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In the final episode of this Next Generation series, we ask two experts working at Oper Frankfurt to share their understanding of the challenges facing young artists entering a programme. From the shock of that first time on the main stage, to finding a common language when it comes to technique, and finally allowing the personality to really shine through, Felice Venanzoni and Hedwig Fassbender offer candid advice on all aspects of nurturing operatic talent with sensitivity and respect.
Watch now on OperaVision
Opera for Peace documentary with Leonardo Sanchez
Artifacts Assembly from Young Artists at the Palau de les Arts
Il Viaggio a Reims from Young Artists at the Rossini Opera Festival
Documentary from Oper Frankfurt on audition training for the Paul Hindemith Orchestra Academy
Masterclass with Sarah Connolly
Music Extracts
Introduction and closing from Die Entführung aus dem Serail (Mozart): Overture
Aquela Moça (Luís de Freitas Branco) mezzo soprano Claudia Ribas accompanied by Felice Venanzoni
La Traviata Addio bel passato with soprano Karolina Bengtsson accompanied by Yuna Saito
Rape of Lucretia (Britten) Give him this orchid with mezzo soporano Claudia Ribas accompanied by Yuna Saito
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This month, we’re joined by young artists Chiara Boccabella and Francesco Leone in the run up to the Accademia Rossiniana Alberto Zedda this summer. They share thoughts on preparing for auditions (the key lies in character!), and how exactly to bring lightness and joy to singing Rossini so that it feels (almost) effortless.
Watch now on OperaVision
Opera for Peace documentary with Leonardo Sanchez
Artifacts Assembly from Young Artists at the Palau de les Arts
Documentary from Oper Frankfurt on audition training for the Paul Hindemith Orchestra Academy
Masterclass with Sarah Connolly
Music Extracts all from Rossini's Il Viaggio a Reims at the Accademia Rossiniana 2023
Introduction & closing: Il Viaggio a Reims (opening)
Con sì dotta il nobil gente, di fanal che serve al mondo with mezzo-soprano Seray Pinar (Cast B)
Sì, di matti una gran gabbia with baritone Andrés Cascante (Cast A)
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This month, we are back with our emerging artists from Palau de les Arts in Valencia, where we discover how steady and slow is the key to vocal progression, how going beyond your comfort zone is necessary when hustling for work, and which key elements to take from a programme into the professional world. Mezzo-soprano Laura Orueta takes her first professional steps and soprano Iria Goti looks ahead to her final stretch in Valencia and life beyond.
MusicIntroduction and closing from Die Entführung aus dem Serail (Mozart): Overture
I Hate Music; Tavouk Guenksis; Piccola Serenata de Leonard Bernstein (1918-1990) with Iria Goti, soprano, José Alberto Sancho, piano
Enllà de l’origen (from Els asfòdels) by Matilde Salvador (1918-2007)
Laura Orueta, mezzo soprano, José Alberto Sancho, piano Dame, dame la noche del desnudo by Juan Durán (1960) with Marcelo Solís, baritone, José Alberto Sancho, pianoWatch now on OperaVision
Artifacts Assembly from Young Artists at the Palau de les Arts
Die Meistersinger von Nürnberg from Teatro Real, Madrid
Documentary from Oper Frankfurt on audition training for the Paul Hindemith Orchestra Academy
Masterclass with Sarah Connolly
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This month, we’re back at Oper Frankfurt following up with our four young artists, where juggling roles and dealing with vocal fatigue are part of life at the height of a busy season. Our singers share stories of setting boundaries, juggling repertoire, and how sometimes saying no is essential to protecting both vocal and mental health. Featuring sopranos Nombulelo Yende and Clara Hyoyoung Kim, mezzo-soprano Helene Feldbauer, and baritone Jarrett Porter.
Watch now on Opera Vision
Artifacts Assembly from Young Artists at the Palau de les Arts
Documentary from Oper Frankfurt on audition training for the Paul Hindemith Orchestra Academy
Masterclass with Sarah Connolly
Music extracts
Norma (Bellini) aria Norma: Casta diva, Nombulelo Yende, Moniuszko Vocal Competition
Winterreise (Schubert) Gute Nacht Jarrett Porter at the Oper Frankfurt Soirée. Pianist Felice Venanzoni
Ständchen (Schubert) Zögend, leise Helene Feldbauer at the Oper Frankfurt Soiree. Pianist Yuna Saito
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In an industry where self-doubt can be paralysing, Opera for Peace Ambassador and soprano Ailyn Perez shares her techniques for helping emerging artists to trust their voices, how to navigate away from the feeling of continually being judged, and she acknowledges her own vulnerability when approaching a new piece – a reminder that even those at the pinnacle of their careers experience moments of uncertainty. Meanwhile, young tenor Matteo Ivan Rašic questions whether as a singer you need to be self-centred, and reflects on the significance of success as the son of a refugee family, giving a personal perspective on the stakes involved in pursuing a career in the arts.
Watch now on Opera Vision
Artifacts Assembly from Young Artists at the Palau de les Arts
Documentary from Oper Frankfurt on audition training for the Paul Hindemith Orchestra Academy
Masterclass with Sarah Connolly
Music extracts
Introduction and closing from Die Entführung aus dem Serail (Mozart): Overture
Donizetti ‘Quel guardo il cavaliere’ from Don Pasquale, with soprano Nanami Yoneda and pianist Kamal Khan
Mozart ‘Se vuol ballare’ from Le Nozze di Figaro, with bass baritone Ihor Mostovai and pianist Carmen Santoro
Charpentier ‘Depuis le jour’ from Louise, with soprano Oksana Sliubyk and pianist Kamal Khan
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With its extensive international travel, sets and costumes created for individual productions, many of which are then disposed of, opera does not have a reputation for being particularly green. However, companies and individuals are now making great strides towards sustainability in the face of the climate crisis and are continuing to find ways to make spaces and performances more environmentally sustainable.
In this episode we find out how activists and individuals are challenging the status quo - working towards sustainability in the face of the climate crisis. Nina speaks to Sebastien Gueze, the French Tenor and activist responsible for publishing the BIOPERA essay, who now also works as a sustainability consultant for the French government, and Italian Stage Director Ilaria Lanzino who has directed a pilot CO2 neutral production at Oper Leipzig.
Watch now on Opera Vision
Artifacts Assembly from Young Artists at the Palau de les Arts
Documentary from Oper Frankfurt on audition training for the Paul Hindemith Orchestra Academy
Masterclass with Sarah Connolly
Eco entertainment
Masque of Might from Opera North
Music extracts
Introduction and closing from Die Entführung aus dem Serail (Mozart): Overture
Massenet ‘Alors c'est bien ici’ from Werther with tenor Mario Chang and the Opéra Orchestre National Montpellier
Sivan Eldar ‘Wood behaviour’ from Like Flesh (words: Cordelia Lynn) with soprano Juliette Allen and baritone William Dazeley from Opéra de Lille. Watch flashback here
Handel ‘Verdi prati’ from Alcina with countertenor Patrick Terry at Opera North. Watch flashback here
Find out more about Ilaria Lanzino here
Find out more about Sebastien Guèze here
Access Sebastien’s BIOPÉRA Essay (in French) here
Find out about Opera North’s Green Season here
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For many artists there are barriers that go much deeper than the gender binary, but how can we ensure people of every gender have real access and are genuinely welcomed in the opera world? Trailblazing American baritone Lucia Lucas reveals the highs and lows of inhabiting a role close to her heart; Lili Elbe at the Theater St. Gallen, about the eponymous painter who was the first person to have gender confirmation surgery in the 1930s. Meanwhile, Spanish director, designer and visual artist Marta Pazos explores the world of intersexuality through her production of Alexina B at the Gran Teatre del Liceu In Barcelona; she shares how she brought the story of Herculine Barbin vividly to life.
Additional voiceovers by Celia Grau
Translation supervised by Joan Soley
View the OperaVision website here
Watch now on Opera Vision
Lili Elbe by composer Tobias Picker & librettist Aryeh Lev Stollman
Oper Frankfurt documentary From Studio to Stage
Il Viaggio a Reims (Rossini), Rossini Opera Festival Accademia Rossiniana
Masterclass with Sarah Connolly
More here about Alexina B
Music extracts
Introduction and closing from Die Entführung aus dem Serail (Mozart): Overture
All other extracts from Lili Elbe Theater St. Gallen featuring baritone Lucia Lucas, soprano Sylvia D’Eramo and bass Msimelelo Mbali
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‘Classical opera has a racism problem’ ran a headline in the New York Times in 2019, one of many articles in recent years to discuss the subject. Racism is high on the list of issues the opera world is looking to tackle, and in this episode we’re joined by two artists from different sides of the Atlantic, exploring how they are striving to create an opera and classical music culture that better reflects the communities they serve.
View the OperaVision website here
Watch now on Opera Vision
Oper Frankfurt From Studio to Stage
Il Viaggio a Reims (Rossini), Rossini Opera Festival Accademia Rossiniana
Masterclass with Sarah Connolly
Music extracts
Introduction and closing from Die Entführung aus dem Serail (Mozart): Overture
Verdi ‘Dance of the young Moorish slaves’ from Aida at Opera di Roma view flashback here
Mozart ‘Alles fühlt der Liebe Freuden’ from Die Zauberflöte at the Royal College of Music with tenor Dafydd Jones
Verdi ‘D’un uom che geme sotto il tuo disdegno’ from Otello at Poznań Opera with soprano Iwona Sobotka and tenor Gwyn Hughes Jones view performance here
Loki Karuna https://www.lokikaruna.com/
Pegasus Opera https://pegasusoperacompany.org/
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‘Is opera the most misogynistic art form?’ asked Charlotte Higgins in The Guardian back in 2016, noting that the genre itself seems to devour women. In Classical Music Magazine in 2020, Becca Marriott argued that ‘Sexism is preventing women from forging a career in opera’. Over the course of the next episodes, we are looking at how voices in opera are calling for change to make it better for the next generation of operatic talent. In this episode, we investigate misogyny in opera both on the stage and behind the scenes, and investigate the lived experience of artists who are striving to make the opera world a place where everyone feels welcome, respected and safe.
View the OperaVision website here
Watch now on Opera Vision
Oper Frankfurt From Studio to Stage
Opera for Peace Masterclasses with Ailyn Perez & Brian Jagde
Il Viaggio a Reims (Rossini), Rossini Opera Festival Accademia Rossiniana
BBC Cardiff Singer of the World with Nombulelo Yende
Dana Lynne Varga www.danavarga.com
The Empowered Musician https://theempoweredmusician.com/
Mass Opera https://massopera.org/
Rosie Middleton https://rosiemiddleton.com/
Derri Joseph Lewis https://derrijosephlewis.com/
Music extracts
Introduction and closing from Die Entführung aus dem Serail (Mozart): Overture
Bizet ‘L'amour est un oiseau rebelle’ (Habanera) from Carmen with mezzo-soprano Evgenia Asanova at the Staatsoper Hannover. Watch extract here
Massenet ‘Je marche sur tous les chemins’ from Manon with soprano Elsa Dreisig at the Hamburg State Opera. Watch extract here
Donizetti 'Regnava nel silenzio' from Lucia di Lammermoor with soprano Lisette Oropesa at the Teatro Real Madrid. Watch full extract here
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Opera has long been accused of elitism, racism and misogyny, and over the course of the next few episodes we are looking at how voices in opera are calling for change to make it better for all our young artists. We begin by looking at the representation of Asian culture on the operatic stage, and investigate the lived experience of artists who are striving to make the opera world a place where everyone feels welcome.
View the OperaVision website here
Watch now on Opera Vision
Oper Frankfurt From Studio to Stage
Opera for Peace Masterclasses with Ailyn Perez & Brian Jagde
Il Viaggio a Reims (Rossini), Rossini Opera Festival Accademia Rossiniana
BBC Cardiff Singer of the World with Nombulelo Yende
The Asian Opera Alliance https://asianoperaalliance.com/
Final Bow for Yellow Face https://www.yellowface.org/
Music extracts
Introduction and closing from Die Entführung aus dem Serail (Mozart): Overture
Puccini Là, sui monti dell'Est from Turandot at the Finnish National Opera
Puccini Liù! Liù! Sorgi! Sorgi! From Turandot at the Grand Théâtre de Genève
Puccini Vogliatemi bene from Madama Butterfly, soprano Marina Rebeka at the Palau de les Arts Reina Sofía
Puccini Un bel dì, vedremo from Madama Butterfly, soprano Juliana Grigoryan at the 11th Moniuszko Vocal Competition
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This month, OperaVision is back in Paris at Opera for Peace’s second academy, with our expert the soprano Sumi Jo sharing her warm yet strict approach to working with emerging artists, and giving us tips on sustaining a long and healthy career. Meanwhile we explore what it means to come to opera later in life with tenor Raùl Guttierrez, and the importance of protecting your voice and the pursuit of self-improvement with soprano Maria Belèn Rivarola.
View the OperaVision website here
Watch now on Opera Vision
Opera for Peace Masterclasses with Ailyn Perez & Brian Jagde
Cendrillon (Viardot) from the Young Artists at the Palau de Les Arts, Centre de Perfeccionament (until October 1st 2023)
Il Viaggio a Reims (Rossini), Rossini Opera Festival Accademia Rossiniana
BBC Cardiff Singer of the World with Nombulelo Yende
Music Extracts
Introduction and closing from Die Entführung aus dem Serail (Mozart): Overture
Verdi Tacea la notte placida from Il Trovatore, with soprano
Maria Belen Rivarola, pianist: Kamal Khan
Puccini Recondita Armonia from Tosca, with tenor Raùl Guttierrez, pianist: Carmen Santoro
Massenet Pourquoi me reveiller from Werther, with tenor Raùl Guttierrez, pianist: Daniel Crus
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OperaVision heads to the Palau de les Arts and their Centre de Perfeccionament in Valencia, where two of our young artists talk about the challenge of balancing outside opportunities with in-house commitments, the realisation that insecurities as an artist happen at every level, and the difference between being treated like a young artist and a young professional.
View the OperaVision website here
Watch now on Opera Vision
Cendrillon (Viardot) from the Young Artists at the Palau de Les Arts, Centre de Perfeccionament (until October 1st 2023)
Il Viaggio a Reims (Rossini), Rossini Opera Festival Accademia Rossiniana
BBC Cardiff Singer of the World with Nombulelo Yende
Frankfurt Opera Studio Soirée
Frankfurt Opera Studio Documentary
Opera for Peace Masterclasses with Ailyn Perez & Brian Jagde
Music Extracts
Introduction and closing from Die Entführung aus dem Serail (Mozart): Overture.
Viardot, instrumental extract from Cendrillon, Pianist: Ignacio Aparisi
Viardot, trio Je serai charmante, toujours élégante, from Cendriillon with Iria Goti, Mariana Sofía and Rosa Dávila, Pianist: Ignacio Aparisi
H. Duparc, L’invitation au voyage with Laura Orueta, Pianist: Omar Sánchez
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This month, OperaVision takes you along the Adriatic Coast to the Rossini Opera Festival’s Accademia Rossiniana’s ‘Alberto Zedda’ in Pesaro. Three young artists negotiate their way through the packed auditions, develop their Rossini style and technique, and find ways to make roles truly their own. We learn what they are discovering from their Masterclass with Rosetta Cucchi, such as using Stanislavski techniques to develop their character and how they avoid giving a generic performance. We hear tips that help them approach not only their roles within the Rossini repertoire, but that will support how they develop and create all their operatic roles in the future.
View the OperaVision website here
Watch now on Opera Vision
Il Viaggio a Reims (from 18th August)
BBC Cardiff Singer of the World
Frankfurt Opera Studio Soirée
Frankfurt Opera Studio Documentary
Opera for Peace Masterclasses with Ailyn Perez & Brian Jagde
Cendrillon (Viardot) from the Young Artists at the Palau de Les Arts Centre de Perfeccionament
Music Extracts from Rossini's Il Viaggio a Reims at the Accademia Rossiniana (Cast A) 2022
Introduction & closing: Il Viaggio a Reims (opening)
Di vaghi raggi adorno Soprano Maria Kokareva & Chorus
Io! Don Profondo! Don Profondo’s aria with Baritone Matteo Guerzé
Che miro! Ah qual soprpresa! with Soprano Aitana Sanz
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This month, OperaVision takes you from the Studio at Oper Frankfurt to backstage at BBC Cardiff Singer of the World. Nombulelo Yende shares her hopes and fears about performing in front of experts and an international audience, while Clara Hyoyoung Kim is honest about the challenges of clashing schedules and saying ‘no’ when it is necessary. Meanwhile the visiting expert Matthias Rexroth sets the bar extremely high for young singers.
View the OperaVision website here
Watch now on Opera Vision
BBC Cardiff Singer of the World https://operavision.eu/de/performance/bbc-cardiff-singer-world-2023-final
Frankfurt Opera Studio Soirée https://operavision.eu/performance/frankfurt-opera-studio-soiree
Frankfurt Opera Studio Documentary https://operavision.eu/performance/frankfurt-opera-studio-soiree
Opera for Peace Masterclasses with Ailyn Perez & Brian Jagde:
https://operavision.eu/de/performance/ailyn-perez-brian-jagde-masterclass
Cendrillon (Viardot) from the Young Artists at the Palau de Les Arts Centre de Perfeccionament https://operavision.eu/performance/cendrillon-0
Music Extracts
Introduction & closing: Die Entführung aus dem Serail (Mozart): Overture.
Bellini: Ah! Non credea mirarti! from La Sonnambula, Clara Hyoyoung Kim (Soprano) Felice Venanzoni (Piano)
Moniuszko: Ha! Dzieciątko nam umiera...O mój maleńki from Halka, Nombulelo Yende (Soprano) live from the 11th Moniuszko Vocal Competition at Polish National Opera
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One of the leading tenors of his generation, Brian Jagde joins us after his Opera for Peace Masterclass in Paris. He opens up about vocal technique and mental health. Through his work with tenors Raúl Gutiérrez and Matteo Ivan Rašić, we hear sound advice on vocal interpretation. We learn more about his work ethic, his transition from baritone to tenor and what this has meant for his career.
View the OperaVision website here
Watch now on Opera Vision
Opera for Peace Masterclass in Paris with Ailyn Perez and Brian Jagde https://operavision.eu/performance/ailyn-perez-brian-jagde-masterclass (from June 2nd)
Cendrillon (Viardot) from the Young Artists at the Palau de Les Arts Centre de Perfeccionament https://operavision.eu/performance/cendrillon-0
Frankfurt Opera Studio Documentary https://operavision.eu/performance/frankfurt-opera-studio-soiree
Frankfurt Opera Studio Soirée https://operavision.eu/performance/frankfurt-opera-studio-soiree
Music Extracts
Introduction & closing: Die Entführung aus dem Serail (Mozart): Overture
Puccini: Recondita Armonia from Tosca, Raul Gutiérrez (Tenor)
Donizetti:Tombe degli avi miei…Fra poco a me ricovero from Lucia di Lammermoor, Matteo Ivan Rašić (Tenor)
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This month, OperaVision is back with the Rossini Opera Festival’s Accademia Rossiniana ‘Alberto Zedda’ where we hear about alumnus Stefan Astakov’s opera journey and how he has learnt to let go of technique when performing in front of a judging panel.
Coach and tenor Luca Canonici shares what he thinks young singers should avoid at all costs. We hear words of wisdom for singers about giving one’s soul to the public, and how it’s important to be kind to yourself and not to get trapped in an ‘emotional cage’.
Music Extracts
Introduction & closing: Overture Die Entführung aus dem Serail (Mozart)
Barono di Trombonok’s aria Sì, di matti una gran gabbia from Il Viaggio a Reims (Rossini) - Stefan Astakov (baritone)
Orchestral opening from Il Viaggio a Reims from the Rossini Opera Festival
Figaro's aria Largo al factotum from Barbiere di Siviglia (Rossini) - Stefan Astakov accompanied by Rubén Sánchez-Vieco
View the OperaVision website here
Watch now on Opera Vision
Cendrillon (Viardot) from the Young Artists at the Palau de Les Arts Centre de Perfeccionament https://operavision.eu/performance/cendrillon-0
Frankfurt Opera Studio Documentary https://operavision.eu/performance/frankfurt-opera-studio-soiree
Frankfurt Opera Studio Soirée https://operavision.eu/performance/frankfurt-opera-studio-soiree
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This month we return to the Palau de les Arts and their Centre de Perfeccionament, where the young Soprano Iria Goti finds her feet in a brand new production of Cendrillon. We discover how she reacts when self-criticism and nerves take hold during a performance. Meanwhile, alumna of the programme soprano Angel Blue gives us an insight into her relationship with comparison and competition, and shares how performances can be affected by something much more serious than the stress of day-to-day life events.
View the OperaVision website here
Watch now on Opera Vision
Cendrillon (Viardot) from the Young Artists at the Palau de Les Arts Centre de Perfeccionament https://operavision.eu/performance/cendrillon-0
Frankfurt Opera Studio Documentary https://operavision.eu/performance/frankfurt-opera-studio-soiree
Frankfurt Opera Studio Soirée https://operavision.eu/performance/frankfurt-opera-studio-soiree
Music Extracts
Introduction & closing: Die Entführung aus dem Serail (Mozart): Overture.
Mozart Ah perdona al primo affetto from La Clemenza di Tito with Iria Goti (Soprano) and Laura Orueta (Mezzo-Soprano)
Puccini Sì, mi chiamano Mimì from La Bohème Angel Blue (Soprano) and Pianist Ben Malensek in rehearsals at Opera Canada.
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What goes through the mind of the award-winning young soprano Nombulelo Yende as she steps onto the stage at Oper Frankfurt for a major role debut with just a few rehearsals? Nina Brazier chats to her before rehearsals begin, and in her dressing room during a performance. Meanwhile, internationally acclaimed alumna of the Oper Frankfurt Studio, Mezzo Soprano Paula Murrihy shares her journey as one of the first participants of the programme, and reveals the pivotal moment in her operatic career.
View the OperaVision website here
Watch now on Opera Vision
Frankfurt Opera Studio Documentary https://operavision.eu/performance/frankfurt-opera-studio-soiree (from 03.03.23)
Frankfurt Opera Studio Soirée https://operavision.eu/performance/frankfurt-opera-studio-soiree (from 09.03.23)
An evening of Operetta & Zarzeuela from the Centre de Perfeccionament del Palau de les Arts (until 16.03.23)
Music Extracts
Introduction & closing: Die Entführung aus dem Serail (Mozart): Overture.
Puccini Sì, mi chiamano Mimì from La Bohème Soprano Nombulelo Yende at the final of the Neue Stimmen competition in 2019.
Tchaikovsky The letter scene from Eugene Onegin, Soprano Nombulelo Yende accompanied by Pianist Yuna Saito.
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On track to becoming a doctor in Mexico and finding opera as something ‘for old people’, Leonardo Sanchez made an unexpected career pivot and discovered that singing opera really could be a viable career choice. So how have the first steps in opera been for this emerging tenor? How has he squared reality and against his own high expectations? We hear from a number of people who are keeping a watchful eye on his development, namely Lawrence Brownlee, the American tenor and star of bel canto, and Julia Lagahuzère director of Opera for Peace, who is preparing her next academy for young singers in Paris; she explains how she asks the difficult questions in the opera business.
View the OperaVision website here
Find out more about the next Opera for Peace Academy in Paris here
Watch now on Opera Vision
Il Viaggio a Reims with the Accademia Rossiniana at the Rossini Opera Festival (only until 13.02.23)
Lawrence Brownlee & Thomas Hampson’s Masterclasses with Opera for Peace (until 26.02.23)
An evening of Operetta & Zarzeuela from the Centre de Perfeccionament del Palau de les Arts (until 16.03.23)
Music Extracts
Introduction & closing: Die Entführung aus dem Serail (Mozart): Overture.
Gounod Ah lêve-toi soleil! from Romeo et Juliette Tenor Leonardo Sanchez, Pianist Kamal Khan
Puccini’s O soave fanciulla from La Bohème Tenor Leonardo Sanchez, Soprano Ana Garotić, Pianist Kamal Khan
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From one young singer who left her academy without permission to sing at her audition in Valencia, to another being interrupted in his dressing room by the artistic director of Teatro Real, we hear the unusual journeys of three young artists at the Centre de Perfeccionament, Palau de les Arts in Valencia. We have conversations on how to perform your best under pressure, ways of getting through feeling deeply overwhelmed and hear about the importance of using the tools at your fingertips and making the most of every single opportunity.
View the OperaVision website here
Watch now on Opera Vision
An evening of Operetta & Zarzeuela from the Centre de Perfeccionament del Palau de les Arts (until 16.03.23)
Il Viaggio a Reims with the Accademia Rossiniana at the Rossini Opera Festival (until 13.02.23)
Lawrence Brownlee & Thomas Hampson’s Masterclasses with Opera for Peace (until 26.02.23)
Music Extracts
Introduction & closing: Die Entführung aus dem Serail (Mozart): Overture.
Mozart Deh, vieni non tardar from Le Nozze di Figaro, Soprano Iria Souto Fernandez, Pianist Cèlia Margalef Boquera.
Jacques Offenbach Ô mon cher amant from La Périchole, Mezzo-soprano Laura Orueta, Pianist Ignacio Aparisi.
Oscar Straus Le programme, Messieurs, Dames from Les trois valses. Baritones Alejandro Sánchez, Marcelo Solís Pianist Ignacio Aparisi.
Francisco Asenjo Barbieri Aquí estoy ya vestida from El barberillo de Lavapiés Mezzo-sopranos: Mariana García, Laura Orueta, Pianist Ignacio Aparisi.
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