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Gleðileg jól frá Saga Thing! Long before Charles Dickens penned his beloved A Christmas Carol, a well-known and infamous Icelander seems to have had a similar idea. While less wholesome and optimistic than the Dickens classic, there’s surely a lesson somewhere in this tale that we’re calling Egil’s Yuletide Carol.
Inspired by the 1930s radio dramatizations of A Christmas Carol starring Lionel Barrymore, we’ve tried our hand at producing a radioplay of our own here. Such an undertaking involves a lot of help from friends and family. Our thanks to all who contributed.
Cast (in order of appearance)
John Sexton: Narrator, Egil, Old Egil, and Servant Woman 2
Andy Pfrenger: Ketil Cratchet, Olaf Peacock, Thorolf Skallagrimsson, Skallagrim Kveldulfsson, Snorri Sturluson, and Other Voices
Wendy Pfrenger: Thorgerd Egilsdottir
Heather Nabbefeld: Thorgerd Brak
Sebastian Pfrenger: Grim Heggjason and Servant 2
Johnny Sexton: Very Young Egil
Carl Sexton: Young Egil
Gwen Pfrenger: Bera Yngvarsdottir (Egil’s Mother) and Other Kid
Joshua Eyler: Arinbjorn
With Rex Factor’s own Graham Duke guest starring as King Athelstan
Share your thoughts on this holiday special through our social media and let us know what you think the moral of the story might be.
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Music Credits
Intro Music – “Prelude and Action” by Kevin MacLeod (now with sleigh bells)Link: https://incompetech.filmmusic.io/song/4236-prelude-and-action
Egil’s Yuletide Carol Theme Music – “Canon and Variation” by Twin Musicomhttp://creativecommons.org/licenses/by/4.0/
Narrator’s Music – “Drømde mik en drøm i nat is” performed by Mare Balticum
Brunanburh Party Music – “Cantina Band” composed by John Williams and performed on hammered dulcimer by TheEadgyth and Kravik Lyre – Nordic Folk Music (instrumental) by A Tergo Lupi
Egil’s Poetry Music – “Einvaldi” by Herknungr
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Hwæt a Movie returns with Beowulf: Prince of the Geats! Given how hard this one is to find, we’d be surprised if any of you have seen it.
Released in March 2007, shortly after SYFY's Grendel and ahead of Robert Zemeckis's Beowulf, this Scott Wegener-directed indie film dives into the epic tale with a unique take on the hero and his legendary battles. And while the film’s limited budget and production constraints might be apparent, its dedication to the original text shines through. Making the film more charming and admirable is the fact that the production team and actors all worked for free on this passion project. All proceeds from the sale of the DVDs for Beowulf: Prince of the Geats went to aid both the American and Norwegian Cancer Societies. Get a sense of the film by watching the trailer here.
The film stars both Jayshan Jackson and Damon Lynch III as the younger and older Beowulf. Wegener’s decision to depict Beowulf as the son of an adventuring African fisherman offers some interesting possibilities and an approach to the character that we haven’t seen yet. It’s also one of the few film adaptations to follow Beowulf home to Geatland after his time in Denmark.
As always, our episode includes an exhaustive summary of the film, a Q&A discussion, and our final ratings. How do these versions of Beowulf, Grendel, and Grendel’s Mother stack up against those we’ve seen before? And how does this quirky, low-budget film score on its fidelity to the source material and its overall entertainment value?
As the length of the episode might suggest, we’ve got a lot to say about this one. This was a delightful film to unpack, and we hope you enjoy hearing about it as much as we enjoyed discussing it.
If you’re interested in reading more about Wegener’s decision to cast black actors to play Beowulf and the responses it prompted, check out the following articles and discussions:
Clark, David. "Race/Ethnicity and the Other in Beowulf". In Beowulf in Contemporary Culture, edited by David Clark, 31-50. Cambridge: Cambridge Scholars Publishing, 2019.
Nokes, Richard Scott. "Beowulf: Prince of the Geats, Nazis, and Odinists". Old English Newsletter. 41, no. 3 (2008): 26–32.
Listen to our overview, watch the trailer (or find the film if you can), and let us know what you think on our social media:
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Saga Thing returns once again to the tales of Icelanders from the sagas of Norwegian kings with a surprise double feature of tales involving Halldór Snorrason, the son of Snorri goði and longtime companion of King Harald "harðráða" Sigurdsson.
We open with The Tale of the Story-wise Icelander [Íslendings þáttr sögufróða], a fun little story about an Icelander who makes a name for himself telling tales and sagas in the court of an older King Harald. But how will the notoriously grumpy king react when the Icelander begins telling the saga of Harald's own adventures as a member of the Varangian Guard in Constantinople? And where might an Icelander who's never met King Harald have learned so many detailed stories about the king's life?
But that little þáttr is just an appetizer. The real meal here is The First Tale of Halldór Snorrason [Halldórs þáttr Snorrasonar]. Set during the early years of King Harald's reign in Norway, this tale shows what happens when Halldór steps in to defend an Icelander from Harald's wrath. Then things get real messy when Halldór has a run in with a kinsman of the powerful chieftain Einar Paunch-Shaker [þambarskelfir]. It's a real "out of the frying pan and into the fire" kind of story for Halldór in this one. How will Halldór manage to get out of this mess?
Along the way, we talk about the life of Halldór and some of his more noteworthy descendants. We also spend some time discussing his place in the various sagas of King Harald Sigurdsson. If you want to read the infamous Snorri Sturluson's version, which includes several episodes featuring his great-great-great-grandfather Halldór Snorrason, you'll want to pick up a copy of the Heimskringla or the stand-alone Penguin edition King Harald's Saga.
We'll be back soon with The Second Tale of Halldór Snorrason where his relationship with King Harald is once again tested.
Listen and then share your thoughts on our social media:
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Music Credits
Intro Music - from “Death Awaits” by Billy Malmstrom
Poetry Music - "Morgana Rides " Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Outro Music - From “Óðinn” by Krauka
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Hwæt a Movie returns with the Beowulf film you didn’t know you needed to see: SYFY’s Grendel. Released at the start of 2007, ahead of Beowulf: Prince of the Geats and Robert Zemeckis’s Beowulf, Grendel rides the wave of Beowulf-mania that was sweeping nation back then. Or perhaps it started the craze?
And while you might think based on the title that this film picks up where Beowulf and Grendel left off with a more nuanced and sympathetic approach to this epic medieval monster, you’d be wrong. Grendel gives us the more violent and aggressive side of this famous shadow-walker.
Chris Bruno stars as Beowulf in this Nick Lyon directed film adaptation of our favorite Old English poem. As you’ll see, no one can spin a tale of exposition or spin round and round in combat this Beowulf. With Ben Cross as King Hrothgar and Marina Sirtis as his queen, Onela—wait, Queen Onela? If you know your Beowulf, or your Swedish history, then you may have spotted a problem here. But hey, the film also features a crossbow that shoots magic exploding arrows. Realism and textual fidelity isn’t what makes this movie fun!
Each episode of Hwaet a Movie includes an exhaustive summary and discussion of the film, a brief Q&A, and then our final ratings categories for the film's take on Beowulf, Grendel, and Grendel's mother. We conclude by rating the film for its faithfulness to the source material and then for its entertainment value.
This one was a real pleasure to discuss. We hope you enjoy it as much as we did!
Once you've listened, reach out and let us know how we did. Was this the perfect Beowulf? Or is there still room for improvement? Have you seen Grendel? Share your thoughts on our social media:
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All music taken from the film for this episode is by Nathan Furst.
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It's time to put Valla-Ljot's Saga on trial. How will this brief story that's less than a single Hrafnkel hold up under scrutiny? Is there enough violence for a proper round of Best Bloodshed and Body Count? With only a few nicknames, how will John stretch his section out to the usual length? What kind of surprise reveal does John drop on Andy at the start of Thingmen? And how does Valla-Ljot's Saga perform when all is said and done? Does it have what it takes to compete with the greats of Saga Thing past? There's only one way to find out!
While you're waiting for the next episode of Saga Thing, check out The Partially Examined Life.
Did we get things right? How would you have judged Valla-Ljot's Saga? Who would you have chosen for thingman? Share your thoughts on our social media:
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Music Credits
Intro Music - "Prelude and Action" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Outro Music - "Stormfront" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
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We’re back, and not a moment too soon! After the pot-stirring life and unceremonious death of Halli Troublemaker at the hands (and axe) of Valla-Ljöt Ljotolfsson, Halli’s older brother Hrolf Jaw retaliated by having Ljöt’s nephew Thorvard killed by a squad of murderers at a market. Now the whole valley’s on edge, waiting to see whether a carefully-brokered truce between Ljöt and Guðmund the Powerful can bring peace to the Tumultuous Valley. But men on both sides are looking for an excuse to shatter the peace once more.
What happens when Halli’s younger brother and son return from overseas to find out what’s been happening in their absence? Why is Thorvard’s foster-brother Sigmund skiing all over the valley in a snowstorm and disturbing everyone’s sleep? Can Havarð the Norwegian companion survive among all these pugnacious Icelanders? And why is Ljöt hiding a golden spear from his own family?
Join us for the conclusion to Valla-Ljöts saga!
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Music Credits
Intro Music - "Prelude and Action" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Outro Music - "Stormfront" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
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While we may have finished Svarfdaela Saga, we're not done with the most tumultuous valley of medieval Iceland just yet. In this episode, we pick up with the next generation. The lead actors in this little drama are Halli, the grandson of Karl the Red, and Ljot (aka Valla-Ljot), the son of Ljotolf the godi. And though the tensions between Karl and Ljotolf's families had cooled at the end of Svarfdaela Saga, it doesn't take Halli long to get things boiling once again.
This saga also features the return of Gudmund the Powerful (Guðmundr inn ríki Eyjólfsson), who we've seen pop in from time to time in other sagas as a power broker. He's going to be playing a big part in this saga and then again in Ljósvetninga saga. Now's as good a time as any to start forming an opinion on this guy.
We hope you enjoy this one!
Listen and then share your thoughts on our social media:
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Music Credits
Intro Music - "Prelude and Action" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Outro Music - "Stormfront" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
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It's time for the third installment of our side project known as Hwaet a Movie! In this episode, we give the Saga Thing treatment to the 2005 Canadian-Icelandic film Beowulf and Grendel. If you haven't seen it yet, do yourself a favor and watch it (even if our review might not cast it in the brightest light). The film stars Gerard Butler as Beowulf, Stellan Skarsgård as Hrothgar, and Sarah Polley as Selma the witch. Don't worry if one of those characters doesn't sound familiar. And while the film could be better in a number of ways, we do appreciate much of what they were attempting here.
As an added bonus, the film was shot in Iceland. That means that no matter what's happening at the front of a scene, there's always a beautiful backdrop for this interesting interpretation of the epic Old English poem about a monster-fighting Geat in Denmark.
Each Hwaet a Movie episode includes an exhaustive summary and discussion, a brief Q&A, and then our final ratings categories for the film's take on Beowulf, Grendel, and Grendel's mother. We conclude by rating the film for its faithfulness to the source material and then for its entertainment value.
This one takes a while to get through, but that's because this one offers a lot of grist for the mill.
We'll be back after Valla-Ljot's Saga with the next installment of Hwaet a Movie. And don't worry, we've only scratched the surface of Beowulf movies so far.
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Though Svarfdaela Saga itself is behind us, the story of the inhabitants of the Tumultuous Valley continues. In this episode, we follow Thorleif Asgeirsson, one of Klaufi's killers and the brother of Yngvild.
As you'll discover, Thorleif has that independent spirit that Icelanders carry with them into the courts of Norwegian rulers. He's also got a talent for poetry, which serves him well both at home and abroad. But his real talent is magic, which he learned from his uncle and father. All of this combines for some interesting encounters with Jarl Hákon Sigurdsson.
This short story is both shocking and hilarious. It's got everything you could ask for, including a young man chasing his hopes and dreams, a robbery, some senseless violence, black magic, plenty of poetry, and even a golem-like construct with a vengeful heart. Oh, and it's pretty funny too. Needless to say, it's one of our favorite þættr.
Join us as we explore the Tale of Thorleif Earl's Poet!
Richard Cole's "French Connection, or Thorr versus the Golem."
Listen and then share your thoughts on our social media:
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Music Credits
Intro Music - from “Death Awaits” by Billy Malmstrom
Poetry Music - "Morgana Rides " Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Outro Music - From “Óðinn” by Krauka
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Join us for an in-depth interview with Dr. Rebecca Merkelbach, Assistant Professor of Old Norse-Icelandic Studies at the University of Tübingen, Germany. Her latest book, Story, World and Character in the Late Íslendingasögur: Rogue Sagas, offers a fresh perspective on the often overlooked "post-classical" sagas. We delve into the complex and fascinating nature of these sagas, exploring their social and artistic dimensions, as well as the rich tapestry of the "saga-verse."
Our discussion spans many of your favorite sagas featured on the podcast. And given that we just finished recording our series on Svarfdæla saga before this interview, there's plenty of talk about that saga in particular.
It was a great pleasure speaking to a fellow saga enthusiast, especially one so knowledgeable and passionate about Old Norse-Icelandic literature. Dr. Merkelbach's enthusiasm for the sagas comes through clearly in this interview, as does her remarkable ability to recall intricate details and character names from many different sagas. We think you'll find that she fits right in here at Saga Thing.
Pick up a copy of her book here: Story, World and Character in the Late Íslendingasögur: Rogue Sagas by Rebecca Merkelbach
Correction: This episode is Saga Brief 26, despite the label on the file saying 25.
Music Credits
Opening song – Icelandic Folk Music: Tröllaslagur
Outro – Ólafur Liljurós
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After 7 exciting episodes (they were exciting, right?), we're finally ready to put Svarfdaela Saga on trial. As usual, we drag the text to the Saga Thing and review it through our judgment categories:
Best Bloodshed
Body Count
Nicknames
Notable Witticisms
Outlawry
Thingmen
Final Ratings
How does Svarfdaela Saga stack up against the 30+ other sagas we've reviewed so far? Do we judge it as harshly as the scholars who came before us? And how can the Big Lacuna not walk away with Best Bloodshed????
There's only one way to find out. Listen and then share your thoughts on our social media:
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Music Credits
Intro Music - "Prelude and Action" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Outro Music - "Stormfront" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
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This is it. We've reached the end of Svarfdaela Saga.
In this episode, we discuss the aftermath of Karl the Red's death. Will Ljotolf step up and retake control of the valley? Or will a new contender emerge to challenge his authority? And what becomes of Skidi and Yngvild? The answers may shock you.
Seriously. This is a tough one for a number of reasons. We've mentioned that the end of this saga is pretty brutal. Now that we've arrived, it's worth saying it again. This episode features the abuse of Yngvild that we've warned you about.
Listen and then join in on the conversation here:
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Music Credits
Intro Music - "Prelude and Action" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Outro Music - "Stormfront" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
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In this episode, things come to a head between the factions of Thorstein the Tumultuous and Ljotolf the godi (quite literally). Listen in and find out what happens as Karl the Red learns about the death of his best friend and the whole valley is thrown into chaos. We're in the heart of the saga now and things are getting real juicy.
Join in on the conversation here:
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Music Credits
Intro Music - "Prelude and Action" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Poetry Music - Adapted from "Vega" by Danheim
Outro Music - "Stormfront" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
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In this episode, Klaufi rescues his friend Karl the Red from a terrible Viking called Atli. But don't get too excited about Klaufi becoming the hero of this saga. He also kills a whole bunch of people, causes general havoc, and even gets married by dubious means. We also get to see him in full berserker mode, which can be fun (if viewed from a distance).
All of this makes one wonder, just how long will the people of Svarfaðardalur continue to put up with Klaufi and his shenanigans?
Along the way, we talk about the tendency of this saga narrative to dip out when it's time for action. We look a little deeper into the question of Gris and his motivations. And we dip our toes briefly into the subject of medieval Icelandic dying herbs and mosses.
If you're interested in learning more about club moss and its uses in medieval Iceland, check out the following:
Viking Age Dyes
Using Clubmoss as an Alum Mordant
And, since Andy mentions it in the episode, grab yourself a copy of the Eyrbyggja Saga graphic novel.
Join in on the conversation about Klaufi, medieval Icelandic textiles, and creative works inspired by the sagas here:
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Music Credits
Intro Music - "Prelude and Action" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Poetry Music - Adapted from "Vanheimr" by Danheim
Outro Music - "Stormfront" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
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With the Big Lacuna now behind us, we embark onto a new adventure in what may or may not be (but probably is) a new saga. Is this the same Thorstein we've come to grow and love? Or is it a different man altogether?
In the end, it doesn't matter much because Thorstein shifts into the background as new characters take center stage, like Karl the Red, Gris the Merry, and Klaufi the Mauler. That's a lot of nicknames. But this episode features more than just nicknames. We've got wrestling, murder, intrigue, and runes. That's right, we've got runes!
Join us for Svarfdaela Saga, chapters 10-14a!
Music Credits
Intro Music - "Prelude and Action" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Outro Music - "Stormfront" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
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In this episode, we find ourselves navigating the murky depths of the massive gap in Svarfdæla saga that we call "The Big Lacuna." What happened to Thorstein Thorgnirsson when he left Sweden? Why is he feuding with someone named Ljotolf in Iceland? How did he get to Iceland? Is that even the same Thorstein or is it Thorstein's son or maybe his grandson? And what the hell is happening here!?!
But never fear, we successfully steer the Saga Thing ship through the dangerous waters of the Big Lacuna and reach the other side of the saga safely. Along the way, we explore how a lacuna this big happens, what its effects are, and how scholars work to fill the empty space left in the narrative. Good times!
Let us know what you think by getting in on the conversation here:
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Music Credits
Intro Music - "Prelude and Action" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Outro Music - "Stormfront" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
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We return to the tale of Thorstein as seeks fame, honor, and a bit of respect from his father. He's already defeated the great Viking known as Ljot the Pale, which is a big feather in his cap. Unfortunately, he lost his brother Thorolf in the battle. Eager to bury his beloved brother in style, Thorstein heads for the shores of Sweden where he'll meet an aging jarl with a problem that only the bravest of men could possibly resolve. This episode features a nice blend of all that good medieval literature has to offer.
Along the way, we navigate around a little lacuna at an important moment in the text and then get sucked into the gaping maw of the big lacuna that separates the two parts of this saga. It's a pretty wild ride.
If you're interested in learning more about the rules of the holmgang as it appears in the Icelandic sagas, check out this old Saga Brief on the subject: Saga Brief 2: Holmgang, or The Icelandic Art of Dueling
Share your thoughts on the saga so far and join in on the conversations here:
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Music Credits
Intro Music - "Prelude and Action" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Outro Music - "Stormfront" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
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We begin the new year with a saga that has been compared to the works of Shakespeare himself. Not necessarily in a favorable light, but definitely compared. As we hinted in our 10th Anniversary episode, we're jumping into the sagas of Eyjafjörður in Northern Iceland (including Svarfdæla saga, Valla-Ljóts saga, Víga-Glúms saga, and Ljósvetninga saga).
Up first is Svarfdæla saga, a surprisingly compelling (but sometimes frustrating) narrative that Jónas Kristjánsson described as "one of the greatest oddities among the sagas of Icelanders" in his book Eddas and Sagas (244). And if that doesn't sell you on it, then how about this fine quote from Fredrik Heinemann from his paper "Svarfdæla saga: The Norwegians and the Swedes," the saga efficiently characterizes minor and major figures with the deft brush strokes of saga writing at its best" (237). We think you'll agree after listening to this episode covering the first six chapters of the saga.
In this episode, we meet two brothers called Thorolf and Thorstein. One is a typical saga golden boy, the other is a kolbítr. But if you know your saga tropes, you know that big things are in store for that lazy coal-eater.
Along the way, we talk about other brothers we've met in the sagas, the sudden appearance of a castle in the narrative, and one of the more unbelievable candidates for Best Bloodshed we've seen in a while. We also get back to the listener runesack to address a question from our Discord page about Viking weddings.
There's all that and more in our first episode of 2024. It's good to be back!
If you're interested in doing your own word usage research, check out The Dictionary of Old Norse Prose.
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Music Credits
Intro Music - "Prelude and Action" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Outro Music - "Stormfront" by Kevin MacLeodLicensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
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Gleðileg jól frá Saga Thing! We're back with another exciting holiday discovery for you. This time, we share a bit of backgroundy stuff about the famous Yule Lads of Icelandic tradition before premiering a brand new poem about them. This may or may not be the oldest surviving poem about the Yule Lads, though we have some suspicions about the nature of the manuscript we were working from for the translation. Either way, it's a lot of fun.
Merry Christmas!
If you're interested, here's the original poem (in Icelandic) by Jóhannes úr Kötlum
“Jólasveinarnir” by Jóhannes úr KötlumEnglish translation by Hallberg Hallmundsson
Let me tell the storyof the lads of few charms,who once upon a timeused to visit our farms.
Thirteen altogether,these gents in their primedidn´t want to irk peopleall at one time.
They came from the mountains,as many of you know,in a long single fileto the farmsteads below.
Creeping up, all stealth,they unlocked the door.The kitchen and the pantrythey came looking for.
Grýla was their mother –she gave them ogre milk –and the father Leppalúdi;a loathsome ilk.
They hid where they could, with a cunning look or sneer,ready with their prankswhen people weren´t near.
They were called the Yuletide lads– at Yuletide they were due –and always came one by one,not ever two by two.
And even when they were seen,they weren´t loath to roam and play their tricks – disturbingthe peace of the home.
The first of them was Sheep-Cote Clod.
He came stiff as wood,to pray upon the farmer´ssheep as far as he could.
He wished to suck the ewes,but it was no accidenthe couldn´t; he had stiff knees –not to convenient.
The second was Gully Gawk,gray his head and mien.He snuck into the cow barnfrom his craggy ravine.
Hiding in the stalls,he would steal the milk,while the milkmaid gave the cowherda meaningful smile.
Stubby was the third called,a stunted little man,who watched for every chanceto whisk off a pan.
And scurrying away with it,he scraped off the bitsthat stuck to the bottomand brims – his favorites.
The fourth was Spoon Licker;like spindle he was thin.He felt himself in cloverwhen the cook wasn´t in.
Then stepping up, he grappledthe stirring spoon with glee,holding it with both handsfor it was slippery.
Pot Scraper, the fifth one,was a funny sort of chap.When kids were given scrapings,he´d come to the door and tap.
And they would rush to seeif there really was a guest.Then he hurried to the potand had a scrapingfest.
Bowl Licker, the sixth one,was shockingly ill bred.From underneath the bedsteadshe stuck his ugly head.
And when the bowls were leftto be licked by dog or cat,he snatched them for himself –he was sure good at that!
The seventh was Door Slammer,a sorry, vulgar chap:When people in the twilightwould take a little nap,
he was happy as a larkwith the havoc he could wreak,slamming doors and hearingthe hinges on them sqeak
Skyr Gobbler, the eighth,was an awful stupid bloke.He lambasted the skyr tubtill the lid on it broke.
Then he stood there gobbling– his greed was well known –until, about to burst,he would bleat, howl and groan.
The ninth was Sausage Swiper, a shifty pilferer.He climbed up to the raftersand raided food from there.
Sitting on a crossbeamin soot and in smoke,he fed himselfon sausage fit for gentlefolk.
The tenth was Window Peeper,a weird little twit,who stepped up to the windowand stole a peek through it.
And whatever was insideto which his eye was drawn,he most likely attemptedto take later on.
Eleventh was Door Sniffer,a doltish lad and gross.He never got a cold,yet had a huge, sensitive nose.
He caught the scent of lacebread while leagues away stilland ran toward it weightlessas wind over dale and hill
Meat Hook, the twelfth one,his talent would displayas soon as he arrivedon Saint Thorlak´s Day.
He snagged himself a morselof meet of any sort,although his hook at timeswas a tiny bit short.
The thirteenth was Candle Beggar –´twas cold, I believe,if he was not the lastof the lot on Christmas Eve.
He trailed after the little oneswho, like happy sprites,ran about the farm withtheir fine tallow lights.
On Christmas night itself– so a wise man writes –the lads were all restraintand just stared at the lights.
Then one by one they trotted offinto the frost and snow.On Twelfth Night the lastof the lads used to go.
Their footprints in the highlandsare effaced now for long,the memories have all turnedto image and song
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It's time for another installment of our side quest podcast, Hwaet a Movie! In this episode, we review the other Beowulf movie from 1999. That's right, there were two. This one stars Antonio Banderas as the far-traveled Ahmed Ibn Fadlan, an unlikely hero and perhaps originator of the Beowulf legend. Sure . . . that's the ticket. Join us for a rather exhaustive overview of The 13th Warrior, Saga Thing style.
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