - Stockhausen and Polyamory
34:17 - Currentzis and Big Boots
Hosted on Acast. See acast.com/privacy for more information.
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How a freak accident in 1930's Hungary led to Francis Poulenc writing the most played flute and piano piece in the world, as well as an opera about a set of flying female breasts.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Summer and Healthy Practice
2:35 - Who is Monsieur Poulenc?
12:15 - True Crime in Hungary
19:10 - Patreon Ad Read
21:08 - PostBestMateDecapitation Era
24:35 - Flying Breasts
26:50 - The Flute Sonata
Hosted on Acast. See acast.com/privacy for more information.
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I tell the stories of an awful music school I worked for through the lens of Homer’s Odyssey.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Making a balls of Homer AND Joyce
5:25 - I. Calypso and Coronavirus
11:00 - II. The Laestrygonians and Fake Reports
18:01 - III. The Sirens and Illegal Pay
22:22 - IV. The Sun God and Copyright Breaches
25:20 - V. Scylla and Cleaning Pish
33:25 - A Break, Dear Listener
36:09 - VI. The Cyclops and Manuel Labore
44:03 - VII. Ithaca’s King and Crocodile Tears
Disclaimer: This episode is a work of fiction. Unless otherwise indicated, all the names, characters, businesses, places, events and incidents in this podcast are either the product of the author's imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.
Hosted on Acast. See acast.com/privacy for more information.
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We did it, ladies and gents and all in-between. 50 episodes of Inline G. Join me as I had 5 pints of Guinness and a Strawberry Ice vape and rated my top 5 flute pop culture moments. I also had a wee chat about the importance of creativity as an artist and how it’s essential to your mental health.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - How drunk am I?
2:50 - Creativity and Legitimacy as an Artist
7:50 - Loving Failure
12:05 - The Art of Podcasting
22:00 - 5th Place, Pies from America
26:00 - 4th Place, Yazz Flute
29:10 - 3rd Place, Morrison’s Van
33:25 - 2nd Place, Juicy
36:35 - 1st Place, Weird
Hosted on Acast. See acast.com/privacy for more information.
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Looking back to Pythagorean Theorem, I explain the origins of musical notes, the difference between Just Intonation and Equal Temperament, and how as a result; to truly play in tune as a flutist. I also tried my hand at my best Jordan Peterson impression, and had a dig at the people of England. All in a day’s work.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Welcome, Potential New Listener
6:05 - Pythagoras and Sexy Maths Teachers
10:14 - The Harmonic Series on The Flute
15:23 - A Plea, Dear Listener
17:37 - Equal Temperament
22:58 - Audio Examples of Temperament Differences
31:00 - Practical Tips for True Tuning
33:51 - A Note on the Brits
39:59 - Why do we Tune to A at 440Hz?
Hosted on Acast. See acast.com/privacy for more information.
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The flute podcasting world is a rapidly growing one, but there’s one podcast that’s stood the test of time; the reliable stalwart of consistent excellence that is Talking Flutes. I’ve been a fan since the early days, and without it, Inline G wouldn’t exist. So it brings me great pleasure to FINALLY twist the arm of host Jean-Paul Wright into coming on here and giving us the crossover younger Gareth dreamed of.
Not only a podcaster, Jean-Paul is also the Managing Director of Trevor James Flutes, having previously worked with Sankyo and Miyazawa, as well as being a trailblazer in the field of musician’s mental health.
This is a lovely, positive episode talking about validity as musicians, what art means to us and how to look after ourselves. It also has some of the best anecdotes Inline G has ever seen; including the origin story of the red socks, told publicly for the first time ever.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - An Intro from Beyond the Grave
3:21 - Red Sock Origin Story
7:20 - Flute Beginnings and Teenage Crushes
10:07 - Crozier, Dower, Wibb and Military Music
20:07 - Performance Anxiety and THAT BBC Story
24:46 - Musician’s Mental Health from the 80s to today
31:31 - Changes in the Flute Market
39:17 - Flute Podcasts and Paolo Maldini
46:46 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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This week’s Inline G couldn’t have had a more serendipitous timing, as I sat down with the brand new (as in, 2 days brand new!) permanent Principal Flute of the WDR Funkhausorchester; Marianna Busslechner.
Formerly at the Staatskapelle Dresden orchestral academy, Marianna chats about her experiences going directly from playing under Christian Thielemann to improvising jazz solos at the WDR.
We also chatted about her now professional connections with Die Maus and Tatort, and I finally get to ask a guest their favourite Arctic Monkeys song.
You can find Marianna on social media @MariannaBusslechner
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Someonee check on old Inline G
3:23 - Experiences so far at the WDR Funkhausorchester
11:46 - What is the a Funkhausorchester?
18:02 - Die Maus
23:45 - Tatort
31:55 - Marianna’s incredibly special Muramatsu
39:10 Staatskapelle Dresden Academy
45:27 - Arctic Monkeys and Disco Tunes
51:22 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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Inline G return’s to it’s roots this week; hungover with a world-class flutist, sipping on a Spezi and chatting about all the big issues of the flute world.
One of my personal best mates, French superstar orchestral musician and soloist Alice Brie was in town, and after a long night of Guinness until 4am, we emerged at 11am for a podcast.
Alice chats about everything from her experiences as a child prodigy, studying at the CNSM as a teenager, her orchestral debut at l’Opéra de Paris at just 18, right through to French v German tonguing and the role kindness plays to becoming better musicians.
This was a delight of an episode. I’m away for a nap and a kebab now x
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - An introduction
3:32 - A Hungover Hello and Growing Up a Prodigy
11:42 - Orchestral Beginnings
15:23 - Gold Muramatsu’s
20:04 - Creating Safe Teaching Spaces
29:35 - The French Flute School
35:02 - The Police Orchestra
46:58 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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After I waxed lyrical on Episode 28 of this podcast about Julien Beaudiment’s latest album, “California Dreamin’”, it was an inevitability that I would coax him on here. He found himself in Sunny Köln whilst on tour with The London Symphony Orchestra recently, and thus here we are.
Julien and I chatted about his time in orchestras in The UK, France and The US, as well as his nervousness before concerts, a shared love of apfelschorle and inevitably; The French Flute School.
There’s also an incredibly special sneak peak of Julien’s upcoming solo album at the very end of the episode. I can’t stress how lucky you guys are to hear this first; a true Inline G exclusive.
Merci mes potes x
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - Une petite introduction
3:23 - Julien Beaudiment with the LSO
10:04 - Pre-performance Nerves and why they’re useful
13:17 - London and Paul-Edmund Davies
20:34 - The French Flute School and Professor Beaudiment
31:39 - Two Gold Sankyos
38:55 - California Dreamin’
51:31 - Quick Fire Questions
59:04 - A very special exclusive
Hosted on Acast. See acast.com/privacy for more information.
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On the 12th April of this year, Vulture magazine published an article entitled “A Hidden Sexual Assault Scandal at the New York Philharmonic.”
It details an alleged sexual misconduct case from 2010, and the various related ongoings since then.
I am delighted to welcome the author of this landmark piece, Sammy Sussman, on to Inline G to talk about it, the various reactions and the potential implications for the classical music world.
Please also be aware that this episode contains descriptions of abuse, which some may find triggering.
This was a landmark episode, and I am thrilled that guests of this calibre feel comfortable to tell their story on Inline G.
Slán
Chapters:
00:00 - An Exceptional Episode
02:53 - Sammy Sussman on Inline G
05:23 - The Vulture Article and A Timeline of Events
15:13 - The NY Phil’s Immediate Reaction and the Tenure System
21:58 - MeToo and 2018 Developments
28:23 - Gender Disparity in the Case
31:14 - 2020 - Current Day Developments
36:48 - Reactions, Statements and Further Questions
50:39 - Classical Music’s Culture of Abuse
56:13 - Why Sammy, Various Cultures and Further Thoughts
1:09:52 - Thank You
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Hosted on Acast. See acast.com/privacy for more information.
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Coming to you fresh from the Emerald Isle herself, this week’s episode features the the Principal Flute of The National Symphony Orchestra of Ireland (and proud fellow owner of an Irish accent); Catriona Ryan.
After a few Instagram DMs, Catriona managed to squeeze me into her exceptionally busy schedule after a rehearsal to sit down together in the National Concerto Hall in Dublin and chat all things flute.
From platinum Brannens and the importance of Orchestral Blending to a shared admiration of irish trad players and String, this episode has a wee something for everyone.
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - An Irish Hello
3:34 - Studying with Trevor Wye (amongst others)
12:45 - A word on the Piccolo
18:30 - Orchestral Firsts (and our Jimmy)
27:15 - Concertos and Blending
30:35 - Platinum head Brannens
34:42 - Classical Music in Ireland
44:20 - Quick Fire Questions
Hosted on Acast. See acast.com/privacy for more information.
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This week I'm answering questions from you, dear listeners. From how to busk, non-institutional performance opportuniies, sexiest flute performances and my favourite American Flutists; I answered ALL of them.
I forgot to plug the Patreon this week but here; if you enjoyed this episode, consider subscribing to the podcast and leaving a thumbs up or five star review. It helps a huge amount keeping this podcast alive.
Cheers everyone x
Chapters:
0:00 - Why I'm doing this to myself
2:00 - The NY Phil Scandal
3:50 - Busking and GETTING PAID
13:42 - Favourite Flute Chamber Music
16:28 - Mainstream Flute (an embarassing Enter Shikari Story)
18:40 - Attractive Flute Performances
20:42 - Will Ferrell and why Celtic music is so good
23:55 - Debussy and The England B Team
26:53 - Favourite American Flutists
30:15 - Teaching Vibrato on Flute
34:00 - Canada and Female Composers
37:52 - My 5k Sankyo and favourite keys
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It’s the piece every flutist dreads; and I’m here to change the narrative. So grab your copy of Ibert’s Flute Concerto, pour yourself something tropical and join me as we analyse everything that makes this concerto a damn good time.
From Ibert’s potential links to Elvis and 101 Dalmatians, to n analysis of the structure and practice tips; this episode will cover everything you might need to know about the flute repertoire’s crown jewel (certainly enough to impress your teacher or any juries you come up against.)
If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;
patreon.com/TheInlineGFlutePodcast
Inline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes.
Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit x
Chapters:
0:00 - A Guinness Driven Intro
2:39 - Jacques Ibert: A History of
11:27 - Ibert’s Unique Style and The Structure
15:22 - 1st Movement Analysis
22:42 - Patreon Read
24:17 - 2nd Movement Analysis
29:21 - 3rd Movement Analysis
37:20 - Goodbye with Petri
Hosted on Acast. See acast.com/privacy for more information.
- Montre plus
