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Tim pays tribute to the late Tina Turner who recorded one of the songs from Aida, his musical with Elton John. Plus how Paul and the Manfreds introduced him to the music of Tina (and Ike).
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Tim looks back on his 4-date musicals tour, Circle Of Words, which roamed from Northampton to Newcastle with 2 stops in between.
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Tim plugs his forthcoming tour of 4 beautiful UK towns in which he reveals all about his hits (and flops) + @waughzone musicians & singers.
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Tim goes back to the 1950s and recalls some of the platters that mattered in his early days, spinning at 78rpm just as the 45 single and 33 album were taking hold. Did they influence his future career? Er - probably.
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Tim previews the theatrical return to London of the musical he wrote with Stuart Brayson, From Here To Eternity and plays extracts old and new from the score.
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Tim remembers the late Darius Campbell Danesh who starred in his musical From Here To Eternity.
He also recalls a 1974 album he and Andrew Lloyd Webber produced for the fine singer Maynard Williams.
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Tim returns to the Edinburgh Festival exactly 50 years after Frank Dunlop's production of Joseph and the Amazing Technicolor Dreamcoat launched the show there into new territories. Gary Bond, Gordon Waller and Maynard Williams do the musical honours.
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Tim apologises for taking time to get round to Podcast 65 but has a reasonable excuse: working on three of his favourite golden oldies.
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It’s 1955. Tim hears American radio for the first time in his life - in Japan - and is immediately captivated by radio, hit records, and the charts. And religion, sort of.
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Tim takes a further look at the original Joseph album that he and Andrew recorded in 1968, criticises his own lyrics (but not too harshly), plays the rarely heard second Pharaoh song and how Children of Israel became Children of Kindness.
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Tim tackles one of the questions he’s most often asked - would you change any of your old lyrics if you could, or if you were writing them now?
Well, yes and no. He investigates changes he could have made to the very first album of any show written by him and Andrew Lloyd Webber - Joseph and the Amazing Technicolour Dreamcoat - back in 1968 when 4 track-tape was about as sophisticated as it got.
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Tim recalls, as best he can, the events, the performers, the panics, leading up to the London début of Jesus Christ Superstar in 1972, after the show had already played in five foreign countries. He pays tribute to John Fogerty of Creedence as lyricist (well, one line in particular) and travelling companion. He apologises for missing out a few Sods from Episode 60.
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Tim discusses the Society of Distinguished Songwriters, the SODS, having recently celebrated their half-century. Founded by Mitch Murray in 1971, the Sods have had literally hundreds of hits around the world. You may not know all their names but you’ll certainly know their songs.
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On a cruise ship for two weeks, Tim recently presented a live concert of some of his most popular numbers of the past half century to a literally captive audience. He answers some of the questions the passengers asked him and plays compositions written with the Abba lads, ALW and Stuart Brayson, including one that has new relevance at the moment.
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Tim recalls his tragic exit from the legal profession and his good fortune in having his brilliant idea for a book on the history of the pop charts rejected. Plus the first ever recording of Any Dream Will Do.
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Having realised just in time that January 2022 marked 40 years since Joseph and the Amazing Technicolor Dreamcoat first hit Broadway, Tim pays tribute to the excellent 1982 company, on and off stage, which eventually inspired countless professional productions of the work in North America.
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Tim discusses foreign language adaptations of his work from many parts of the globe and reveals how some of the backers of Superstar on Broadway benefited from his racing tips.
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Tim recalls his enthusiasms from ages 0-10: his parents’ record collection, his stamp collection,
Matthew, Mark, Luke, John and Eagle. Plus how stars of Grab Me A Gondola also starred in Joseph and Chess.
And Turkish Delight from Eartha Kitt.
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Tim celebrates the recent 50th anniversary release of an all-singing all-dancing box set featuring the original 1969/70 Studio recordings of Jesus Christ Superstar, released a mere one year late.
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Tim relates the story of the international travels and travails of Chess on stage and in concert in the 38 years since he, Bjorn Ulvaeus and Benny Andersson produced the original recording of the musical drama. He plays three songs performed by the current Moscow Chess cast.
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