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A note on the audio quality: Raechel lives in a country town in New South Wales and noted before the start of recording that her audio may be patchy, as it can be in the bush. While she’s understandable throughout, you will hear some ‘glitchy’ noises in places.
Raechel Whitchurch’s first album, Finally Clear, debuted at #1 in the ARIA Country Music chart and later went on to have Golden Guitar nominations. Her latest album, What a Time to Be Alive, debuted at #4 in the overall ARIA Australian albums chart. As with Finally Clear, it is a tour de force of heartfelt songwriting and wonderful musicality. Since its release Raechel has played launched shows and been to New Zealand with Fanny Lumsden, so there’s been a fair bit going on.
In our interview talked about the deeply personal inspiration behind the album – especially its title track – as well as her songwriting process, managing imposter syndrome, and balancing her music career with motherhood.
The title track holds special meaning for Raechel as she wrote it just months after the death of a child she was carrying. By candidly sharing the grief she felt in the aftermath, she hopes to help others know they aren't alone in difficult times. She wrote the song originally for herself, not intending it to be on the album, but it has gone on to provide other women with the opportunity to tell her their story. We spend a bit of time talking about this song, and about death and how it’s not a comfortable subject, and the impact the song has had. And we talk about the other songs on the album too, one of which was written years ago and reworked for this release.
For more about Raechel Whitchurch: https://www.raechelwhitchurch.com/
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Chloe Styler is a singer and songwriter from south-east Queensland who has developed a unique country-pop sound that features great melodies and often wistful, always thoughtful lyrics about life and love and the choices we make in both. Already this year she has opened for Gladys Knight, Nik Kershaw and Go West, and Shannon Noll, and released the singles ‘Time Bomb’ and ‘Twenty Five’. Her latest single is ‘Read a Room’, which she wrote in Nashville with Lauren McLamb and Phil Barton.
Styler was in Nashville at the time we spoke for this interview. It’s a city she first visited in her teens and wish she dreamed of returning to so she could the very thing she’s been doing there: making music. She made her CMA Fest debut there in 2021, and ‘Read a Room’ was recorded there with producer Luke Wooten, one of three songs she tracked with him.
We talked about that, as well as the visualiser made by Styler’s sister Amy to accompany ‘Read a Room’; about the importance of dress and costume in artistry, Styler’s degrees in journalism and business management, and a few more subjects. The fact that Styler has made her teenage dream a reality is no accident: she has applied herself diligently to becoming a musical artist, and combines her flair for melody and love of language to make memorable country-pop songs that offer earworms for the casual listener and very satisfying, meaningful experiences for the close observer.
For more about Chloe Styler: https://www.chloestyler.com/
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Briana Dinsdale is a singer-songwriter from south-east Queensland who is a recent graduate of the Academy of Country Music and who released her debut album, Beginnings, in 2021. Since then she’s released some irresistible country pop songs, including last year’s ‘Chasing Boys’.
Dinsdale's latest single is ‘Whiskey Worked That Way’, which she wrote with Robbie Mortimer, Chloe Styler and Jen Mize, and as with all of Dinsdale's songs it seems to head one way but goes into other and that new direction is always welcome. The accompanying music video also doesn't go where you think it will go.
We talked about both song and video, and how she came to make the song in Nashville with father-and-son team Michael and Caleb Flanders during an intense week of writing and recording. Three tracks came out of those sessions, including the single.
We also discussed Dinsdale's songwriting process, including how she values collaboration and the way co-writing sessions open her up creatively, and she is as engaging and interesting as ever. She'll be taking 'Whiskey Worked That Way' to stages at Lasso Country Music Festival in July and Gympie Music Muster in August (both in Queensland), accompanied by her band, which includes her sister, Ashlyn.
For more about Briana Dinsdale: https://brianadinsdale.com/
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Listening to Sweet Talk in 2022 and the single ‘Warm Love’ last year, and I spoke to brothers Tane and Soren Walker about it at that time.
Since then Sweet Talk have carved up the Tamworth Country Music Festival and played Bluesfest, where Kasey Chambers joined them on stage. They released the single ‘Lovin’ Myself’, a collaboration with Andy Golledge and have a new single of their own, ‘Real Good Cookin’’, which was the subject of this interview with band co-founders Soren Walker and David Turner.
The night before the interview the band had had a particularly creative jam session - they hold these sessions weekly, but this one had produced new music and in speaking about it Turner and Walker show us the strength of the connection and collaboration within the band, and also their own bond which has lasted for a quarter of a century.
This interview also shows a reason why I love finding out the stories behind musical artists and the music they make: the energy that is in Sweet Talk's music - the ease and groove of it - comes partly from the connection that is clear between these two band members. It's not something that can be manufactured but it is something that can be made through work and consistency and intention, and a listener can hear it in recorded music and see it in the live setting.
So this talk with Sweet Talk is ostensibly about 'Real Good Cookin'' but it's also about how art is made, and how you can only arrive at trusting in magic happening when you lay the groundwork for it.
For more about Sweet Talk: https://www.sweettalkmusic.com.au/
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Shanleigh Rose is a singer-songwriter from Queensland's Sunshine Coast who has released several catchy country-pop singles and won the 2023 Gympie Muster Junior Talent Search as well as being a Top 10 Finalist in the Groundwater Country Music Festival KIX Start Competition.
Last year Rose attended the Junior Academy of Country Music and the Dag Sheep Station Songwriting Retreat, and in this interview she talks about both as well as her musical background, influences, songwriting process and that new single 'Ricochet', which she wrote with her brother, Riordan, who brought in references to Greek mythology and also created the cover art.
Rose has been surrounded by music from a young age and lives in a musical household; influenced by Taylor Swift, Kasey Chambers and Troy Cassar-Daley, amongst others, she creates songs with memorable melodies and relatable themes, and knows how to use her lovely singing voice to great effect. We talked about all of that and more [shownotes below if you'd like the shorthand version].
For more on Shanleigh Rose: https://linktr.ee/ShanleighRose
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The first I knew of Andy Golledge was seeing him in the 2019 SBS series Robbie Hood. He had the role of Robbie’s dad and he played guitar and sang, and his music was an integral part of the show, which remains one of my favourite anythings and always will (and it’s still available to stream on SBS).
At the time I couldn’t believe I hadn’t heard of Golledge, but research revealed that he hadn’t released recorded music. Thankfully, in early 2020 he released the EP Namoi. But then, of course, everything stopped.
As I told him in this interview, he was the first artist I saw performing a lockdown show online, and I’ve seen him play in various incarnations since - with his bandmate Caitlin Harnett in an acoustic setting, as well as with his band in toto in different venues. Every time, in whichever way, it has been a standout gig. He is an exceptional live performer, so I relished the opportunity to talk to him about performance and about the tour he’s currently on (dates here), as well as about Robbie Hood.
At a certain point in our chat Golledge said, ‘I think the important thing about live music is danger … I love doing it. And I think more people should implement danger in their music.’
Danger is, indeed, what I had perceived in his performances but what’s so interesting about him as a live performer is that the danger comes within a structure that he has carefully created over the course of years, so what the audience experiences is this sense that anything could happen, and probably will, and he’s completely in charge of it. It’s both thrilling and reassuring at the same time.
If you go and see Golledge live at one of these shows, you can expect that - and I’ve seen him live enough times to know it’s consistent - and also expect that it will be a show you won’t ever forget.
Oh, and to establish his pedigree: his first album, Strength of a Queen (2022), won Best Independent Country Album/EP at the AIR Awards 2023 and was also nominated for Best Country Album at the 2022 ARIA Awards and Best Alternative Country Album at the 2023 Golden Guitars. His latest album, Young, Dumb & Wild, was released this year and both consolidates the first album and moves his work along musically.
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Adam Harvey is the winner of 9 Golden Guitars and untold numbers of fans, with over half a million albums sold across several albums, including The Great Country Songbooks with Troy Cassar-Daley and Beccy Cole, and he will have a new album out later in the year.
In this interview Harvey touches on the story behind his catchy new single ‘It’s Gettin’ Late’, written with hit songwriter David Lee Murphy; it turns out it was inspired by a neighbour who may not have been able to take a hint …
Harvey recalls his first cowriting session with Murphy, when he was nervous at first; the two songwriters then established a fruitful creative relationship over time. Harvey also talks about upcoming tour dates with longtime collaborator Beccy Cole on the road this June, and touches on connecting with fans, touring life, finding motivation through setting new challenges, supporting emerging talents like his daughter Layla, and simply appreciating his longevity in Australian country music.
For more on Adam Harvey, including tour dates, go to: https://adamharvey.com.au/
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Abigail Wighton is a folk-influenced singer-songwriter from Sydney who released the EP interwoven in 2019. In recent months she has released the singles ‘letter’ and ‘if you let me’ from her new EP soon. She’s also supported Fanny Lumsden at her Sydney show and played in the National Folk Festival.
In our recent interview Wighton talked about her musical journey, from an unlikely start writing songs for the funerals of her pet mice to studying music at university and releasing her debut EP Interwoven in 2019. She also talks about dealing with performance anxiety earlier in her career.
Wighton’s new EP soon features songs written during her early 20s, including the title track which she first penned in 2018. She explains how returning to these songs several years later to finally record them felt like ‘diving back into old diary pages’ and forced her to reconnect with that period of her musical and personal development. The result is a collection of songs in which Wighton allows herself to be vulnerable and, through that, opens herself up to connection with the listener, all the while letting them know they are in safe hands.
Wighton will be playing a string of EP launch shows starting in June at venues in Sydney, Wollongong, the Blue Mountains, Southern Highlands (NSW), and NSW Central West.
For more on Abigail Wighton, including tour dates: https://www.abigailwighton.com.au/
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Tammy Moxon lives in Townsville, Far North Queensland, where she performs live regularly. She released the album Drive Me Sane in 2019 and has been steadily releasing singles leading up to her latest album, Fighting Chance, which was recorded with producer Shane Nicholson in just three days, in and around lockdown travel restrictions.
As on Drive Me Sane, Moxon shows herself to be a thoughtful songwriter who is prepared to be vulnerable not to unburden herself but to share something with the listener. There is so much heart in these songs and in Moxon's performance of them.
Moxon got an early start in music, participating in competitions from the age of 8, and her father was her vocal coach from around the same age - he is also now her co-writer, having contributed to two songs on Fighting Chance, including 'Barfly Blues', on which Bill Chambers contributes vocals.
In our recent interview Moxon talks about her progression as a songwriter and artist from Drive Me Sane and about why she enjoys making albums rather than releasing singles only; we chatted about the thriving live music scene in Townsville, and how she maintains her packed schedule of gigs.
For more about Tammy Moxon: https://www.tammymoxon.com/
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**Mild language warning**
Brooke Taylor is an alt-country singer, songwriter and guitarist from Melbourne who released her debut album It’s the Little Things in 2020. Her second album, There’s Magic in Mistakes, is not long out in the world. It is by turns pragmatic and joyful, wry and compassionate, and at its core is Taylor's inherent ability to entertain and be present in her music.
As I found out when Taylor and I spoke recently, several songs on the album came together quickly, and others emerged more organically through experimentation. And not all songs are new: 'A Thousand Kisses' predates It's the Little Things. Taylor worked with producer Damian Cafarella, who also produced her first album, and her band The Poison Spitting Gin Queens.
We also talked about her new project The Deserters, in which she collaborates with fellow Melburnian Delsinki, with an album potentially slated for release by end of this year.
Taylor's vim, vigour and verve were as evident in our conversation as they are on her album; she is a creative force surely making magic, whether it's from mistakes or simply from embracing music as her path and conjuring as she goes along it.
For more about Brooke Taylor: https://www.brooketaylormusic.com.au/
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Mak & Shar are brothers from Mudgee in New South Wales who released their debut single together in 2022 - but this was far from their first release as they were members of the band Brothers3 and as such played 12 Tamworth Country Music Festivals and appeared on X Factor in 2016. They released the single ‘Leap of Faith’ earlier this year and now have a new single, ‘Best Thing’ (watch the music video here).
During our recent interview the brothers talked about their writing and recording process - in which Mak takes the production lead and Shar the writing - and their easy collaborative dynamic was clear. They have been passionate about music since childhood and have not only maintained it but found new ways to create music together through this duo.
For more on Mak & Shar: https://www.makandshar.com/
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released a self-titled EP in 2020 and her debut album, Sticks, Stones and Stories, in 2022. Late last year she released the single ‘Too Far Down’ and her latest single is ‘Can’t Fake That’.
‘Can’t Fake That’ is Brooke’s tribute to women of the land, with a lighthearted feeling that was achieved by Brooke and her producer, Rusty Crook, by deciding to re-record the song after realising their first version wasn’t quite right.
Brooke lives on the land and draws inspiration from it; she also makes it clear in our chat that connection with other people is her primary driver in creating music, and this is something she pursues with passion.
We also have a little bit to say about Mercury Retrograde … for those who believe, or not!
For more about Katie Brooke: https://www.katiebrookemusic.com/
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Jayne Denham was nominated for a Golden Guitar in 2022 for her last album, Wanted, and she returns now with Moonshine, which is an irrepressible force of an album that features Jayne’s amazing vocal power.
Whereas Wanted had a spaghetti western theme, Denham chose the Prohibition era as the creative inspiration for Moonshine. Working with her Nashville-based producer Brian White, she carefully selected songs that would not only work individually but contribute to the whole vision of the album. These included a cover of George Strait's 'Poison', as Denham explained when we spoke recently.
The latest single is the emotional 'Lovin' a Wild Thing', which was originally written for a male vocalist. Vocal collaborators on the album include Colt Ford on the title track and Hurricane Fall on 'Are You Ready for This'.
The track 'Risk it All' reflects Denham's decision to launch an Australian tour, which she is currently on (tour dates below) - and having seen her live I can see it is a low-risk decision to attend as she is an incredible live performer. We discussed the decisions she makes that feed into the powerful live experience, as well as the making of Moonshine.
See Jayne Denham live
Jun. 7, 2024 - Freemasons Hotel Molong
Jun. 15, 2024 - Barra & Boots Music Festival Lake Proserpine in the Whitsundays
Jun. 21, 2024 - Moonshiners Tamworth
Jul 5, 2024 - Astor Hotel Goulburn
Jul. 6, 2024 - Oaks Hotel Albion Park Rail
Aug. 23, 2024 - Camden Hotel
Sept. 27, 2024 - Texas QLD Country Music Festival 2024
Oct. 26, 2024 - Mandurah Country Music Festival
For more about Jayne Denham: https://www.jaynedenham.com/
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Melbourne singer and songwriter Jay Santilli has been immersed in music since childhood, listening to classic country artists on the radio growing up, begging her parents for a keyboard at age 10 and learning saxophone then guitar. She formed a band with friends and would go on to take part in such competitions as the (now-defunct) Telstra Road to Tamworth contest. This year she was a Grand Finalist in the Toyota Star Maker competition.
The path to being a musician has not, however, been straightforward – nor has been the pursuit of her other dream, motherhood.
Santilli’s new single ‘Long Way Home’ tells of pursuing dreams even when they seem impossible. It is emotional and inspiring, and Santilli has a lot more on the way this year, with plans to release one single a month. When we spoke recently Santilli’s love for her artform and her generous spirit and open heart were evident, making the chat just as inspiring as the song.
For more about Jay Santilli: https://jaysantilli.com/
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When reviewing Troy Cassar-Daley’s last album, The World Today (2021), I compared him to Orpheus, going to the Underworld in search of his wife, Eurydice, who had been taken there by Hades. But after going into the darkness to find what he was looking for then turning back at the point of rescue only to see Eurydice disappear – as the myth has it – Cassar-Daley as Orpheus turned his face forwards and stepped into the light, as complicated as the path ahead was.
‘Troy Cassar-Daley has long been a beacon in our culture,’ I wrote then, ‘for his songs and the way he delivers them. With this album he takes on not mythic status, because he’s still with us, but he becomes, perhaps, a warrior for the people. Out of his darkness we can find light, and the only thing left to say to him is “thank you”.’
That album remains as one of its creator’s very best, and a classic by many measures. It seemed unlikely that he could better it, for how would he find a deeper well to draw on, how much further could he go into the darkness and, to balance, how much light would he discover on his return? The answer has arrived in the form of his new album, Between the Fires, which is an epic work of love, loss, water, fire and smoke, of country and connection, written almost entirely by Cassar-Daley alone in the wake of the death of his mother, then recorded in her home.
The depth of Cassar-Daley’s sorrow is soaked into this album, as is his resolution to find light once again. He growls, he rails, he ponders the past and looks to construct a future that may not have included his wife, Laurel, as they went through a separation around the same time, which is also part of the fabric of this album. Most of all, though, he pays tribute to his mother, and we are shown – more than we are told – how much of a man she helped to make him. For the work done there is his too, and the unforgettable resolution of the album, ‘Moving On’, is his alone.
There is a verse in the Vijnana Bhairava Tantra, a revealed text of Kashmir Shaivism, that goes:
Live continuously for a few days in the meditation,
‘I am immersed in the flame,
The flame of life, the flame of love, the flame of time.
The universal fire flows through me.’
Step into that fire fully, wholeheartedly,
Starting with the toe of the left foot –
And then surrendering everywhere.
Only the not-self, which doesn’t exist anyway,
Is burned.
(Verse 29, translation by Lorin Roche)
Between the Fires documents Troy Cassar-Daley’s burning of the not-self and consequent revelation of the self. Through the fire of grief and change we are able to see the man as he is now and was always meant to be. There is so much bravery required to step into this flame and to go on afterwards, let alone present what remains to the world.
For more about Troy Cassar-Daley: https://troycassardaley.com.au/
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Hana & Jessie-Lee’s Bad Habits are a Melbourne duo who released their debut album, Southlands, in 2017 and have just released their latest album, the gloriously entertaining and thought-provoking Say What You Mean.
The longtime friends and collaborators started their performing life in punk bands over a decade ago in their hometown of Adelaide before forming Hana & Jessie-Lee’s Bad Habits, with Hana on vocals and Jessie-Lee on guitar, in 2014. The catalyst was a batch of country-tinged songs written by Hana. Jessie-Lee helped flesh out arrangements, and they then played a month-long residency at Adelaide's Crown & Anchor Hotel to cement the new formation.
Over the next few years, Hana and Jessie-Lee continued evolving their sound while playing live extensively. It was the isolation of pandemic lockdowns that inspired Hana to write a new collection of songs which have now become Say What You Mean.
In this interview we talked about their creative collaboration, their musical influences and songwriting process – and what bad habits might have prompted the band name.
For more about Hana & Jessie-Lee's Bad Habits: https://hanaandjessielee.com/
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Tori Forsyth released her Golden Guitar-nominated debut album Dawn of the Dark in 2018 then followed it up with rock album Provlépseis in 2021. She now has a new country music album, All We Have is Who We Are.
The album was created after Forsyth decided that if she didn’t love the process of making music, she’d walk away. Around the same time the pandemic led to her once more living on the land, where she found herself grounded, both literally and creatively. The combination freed her to make an album that not only allowed her to tap back into the joy that initially drew her to music but which sounds like it.
On All We Have is Who We Are Forsyth is by turns earthy and ethereal, wild and circumspect, thoughtful and unconstrained. The album is a story arc that documents how she arrived at where she is - how all she has is who she is. And our conversation about it was as rich, interesting and inspiring as the album itself.
Forsyth has some live dates coming up, and having seen her place a showcase in Sydney last year I can attest that she is very much worth seeing live.
MAY 17 SYDNEY - THE VANGUARD - Tickets
w. Chloe Gill, Piper Butcher
MAY 18 NEWCASTLE - STAG AND HUNTER - Tickets
w. Chloe Gill
MAY 23 MELBOURNE - THE TOTE - Tickets
w. Jay Santilli
MAY 26 SUNSHINE COAST - SOL BAR - Tickets
w. Piper Rodrigues and Tyla Piper Rodrigues
For more about Tori Forsyth: https://www.toriforsyth.com/
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The Matt Joe Gow & Kerryn Fields project falls into the category of ‘high risk’: two artists with solo careers that have seen them win audiences, acclaim and awards, with potentially nothing to gain from a collaboration. After all, if something ain’t broke, why fix it?
What they have fixed on, though, is interesting and compelling work that draws on their individual talents and strengths to make something new and different to what they have created individually. What was apparent on their singles ‘Your Heart of Gold’, ‘Love Ya Like I Can’ and ‘No Trace’ is now evident on their album, I Remember You: they have brought their talents and strengths as artists and openness – vulnerabilities, if you prefer – as individuals and created something unique, rich and stunning.
The collaboration has required them both to set aside any expectations they have for their solo work and start afresh with each other. It could only have worked if they did not demand any more of the other than they demanded of themselves. The proof is in the ten tracks on the album, each different to each other just as Joe Gow and Fields are different to each other, but united in the common cause of telling a story of life, loss and love, of what home means and where to find it.
Throughout these songs the duo also provide proof, over and over again, that for as much as they have great strengths as songwriters they are also extraordinary singers. Listen no further than to Joe Gow on ‘Carry On’ and Fields on ‘Here I’ll Be’ for that proof, but you’ll want to listen to it all, over and over again, and find yourself entranced.
So, in the end, this high-risk project is, in fact, high-risk and high-reward – the reward being for them as the creators and us as the listeners. And I spoke to them both about the project in this interview.
https://mattjoegowmusic.com/
https://www.kerrynfields.com/
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Jade Gibson is a singer and songwriter from Victoria who was a Grand Finalist in Toyota Star Maker in 2022 and has played at several large festivals. In 2019 her debut EP The Great Unknown went to number 1 on the iTunes Country chart and she has released several successful singles since. Her brand new single is ‘Down the Road’.
The song holds special meaning for Gibson as it's her first song inspired by her partner of five years, whom she met when she was 21 even though they grew up 20 minutes apart in regional Victoria. The song captures a feeling of love coming when you least expect it, and was recorded with Melbourne production duo MSquared, who she has worked closely with over the past two years. The music video was made by Jake Davey and features Home and Away star Kyle Shilling.
Gibson has been a performer from a young age, playing local pubs and rodeos at 14 before getting discovered at a small gig and being asked to play B&S balls. She also spent time in Nashville before returning to Australia at the start of the pandemic. Gibson is an astute artist who is constantly working on her craft, and it was a pleasure to talk to her about all of this and more.
For more information on Jade Gibson: https://jadegibson.com/
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Kylie Gale is a singer-songwriter from New South Wales who released the EP Upside in 2021. While working as a teacher and raising four children, Gale has carved out time to nurture her songwriting craft. This dedication led to the 2021 release of her debut EP Upside.
Gale’s musical talents first emerged in primary school, where she began guitar lessons. However, it wasn’t until high school when her music teacher encouraged her to take voice lessons that she discovered her love of singing. As her children have grown up, Gale has been able to invest more time into songwriting.
Her latest single is the deeply personal single ‘Nobody Knows Me Like You Do’, written with in-demand co-writer Billie-Jo Porter and recorded with producer Simon Johnson at Hillbilly Hut. The song explores the understanding and support Gale shares with her husband of 22 years. And Gale has plans to release more singles leading up to a full album in 2024.
During our recent chat Gale’s passion for and perseverance in music while balancing life’s other responsibilities were clear – and inspirational as we spoke about her musical influences, creative process, and hopes for the future.
For more information on Kylie Gale: https://www.kyliegale.com/
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