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This is episode was recorded on the 4th of August during the University of Tasmania's Songwriting Open Day. The two industry panels were curated and produced by Music Tasmania, in partnership with the School of Music at The University of Tasmania.
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This is episode was recorded on the 4th of August during the University of Tasmania's Songwriting Open Day. The two industry panels were curated and produced by Music Tasmania, in partnership with the School of Music at The University of Tasmania.
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The workshop was held in partnership with the Moonah Arts Centre and supported by The Australian Council for the Arts.
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The workshop was held in partnership with the Moonah Arts Centre and supported by The Australian Council for the Arts.
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The workshop was held in partnership with the Moonah Arts Centre and supported by The Australian Council for the Arts.
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This podcast is supported by Arts Tasmania
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Dancer, writer, DJ, and radio presenter Elwyn discusses the beauty and freedom of late-night queer spaces and why they needed to document Hobart's party scene. The conversation with Keith Deverell also discusses the reliance on alcohol to fuel the late-night music economy and how drug law reform could help create safe and inclusive places for self-expression.
This podcast is supported by Arts Tasmania -
Recorded and edited by Keith Deverell
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The Festival of Voices director, Peter Choraziak, and Musical Scott Targett respond to the question: why did you start the Tasmanian Songbook? The Tasmanian Song Book is a program of music presented through Festival of Voices that speak directly to the heart and identity of the island and its people. The pair discuss the different curatorial thematics they use to develop a program of music that looks past, present and future, including protest songs, Tasmanian First Nation artists, songs about Tasmania, and bands that nearly made it. The pair also discuss the how narrative and context is used to introduce each of the songs during the live performance. The conversation also talks about the wealth of talented musicians in Tasmania.
The podcast includes songs recording live during the 2021 Tasmanian Songbook. The following list of songs and artists is listed in order of play.
Liyini milaythina rrala (Singing Country Strong) performed by Jodi Haines & Jude Reid, and Merinda Sainty (violin)Glenn Richards performs “Van Diemen’s Land”Let the Franklin Flow by Shane HowardSooner or later by Monique BrumbyLost Child by Kartanya MaynardTom Wolfe performs You Come Back to TassieMonique performs Walk That Beach AgainGo Home performed by Jed AppletonWalk the Night by EWAH & The Vision Of ParadiseAin’t Seen It Yet by Nick WolfeGo Home performed by Jed AppletonThis episode was recorded and edited by Keith Deverell
The Music Tasmania Podcast is supported by Arts Tasmania
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Music in this episode was recorded live at Rosny Barn, and featured vocalists, Michelle Nicolle, Katy Roucher, Miah Aplin, and Louise Denson on Piano.
The Music Tas Podcast is proudly supported by Arts Tasmania.
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Music in this episode was recorded live at Rosny Barn, and featured vocalists, Michelle Nicolle, Katy Roucher, Miah Aplin, and Louise Denson on Piano.
The Music Tas Podcast is proudly supported by Arts Tasmania.
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In this episode Stephanie Eslake editor of cut common speaks to Jazz musician, educator and music producer Matthew Boden. Stephanie asks Matthew about his perspectives on music‘s infatuation with excellence, and the positive and negative impact this has on the industry. They also discuss making music education applicable, and adaptive to provide context and opportunities in a fast moving industry, and discuss how through education students can experience real life industry situations. Matthew also talks about his ongoing career working as a professional Music producer scoring for the screen and working with orchestras around the world.
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Welcome to the Music Tas Podcast. In this episode, we hear from the Sisters Akousmatica. Their expanded radio projects explore radical transmission possibilities through voice, radio receivers and transmitters, amplified mineral samples, re-kindled transistor parts, pulsar, wind, waves, and words. Recently they drove their Broom Broom vehicle of transmission at Junction Festival in various public spaces, where audiences could draw on the car and take control of hyperlocal airwaves. They also have a Borderadio artwork presented at the group exhibition Shaping the Aether at the espace multimedia Gantner in France curated by Pali Meursault.
The nipaluna/Hobart based radio queens share some recordings concerned with collective electromagnetic practices and ownership of the airwaves located in high magnetic latitude in the southern hemisphere. They interview Dr Warren Hankey, a PhD on globular clusters at the Grote Reber Museum and a member of The Sound Preservation Association of Tasmania team, who shares their knowledge of radio waves lutruwita-Tasmania. In the conversation, they talk about an impromptu sewage sound, and lament a horde of musical wind creatures.
In this episode, all sounds were researched, performed, and recorded on the unceded land of the palawa people between 2017 and 2021. -
In this episode Stephanie Eslake, arts journalist, and founding editor of national music magazine Cut Common talks with Hobart based singer songwriter and vocal tutor Hannah May. Hannah talks about her own career as a musician and teacher, the all important work/life balance and how having endometriosis, a chronic illness that affects 1 in 9 women changed her life and career. Hannah also speaks about how she uses music to address mental health in her own life and in the lives of her students.
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n this episode Julia Fredersdorff, Claire Johnston, and Sam Dowson discuss the positives and negatives of record labels. Speaking from their own personal experiences the three discuss how record labels are curators of music, and documenters of culture. They discuss the aesthetics of vinyl and the joy of playing records, and reflect on how record labels can also work against the artist. This conversation was facilitated by Ursula Woods, and recorded at our In Conversation event at the Rosny Barn in August 2021. We would like to thank Clarence Council Arts and Events for their support. Enjoy.
The Music Tasmania Podcast is supported by The Australia Council for the Arts, and Arts Tasmania. -
This episode is a recording of a conversation between Alan Gogoll and Matthew Boden, who discuss their different approaches to reaching audiences through social networking and live streaming platforms, and strategies they use for generating passive incomes from their music. This conversation was facilitated by Ursula Woods, and recorded at our In Conversation event at the Rosny Barn in August 2021. We would like to thank Clarence Council Arts and Events for their support. Enjoy.
The Music Tasmania Podcast is supported by The Australia Council for the Arts, and Arts Tasmania. -
In this first episode of the Music Tas Podcast, we hear from the Tasmanian band The Brothers of Country, a band of brothers from across Tasmania, Australia, and the World.
The Brothers of Country draw from aboriginal practices and connection to country as the conduit to bring diverse cultural groups into a shared, safe and creative space.
Music is central to Indigenous storytelling and lore. Music has carried knowledge and truth-telling of pain and sorrow, celebration and tradition from generation to generation.
The brothers say this is how it should be.
These truths have been broken for Aboriginal men and women in Tasmania and across Australia recovering from colonisation.
But these people, these artists are not alone. Refugee and migrant people face similar dispossession from place and loss of culture. The result is often a story of great sorrow, trauma, and ultimately a deep feeling of being unwell, of illness.
The Brothers of Country use their music as a space to tell stories and find spaces for healing and truth-telling.
The earthy sounds of the Tasmanian bush Elder Songman Dougie Mansell, Singer, and drummer MwaseMakalani, a Yao and Chichewa man from Malawi, Yorta Yorta and Yuwaalaraay ( pronounced yoOolaray) man Warren Mason, Tasmanian born Yorta Yorta man First Nations Producer and musician Josh Langford, Tasmanian Aboriginal pakana (pronounce Puk-a-Na) traditional dancer Harley Mansell, Walker and keeper of Stories Sean Mansell, and Adelaide born cultural magpie Matthew Fargher.
We will now hear a conversation, facilitated by Matthew Farger between these brothers, these dignified men of story. This was recorded on 26th June 2021 when the brothers gathered at the Moonah Art Centre
The brothers would like to thank the Glenorchy City Council and Moonah Arts Centre for supporting this project throughout. The Music Tasmania Podcast is supported by The Australia Council for the Arts, and Arts Tasmania.
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Introducing the Music Tasmania podcast, hosted by Bianca Blackhall. In this episode we take a short journey around Tasmania hearing a few tales of the sounds and the places that influenced and make this island the island it is.
In this episode we hear short stories from Fiona Hamilton, Julia Drouhin, Christopher 'Gibbo' Giblett, Fiona Hamilton, Georgia Lucy, and Keith Deverell. Each of these stories explores peoples relationship to sound in Tasmania.
