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Woods, a rising star of the New York stage, never thought much about "Gypsy" because she never thought there'd be a role for her in the landmark 1959 musical. Now she's appearing opposite Audra McDonald in the new Broadway revival — and finding ways to make the role of Louise her own.
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The Shed, a relatively new multidisciplinary arts institution in Manhattan, has already made a habit of presenting buzzy theater productions — including the current, sold-run of "King Lear" starring Kenneth Branagh. Artistic director Alex Poots talks about how that show grew out of a years-along rapport with Branagh, and how the Shed's theater work fits into the broader landscape of Broadway and New York theater.
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The Tony-winning actor James Monroe Iglehart on how he nails the legendary voice of Louis Armstrong in the new Broadway bio-musical “A Wonderful World” – and why he hopes his involvement as co-director of the show leads to more directing gigs in the future.
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The stars of the new Broadway musical adaptation of "Death Becomes Her" talk comic timing, macabre special effects, and why Hilty always knew "Death Becomes Her" would make a great musical.
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Darren Criss and Helen J. Shen, the stars of the new Broadway musical "Maybe Happy Ending," on cross-cultural storytelling, navigating their show's technologically complex set, and why robots are uniquely suited to telling a very human story.
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In this supersized episode of Stagecraft, we bring you three conversations from Variety's Business of Broadway breakfast, featuring the stars, creators and producers behind some of the biggest shows on Broadway this fall.
In our first conversation, Erik Piecuch of City National Bank moderates a discussion with the producers Hunter Arnold ("Maybe Happy Ending," "Othello"), Caroline Kaplan ("Redwood"), Mara Isaacs ("Gypsy," "Hadestown"), and Sammy Lopez ("How to Dance in Ohio," "JOB").
In our second talk, Variety's Rebecca Rubin talks with four of the stars of the new Broadway revival of "Our Town": Zoey Deutch, Jim Parsons, Ephraim Sykes and Michelle Wilson.
And in our final interview, Variety's Brent Lang talks to two of the creative forces behind the buzzy new revival of "Sunset Boulevard," star Nicole Scherzinger and director Jamie Lloyd.
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The Tony-winning playwright and Oscar and Tony-winning director talk memory, loss and making “The Hills of California,” their latest Broadway play. Plus: the joys and pitfalls of franchise moviemaking.
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The "Lost" and "Hawaii Five-0" actor takes listeners behind the scenes of his return to Broadway, portraying a flawed, fictionalized version of the playwright David Henry Hwang in Hwang's comedy of mistaken racial identities, "Yellow Face."
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Jeanine Tesori, the Tony winning composer of “Kimberly Akimbo” and “Fun Home,”
talks about her upcoming Metropolitan Opera debut, “Grounded,” and what it’s like when a musical theater composer finds herself working with an 80-piece orchestra and 60-voice ensemble. Also discussed: the launch of the “Kimberly Akimbo” national tour, the revisions she and David Lindsay-Abaire made to “Shrek,” and why “Soft Power,” the musical she wrote with David Henry Hwang, is like the Renaissance Faire.
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There's a new tarot deck that brings Broadway to the tarot through the work of legendary caricaturist Al Hirschfeld — and I got a taste of the deck in action with a reading from its creator, Emily McGill, in a conversation about the spirituality of theater, the "casting" of theatrical icons as specific tarot cards, and how theater fans might use the deck for insight and self-reflection.
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Talking with Tony-winning Broadway star, who says she’s playing “an unhinged version of myself” in the new Broadway revival of “Once Upon a Mattress.”
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Behind the scenes with three of the creators of "Cats: The Jellicle Ball," the colorful, queer reimagining of the Andrew Lloyd Webber musical that's become a breakout hit of the summer.
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Glenn Weiss and Ricky Kirshner, the directing-producing duo behind the Tony Awards telecast, talk wowing the audience, innovating the staging, and why the Tonys always have the best acceptance speeches.
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The Tony-nominated star of "Appropriate," Sarah Paulson, and its nominated playwright Branden Jacobs-Jenkins share some real talk about Tony season, reveal how the extended run of "Appropriate" has changed things both for the actors on onstage and for the audiences in the house, and banter about why Paulson should maybe play Prince in "Purple Rain."
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The Tony-nominated stars of "Cabaret" take listeners backstage for a peek at the "synchronized chaos" behind the scenes, and talk rowdy crowds, critics, and Redmayne's fourth go-round in the role of the Emcee.
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Oscar, Emmy and Tony winning actress Lange, now on Broadway in a Tony-nominated performance in "Mother Play," discusses premiering a new play on Broadway, explains why she could do without Wednesday matinees, and reveals why her recent work has her feeling "wild and liberated."
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In a conversation recorded before the announcement of the Tony nominations, actors Espinosa and Iman talk criticism discourse, the irresistible allure of Lempicka, and the Broadway community that’s rallied around their show.
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Now starring on Broadway in the critically acclaimed "Water for Elephants," Gustin shares what's most challenging — and most rewarding — about his first return to musical theater after nine years as the star of the long-running CW series "The Flash."
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Recorded live on the Broadway Cruise, musical theater icon Peters recalls the moment she fell in love with Sondheim's work, shares the biggest lessons she's learned in her career, and reveals the one Sondheim role she'd still love to play.
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Soon to make her Broadway debut in the buzzy play “Stereophonic,” Canfield talks learning all those overlapping lines, telling an accidental lie on the way to winning her part in the show, the “Succession” diaspora on stage, and that one time the “Stereophonic” cast became a real band in Brooklyn.
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