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"Mix how you hear it!" Jeremy talked about recording Greg Allman, why no click track needed, when to use ribbon mics, thumb vs pick bass, how to mic drums, why you should get a console and tape machine, Hammond organs, and comping vocals in Logic.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Jeremy Stephens, a music producer, mixer based in north Alabama, about an hour and a half south of Nashville. Jeremy has had the honor of collaborating with some of the greatest musicians on earth, from the Alabama Shakes to Jason Isbell, Gregg Allman to Chuck Leavell. “I learned the art of producing and recording from legendary rock producer Johnny Sandlin. He served as Johnny's right-hand man for many years, learning everything there is to know about making a goddamn good record.”
In 2001, Jeremy started Clearwave Recording Studio as a cost effective place to craft records on his own terms. It quickly became a sonic sanctuary for indie rock, americana, and a fresh alternative to the cookie cutter Nashville thing. “This is a place where creative souls thrive, where the ideas come to life, and where being different ain't just okay – it's downright expected.”
The goal here is to make hit records and win Grammys, and to do it the right way. Jeremy remains convinced that with the right approach, anything is possible. That's why he focuses on capturing the very best performances of great songs, and gives his musicians the freedom to explore and create.
Thank you to Craig Alvin for the introduction!
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://www.empiricallabs.com/ Use code RSR10 to get 10% off the Arousor and BIG FrEQ plugins!
https://traceaudio.com/ Use code RSR15 to get 15% off your custom printed labels!
https://www.soundporter.com/ Get a free mix review and mastering demo!
https://www.makebelievestudio.com/mbsi Get your MBSI plugin here!
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/6Bk7lSjaDCKk1gmUSd2KuZ?si=d0916b42a1d048f0
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/480
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Creativity doesn't come from options. It comes from limitations! Jack talked about analog tape speeds, why cover bands make more money, how to track a live band in a room, rock vocal secrets, piano as cool drum mics, & hallways as reverb chambers.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Jack Miele, an 11x Platinum, 6x Telly and 5x Global Music Award Winning audio engineer/producer/composer/multi-instrumentalist. He is also an audio and/or mix engineer on 1 Grammy Award winning and 5 nominated albums, as well as Emmy Award winning television promos.
Based in New Orleans, he is the former owner of the world famous Fudge Recording Studio. After Fudge closed its doors in 2012, Jack moved to The Music Shed recording facility as their head of operations /chief producer (2012-2018). He is now the owner of Jack Miele Productions LTD and runs his studio in the Garden District of New Orleans. Jack is also guitarist/vocalist for the sensational 80′s act The Molly Ringwalds.
Thank you to Chris Finney for the introduction!
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://www.empiricallabs.com/ Use code RSR10 to get 10% off the Arousor and BIG FrEQ plugins!
https://traceaudio.com/ Use code RSR15 to get 15% off your custom printed labels!
https://www.soundporter.com/ Get a free mix review and mastering demo!
https://www.makebelievestudio.com/mbsi Get your MBSI plugin here!
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/7m52mySoBDC054PDuWefEW?si=7a1536982763463e
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/479
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"Using plugins in mastering is 100% better than analog!" Matty talked about mixing controllers Softube's Console 1, Rock Solid Audio, & the SSL UF-1, CLA plugins for vocals, room correction tools for great mixing, and the top vocal chain for hip hop.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Matty Harris, a music producer, mixing and mastering engineer originally from Boston. As a young musician, he won several awards, including best drummer in New England touring with jazz, blues and calypso bands, playing clubs by the age of 14. And later went on to Berklee College of Music to study Music Production and Engineering.
Matty’s work in the studio includes credits for Atlantic, RCA, & Warner Bros Records, Sammy Adams, A$AP Rocky, Logic, Lil Yachty, Cousin Stizz and the Grammy Award-winning song “Stronger” for Kelly Clarkson winning the 2008 Boston Music Award for Best Hip-Hop Engineer and Producer.
He mixes from his own studio in Los Angeles and is host of the popular Youtube Channel, Mix And Master My Song, teaching you how to mix and master music in your own studio. Matty has been a guest on the show before to talk about his back story and share some great mixing tips on episodes RSR229 and RSR364.
Today we will continue talking about mixing with digital controllers, how plugins have gotten so good he doesnt use his analog outboard anymore, and how you can dial in your studio and tune your room for professional quality monitoring.
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://www.empiricallabs.com/ Use code RSR10 to get 10% off the Arousor and BIG FrEQ plugins!
https://traceaudio.com/ Use code RSR15 to get 15% off your custom printed labels!
https://www.soundporter.com/ Get a free mix review and mastering demo!
https://www.makebelievestudio.com/mbsi Get your MBSI plugin here!
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/7dk5BjN6DgxDRhw8Hcczsh?si=130b1574485549b7
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/478
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Vacuum the studio and blow a fuse! Tex talked about balancing a career as an electrical contractor with producing heavy rock records, ninja tips for Reaper drum editing and mixing, getting polarity and phase right, & his chain for a huge rock sound!
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Tex Cokley, a music producer and mixer in SW Washington state. He has been producing and mixing rock songs and albums for bands for the last 15 years. As a musician, he is versed in different instruments and works with many studio musicians.
I met Tex and his friend Alex at NAMM a couple of years ago when they came to our first Recording Studio Rockstars meetup. I always love connecting with fans of the podcast aka the Rockstars and Tex is definitely one of them. He has a great rock band called Opticus and balances recording with a busy career as an electrician. His enthusiasm and dedication to making records and attending NAMM each year and the fact that Recording Studio Rockstars is able to help fans like Tex make great records inspires me to make this show and keep bringing you interviews every week. Tex’s credits include powerful rock bands like Forever Dethroned, Rust and Chrome, and Opticus which you can hear in the playlist.
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://www.empiricallabs.com/ Use code RSR10 to get 10% off the Arousor and BIG FrEQ plugins!
https://traceaudio.com/ Use code RSR15 to get 15% off your custom printed labels!
https://www.soundporter.com/ Get a free mix review and mastering demo!
https://www.makebelievestudio.com/mbsi Get your MBSI plugin here!
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/0MUnI2MyQHKV823CQQmeAn?si=25f31664bd4d41d5
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/477
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Ya gotta learn the rules to break the rules! Kris talked about big tracking sessions, orchestral arranging for small vs large string sections, killer Soundflow strategies, Pro Tools marker magic, sync sessions tips, & cool plugins for awesome mixes!
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Kris Crunk, a first-call producer, programmer, and engineer in Nashville, Tennessee. He has 4 Grammy nominations, won 2 Dove Awards for Southern Gospel Producer of the Year in 2021 and 2022, and recently was nominated for a Mark Award from the Production Music Association.
In his 20+ years in Nashville, Kris has played or worked on countless songs for artists like OneRepublic, Rascal Flatts, 5 Seconds of Summer, Tina Campbell, Jason Crabb, Cindy Morgan and many more. Kris has been a Professor of Music Technology at Union University and is an app developer for the software Soundflow is on the Avid Beta team for Pro Tools and other plug-in companies.
Kris is currently focusing on creating a large library of songs for TV shows, commercials, and movies worldwide. With over 1500 original compositions in rotation, he is constantly heard on shows like CBS NFL Football, Holey Moley, TMZ, and Real Housewives of New Jersey. His work can be heard on networks such as Discovery, Food Network, Nickelodeon, ABC, CBS, Disney+, MTV, TVLAND, and the BBC.
Thank you to Raphael Sepulveda and Joe Carroll for the introduction!
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://www.empiricallabs.com/ Use code RSR10 to get 10% off the Arousor and BIG FrEQ plugins!
https://traceaudio.com/ Use code RSR15 to get 15% off your custom printed labels!
https://www.soundporter.com/ Get a free mix review and mastering demo!
https://www.makebelievestudio.com/mbsi Get your MBSI plugin here!
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/2JtT9Czg8HfhyC0QaI1uTL?si=7c67d3569e564e0c
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/476
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If it sounds good then it is good! Brennan talked about the importance of embracing your own sonic thumbprint, mixing with depth, programming drums, how to make a cooler gated snare, asynchronistic work, recording with an iPhone, and lyric writing.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Brennan Aerts, a producer, writer, and musician who has worked extensively in film, television, and ads since 2010 in Los Angeles, CA and Nashville, TN. He owns a music house called Bird Nest Int'l and has produced music content for every major network as well as multiple national ad campaigns, movies, and artists. He is a member of the bands Vinyl Pinups and The Werewolves and recent credits include Moon Taxi, Better Than Ezra, and Devon Gilfilian to name just a few.
Thank you to Jay Tooke for the introduction!
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://www.empiricallabs.com/ Use code RSR10 to get 10% off the Arousor and BIG FrEQ plugins!
https://traceaudio.com/ Use code RSR15 to get 15% off your custom printed labels!
https://www.soundporter.com/ Get a free mix review and mastering demo!
https://www.makebelievestudio.com/mbsi Get your MBSI plugin here!
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/6d1N9s4QbZxifQ3sjL8Roz?si=51e56a0a405549c3
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/475
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Give of yourself generously to those you work with! Jeremy talked about producing indie rock and pop bands in a small studio, touring in a signed band, building a new production studio, starting a mastermind group, and family life vs work balance.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Jeremy Steckel, a musician and producer in Columbus OH. Having settled into an indie-pop and rock production and mixing universe, Jeremy focuses on building the landscape of the song around the core part of almost every modern song: the vocal performance. Nothing speaks louder than an emotional, well-captured vocal delivery and the song always has to serve that objective.
Jeremy’s credits include MEOWBOYS, Coastal Club, Lui, Darity, Sean Mac, Trauna, Brightest London, The Orphan The Poet and Embleton to name a few. Today we will talk about working as a touring guitarist, building a new mixing studio, how to get a great production and mix, and even finding ways to level up your business through the power of a mastermind group.
Thank you to Jim Stewart for the introduction!
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://www.empiricallabs.com/ Use code RSR10 to get 10% off the Arousor and BIG FrEQ plugins!
https://traceaudio.com/ Use code RSR15 to get 15% off your custom printed labels!
https://www.soundporter.com/ Get a free mix review and mastering demo!
https://www.makebelievestudio.com/mbsi Get your MBSI plugin here!
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/01JZ98WpGH6UJlPdSvUmtH?si=df6b63c3f79748df
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/474
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What does it sound like miked in the bathtub? Matt talked about being at Strongroom Studios, tape flying off the machine, why you need hardware synths, MDing for Björk and Ellie Goulding, how to record ambient music, and why real guitar pedals rock!
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Matt Robertson, a British-born, Canadian-based, 3x Grammy-nominated composer, producer, and musical director. Matt has worked with Björk, Anohni, Arca, The Cinematic Orchestra, and Ellie Goulding as musical director and orchestrator / arranger.
He has released four albums under his own name to date, balancing ambient sound design alongside warm organic techno and ripples of delicate electronics. His albums ‘Forecast’, ‘In Echelon’ and ‘Entology’, have been described as “symphonic electronica and leftfield techno that’s cinematic in scale” (Mixmag), “magnificent…wild, electronic sound” (The Line Of Best Fit) and “Nils Frahm’s modern classical meets Jon Hopkins’ grainy techno” (MOJO).
Growing up listening to a healthy mixture of Jean-Michel Jarre and Jimmy Smith, Matt graduated from the University of Surrey before working at recording studios in London learning how to fix, and later build, some of his own synths. Working with a collection of vintage, modern and DIY synths, and combining electronic music production with classical composition and cinematic soundscapes; artists, producers, and film composers alike seek his enveloping and distinct sound. His work with Anoushka Shankar awarded him 2 Grammy nominations, and he recently scored the films ‘The New Corporation – The Unfortunately Necessary Sequel’, and' ‘Navalny’.
Thanks to Damian Taylor for making our introduction!
THANKS TO OUR SPONSORS!
http://ultimatemixingmasterclass.com/https://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://gracedesign.com/
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/58klpp5APh48s9nLfcMwqJ?si=a95a6f41284645b4
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/473
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How many room mics do Atmos drums need? Matt talked about recording and mixing a jazz band in Atmos, how to let old gear go to make room for new gear, speakers, mix levels, full setup for mixing in Atmos, and new ways to think about space and sound.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Matt Boudreau, a very successful audio engineer, Atmos mixer, producer, drummer and podcast host. I often call Matt “my brother from another podcast” as the host of the awesome Working Class Audio podcast where he also conducts interviews with producers and engineers about life in the studio but more focused on work/life balance for the working audio professional.
Matt has been a guest on Recording Studio Rockstars a couple of times already so you can check out his back story on episode RSR053 (when we actually met) and then again on RSR375 when Matt taught us all about mixing with drum samples. And today we will talk primarily about mixing because after 28 years, Matt now focuses on mixing and mastering in Stereo and Dolby ATMOS (immersive/Spatial audio). In fact Matt mixed two of the songs on my record Skadoosh! In Atmos which you can hear in the show notes along with other great works from his discography.
Matt Boudreau is based in the San Francisco Bay Area but works with people around the globe. Whether you are a self-funded artist or a major-label artist, Matt is here to help you finish a record you are proud of (literally in all directions through immersive audio)!
Thanks to iTunes search function and finding Working Class Audio for making our original introduction.
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://gracedesign.com/
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/6tdfm7hqzhn1o8PA65I7N0?si=12eb58eb5995490b
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/472
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Be willing to chase the dragon! Nick talked about creating the ultimate custom mix template, finding your ideal studio listening level, why you should only use two volumes, ninja tips for Soundflow and Avid S1, de-essing vocal tricks, and fx chains.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Nick Krill, an indie rock producer, mixer, and engineer. Nick's interest in the studio began as a teenager when he would spend weekends in a basement 4-track studio with his band, The Spinto Band.
Nick spent the first part of his career simultaneously playing in bands and recording and mixing other artists in the studio. In the early 2000s, The Spinto Band gained notoriety and went on to release 4 LPs and tour extensively in North America and Europe. After the Spinto Band went on hiatus, Nick spent four years touring and recording with Clap Your Hands Say Yeah. In 2018 Nick decided to focus solely on the studio side of his work, and now produces, mixes, and engineers indie rock full time. Some highlights of his recording work include:
- Recording and mixing two volumes of "A Philly Special Christmas" (Which went on to chart on in the top 10 on various Billboard charts and had a No.1 iTunes single),
- Producing and mixing the "I Can't Handle Change" EP by Roar (This EP now has over 700 million Spotify streams, and the song "Christmas Kids" charted in the UK last year)
- Working as a recording engineer on the last two War On Drugs Lps ("A Deeper Understanding" and "I Don't Live Here Anymore")
- Producing and mixing the most recent Generationals LP "Heatherhead."
Nick has been a guest on the show before for episode RSR128 where you can hear more about his backstory. Today we will talk about new records and how to make an award-winning record!
Thank you to The Sin City Band and also Robin Eaton for the introduction!THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://gracedesign.com/
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/7iN8P6p4CuvEX2XWey3Eul?si=68f30876fd604368
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/471
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Make some noise about dither ya'll! Daniel talked about how mastering flow is like songwriting, how to null check audio files, his hybrid mastering signal chain, why Wavelab is so cool, monitor levels, Ozone 11, and the magic of an old Mackie mixer.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Daniel Bacigalupi, a Minnesota native who has been mastering music in Nashville for 15 years. Daniel began his career at Ithaca College in New York where he earned a B.M. in Sound Recording Technology under the direction of Alex Perialas. Upon graduation, he moved to Nashville and began a 6 year career at Georgetown Masters with renowned Mastering engineer Andrew Mendelson.
Daniel opened dB Masters in Green Hills in 2014 before teaming up with Grammy Award-winning engineer Pete Lyman and Infrasonic Mastering. He now works out of Infrasonic Nashville and continues to work on projects across a variety of genres.
Daniel has mastered for a range of artists including Gabby Barrett, Darius Rucker, Parker Millsap, Parmalee, Kane Brown, Levi Hummon, Ross Copperman, Republican Hair, Ginny Owens, Hey Romeo, Here Come The Mummies, Phoebe Hunt, and more.
Thank you to Raelynn Janicke, Reid, and Pete Lyman For the Introduction!
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://gracedesign.com/
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/3MPeoXnayV4T9ZIUIkroOk?si=17d0aec48f7a4db0
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/470
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What does fifteen 1176s at once to vinyl sound like? Bobbi talked about cutting direct to disk for Tyler Bryant and The Shakedown, choosing the best compressor, pure analog mastering, speakers vs headphones, recording a Broadway cast, and iZotope RX.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Bobbi Giel, a mastering engineer based out of Nashville, TN. She made the move to Nashville in October 2017 and spent four years at Georgetown Masters under the direction of Chief Mastering Engineer Andrew Mendelson before joining the team at Welcome to 1979.
Bobbi began her career at University of Hartford’s The Hartt School where she earned a Bachelor of Music degree in Music Production and Technology with a concentration in Classical Piano and a minor in Business Administration. Following graduation in 2015 she spent two years working at various recording and post-production studios in New York City including MSR Studios (now Sound on Sound Studios in Montclair, New Jersey), the new Atlantic Studios at Atlantic Records, and LVLY Studios.
In addition to mastering, Bobbi is a member of the Audio Engineering Society and a member of the Producers & Engineers Wing of the Recording Academy. In 2016 she was also featured on Humans of New York, a popular photo blog and book of street portraits and interviews collected on the streets of New York City.
Thank you to Chris and Yoli Mara for the introduction!
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://gracedesign.com/
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/40N46UoiBjaKbDyrRh5Xlr?si=6def631eb7ee4909
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/469
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"1000 burritos, tacos, and Bud Lights came flying at me like the arrows in 300!" Andy talked about recording Andrew WK from a mobile truck, doubling vocals like Mahler, learning to listen, recording Cuban music, guitars, vocals, and tuning drums.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Andy Freeman who got his hands on a console at age 12 and at age 21 got his first job in audio, recording and editing voice over artists in Atlanta. In 2002, after a friend asked if he produced bands, Andy said yes.
This was a lie. But he hasn’t stopped producing and mixing bands since then, so I guess it was a good lie.
Learning on the job at his own studio in Atlanta, he and his wife Malie [“Molly”] moved to San Francisco in 2008, then to Los Angeles in 2015, then to Nashville in 2017 where he works out of a full tracking and mixing space in his house.
Andy doesn’t hear music in genre, preferring the idea that there are only two kinds of music: good and bad. Consequently he’s been able to work with just about anyone. Jason Hawk Harris, Ace Monroe, Leeann Skoda, Eisley, and lots of fun San Francisco bands you have never heard of. He also made a lot of live recordings in his time rambling around the country in a mobile recording truck with Bay Area Tone. They include Andrew WK, Carney, The Bravery, The Sounds, Niko Case… Anyway, if there’s passion and determination, he wants to be involved.
Oh, and he likes real stuff. Like real people in a real room playing real instruments while being really inspired by each other's presence. If you work with him, he will spend an awful lot of time talking about energy and flow and stuff like that. Because he wants to know who you are as an artist, he’ll use words like “identity” and “impact” and “deliberate” and he will frequently ask you why you’re doing what you’re doing when you could be doing something else. He believes in tube amps, consoles, tape machines, analog hardware, and doing it the hard way. He will make a record in Pro Tools but he doesn’t like it, and he refuses to learn how to program because let’s face it, everybody else can already do better than he could anyway.
He also doesn’t like writing in the third person. He thinks it’s weird.
Importantly to me Andy teamed up with Mark Rubel in 2020 to create a GoFundMe page to help me save home studios in Music City, which we did. It was probably the greatest honor I've ever received in music. So thanks Andy!
https://www.gofundme.com/f/nashville-says-039thank-you039-lij-shawTHANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://gracedesign.com/
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/4Xdwuuxil9TNDbnWErSZgW?si=c49306f760904440
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/468
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If you stop being curious then you're done! Roger talked about choosing monitors for mixing, collecting guitars and amps, songwriting prosody, baritone guitar voicings, synth vs espresso, miking guitar cabinets, and how to take great session notes.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Roger Alan Nichols, an all-around musician, songwriter, engineer, producer, mixer, and owner of Bell Tone Recording in Nashville, TN. His producing and engineering credits include a Grammy-nominated project with Larkin Poe and artists like Hayley Williams (Paramore), Steven Tyler, Tyler Bryant and The Shakedown, Kim Richey, and many others in Rock, Country, and Americana genres.
From 1981 to 1989, Roger Alan Nichols toured the 50 United States and Canada professionally as a guitarist, with multiple rock bands. During a brief stint in Atlanta, he attended the Art Institute and continued doing sessions and performing with regional acts. Roger then moved to Nashville and formed the alternative rock band, Dreaming In English. The band toured the Southeast, gaining a large fan base before releasing their debut album, “Stuff,” in 1998 to critical acclaim. Shortly after that, Roger signed a publishing deal as a writer with Acuff-Rose/Idea Music. Through this publishing deal he started producing and engineering his own demos. Eventually, he established his studio where he began producing and writing with, and for, other artists.
As a multi-instrumentalist, Roger has written and produced tracks for Showtime, HBO, MTV, Spike TV as well as all 3 major networks. His diverse playing and producing skills were showcased in the trailer music for Mission Impossible III’s national TV campaign and most recently he composed the music for “Bluebird,” a documentary on the legendary Nashville venue where numerous songwriters have advanced their careers.
Listen to Roger’s previous episodes RSR045 talking about his start in recording and RSR286 when he joined us with Tyler Bryant in the studio.
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
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https://gracedesign.com/
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/70Brq5Dn2P3RyR7x7HECIp?si=c1733d01c8dc406c
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/467
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Music needs boundaries to be great! Steven talked about starting in Seattle studios, moving his studio, being organized, limiting io inputs, becoming a backup badass, headphone mixers, reamping drums, modular synths, & when to buy your own building.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Steven Lee Tracy, a writer, musician, producer, mixer and owner of Saint Cecilia Studios in Tucson, Arizona. Steven works with a variety of artists from electronic pop with big modern vocals to indie rock bands to Americana acoustic music. So I look forward to learning more about the ways he can interact with different artists to bring out their best work.
This episode is particularly interesting to me because Saint Cecilia is also the patron saint of music. And Cecilia is the name that I gave to my one of a kind, famous MCI console, originally from Criteria Studio C in Miami, that I had here in my studio, The Toy Box Studio, for 15 years. This is the console that recorded hotel California for the Eagles, the Bee Gees staying alive and Saturday night fever, Margaritaville, We’re An American Band, and the Grease soundtrack to name just a few.
Thank you to Björgvin Benediktsson at Audio Issues, and Matt Boudreau at WCA for the introduction!
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
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https://gracedesign.com/
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/3TMtp14C6doudT9KtKDJnK?si=6bc0afb41b7848b3
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/466
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"Finished in two words = Vocal level!" Dan talked about mastering from anywhere with a laptop and Audeze headphones, why speed is crucial, how to serve the song and client, finding your ideal speaker/headphone listening level, ear training, and bass!
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Dan Millice, a mastering engineer located in NYC with over 13 years of experience. During his career, Dan has been credited for mastering 11 Grammy-nominated projects. He recently mastered Terri Lyne Carrington's album "New Standards, Vol. 1," which secured a Grammy win for Best Jazz Instrumental Album.
Thank you to Michael Estok and Jim Stewart for the introduction!
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://gracedesign.com/
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/0JyZsS8C8dfDaVxSktIRgQ?si=2d6cb027d0f34756
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/465
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Sometimes you feel like a Nutt... Jimmy talked about Fame Studios, Jason Isbell, how to get $1000 for recording your music, miking up a bluegrass band, miking upright bass, the secret to great drums, large versus small mics, and setting up monitors.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Jimmy Nutt a GRAMMY Award winning Engineer, Jimmy Nutt, grew up in Shreveport Louisiana surrounded by musicians steeped in blues and rock. He joined his first band at age 13. Early on, Jimmy was interested in recording and sound. He acquired a Tascam 4-track cassette recorder while still in his teens and started learning how to record a band.
In 2000, Jimmy moved his family to Muscle Shoals, AL. to work as a staff-recording engineer at FAME Recording Studios. During his time at FAME, he recorded sessions for Jason Isbell and the 400 Unit, Clarence Carter, Heartland, Russell Smith, The Drive-by-Truckers and many more. He worked at FAME for almost 3 years before becoming an independent recording engineer and producer. He was also a staff writer for FAME’s publishing company during this time.
Jimmy is now the owner of The NuttHouse Recording Studio, Inc. located in downtown Sheffield, Alabama. He transformed a bank built in 1955 into a recording studio and has hosted numerous recording sessions in the last 14 years including well-known artists; Percy Sledge, The Dead South, Blind Boys of Alabama, Dylan LeBlanc, Billy Ray Cyrus, Jason Isbell, John Paul White, Donna Jean Godchaux, and The SteelDrivers.
In 2016, Jimmy won a GRAMMY award for engineering and mixing the “Bluegrass Album of the Year”, The SteelDrivers, “The Muscle Shoals Recordings”. And In 2020, Jimmy won the Canadian Juno award for producing and mixing the “Traditional Roots Album of the Year” for The Dead South album “Sugar & Joy”.
Thank you so much to Jake Kiser, Mark Rubel, Craig Alvin, suggesting Jimmy come on the show and Kyle Lenhing for making our introduction!
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://gracedesign.com/
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Get your MBSI plug-in here! https://www.makebelievestudio.com/mbsi
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/2Wo9DKqojKpzf9ocdxbFG2?si=356832708b5046f2
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/464
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Don't sweat the noise too much! Harold talked about derressering masters, iZotope RX ninja tips, phase aligning mixes, how to use mid side eq, mastering Moogs, bass wins in big vs small control rooms, LUFS targets, and why linear eq + hip hop = bad.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Harold LaRue, a GRAMMY-winning mastering engineer in Houston, Texas. Harold’s recent clients include contemporary jazz masters: The Wayne Shorter Quartet, Terri Lynn Carrington, and Joey Alexander — synth sorceress: Lisa Bella Donna, and R&B legend: Jeffrey Osborne.
Harold has worked as a software developer, pro-audio service manager, theatrical sound engineer, and restaurateur and was the monitor engineer for the Houston Symphony Orchestra before leaving to focus on his growing mastering business.
As an audio educator, Harold has developed and taught studio production and mastering courses at universities and recording schools across the country. He continues to present public workshops and teach privately. He is a Voting Member of the Recording Academy’s Producers & Engineers Wing, Audio Engineering Society, and the International Alliance of Theatrical Stage Employees. Check out our previous interview on episode RSR225 to learn more about Harold’s backstory.
I want to dedicate this episode to the late great audio designer and engineer Glenn Coleman whom Harold introduced me to at NAMM 2020.
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://gracedesign.com/
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/58TfiVHWwU5CSfNoamAErb?si=55dc63a967b24511
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/463
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"Build Your Toolkit!" Mark talked about finding job opportunities in the audio industry, recording sessions on Music Row at Ocean Way, Masterphonics, and The Workshop, running the SAE Institute, Teaching film at IFC, Atmos mixing, & flying drones.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Mark Martin, an engineer who worked at Masterfonics, Emerald, OceanWay l, SAE and the Workstation. He became VP of Marketing for all 38 SAE locations in 18 countries. He moved to Austin to do live sound. Mark came back to Nashville to be VP of Marketing at the Nashville Film Institute.
Thank you to Michael Cronin for the introduction!
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://gracedesign.com/
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/6zQ7gIyDu9g1gTTWQcfSOo?si=35c9a2ff426947ce
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/462
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What's wabi sabi? Brad talked about searching for the human story in production, why you should keep your old gear, arranging strings for quartet vs section, staying on schedule and within budget, and why band playback is better than words.
Get access to FREE mixing mini-course: https://MixMasterBundle.com
My guest today is Brad Jones, a producer, engineer, mixer, and musician based in Nashville. With Robin Eaton Brad has co-owned the studio Alex the Great Recording since 1994. I started recording there a few years later as an assistant engineer in 1995, and Brad was the one who taught me the ropes of engineering and running a real session.
Brad’s credits include: Jill Sobule, Bobby Bare Jr., Butterfly Boucher, Hayes Carll, Caitlin Cary And Thad Cockrell, Steve Forbert, Government Cheese, Jason And The Scorchers, Josh Rouse, Ben Goldsmith, and The Shazam to name just a few.
Brad was an early guest on the show before on episode RSR034 which we recorded at Alex The Great and I’m happy to have him back joining me this time from my new podcast studio Ready To Rock (Thanks to James Tuttle) aka Podzilla Studio.
THANKS TO OUR SPONSORS!
http://UltimateMixingMasterclass.comhttps://www.adam-audio.com
https://www.native-instruments.com Use code ROCK10 to get 10% off!
https://www.izotope.com Use code ROCK10 to get 10% off!
https://gracedesign.com/
https://RecordingStudioRockstars.com/Academy
https://www.thetoyboxstudio.com/
Listen to this guest's discography on Spotify:
https://open.spotify.com/playlist/25kbwjeFyfcEu48J5Z7Rot?si=a38e2263ebe54377
If you love the podcast, then please leave a review: https://RSRockstars.com/Review
CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/461
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