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The mega-talented Canadian multi-hyphenate Grace Glowicki gives an incredible performance in Mary Dauterman’s debut feature “Booger.” On this episode, she reveals why she was interested in the project before even opening the script, and how she could just tell Dauterman was going to be the kind of director that would give her the support she needs. She talks about her current focus on examining issues dealing with authority, her love of bodily fluids in film, her struggle with emotional scenes, how directing herself as an actor actually helped her acting career, differences between the Canadian and American indie film scene, and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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Odessa Young is only 26, but she already has a truly impressive body of work behind her. “Assassination Nation,” “A Million Little Pieces,” “Shirley,” “Mothering Sunday,” “The Stand,” “The Staircase,” “Manodrome,” in each of these projects, she seems to have an effortless command over her character, each unique, never forced, always true. Now she stars as Vita, the lead character based on Zia Anger in “My First Film.” On this episode, she talks about the need to “cultivate an obsession” as character preparation, recent musings on “how much an actor should act to the camera,” why she never worries about being misinterpreted, the importance of “kindredness with creators,” and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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To be a standout on a show featuring Jason Segel and Harrison Ford is quite a feat, but that’s exactly what Luke Tennie did in his breakthrough role as Sean in the hit Apple TV+ series “Shrinking.” On this episode, the seemingly effortlessly-talented young actor takes us back to his early days and details how football played a pivotal part in helping him with the disciplines required for acting. He explains his belief that there can be no real “play” without massive preparation; talks about coming to a place of understanding that auditioning is simply a “demonstration of my capabilities;” tells a hilarious story about his first job, working with Rob Reiner, which ends up being a lesson in letting go, plus much more. The second season of “Shrinking” is dropping this fall and Tennie also has a small part in the eagerly anticipated film “Nickel Boys” which is scheduled to be released on October 25th.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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He was in “The OA,” “The Marvelous Mrs. Maisel,” and played Roy Cohn in “Fellow Travelers,” but the stage is where Will Brill has found the most satisfaction and success recently, in “A Case For The Existence of God,” “Uncle Vanya,” and, just this year, as Reg in “Stereophonic” on Broadway, for which he received a Tony Award. On this episode he talks about building Reg by starting with his voice, why following playwright David Adjmi to a bar was a pivotal move, the importance of directorial affirmation, how his pre-show ritual has changed, and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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He was a model and MTV VJ, and then Simon Rex transitioned to acting, becoming widely recognized for his comedic roles in the "Scary Movie" franchise, where his sharp timing and parody skills made him a fan favorite. But more substantial parts were on the horizon. On this episode, he talks about the job that changed everything, Sean Baker’s *Red Rocket,” which won him wide acclaim, an Independent Spirt Award, and a fresh chapter in his career. He talks about the interesting new place he finds himself now at the intersection of “not caring and caring SO MUCH.” He explains what he had to do to feel confident playing a chef in Zoë Kravitz’s directorial debut “Blink Twice,” learning that “to simply par the course” is enough, and sometimes “you don’t have to slap the fish.” Plus much more!
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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Marianne Rendón’s performance in “Summer Solstice,” Noah Schamus’ “modern twist on the buddy comedy from a queer and trans perspective,” is special in such a rare way that makes shinning a light on it actually detrimental to its effect on the new viewer. Its revelations are small and imbedded in the nuances of the character. It’s how they seem rooted and not created, “lived” and not “played,” that make them extraordinary. On this episode, Rendón takes us back to her training, and how being fed great experimental theater before the classics resulted in a kind of “reverse engineering” of her foundation. She details the effort it took to let go of a quality she used to think was her only real strength. She talks about the importance of “cluing into the rhythm of the writer,” dipping back into asking sensory questions through “method” (in its true meaning) approaches, working with “the texture” of life, “living on camera,” how “space informs everything,” and much more.
“Summer Solstice” is available to stream on August 16th.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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Still in his early career, Dylan Arnold has already built a diverse catalog of roles, including a breakout one in season three of Netflix’s “You,” reprising a fan-favorite for the “Halloween” franchise in “Halloween Kills,” and last year, of course, playing Frank Oppenheimer, holding much more than his own, opposite Oscar winner Cillian Murphy. Now he goes a good bit darker in Alma Har’el’s Apple TV+ series “The Lady In The Lake.” On this episode, he talks about the differences between these two incredible actor’s directors, Har’el and Christopher Nolan, and what works best for him. He explains the importance of holding back from making choices too early in preparation, why you should approach with caution anything discovered in rehearsal, learning that “things that scare me can yield exciting results,” and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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David Garelik was in Trey Edward Shults’ “Waves,” Peter Berg’s “Mile 22,” and recently finished a run of an Off-Broadway 2-hander at the WP Theater, co-produced with Colt Coeur. Now you can see him as the bad guy/enucleator, opposite Liana Liberato, on this season of “Criminal Minds: Evolution” on Paramount+. On this epic episode, he recounts his journey from moving to New York with zero acting experience and “being a bad auditioner”, to making naivety work for him and “changing the game” by refusing to play it. It’s a story of perseverance, endurance, and growth, fueled by focus on the work, Conor McGregor quotes, and an unwavering belief in himself as an actor, told with bold rawness and refreshing honesty, sure to inspire.
Currently, Garelik teaches Sensory Based Acting Process and Dramatic Improv at adultfilm.nyc
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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Jimmy Tatro is an actor, director, writer, and comedian best known for the popular YouTube channel he created over a decade ago, "LifeAccordingToJimmy." His career expanded into the mainstream with roles in movies like "22 Jump Street" and the Netflix series "American Vandal,” all while he continued to expand the content on his channel. His latest project is "The Real Bros of Simi Valley: The Movie," a continuation of his popular mock-reality show web series. The film delves deeper into the absurd lives of friends navigating the quirks of suburban Southern California while preparing for their high school reunion. Tatro’s talent for blending satire with genuine character development makes this hilarious comedy a surprising stand-out. On this episode, he takes us back to the beginning and details how he started forming his particular brand of humor and brings us all the way up to the making of this film. He talks about what it took to keep the channel successful, the benefits of collaboration, the production conundrum that birthed the “Real Bros,” the frustrations that continued despite popularity, learning how the tone is matched in the edit, realizing that "people don’t believe you can do something until you do it,” and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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Y’lan Noel played Daniel in the HBO series “Insecure" and starred in “The First Purge,” now he plays Officer Platt in “Lady in The Lake,” Alma Har’el’s eagerly anticipated new series for Apple TV+ that drops on July 19th. On this episode, he discusses his unique approach to the work, which starts with, and centers on, daydreaming and the avoidance of aiming to do “the right thing.” He talks about allowing for “an energy that’s not me to make certain decisions;” the importance of solitude, space, stillness; how Har’el’s willingness to leave room for the mystical served his process; and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
This is the 300th episode! If you are enjoying this podcast, please leave a review and share it with someone who might enjoy it as well.
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After early success opposite Kirsten Dunst in Lifetime’s “Fifteen and Pregnant,” and as Jasper on the CW’s reboot of “90210,” Zachary Ray Sherman has gone on to build an impressive acting resume balancing television work (Hulu’s “Under the Banner of Heaven”) with edgy, transformative roles in independent films (“Cuck”; “Can’t Seem to Make You Mine,” opposite Lindsay Burdge; and “A Desert,” which just premiered at the Tribeca Festival, to name a few). On this episode, he talks about why it all starts with building trust with his collaborators early, the semi-mystical process of aligning his heart with the character’s heart, the importance of risking failure, how physical transformation helps, and he highlights an example of creating backstory that paid dividends in establishing emotional connection. Plus much more!
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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In the midst of a successful modeling career a decade ago, Abbey Lee’s chance to break into acting came with “Mad Max Fury Road.” That challenging shoot was the first of many she faced with relish. A scene-stealing role in “The Neon Demon” followed, then M. Night Shyamalan’s “Old,” “Lovecraft County,” and “Florida Man,” to name a few, and now she stars opposite Kevin Costner in his 2-part western epic “Horizon: An American Saga” (in theaters now). On this episode, she talks about letting the character find her, the importance of staying malleable, using everything that happens as fuel for the work, and much much more. The second part of “Horizon” opens on August 16th.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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There are few actors more well respected than the preternaturally gifted Julianne Nicholson. Recent notable credits include “August: Osage County,” “Dream Scenario,” “Mare of Easttown” (which won her an Emmy award), and her latest, playwright Annie Baker’s first film, “Janet Planet.” In this episode, she talks in-depth about playing Janet in that remarkable film, her elusive preparation process, getting the environment to settle into her body, actually learning how to do acupuncture, why she lets her instinct lead the way, and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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John Early is an actor, comedian, writer, and wearer of many hats. His latest as a comedian and writer is the HBO special “Now More Than Ever.” His latest as an actor is the independent film “Stress Positions.” On this episode he talks about how these two projects came about, the differences between the John Early character and himself, the pleasure of working on the series "Search Party," why he relishes straight-up acting, the comedy breakthrough he made in his new special, and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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When you look at the illustrious career of Clive Owen, you see choices made based on the depth of the roles (“Closer,” “Children of Men,” “Hemingway and Gellhorn,” “The Knick”), not on trajectory or star power. His two latest projects, “Monsieur Spade” and “A Murder At The End of The World,” are quality television series where he’s able to settle in and deliver the grounded, nuanced work we’ve come to expect from him. On this episode, he explains why he needs time to prepare a role, and the “marination” process that is required. He talks about the qualities found in his favorite co-stars, the “heaven” of Soderbergh’s “concentrated” sets, how Bogart’s voice helped him play Spade, why he calls himself a “logic monster,” and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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Betsy Aidem has been in over 80 plays, off Broadway, on Broadway, and around the world. Recent titles of note: “All The Way,” where she played Lady Bird Johnson, “Mama’s Boy,” where she played Lee Harvey Oswald’s mother, Tom Stoppard’s “Leopoldstadt,” and “Prayer For The French Republic,” for which she is nominated for her first Tony Award. On this gold-filled episode, she talks about her love of extensive research, why she doesn’t think the people she plays are just one person, the “golden moment when your character is unsure,” the importance of a director’s patience and willingness to let her swerve off course, and why she believes the prize is always in the work, plus much much more!
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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Molly Gordon makes everything better. She was a stand-out among stand-outs in films like “Good Boys,” “Booksmart,” and “Shiva Baby.” Then she showed her talents on the other side of the camera, co-writing/directing the hilarious indie hit “Theater Camp.” Now she plays Claire on the beloved series “The Bear,” which is about to drop its third season. On this episode she talks about why she loves improv, how her parents unintentionally formed her comedy sensibilities, getting “buzzed” from in-person auditions, “locking in” with Jeremy Allen White, why she’s always aspiring to a child-like lack of self consciousness, and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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(Photo by Elias Tahan)
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She was on “Game of Thrones” when she was a child, but Nell Tiger Free hit her stride in the M. Night Shyamalan series “Servant,” and now her absolutely incredible performance in the hit horror film “The First Omen” has solidified her as one of the great young actors working today. On this episode, she discusses her ‘total non-process’ process, which means every aspect of her work takes place between “action” and “cut” and literally nowhere else. She talks about why she only reads the script once, finds all backstory that isn’t on the page “cringe,” doesn’t like to rehearse at all, is at the complete service of the director, and strives for total emersion in the moment. It’s a fascinating and inspiring approach that could easily be misconstrued as carless if it didn’t yield indisputably astonishing results. “The First Omen” begins streaming on Hulu May 30th.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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Since he was last on the podcast (Ep. 112), Tom Pelphrey has been nominated for an Emmy for his work on “Ozark,” he’s had juicy roles on "Outer Range” and David E. Kelly’s “Love and Death,” and now Kelly has given Pelphrey perhaps his most exciting role to date in the character of Raymond Peepgrass in Netflix’s “A Man In Full.” On this episode, Pelphrey takes us deep into his work on that limited series. He talks about why a good costumer designer is an actor’s best friend, what made him feel free to go “full weird” with Regina King, the importance of being an advocate for your character, and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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(Photo by: Skylar Reeves)
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Over the past year and a half, no actor in any medium has given me more inspiration through their work than Mia Vallet. As a company member and frequent performer at the exciting NYC “loft theaters” Adult Film and The Brooklyn Center for Theatre Research, she continues to show the thrilling possibilities for this craft of acting, culminating in her performance as Nina in “Sea Gull,” Adult Film’s new version of Chekov’s masterpiece, opening on Friday May 10th in Manhattan. On this episode, she talks about her training at the University of North Carolina School of the Arts and early success in the business, the setback in her personal life that threw her off course but set the stage for true fulfillment in the work, why daring actors inspire her, the importance of trusting a director, why she loves rehearsal, loves Chekhov, doesn’t shy away from the highly emotional material, is inspired by the remarkable resilience of actors, and much much more.
"Sea Gull" Info and Tickets
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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