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About this episode:
Thomas Flight and Tom van der Linden discuss Denis Villeneuve's Dune: Part Two.
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Welcome back to our series on Gangster Cinema through the decades, in which we discuss 5 different gangster movies from 5 different decades in order to get a better understanding of the deeper meanings and evolution of the genre; concluding today in the 2010s with Martin Scorsese's The Irishman.
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Welcome back to our series on Gangster Cinema through the decades, in which we discuss 5 different gangster movies from 5 different decades in order to get a better understanding of the deeper meanings and evolution of the genre; continuing today in the 2000s with Ridley Scott's American Gangster.
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Welcome back to our series on Gangster Cinema through the decades, in which we discuss 5 different gangster movies from 5 different decades in order to get a better understanding of the deeper meanings and evolution of the genre; continuing today in the 1990s with Martin Scorsese's Goodfellas.
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In Part 2 of the Gangster Series we move from the sobering 70s into the neon-lit 80s and follow Al Pacino into yet another iconic gangster movie: Brian DePalma's Scarface.
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We are excited to announce our new series on Gangster Cinema through the decades. Over the course of 5 episodes, we will discuss 5 different gangster movies from 5 different decades, in order to get a better understanding of the deeper meanings and evolution of the genre; starting in the 1970s with Francis Ford Coppola's The Godfather.
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In this special 3-part series titled Cinema of Nuclear Dread, we explore cinema’s relation to the atomic bomb, and all the implications it represents, concluding today with an in-depth discussion of Christopher Nolan's Oppenheimer.
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In this special 3-part series titled Cinema of Nuclear Dread, which we are hosting in honor of the release of Christopher Nolan’s Oppenheimer, we explore cinema’s relation to the atomic bomb, and all the implications it represents. Continuing today with how the fear of and trauma from the nuclear bomb gave birth to the complicated and continuously evolving movie monster Godzilla.
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In this special 3-part series titled Cinema of Nuclear Dread, which we are hosting in honor of the upcoming release of Christopher Nolan’s Oppenheimer, we explore cinema’s relation to the atomic bomb, and all the implications it represents. Beginning today with the politics of the atomic bomb and the complicated philosophy of nuclear deterrence, in Stanley Kubrick’s classic satire Dr Strangelove or: How I learned to stop worrying and love the bomb.
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Before Indiana Jones' final adventure, we revisit his previous final adventure and discuss the early wave of legacy sequels, the conflicted enjoyment found in treasure-hunting movies, and the evolution of the adventure genre, in The Kingdom of the Crystal Skull
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We discuss facing the fear of existence, the often overlooked quality of language, and our relation to time, in Denis Villeneuve's Arrival.
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We discuss the nobility of servitude, the loss of collective identity, and Wes Anderson’s unique storytelling, in The Grand Budapest Hotel.
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We discuss the surprisingly fun absurdism of Ari Aster’s Beau is Afraid, and dive into its deeper themes of anxiety, childhood, and parental relations.
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We discuss filmmaking that feels timeless, the enigma of Daniel Plainview’s character, and the erosion of religion and social dynamics in the wake of rising capitalism, in Paul Thomas Anderson’s There Will Be Blood.
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We try to untangle the absurdist storytelling of Yorgos Lanthimos, the real meaning of justice, and the deeper metaphorical layers of his 2017 film The Killing of a Sacred Deer.
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We discuss the solemn new direction of the Western mythos, the unhealed wounds in US history, and dealing with grief, in Taylor Sheridan’s Wind River.
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We revisit David Fincher’s billionaire origin story The Social Network, discuss whether or not its romanticizing Zuckerberg’s rise to success, and how its surrounding myths about Silicon Valley, technological progress, and genius entrepreneurs have evolved since the movie’s release.
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Thomas Flight and Tom van der Linden discuss the marvelization of storytelling, the qualities of a perfect B movie, and the successes and shortcomings of translating one of the most influential gaming concepts to cinema, in John Francis Daley and Jonathan Goldstein’s Dungeons & Dragons: Honor Among Thieves.
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Thomas Flight and Tom van der Linden discuss one of the most enigmatic films of the 21st century: Lee Chang-dong’s Burning. A complex tale of morality, Freudian dynamics, and socio-political conflicts.
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Thomas Flight and Tom van der Linden discuss capturing the sublime grandeur of the cosmos, how different philosophies can lead to the same virtues and vices, and the relation between existentialism and the sun, in Danny Boyle’s Sunshine.
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