Episodes
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This week, we chat to the historical fiction author and academic, Steven Veerapen. He's best known for his Anthony Blanke series, set in the Tudor period, about the son of a black trumpeter, John Blanke, who was a real figure in the court of King Henry VIII. There's 'Of Blood Descended' and 'Of Judgement Fallen', which are out in print and just released as audiobooks. He's also written 3 in the 'Simon Danforth' series, and a few about the playwright Christopher Marlowe as a spy.
We talk about the balance of writing academia and finding time for novels. Also about the morbid curiosity which gives him ideas, and why we all love the Tudors.
You can hear about his sparse writing environment, how he plans a busy year, and what Tudor fiction needs to have in it.
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Alex Pavesi spent a long time writing many debut novels. He would write a few thousands words, get struck by a brilliant new idea, get bored, stop writing and the cycle would continue. Finally, he landed upon a way of storytelling that allowed him to write a finished book. That became 'Eight Detectives', which was a Sunday Times Crime Book of the Year and a smash-hit.
He's followed it up with 'Ink Ribbon Red'. It tells the story of a group of old friends who meet for an annual birthday weekend away, deep in the English countryside. One of them suggests a parlour game in which they write murder mystery stories about each other... what happens when murders really start happening. Will you be able to tell the real murder, from the ones they're writing? It's a brilliant way of telling stories within stories, and twisting the murder mystery genre even further.
We discuss how he landed on a writing routine that helped him finally get published, also how the success of the first novel changed what his second had to be, and why he's obsessed with pen and paper.
You can hear about accidentally becoming a full-time writer, about the balance of plot and character, and why he doesn't agree with a classic piece of writing advice.
If you'd like a copy of 'Ink Ribbon Red', please do take a look at our dedicated Writer's Routine bookstore at - uk.bookshop.org/shop/writersroutine
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Episodes manquant?
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Sarah Easter Collins is an all-round creative. Alongside being a painter, she's just published her debut, 'Things Don't Break on their Own'. It tells the story of Willa, whose life shattered into tiny pieces when her sister disappeared on the way to school, and she has never been able to put them back together again. Willa sees Laika everywhere: on buses, at parties, in busy streets. It’s been twenty-five years, and the only thing that has kept her going is her belief that her sister is alive, somewhere. But when a dinner party conversation about childhood memories spirals out of control, a shattering revelation from one of the guests forces Willa to rethink everything she thought she knew about her past.
It was inspired by many things - travelling around Africa and Thailand, teaching in the South West of England, the first dog in space, and also an obnoxious dinner party guest.
We discuss bringing those themes together, also the art of showing without telling, and how her painting inspires her writing... and vice versa.
You can hear how she knew the beats of a genreless novel, why she wakes up shockingly early, and how poetry helps her focus on prose.
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Louise Swanson is the pen-name of bestselling and award-winning author, Louise Beech. Louise has 8 novels out, a memoir, and has picked up all sorts of prizes for her work. She has written the play based on her debut novel, 'How to be Brave', which is currently touring the UK, and has written columns for local newspapers.
She's back with a Louise Swanson novel, called 'Light's Out'. Set in a strange version of the UK, where a state of emergency is declared and all electricity cuts out at 8pm every night. So, what happens when Grace, terrified of the dark, wakes up every morning after the cut-off, to find a different note from the same intruder - one, seemingly getting closer to something drastic?
We talk about getting to the end of a novel as a panster, and how perhaps she's been figuring out how it ends the whole time, but never realising that. Also you can hear how her work writing novels, plays and columns is a bit like riding a bike, and we discuss how one influences the other.
We chat about how she was improving in-between rejections, why she needs a news programme on whilst writing, and why her strict routine comes from working class guilt, perhaps.
You can watch this episode on YouTube - https://www.youtube.com/@writersroutine
Get a copy of 'Lights Out' and support the show - https://uk.bookshop.org/shop/writersroutine
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Gareth Rubin is back with one of the few Sherlock Holmes books officially authorised and certified by the Sir Arthur Conan Doyle estate. It's called 'Holmes and Moriarty', and tells the story of two of fiction's greatest adversaries being forced to form an alliance, to face a threat bigger than anything that's gone before.
It's Gareth's 4th published novel, coming after 'Liberation Square', 'The Winter Agent', and 'The Turnglass'. They're high-concept historical thrillers that twist the way stories are told.
We talk about the pressure of writing a Holmes story, and how concerned he was with getting the small details correct. You can hear how he went about planning the clues, the tricks and the mystery, and why he has to escape to somewhere incredibly dull to write.
Also we discuss how, surprisingly, for a published author... Gareth doesn't enjoy writing. He likes being published... but not the act of getting words down.
It's your last chance to get 10% off Writer's Rising 2024, one of the biggest writing retreats of the year. Use the code 'wr10' at writersrising.com.
Support your local independent bookshop, and get a copy of Gareth's book in the dedicated Writer's Routine shop at Bookshop.org - https://uk.bookshop.org/shop/writersroutine
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Molly Green writes wartime novels that celebrate the women who stayed home and served their country. Her new novel is 'Courage for the Cabinet Girl'. Set in 19412, with Britain in the throes of the Second World War, it's about Katharina Valentine who feels sidelined. Employed as a shorthand-typist in the War Office, she is transferred to the basement below – home of the top-secret Cabinet War Rooms. Unexpected staff shortages present an opportunity to work directly for Winston Churchill himself, and Katie jumps at the chance.
We talk about her working writing under 3 different names, why a job she had 40 years ago still makes her start early, and why she gets angry when people think she's wrong.
To save money on one of the biggest writing retreats of the year, head to writersrising.com and use the code 'wr10'.
Support your favourite authors, local bookshops and this podcast by buying books on our dedicated site over at https://uk.bookshop.org/shop/writersroutine
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Jodi Picoult is one of the world's most successful authors. She's written over 30 books, been translated into 34 languages, and has sold more than 40 MILLION books. Her novel, 'My Sister's Keeper', was turned into a huge film starring Cameron Diaz, and she's written as a librettist, with pieces performed across the world.
Her new novel is 'By Any Other Name', which tells the story of Emilia Bassano, who back in 1581, like most women of the day, isn't allowed a voice of her own. When she starts writing dramatic masterpieces, she decides to pay a man for the use of his name... then what happens 500 years later, when the man becomes one of the most famous who ever lived?
We discuss her thorough research which hasn't changed much in 30 years, also how she divides her time with so many projects going on and so many book tours planned. You can hear about the book she wrote as therapy during lockdown and never thought would release, and why she has a voodoo doll of her competitors.
The book is released in the UK on October 10th, get a copy with our brand new Bookshop.org Writer's Routine store! Find lots of books we've featured on the show too - uk.bookshop.org/shop/writersroutine
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Ciar Byrne has worked as a journalist for 25 years, usually as a gardening journalist, she's written for The Independent, The Guardian, Private Eye and many more. It turns out that all that experience, didn't make it easier to get published.
Ciar wrote 6 books before she got a deal. When it eventually arrived, it came through the strange route of a random email after a Twitter Submission Window she'd entered half-heartedely. After waiting so long to get a contract, when she was finally offered one, what did she do? How did she immediately get to work to make her project the best it could be? We try and find out.
The debut is 'A Deadly Discovery', which stars Virginia Woolf and her sister, Vanessa Bell, from the Bloomsbury Set, as a pair of unlikely amateur sleuths. It's set around the historic country town of Lewes, in the south of England, where Ciar lives, and incorporates murder, historic buildings, and a touch of gardening too.
You can hear why she's had to slow down her writing to forget some journalistic practices, also the brilliant advice she's got about bad writing days, and why she likes to start early.
This week's episode is sponsored by 'Peace Lilies: A Sweet Ghostly Novella' by Margaret Rodeheaver. It's all about Birdie and Martin who return froom vacation to discover they're dead. Get a copy here - books2read.com/peacelilies
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Jack Strange's debut is 'Look Up, Handsome'. It's a festive rom-com about bookshop owner Quinn, who is trying to save his business, only when romantic novelist Noah comes to town, he might provide an unwanted distraction.
It's far from the first book he's written, having tried his hand at mysteries, crime, thrillers, but it's rom-com that's landed him a publishing deal, and we try to unpack why.
We discuss why representation across sexualities and nationalities is very important to him, also why he's considered and planned in life, but perhaps not in writing. You can hear how spirituality helps him get to work, what it was like being submerged in Christmas for most of the year when writing this novel, and how he was inspired by those Hallmark holiday movies.
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Catherine Gray is an award-winning journalist who has written for The Guardian, Stylist, The Telegraph, Grazia, and many more. She's published 4 non-fiction books, which have sold over a million copies and been translated into 9 languages.
She's best known for her book, 'The Unexpected Joy of Being Sober', which takes you through the benefits of going alcohol-free, and how it can positively impact your creativity.
Her debut novel is 'Versions of a Girl'. It's a classic sliding doors story, which tells the tale of Fern, whose mother is a former ballet dancer and formidable social climber, while her father is a layabout who lives hand to mouth in Californian motels. When Fern is 14 she needs to chose who she is living with... and we follow both of those narratives. It's the ultimate nature v nurture questions - do we become who we are because of our parents, or in spite of them?
We talk about avoiding stereotypes when writing characters, also why working as a journalist has helped her write on cue, and why it's vital to be critical of your own work.
This week's episode is sponsored by Faber Academy's 'Writing a Novel' course. Submissions for their October 24 programme finish on the 15th and 16th September. Be quick, and find out more at faberacademy.com/writing-a-novel
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This week's guest is J.M. Hall, who has worked as a playwright, a primary school teacher, and is now a published novelist.
Through lockdown he wrote 'A Spoonful of Murder', as a way to deal with a traumatic family situation, that was published in 2021. He's gone on to publish, 'A Brush with Death', and his most recent book 'A Clock Stopped Dead'. They tell the story of Pat, Liz and Thelma, retired teachers who turn to sleuthing.
We talk about how, after recently retiring, Jonathan's routine has changed, also what he needed to have when designing his ideal writing space, and why he insists on writing long-hand... and is frankly bemused by people who don't.
You can hear how working as a primary school teacher helped him refine storytelling, whether writing without a view of publication affected the process, and what authors your kids should be reading.
This episode is sponsored by Faber Academy. Their flagship, 'Writing a Novel' course is taking applicants for its new course starting in october. Find out more at faberacademy.com/writing-a-novel
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This week, we're joined by Santa Montefiore. A bestselling author, published across the world, who has sold millions of copies of her 31 novels. She's known for her richly drawn characters, intricate plots, and a deep sense of place, often set in the countrysides of England, Ireland, and Argentina.
Her books, including The Deverill Chronicles series and The Beekeeper’s Daughter, have been translated into more than 25 languages, captivating audiences worldwide. Beyond her novels, Santa is a passionate advocate for mental health awareness and spirituality and often explores themes of love, loss, and redemption in her work.
Her newest novel is 'Shadows in the Moonlight', which tells the story of time-shifter Pixie Tate, who needs to solve a mystery in the past, using her unique gifts.
We discuss why her writing space is determined by her dog, also why a change of publisher finally landed her success in the UK, and why she's a pretty committed panster.
You can hear hear why Santa's biggest problem is getting to her desk, also how she felt with immense European success, but not much at home, and what happens if your characters don't take you down the right path.
This episode is sponsored by Faber Academy. Their flagship, 'Writing a Novel' course is taking admissions for their new 6 month programme. Find out more at https://faberacademy.com/writing-a-novel/
If you enjoyed the episode, please do watch a new visualised version on our YouTube channel - https://www.youtube.com/@writersroutine
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Alan Rhode is a busy man. Working as a lawyer, with a full family, he's recently self-published his first novel. It's called 'The Eagle and the Cockerel', and was shortlisted for a 2024 Selfie Award.
We discuss why Alan was so keen to become a published author, and he is very open about his reasons for wanting to be a novel, and what his ambitions are in the next few years. You can hear why concentration is subjective, why nature helps his writing, and why writing in a second language can make things tricky and a bit slow.
'The Eagle and the Cockerel' is a political thriller based on a true story, of a plan to unite Germany and France after WWI, and create a new European superpower. We discuss the birth of the idea, how it grew, and what inspired him in the political thriller genre.
This episode is sponsored by Faber Academy. Their flagship, 'Writing a Novel' course, is starting in October in person or remotely, and you can find out more at faberacademy.com/writing-a-novel
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Catherine Steadman had a very successful acting career, starring in 'Downton Abbey', 'Salmon Fishing in the Yemen', 'Fearless' and many more. In her early 30s, she started to think about how her future as an actor might pan out. It's been well documented that roles for older women are depressingly stark, and often frustratingly uninspired. Giving that some thought, Catherine decide to switch things around, and trusting that her story-telling and improvisational abilities learned from acting would transfer well, started writing fiction.
Her debut was 'Something in the Water', it became a Reese Witherspoon Book Club Pick, which launched her to success. She's a New York Times Bestseller, has sold millions of copies and been published around the world.
Her newest novel is 'Look in the Mirror', which looks at the lives of Nina and Maria, and how their lives become entangled with a huge house in the British Virgin Islands. It's a mysterious thriller which Catherine was keen to keep speculative, and not let it creep into being gritty or grimy.
Catherine talks about how acting has helped her writing, why she feels able to understand the nuances of characters well, also why novelty is key to her day, and how she keeps grounded after sudden success.
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Milly Johnson is one of the top 10 Female Fiction authors in the UK, with over 3 million sales in the country alone, and many more across the world as she's been published in more than 20 different countries. She's been honoured with the Romantic Novelists' Association's Outstanding Achievement Award, and has just published her 21st novel in 20 years.
It took her a long time to finally get published, and we discuss her desperate quest to become a novellist, and how it, at last, happened. Also, you can hear how she spent her time before in an incredibly unique job, and how it hugely helped her aspirations to write novels.
Her newest novel is 'The Happiest Ever After', which tells the story of Polly Potter... someone taken for granted by everyone in her life. The only place where things are working is in her evening classes learning to write a novel - there she has created Sabrina Anderson, someone who has their life together. Yet, when Polly suddenly finds herself in a seaside hospital, with no recollection of why she is there... she finds her identity changing. She starts to believe she is not Polly, but Sabrina… her fictional character. It’s a novel about whether she can move on and get the life she's always dreamed of... or will the past catch up with her?
You can hear about how Milly keeps herself concentrating, whilst being surrounded by the best things. Also, why she still feels like everything might slip away tomorrow. We talk about the pressure of the 2nd and 3rd books, after finally securing a publishing contract, and why you have to be good at switching train tracks through the year.
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Crime writer B.P. Walter has always been around books. From beng submerged in reading growing up, to studying storytelling, to working in bookshops, it makes perfect sense that he's now a full-time author. His newest novel is 'The Garden Party', which tells the story of a wealthy family celebrating the engagement of son, Raphael. Only, his adopted brother chooses this day of celebration to expose what he really thinks of the family that has taken him in... and soon the bodies begin to drop. It's Saltburn meets Agatha Christie, and we discuss the idea, why he enjoys writing rich characters, and how he keeps them real and authentic, without slipping into absolutist ideas of stock stereotypes.
Later this year, he's publishing his first horror novel, 'Scuttle'. You can hear how this has happened, why there's a slight name change for it, and what it's been like being immersed in gigantic spiders for a year. We talk about why he loves being distracted, what it's like to work tirelessly on a book and then hand it over to publishers who can hopefully sell it, and how working as a book-seller inspired him to become a book-writer.
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Amy Neff's new novel is 'The Days I Loved You Most'. It's taken 10 years to get to shelves. Amy has spent 10 years refining the story, sending it to publishers, even hiring her own editor to help get it into shape. We discuss how she stayed positive through that time and learned to deal with rejection.
It tells the story of Joseph and Evelyn, once childhood friends now, 60 years later, married with children. One summer, they reveal the staggering news that Evelyn has received a life-ending diagnosis, and as Joseph cannot bare to live without her, they will both take their own lives. It looks at memories of lives, how decisions impact families, and how they face the prospect of making their plan reality.
You can hear how the story is inspired by a long family tradition, what she starts off with, and how the story developed over 10 years.
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Julietta Henderson's debut novel, 'The Funny Thing about Norman Foreman', was a Richard and Judy Book Club pick and sold around the world.
Her second is, 'How to Get a Life'. It tells the story of Danny Mulberry, a man who could do better... better at life, better at being an adult... generally better than everything. When a photo of him accidentally ends up in the papers, people across the country start to think he is actually a man with all the answers... and suddenly Danny becomes the guru who can solve everything.
We talk about the north star for this story, and how Julietta pulled everything together whilst writing scattered scenes. Also, how she realised that writing won't get any easier, and whether that knowledge is comfort to her or not.
You can hear how much she has learned about how she works best, what she does to get in the writing zone, and whether you really feel improvement when you're trying so hard to get better.
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Shaun Bythell runs 'The Bookshop' in Wigtown, it's Scotland's largest second-hand bookshop, and is now incredibly popular.
Back in 2017, Shaun published, 'The Diary of a Bookseller', a book filled with his daily experiences running the store. People fell in love with his wry musings, the life of a bookseller, and it became a Sunday Times bestseller. He's followed it up with 'Confessions of a Bookseller', and 'Remainders of the Day', in the 'Bookseller Series'.
We talk about why everyone finds the life of a bookseller appealing and whether that's really what it's like. You can hear how a diary becomes published, how an editor works on it, and whether having them published has changed how he writes a diary.
This was recorded back in 2022, I have no clue why it's taken so long to be released. Sorry Shaun, and I hope you enjoy the episode!
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Jonny Sweet won the 'Best Newcomer' Prize at the 2009 Edinburgh Festival Fringe, created a sketch group with 'The Inbetweeners' Simon Bird and Joe Thomas, and appeared in many TV Comedies, including 'Chickens' and 'Him and Her'. He wrote the movie 'Wicked Little Letters' starring Olivia Colman, which was released this year.
He has also just published one of the most acclaimed novels of the year. 'The Kellerby Code' tells the story of Edward, living in a world he can't afford and to which he doesn't belong. Getting by doing odd jobs for friends, he falls in love with one of them, and after a little act of kindness in the group takes a sinister turn, it unleashes the unspeakable brutality at Edward's core.
We talk about why he's been lying to people about the plot, and how the writing process changes depending on what he's working on. You can hear how much he thinks like a director when writing, and why he prefers not to hear himself think.
This novel has been highly recommended by some of the best authors around, and we discuss how he deals with such praise.
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