エピソード
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First broadcast on December 20, 1955. Script by Spike Milligan. Transcribed by Debby Stark, corrections by Kurt Adkins and Peter Olausson. Additional corrections by thegoonshow.net
http://www.thegoonshow.net/scripts_show.asp?title=s06e14_the_greenslade_story
Greenslade:
This is the BBC Light programme.
FX:
[Gasps. Wild applause]
Greenslade:
Encore? Certainly. [Clears throat] This is the BBC Light program.
FX:
[Wild applause]
Seagoon:
Hear that applause, dear listener? It was not for Danny Kaye, not for Fred Lane. No. It was all for a common or garden BBC announcer, Wallace Greenslade. How did he come by this rapturous applause? It is with heavy heart and light kidneys that we tell you...
Greenslade:
The Greenslade Story or...
Sellers:
Winds Light to Variable.
Orchestra:
[Mystery music]
Snagge:
My name is Snagge, John Snagge.
FX:
[Two coins land in a cup]
Snagge:
Thank you Sir Ian. It was June, 19-quifty-qua that the lad, Wallace Greenslade, first came to the BBC seeking refuge from hard work.
FX:
[Typewriter]
Greenslade:
Good morning, Miss, I'm Mr. W. Greenslade.
Receptionist (Female - Sellers):
Oh, yes, you've come for the vacant post of announcer.
Greenslade:
Yes, I have.
Receptionist:
Do take a seat with the other applicants.
Greenslade:
Thank you. I sat down next to a man wearing a brass deerstalker, white cricket boots, and a shredded cardboard wig.
Eccles:
Ha-llo!
Greenslade:
Good morning.
Eccles:
Winds light to variable.
Greenslade:
Pardon?
Eccles:
I said, "Winds light to variable."
Greenslade:
Oh, really.
Eccles:
Yeah. Winds light to variable. I'm practicing, you know.
Greenslade:
Don't tell me you're applying for the post of announcer?
Eccles:
Oh, yeah! And I'll get it too, you'll see! I'm wearing a Cambridge tie!
Greenslade:
You? You were at Cambridge?
Eccles:
Yeah!
Greenslade:
What were you doing there?
Eccles:
Buying a tie.
FX:
[Door opens]
Receptionist:
Mr. Liddell will see you now, Mr. Eccles.
Eccles:
Fine, fine, my good woman. This is it 2,000, £2,000 a year and a pension...
FX:
[Door closes and rapidly opens again]
Sellers:
Get out, you idiot!
Eccles:
Wait a minute, wait a minute! You ain't even heard me speak yet!
Sellers:
We'll write to you.
Eccles:
Well, that's no good, I can't read. Hey! Did you see that? He threw me out! Threw me out, the famous Eccles! He got no respect for the dead, that man! You can all laugh, but he never even let me say "winds light to variant." I'm going to tell my electrocution teacher about that...
FX:
[Door opens]
Receptionist:
Will you come in now, Mr Greenslade?
Greenslade:
Thank you, madam. I was lead into the presence of a BBC official. I took off my shoes and knelt down.
FX:
[Gong sound]
Pompous BBC Official:
Now, Mr Greensleaves, can I... can I hear you say something?
Greenslade:
Certainly....
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The Goon Show is a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series, broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show.
The show's chief creator and main writer was Spike Milligan, who performed the series alongside Harry Secombe, Peter Sellers and (for the first two series) Michael Bentine. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects. There were also light music interludes. Some of the later episodes feature electronic effects devised by the fledgling BBC Radiophonic Workshop, many of which were reused by other shows for decades. Many elements of the show satirised contemporary life in 1950s Britain, parodying aspects of show business, commerce, industry, art, politics, diplomacy, the police, the military, education, class structure, literature and film.
The show was released internationally through the BBC Transcription Services (TS). It aired regularly from the 1950s in Australia, South Africa, New Zealand, India, and Canada, although these TS versions were frequently edited to avoid controversial subjects. In the United States, NBC began broadcasting the programme on its radio network from the mid-1950s.
Subversive and absurdist, The Goon Show exercised a considerable influence on the development of British and American comedy and popular culture. It was cited as a major influence by the Beatles, the American comedy troupe the Firesign Theatre, and the British comedy troupe Monty Python.
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エピソードを見逃しましたか？
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Hey, Goon Show Lover you might also like our new, original, comedy podcast, EXPERTEASE, where fake experts make up fake facts about real topics. It's funny, silly, kinda smart and kinda dumb, with lots of room for improvised nonsense rather like the Goon Show! Come on over, and take a gander. Here's the link!
The Goon Show is a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series, broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show.
The show's chief creator and main writer was Spike Milligan, who performed the series alongside Harry Secombe, Peter Sellers and (for the first two series) Michael Bentine. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects. There were also light music interludes. Some of the later episodes feature electronic effects devised by the fledgling BBC Radiophonic Workshop, many of which were reused by other shows for decades. Many elements of the show satirised contemporary life in 1950s Britain, parodying aspects of show business, commerce, industry, art, politics, diplomacy, the police, the military, education, class structure, literature and film.
The show was released internationally through the BBC Transcription Services (TS). It aired regularly from the 1950s in Australia, South Africa, New Zealand, India, and Canada, although these TS versions were frequently edited to avoid controversial subjects. In the United States, NBC began broadcasting the programme on its radio network from the mid-1950s.
Subversive and absurdist, The Goon Show exercised a considerable influence on the development of British and American comedy and popular culture. It was cited as a major influence by the Beatles, the American comedy troupe the Firesign Theatre, and the British comedy troupe Monty Python.
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“Which way to point it,” and other safety tips.
Much love and many thanks to announcer Moira Quirk.
Your charmin ghosts are Danno Sullivan and Clare Sera
Say, love the show so much that you'd like to leave a review? We'd appreciate nothing more. Click here, and let your expert review-leaving begin!
Got a request for a special expertise? Leave us voicemail with your questions or comments. Over at the website, you'll see the little microphone floating in the bottom-right corner. That's where your expert voicemail leaving happens.
[00:01:21] Local cannon polishing ceremony.
[00:04:13] Cannon polishing techniques.
[00:08:55] Patriotic performance by Lindsay and Woolsey.
[00:10:51] Tour group narrowly avoids cannonball.
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Hey, Goon Show Lover you might also like our new, original, comedy podcast, EXPERTEASE, where fake experts make up fake facts about real topics. It's funny, silly, kinda smart and kinda dumb, with lots of room for improvised nonsense rather like the Goon Show! Come on over, and take a gander. Here's the link!
The Goon Show is a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series, broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show.
The show's chief creator and main writer was Spike Milligan, who performed the series alongside Harry Secombe, Peter Sellers and (for the first two series) Michael Bentine. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects. There were also light music interludes. Some of the later episodes feature electronic effects devised by the fledgling BBC Radiophonic Workshop, many of which were reused by other shows for decades. Many elements of the show satirised contemporary life in 1950s Britain, parodying aspects of show business, commerce, industry, art, politics, diplomacy, the police, the military, education, class structure, literature and film.
The show was released internationally through the BBC Transcription Services (TS). It aired regularly from the 1950s in Australia, South Africa, New Zealand, India, and Canada, although these TS versions were frequently edited to avoid controversial subjects. In the United States, NBC began broadcasting the programme on its radio network from the mid-1950s.
Subversive and absurdist, The Goon Show exercised a considerable influence on the development of British and American comedy and popular culture. It was cited as a major influence by the Beatles, the American comedy troupe the Firesign Theatre, and the British comedy troupe Monty Python.
-
Hey, Goon Show Lover -- you might also like our new, original, comedy podcast, EXPERTEASE, where fake experts make up fake facts about real topics. It's funny, silly, kinda smart and kinda dumb, with lots of room for improvised nonsense -- rather like the Goon Show! Come on over, and take a gander. Here's the link!
-
Hey, Goon Show Lover you might also like our new, original, comedy podcast, EXPERTEASE, where fake experts make up fake facts about real topics. It's funny, silly, kinda smart and kinda dumb, with lots of room for improvised nonsense rather like the Goon Show! Come on over, and take a gander. Here's the link!
The Goon Show is a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series, broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show.
The show's chief creator and main writer was Spike Milligan, who performed the series alongside Harry Secombe, Peter Sellers and (for the first two series) Michael Bentine. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects. There were also light music interludes. Some of the later episodes feature electronic effects devised by the fledgling BBC Radiophonic Workshop, many of which were reused by other shows for decades. Many elements of the show satirised contemporary life in 1950s Britain, parodying aspects of show business, commerce, industry, art, politics, diplomacy, the police, the military, education, class structure, literature and film.
The show was released internationally through the BBC Transcription Services (TS). It aired regularly from the 1950s in Australia, South Africa, New Zealand, India, and Canada, although these TS versions were frequently edited to avoid controversial subjects. In the United States, NBC began broadcasting the programme on its radio network from the mid-1950s.
Subversive and absurdist, The Goon Show exercised a considerable influence on the development of British and American comedy and popular culture. It was cited as a major influence by the Beatles, the American comedy troupe the Firesign Theatre, and the British comedy troupe Monty Python.
-
Hey, Goon Show Lover -- you might also like our new, original, comedy podcast, EXPERTEASE, where fake experts make up fake facts about real topics. It's funny, silly, kinda smart and kinda dumb, with lots of room for improvised nonsense -- rather like the Goon Show! Come on over, and take a gander. Here's the link!
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Clare's childhood crush. Danno's childhood calendar.
Much love and many thanks to announcer Moira Quirk.
Claire Serie and Dano, partners at the offices of expertise, engage in a lively and humorous conversation that revolves around their unique scheduling challenges and a new office hire. Dano has inadvertently been using a Chinese New Year calendar, which has thrown off their schedules, while Claire introduces Rachel Churchenhauser, their newly hired office manager and scheduler. Rachel, who comes with noble lineage and a penchant for punctuality akin to a German train system, promises to streamline their operations. Amidst their banter, Claire and Dano discuss the idiosyncrasies of their personal lives, touching on Claire's DUI past and Dano's gambling habits, and how these quirks intersect with their work environment. They also reflect nostalgically on their mutual past connections with the Churchgoer family, humorously considering how such interactions might have originally informed the concept of time. As they plan their next meeting, they decide to align it with the natural rhythms of their world, like the sighting of the Churchgoers, suggesting a lighthearted approach to managing their chaotic office life.
The partners of the Expertise podcast, Claire and Dano, embark on a whimsical discussion that blends personal revelations with business strategies. They explore their unconventional office culture, marked by Claire's drinking boundaries and Dano's gambling limits, and how these personal quirks impact their professional lives. The introduction of Rachel Churchenhauser as a new office manager adds a layer of intrigue and potential order to their chaotic environment. Their dialogue is peppered with cultural references and humorous exchanges, reflecting their open-minded approach to diversity and their reliance on unique organizational tools like bingo cards. The episode captures the essence of their partnership, highlighting both the challenges and the joys of working together.
Takeaways:
Dano and Claire discuss cultural diversity and inclusion at their office, humorously referring to it as 'offices of DEI.' Claire has hired a new office manager named Rachel Churchenhauser to help organize and revamp their systems. The conversation reveals Claire's past DUI incident and how it has become a running joke between her and Dano. The duo often humorously digress into personal anecdotes, such as Dano's gambling and Claire's crush on Johnny Churchgoer. They use unconventional methods like bingo cards and Chinese calendars to keep track of their schedules, adding comedic confusion to the mix. The episode humorously portrays the chaotic yet endearing nature of Dano and Claire's partnership in managing the podcast.
-
Hey, Goon Show Lover you might also like our new, original, comedy podcast, EXPERTEASE, where fake experts make up fake facts about real topics. It's funny, silly, kinda smart and kinda dumb, with lots of room for improvised nonsense rather like the Goon Show! Come on over, and take a gander. Here's the link!
The Goon Show is a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series, broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show.
The show's chief creator and main writer was Spike Milligan, who performed the series alongside Harry Secombe, Peter Sellers and (for the first two series) Michael Bentine. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects. There were also light music interludes. Some of the later episodes feature electronic effects devised by the fledgling BBC Radiophonic Workshop, many of which were reused by other shows for decades. Many elements of the show satirised contemporary life in 1950s Britain, parodying aspects of show business, commerce, industry, art, politics, diplomacy, the police, the military, education, class structure, literature and film.
The show was released internationally through the BBC Transcription Services (TS). It aired regularly from the 1950s in Australia, South Africa, New Zealand, India, and Canada, although these TS versions were frequently edited to avoid controversial subjects. In the United States, NBC began broadcasting the programme on its radio network from the mid-1950s.
Subversive and absurdist, The Goon Show exercised a considerable influence on the development of British and American comedy and popular culture. It was cited as a major influence by the Beatles, the American comedy troupe the Firesign Theatre, and the British comedy troupe Monty Python.
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The Goon Show - S07 - ESP - Operation Christmas Duff
Hey, Goon Show Lover -- you might also like our new, original, comedy podcast, EXPERTEASE, where fake experts make up fake facts about real topics. It's funny, silly, kinda smart and kinda dumb, with lots of room for improvised nonsense -- rather like the Goon Show! Come on over, and take a gander. Here's the link!
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The Goon Show - S07 - E25 - The Histories Of Pliny The Elder
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Is Danno’s old phone still bugged by the Communists?
Much love and many thanks to announcer Moira Quirk.
And our communist, Erin Ash Sullivan.
Say, love the show so much that you'd like to leave a review? We'd appreciate nothing more. Click here, and let your expert review-leaving begin!
Got a request for a special expertise? Leave us voicemail with your questions or comments. Over at the website, you'll see the little microphone floating in the bottom-right corner. That's where your expert voicemail leaving happens.
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The Goon Show - S07 - E24 - The Missing Boa Constrictor
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The Goon Show - S07 - E23 - Ill Met By Goonlight
Hey, Goon Show Lover -- you might also like our new, original, comedy podcast, EXPERTEASE, where fake experts make up fake facts about real topics. It's funny, silly, kinda smart and kinda dumb, with lots of room for improvised nonsense -- rather like the Goon Show! Come on over, and take a gander. Here's the link!
-
Hey, Goon Show Lover you might also like our new, original, comedy podcast, EXPERTEASE, where fake experts make up fake facts about real topics. It's funny, silly, kinda smart and kinda dumb, with lots of room for improvised nonsense rather like the Goon Show! Come on over, and take a gander. Here's the link!
The Goon Show is a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series, broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show.
The show's chief creator and main writer was Spike Milligan, who performed the series alongside Harry Secombe, Peter Sellers and (for the first two series) Michael Bentine. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects. There were also light music interludes. Some of the later episodes feature electronic effects devised by the fledgling BBC Radiophonic Workshop, many of which were reused by other shows for decades. Many elements of the show satirised contemporary life in 1950s Britain, parodying aspects of show business, commerce, industry, art, politics, diplomacy, the police, the military, education, class structure, literature and film.
The show was released internationally through the BBC Transcription Services (TS). It aired regularly from the 1950s in Australia, South Africa, New Zealand, India, and Canada, although these TS versions were frequently edited to avoid controversial subjects. In the United States, NBC began broadcasting the programme on its radio network from the mid-1950s.
Subversive and absurdist, The Goon Show exercised a considerable influence on the development of British and American comedy and popular culture. It was cited as a major influence by the Beatles, the American comedy troupe the Firesign Theatre, and the British comedy troupe Monty Python.
-
Hey, Goon Show Lover you might also like our new, original, comedy podcast, EXPERTEASE, where fake experts make up fake facts about real topics. It's funny, silly, kinda smart and kinda dumb, with lots of room for improvised nonsense rather like the Goon Show! Come on over, and take a gander. Here's the link!
The Goon Show is a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series, broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show.
The show's chief creator and main writer was Spike Milligan, who performed the series alongside Harry Secombe, Peter Sellers and (for the first two series) Michael Bentine. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects. There were also light music interludes. Some of the later episodes feature electronic effects devised by the fledgling BBC Radiophonic Workshop, many of which were reused by other shows for decades. Many elements of the show satirised contemporary life in 1950s Britain, parodying aspects of show business, commerce, industry, art, politics, diplomacy, the police, the military, education, class structure, literature and film.
The show was released internationally through the BBC Transcription Services (TS). It aired regularly from the 1950s in Australia, South Africa, New Zealand, India, and Canada, although these TS versions were frequently edited to avoid controversial subjects. In the United States, NBC began broadcasting the programme on its radio network from the mid-1950s.
Subversive and absurdist, The Goon Show exercised a considerable influence on the development of British and American comedy and popular culture. It was cited as a major influence by the Beatles, the American comedy troupe the Firesign Theatre, and the British comedy troupe Monty Python.
-
Hey, Goon Show Lover you might also like our new, original, comedy podcast, EXPERTEASE, where fake experts make up fake facts about real topics. It's funny, silly, kinda smart and kinda dumb, with lots of room for improvised nonsense rather like the Goon Show! Come on over, and take a gander. Here's the link!
The Goon Show is a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series, broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show.
The show's chief creator and main writer was Spike Milligan, who performed the series alongside Harry Secombe, Peter Sellers and (for the first two series) Michael Bentine. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects. There were also light music interludes. Some of the later episodes feature electronic effects devised by the fledgling BBC Radiophonic Workshop, many of which were reused by other shows for decades. Many elements of the show satirised contemporary life in 1950s Britain, parodying aspects of show business, commerce, industry, art, politics, diplomacy, the police, the military, education, class structure, literature and film.
The show was released internationally through the BBC Transcription Services (TS). It aired regularly from the 1950s in Australia, South Africa, New Zealand, India, and Canada, although these TS versions were frequently edited to avoid controversial subjects. In the United States, NBC began broadcasting the programme on its radio network from the mid-1950s.
Subversive and absurdist, The Goon Show exercised a considerable influence on the development of British and American comedy and popular culture. It was cited as a major influence by the Beatles, the American comedy troupe the Firesign Theatre, and the British comedy troupe Monty Python.
-
Hey, Goon Show Lover you might also like our new, original, comedy podcast, EXPERTEASE, where fake experts make up fake facts about real topics. It's funny, silly, kinda smart and kinda dumb, with lots of room for improvised nonsense rather like the Goon Show! Come on over, and take a gander. Here's the link!
The Goon Show is a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series, broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show.
The show's chief creator and main writer was Spike Milligan, who performed the series alongside Harry Secombe, Peter Sellers and (for the first two series) Michael Bentine. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects. There were also light music interludes. Some of the later episodes feature electronic effects devised by the fledgling BBC Radiophonic Workshop, many of which were reused by other shows for decades. Many elements of the show satirised contemporary life in 1950s Britain, parodying aspects of show business, commerce, industry, art, politics, diplomacy, the police, the military, education, class structure, literature and film.
The show was released internationally through the BBC Transcription Services (TS). It aired regularly from the 1950s in Australia, South Africa, New Zealand, India, and Canada, although these TS versions were frequently edited to avoid controversial subjects. In the United States, NBC began broadcasting the programme on its radio network from the mid-1950s.
Subversive and absurdist, The Goon Show exercised a considerable influence on the development of British and American comedy and popular culture. It was cited as a major influence by the Beatles, the American comedy troupe the Firesign Theatre, and the British comedy troupe Monty Python.
-
Hey, Goon Show Lover you might also like our new, original, comedy podcast, EXPERTEASE, where fake experts make up fake facts about real topics. It's funny, silly, kinda smart and kinda dumb, with lots of room for improvised nonsense rather like the Goon Show! Come on over, and take a gander. Here's the link!
The Goon Show is a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series, broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show.
The show's chief creator and main writer was Spike Milligan, who performed the series alongside Harry Secombe, Peter Sellers and (for the first two series) Michael Bentine. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects. There were also light music interludes. Some of the later episodes feature electronic effects devised by the fledgling BBC Radiophonic Workshop, many of which were reused by other shows for decades. Many elements of the show satirised contemporary life in 1950s Britain, parodying aspects of show business, commerce, industry, art, politics, diplomacy, the police, the military, education, class structure, literature and film.
The show was released internationally through the BBC Transcription Services (TS). It aired regularly from the 1950s in Australia, South Africa, New Zealand, India, and Canada, although these TS versions were frequently edited to avoid controversial subjects. In the United States, NBC began broadcasting the programme on its radio network from the mid-1950s.
Subversive and absurdist, The Goon Show exercised a considerable influence on the development of British and American comedy and popular culture. It was cited as a major influence by the Beatles, the American comedy troupe the Firesign Theatre, and the British comedy troupe Monty Python.
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