エピソード
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A few days before the WGA made its historic deal with the AMPTP, Jose and Javi made one last trip to the line, this time at Universal Studios, to interview our sisters, brothers, and others in the guild who bravely walked the lines to the triumphant end. Featuring interviews with established writers like Marc Bernardin, Julie and Shawna Benson, as well as our union representatives (who dropped amazing information on the organization of the strike... down to the black SUVs and secret WGA phones!) this is an amazing snapshot of the last days of a labor action that resulted in amazing gains for writers everywhere! SOLIDARITY!
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On a hot and noisy day, Jose and Javi set up shop on the strike line at CBS Radford and talk to WGA luminaries ranging from showrunners Julie Plec and Craig Silverstein to show creator Evan Bleiweiss and the strike captains who keep out labor action safe and coordinated! If you are curious about how we organize, where the signs come from... or how to humanely run a writers room, you won't mind the horns blaring in the background!
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エピソードを見逃しましたか？
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Taking their cues from Lucy Van Pelt, the Children of Tendu set up a booth on the strike line and took questions, gave advice, and even quizzed their betters about their methods and madness. Featuring interviews with producers of "Elementary", the showrunner of "Queen of the South" as well as several amazing up and comers from shows including "Superman and Lois" and "Law & Order: SVU" this is a raw look at what's going on in the frontlines of the WGA strike, and a stark reminder of how much the craft of writing has changed, and why the strike matters!
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In this extra special episode of the podcast, Jose and Javi take a deep, show-by-show dive into Javi's career, dissecting his experiences and distilling the lessons he has learned over the course of his decades-spanning adventures in TV!
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In this extra special episode of the podcast, Jose and Javi take a deep, show-by-show dive into Jose's career, dissecting his experiences and distilling the lessons he has learned over the course of his decades-spanning career!
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As veterans of the WGA strike of 2007 picketing in the strike of 2023, Jose and Javi break down the differences between the two labor actions. From the role of social media in the Guild's messaging, to the differences in the message itself, the rise of the #prewga cohort, and the decline of the auteur showrunner, Jose and Javi don't just break it down, but also use the differences in the two labor actions to explain how vital the current struggle is to the art and business of writing for media.
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Being Latino/a/e/x in Trump's America is an increasingly precarious business. As white Puerto Ricans whith careers spanning over a quarter century, Javi and Jose have seen, heard, and experienced the pervasive racism of the industry in many of its forms, while also benefitting from their own white privilege. In this unusually revealing episode, Jose and Javi dig deep into their lives and upbringing as colonial subjects of the United States to explore not just what it is like to be latino/a/e/x in Hollywood, but more specifically, what it means to be Puerto Rican and the many issues of race, class, and colonialism that entails.
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Jose and Javi are back and older than ever! As the Writers Guild strikes for higher pay, job security, and reform in how writers are employed and compensated, Jose and Javi aren't just walking the picket line but also breaking down the many changes in the industry that have lead to the current labor action. In the fifteen years since the dawn of the streaming age, the way television is made and consumed has changed enormously, and Jose and Javi have experienced those changes in real time... this is not the same business Jose and Javi came into at the start of their careers, and it isn't the same as when they began recording the Children of Tendu podcast... it's a new era, and Jose and Javi are here to tell you all about it!
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Remember when we said our previous episode would be our series finale? WE LIED. And we are back to prove it with a super sized episode where we answer YOUR questions about OUR process. How do we write? Why do we write? Where do we write? (and it's not in the bathtub like Dalton Trumbo) All these questions and more! Answered right here! With our usual career-endangering candor!
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Seven years ago, veteran television writer/producers Jose Molina and Javier Grillo-Marxuach set out to consign all their experience to a podcast and to give it away for free. One Golden Age of television, a pandemic, and several complete disruptions in the industry later, Jose and Javi look to the future and ponder the fate of the Children of Tendu Podcast... and more importantly, their own transition from wizened veterans to fellow travelers with newcomers in a rapidly changing world!
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Most writers have very little idea of what goes on in an edit bay, and how to best manage the collaborative relationship between a TV writer/producer and the show's editor. To remedy this situation, Javi and Jose have brought in one of the most prolific and acclaimed editors working today - Shawn Paper, whose credits include Parks and Rec, Veep, What We Do In The Shadows, Flight of the Conchords, and countless others - to discuss how writers and editors can, and should, be best friends!
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In this super-sized deep-dive, Jose and Javi interview Jeremiah Chechik - director not just of the pilot episode of Javi's show "The Middleman" but also TV shows including "Chuck", "Gossip Girl", "Shadowhunters", "Helix", "The Bronx is Burning", "Burn Notice" - and, oh yeah, a couple of classic feature films including "Benny and Joon" and "Christmas Vacation".
Though the discussion is wide-ranging, the focus is on the relationship between the writer and director both in TV and features: how we collaborate, how we interact on and off the set, and how do we stay true to each our vision without trampling on the other's! This one's a must for all TV writers - because our work doesn't end at the keyboard, and directors can, and should, be our best friends!
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The Writers Guild is currently engaged in a landmark labor action which has already changed the face of the entertainment industry. In this special episode, Jose and Javi have a lengthy and candid conversation with WGA President David A. Goodman about the how's and why's of the guild's goals and strategy as it seeks to redefine the role of agents and agencies in the business of representing writers.
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As part of their "Living in the Middle" sessions at the WGA, Javi and Jose host a talk about the writers room - what sort of personalities thrive in the collaborative creative environment that fuels the creation of TV narratives, and how does a writer find his or her voice among the talented many who make up a staff!
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In this the second part and conclusion of "The Big Pitch" Jose and javi discuss what happened after The Big Pitch... what networks heard The Big Pitch, who didn't and why? What was it like in the rooms where they pitched? What sort of feedback did they get? Did anyone buy The Big Pitch? What was it like to develop a role playing game into a potential TV show... and, most importantly: did the rigors of working together after 24 years of friendship destroy Jose and Javi... or did it make them stronger?
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Most TV writers do not hear a series being pitched until they are the ones doing the pitching. In this brand new episode, the Children of Tendu discuss the process by which they developed a pitch for a TV adaptation of a popular role playing game... and they throw in the entire pitch for free! That's right, rather than just talk about pitching, Jose and Javi rehearsed their pitch live at the Writers Guild, and now you can hear it here!
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In this special episode of the podcast, the Children of Tendu enlist guest stars Natalie Morales - star of Javi's show The Middleman - and Jason O'Mara - who starred in, and worked with Jose on, Terra Nova - to discuss how actors and writers work together, and how this crucial creative relationship can be made better in the fast-paced and ever changing world of television. How do these series leads approach scripts when the arrive fresh off the printer? How do they deal with writers on and off the set? What do they wish writers would - or wouldn't - do on the page and off? Join Jose and Javi as two of their most famous collaborators drop their hard-earned wisdom and advice!
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There is one question. The ETERNAL question. The question that all who want to write in Hollywood ask themselves over and over again.
How do I get an agent?
In this very special episode, Jose's first agent, Matt Bedrosian not only answers the eternal question of "how do you get an agent?" but also gives a no-holds-barred look behind the scenes at a talent agency and answers some of the most pressing questions asked by writers, both repped and non-repped...
What do agents do?
Why don't they answer my calls?
What are they doing when they are not answering my calls? Why do you even need an agent?
But mostly, we talk about "how do you get an agent?"
Really. There's an answer.
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When a guy writes on shows ranging from "Family Guy" to "Futurama" and "The Golden Girls", you pay attention to what he has to say. When that same guy is also Vice President of the Writers Guild, you clean out your ears, dust off your glasses, take out a pencil and a pad and take down some notes! In this candid, no-holds-barred conversation, Jose and Javi talk to David Goodman about his successes and struggles in comedy - animated and live action - and also have a lively discussion about the Writers Guild: what it does, who is in it and why, the strike of 2007 and how it affected working and neophyte writers alike, and why involvement with the union is crucial for all writers!
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In which Jose and Javi settle their Gladiator vs. Braveheart feud once and for all - in front of a live audience at the 2016 San Diego Comic Con! Putting that issue to rest with a sense of drama unseen since the Roman Colisseum, Jose and Javi then answer audience questions about writing for television, breaking into the business, the art of the argument, collaborative storytelling and Role Playing Games, how new media is affecting the television staffing landscape, and many, many more topics!
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