エピソード
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“You know, if they take a personal belonging, something that you treasure, then there’s no escape from them. You’ll be marked and they’ll always know how to find you.”
Uncovering the Horrors of War and Gender InequalityIranian filmmaker Babak Anvari's directorial debut, Under the Shadow, hit the festival circuit in 2016, garnering critical acclaim and numerous awards. Set in Tehran during the Iran-Iraq War of the 1980s, this Persian-language horror film delves into the personal and societal struggles of a mother and daughter as they face both the terrors of war and the oppression of gender inequality. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about Under the Shadow.
Peeling Back the Layers of Fear
From the ever-present threat of war to the social horror of gender inequality, Anvari masterfully weaves together a tapestry of terror that keeps viewers on the edge of their seats. We discuss how the film's supernatural elements, in the form of malevolent spirits known as djinn, serve as a metaphor for the protagonist's internal struggles and the trauma she faces.
Throughout our conversation, we explore the powerful performances of the film's lead actors, particularly Narges Rashidi as the mother, Shideh. Her portrayal of a woman grappling with the loss of her dreams and the pressures of motherhood in a war-torn, patriarchal society is both haunting and inspiring. We also touch on the film's effective use of sound design and cinematography to create an atmosphere of unease and dread.
Digging Deeper into the Discussion
The symbolism of the doll as a representation of Shideh's maternal instincts and her daughter's need for protectionThe ambiguity surrounding the origins of the djinn and their connection to the characters' traumaThe film's commentary on the psychological effects of war and oppression on individuals and societyThe open-ended nature of the film's conclusion and its implications for the characters' futuresUnveiling the Significance of Under the Shadow
Under the Shadow is a testament to the power of horror cinema to explore complex social and political issues. By blending the supernatural with the all-too-real horrors of war and gender inequality, Anvari has crafted a film that is both terrifying and thought-provoking. Despite some minor criticisms regarding the clarity of certain plot points, we ultimately find Under the Shadow to be a compelling and essential addition to the canon of international horror cinema. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
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You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Maybe, he suddenly just wanted to die. I get that way sometimes.”
The Rise of J-Horror in the International SpotlightJapanese horror, or J-Horror, has a rich history dating back decades, with influential works like Masaki Kobayashi's Kwaidan (1964) and Nobuhiko Obayashi's House (1977) paving the way for the genre. However, it was in the late 1990s and early 2000s that J-Horror truly gained international recognition, thanks to a wave of innovative and terrifying films that captivated audiences worldwide. One of the most significant and thought-provoking films of this era was Kiyoshi Kurosawa's 2001 masterpiece, Pulse. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about Pulse.
Exploring the Depths of Loneliness in a Connected World
At its core, Pulse is a haunting meditation on the themes of isolation and disconnection in an increasingly technology-driven society. Kurosawa skillfully weaves a narrative that blurs the boundaries between the physical and digital realms, as the characters become entangled in a supernatural world accessed through the internet. As the film progresses, it becomes clear that the true horror lies not in the ghostly apparitions, but in the profound sense of emptiness and loneliness that permeates the characters' lives. Throughout our discussion, we examine how Pulse effectively communicates these themes through its atmospheric storytelling, unsettling imagery, and nuanced performances.
Crafting an Unforgettable Atmosphere
Kurosawa's deliberate use of static shots and wide angles to emphasize the characters' isolationThe film's focus on the younger generation and their relationship with emerging technologiesThe iconic "ghost" movements and the smudged, blurred effects used to depict the supernatural entitiesThe choice of eerie locations, such as abandoned buildings and desolate streets, which contribute to the film's oppressive atmospherePulse's Lasting Impact on J-Horror and Beyond
More than two decades after its release, Pulse continues to stand as a landmark film in the J-Horror genre and a testament to Kiyoshi Kurosawa's visionary directorial prowess. The film's exploration of the potential dangers lurking within our increasingly connected world remains as relevant as ever, striking a chord with contemporary audiences. While the narrative's pace may prove challenging at times, Pulse's ability to provoke introspection and unsettle viewers is undeniable. Its influence can be seen in numerous subsequent horror films, both in Japan and internationally, cementing its status as a true classic of the genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Andy’s J-Horror to Watch listWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
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The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
エピソードを見逃しましたか？
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“You’re mine now. From now on, you must devote your whole life to me.”
A Ghost Story as a Statement on Pride and GreedKenji Mizoguchi's 1953 film Ugetsu, based on stories by Akinari Ueda and Guy de Maupassant, is a haunting tale set in war-torn 16th century Japan. The film follows two peasant couples whose lives are upended by the devastation of war and the allure of ambition. Ugetsu masterfully blends the supernatural with the harsh realities of the human condition, creating a timeless masterpiece that continues to captivate audiences. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about Ugetsu.
Ugetsu: A Dive into the Ethereal and the Earthly
In our discussion of Ugetsu, we explore how Mizoguchi seamlessly weaves together the ghostly and the mundane to create a powerful narrative. The film's central character, Genjuro, a potter, becomes consumed by his desire for wealth and fame, ultimately falling under the spell of a mysterious noblewoman who turns out to be a ghost. This supernatural element serves as a metaphor for the destructive nature of unchecked ambition and pride.
We also delve into the film's portrayal of the effects of war on the peasant class, particularly the women who are left behind to fend for themselves while their husbands pursue their dreams. Mizoguchi's empathetic lens highlights the resilience and strength of these women in the face of unimaginable hardship.
Other Facets of Ugetsu
The film's stunning cinematography and its role in creating an otherworldly atmosphereThe use of traditional Japanese theater techniques, such as the stylized makeup worn by Lady WakasaThe juxtaposition of Genjuro's story with that of his brother-in-law, Tobei, who seeks fame as a samuraiThe film's poignant ending and its commentary on the consequences of neglecting one's family and responsibilitiesA Timeless Tale of Human Fallibility
Ugetsu is a film that transcends its historical setting to deliver a powerful message about the dangers of pride, greed, and the pursuit of glory at the expense of what truly matters. Mizoguchi's masterful direction, combined with the film's haunting visuals and compelling performances, cements Ugetsu's place as a true classic of world cinema. We thoroughly enjoyed discussing this thought-provoking and emotionally resonant film. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Pete’s Letterboxd Ghost Story WatchlistTune in to our conversation about Ugetsu with production designer Yôhei Taneda on Movies We Like in either English or JapaneseWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
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You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Anyone trying to leave the train by force will be stopped by force.”
An All-Star 70s Disaster Film Mash-UpThe 1970s saw a surge in the popularity of disaster films, with movies like The Poseidon Adventure, The Towering Inferno, and Earthquake captivating audiences. In 1976, director George P. Cosmatos and producer Carlo Ponti joined forces to create their own entry in the genre: The Cassandra Crossing. With an all-star ensemble cast including Sophia Loren, Richard Harris, Burt Lancaster, Martin Sheen, OJ Simpson, and Ava Gardner, the film aimed to capitalize on the decade's love for big-budget spectacles filled with peril and suspense. Join us – Pete Wright and Andy Nelson – as we wrap up this return to our Disease Films series with a conversation about The Cassandra Crossing.
Sneezing in Rice and Other Disastrous Delights
In this episode, we dive into the various disasters that unfold throughout The Cassandra Crossing. From the initial release of a deadly virus on a train to the impending collapse of the titular bridge, the film keeps the stakes high and the tension palpable. And know that we say that you have to go into this movie ready for its not-so-great quality that makes it fun... at least to us. We discuss how the movie effectively captures the sense of paranoia and fear surrounding the spread of disease, a theme that resonates strongly within our series. Additionally, we explore the film's campy and over-the-top moments, such as the infamous scene involving a sneeze and a bowl of rice, which contribute to its overall entertainment value.
Exposing the Flaws and Celebrating the Fun
While we acknowledge some of the film's shortcomings, such as the reliance on stereotypes and the clunky exposition, we also celebrate the elements that make The Cassandra Crossing an enjoyable viewing experience for us. From the performances of the all-star cast to the violent final crash, the movie offers plenty of reasons to sit back and enjoy the ride. Again... be in the mood for it or it may not work for you as well as it did for us.
Other topics covered in this episode include:
• The impressive ensemble cast and their performances
• The film's commentary on government secrecy and the U.S. military's involvement in bioweapons research
• The effectiveness of the movie's score in heightening the suspense
• The role of Lee Strasberg and his character's surprising backstory... and expositionA Thrilling Journey Worth Taking
Despite its flaws, The Cassandra Crossing remains a perhaps junky but goofy-fun-if-you’re-in-the-right-mood example of the 1970s disaster film genre, delivering a thrilling and entertaining journey from start to finish. Its exploration of themes related to disease and paranoia, combined with its star-studded cast and grand-scale spectacle, make it a film worth discussing and revisiting. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“The reason, Mr. Gashade, for the hunt is the kill.”
A Low-Budget Western from the Corman-Hellman-Nicholson TrioAfter impressing producer Roger Corman with their previous work, director Monte Hellman and actor Jack Nicholson presented him with a spec script, but Corman had a different idea. He proposed that they make two Westerns instead, giving them three weeks to shoot each film. Hellman and Nicholson agreed, and the result was a pair of existential Westerns – The Shooting and Ride in the Whirlwind – shot in 1965 in Utah. Join us – Pete Wright and Andy Nelson – as we continue our 12-episode, 14th season-long Roger Corman series with a conversation about The Shooting, our second installment and member bonus episode.
Unraveling the Mysteries of The Shooting
In this episode, we delve into the enigmatic world of The Shooting, discussing the film's unique narrative structure and the questions it raises. We explore the mysterious characters, their motivations, and the shocking revelation at the end. The story follows a former bounty hunter turned miner who is hired by a woman to track down an unknown individual. As they embark on their journey, they are pursued by a menacing gunslinger clad in black. Throughout our conversation, we examine how the film's minimalistic approach and existential themes set it apart from traditional Westerns of the era.
The Corman Connection and the Film's Place in Cinema History
We discuss how The Shooting fits into the larger context of Roger Corman's productions and its significance in the careers of Monte Hellman and Jack Nicholson. The film's low-budget, experimental nature aligns with Corman's reputation for producing cost-effective, boundary-pushing cinema. We also explore how The Shooting, along with its companion piece, Ride in the Whirlwind, served as a precursor to the independent, counterculture-influenced films of the late 1960s and early 1970s.
A Divisive Film: Contrasting Opinions
While Andy enjoyed The Shooting, finding its fatalistic and existential themes compelling, Pete struggled to connect with the film. He found the experimental editing choices and the overall pacing to be challenging, making it a difficult watch for him. Despite their differing opinions, both hosts agree that the film's ambiguity and unconventional approach make it a unique entry in the Western genre.
Other Topics Covered in the Episode
The film's status as one of the first "acid Westerns"The symbolic and metaphorical elements woven throughout the narrativeThe effective use of the stark Utah landscape to convey isolation and despairStandout (?) performances from the cast, including Will Hutchins and Millie PerkinsA Thought-Provoking and Unconventional Western
While Andy appreciated The Shooting's ambiguity and haunting atmosphere, Pete ultimately deemed it a "Casablanca movie," alluding to the exchange between Rick and Ugarte in the classic film: "You despise me, don't you?" "If I gave you any thought, I probably would." Despite their contrasting views, both hosts agree that the film remains a testament to Corman’s passion for cranking out low budget films and giving experimenting filmmakers like Monte Hellman and Jack Nicholson the chance to play. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
New Glossary Term: Casablanca MovieWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxdThis is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
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“She doesn’t know it yet, but she’s hunting us.”
How a Virus Spreads Through LanguageThe 2008 Canadian horror film Pontypool, directed by Bruce McDonald and written by Tony Burgess, was inspired by Orson Welles' famous radio broadcast of War of the Worlds. Originally, Burgess envisioned the entire film as a radio play, with the main character Grant Mazzy reading the script accompanied only by a visual of the blue waveform. While this concept wasn't fully realized, it heavily influenced the confined, constrained storyline of the radio station employees trying to make sense of the outbreak consuming their small town. Join us – Pete Wright and Andy Nelson – as we continue the Disease Films series with a conversation about Pontypool.
Dissecting the Viral Outbreak in Pontypool
One of the most intriguing aspects of Pontypool is how the horror unfolds through the limited perspective of the radio station employees. As Grant Mazzy, Sydney Briar, and Laurel-Ann Drummond receive increasingly disturbing reports from Ken Loney in the "Sunshine Chopper," the tension builds before the true nature of the viral outbreak is revealed. The film's unique approach to storytelling keeps the audience engaged, even when the explanation for the virus itself may seem a bit far-fetched.
Throughout our discussion, we explore the metaphorical implications of a virus that spreads through the English language. As a Canadian film, Pontypool seems to comment on the value of traditionalism and the French language in Ontario, while also critiquing the potentially damaging influence of American shock jock radio. The film's central conceit – that language itself can become contagious and dangerous – resonates even more strongly in today's era of social media and misinformation.
Other Highlights from Our Conversation
The wordplay and coincidences in Grant Mazzy's opening monologue, foreshadowing the importance of language in the storyThe debate over whether Grant Mazzy was infected by the virus at the end of the filmThe role of Dr. Mendez as the "book of the vampire," providing exposition and context for the outbreakThe powerful portrayal of Laurel-Ann's deterioration, offering a window into the effects of the virusPontypool may not be a perfect film, but its clever premise and thought-provoking themes make it a worthwhile entry in the Disease Films series. By confining the action to the radio station and relying on reports from outside, the movie creates a sense of claustrophobia and dread that keeps the audience engaged despite the sometimes flimsy explanation for the virus itself. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“I think, therefore I scam.”
The Sundance Struggle of Wendell B. Harris Jr.'s Sensational Con Artist StoryIn 1989, writer-director-actor Wendell B. Harris Jr. crafted a stunning debut feature, Chameleon Street, based on the incredible true story of con artist William Douglas Street Jr. Despite winning the Grand Jury Prize at the 1990 Sundance Film Festival, Harris faced immense difficulties securing distribution for his groundbreaking film. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Chameleon Street.
Unraveling the Layers of a Chameleon's Tale
Throughout our discussion, we dive into the fascinating layers of Chameleon Street, from its energetic and in-your-face production style to the subversive commentary on race and identity. We explore how Harris Jr. taps into the con artist's perspective, using voiceover narration and camera techniques to create a thrilling cinematic experience that keeps the audience engaged from start to finish.
As part of our One-and-Done series, we also delve into the unfortunate reality of Harris Jr.'s struggle to make more films after this impressive debut. Despite his undeniable talent and the film's critical acclaim, the Hollywood system failed to provide him with the opportunities he deserved.
Unpacking the Complexities of Identity and Representation
The film's thought-provoking exploration of race and the challenges faced by a black man navigating various roles in societyHarris Jr.'s masterful performance as William Douglas Street Jr., showcasing the con artist's chameleon-like abilitiesThe movie's subversive humor and biting social commentary, particularly in scenes where Street Jr. openly insults his unsuspecting targetsThe film's propulsive narrative structure, which keeps the audience engaged as the protagonist moves from one audacious scheme to anotherA One-and-Done Wonder Worth Rediscovering
Chameleon Street is a testament to Wendell B. Harris Jr.'s immense talent as a filmmaker and storyteller. Through his deft handling of the subject matter and innovative storytelling techniques, Harris Jr. crafts a compelling and thought-provoking exploration of identity, race, and the art of the con. While it's disheartening that he never had the chance to make another feature film, Chameleon Street remains a powerful and essential piece of cinema that deserves to be celebrated and rediscovered by audiences today. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
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The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Well I’ll be greased and fried! What’s the circus doing up in these parts?”
The Chiodo Brothers and Their Creature Feature LegacyBefore Killer Klowns from Outer Space, the Chiodo Brothers – Charles, Edward, and Stephen – had already made a name for themselves in the special effects world of the 1980s. With credits on films like Critters and sequences in RoboCop, they were well-versed in creating practical effects and creature designs. Killer Klowns from Outer Space represented an opportunity for them to showcase their skills in a feature-length film, with Stephen Chiodo taking on the role of director. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about their 1988 film Killer Klowns from Outer Space.
Clowning Around with Horror Tropes and Twisted Expectations
In our discussion, we marvel at how Killer Klowns from Outer Space gleefully subverts classic clown tropes, turning seemingly innocent gags into sinister and often grotesque moments. From the balloon animal hunting dog to the shadow puppet T-Rex that devours its victims, the film consistently surprises and delights with its inventive use of clown iconography. However, we question whether the horror-comedy balance always lands, with some scenes leaning more heavily into the absurd than the truly frightening.
A Trio of Heroes and the Trope of Incompetent Authority Figures
Throughout our conversation, we explore the dynamics between the film's central trio – Mike, Debbie, and Dave – and how their relationships evolve as they face the alien clown threat. We also examine the trope of young heroes pitted against incompetent authority figures, a common theme in 1950s-era B-movies that Killer Klowns from Outer Space both embraces and satirizes.
Other topics we cover include:
The memorable performances of the supporting cast, particularly Royal Dano as Farmer Gene Green and John Vernon as the skeptical police officerThe film's vibrant color palette and the effectiveness of the practical effectsThe Chiodo Brothers' continued work in the industry, including their involvement in Team America: World Police and Marcel the Shell with Shoes OnWhy Killer Klowns from Outer Space Endures as a Cult Classic
Despite its status as a one-and-done feature for director Stephen Chiodo, Killer Klowns from Outer Space has endured as a beloved cult classic. Its unique blend of horror and comedy, combined with the Chiodo Brothers' imaginative creature designs, has helped it stand the test of time. While it has some soapy acting and feels of its era, we ultimately find Killer Klowns from Outer Space to be a delightful and entertaining entry in the realm of 1980s horror-comedy. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
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The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“In this world of guns and knives, wherever Tang Lung may go to, he will always travel on his own.”
Bruce Lee's One-and-Done Showcase of Martial Arts MasteryIn 1972, Bruce Lee was already a rising star in the martial arts film world, having starred in a handful of successful films. However, he had yet to have the opportunity to fully showcase his unparalleled fighting skills on his own terms. That all changed with The Way of the Dragon, a film that allowed Lee to demonstrate his incredible martial arts prowess while also taking on the roles of writer, director, and producer. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about The Way of the Dragon.
Exploring the Comedic Side of Kung Fu and the Legendary Bruce Lee
In our discussion, we delve into the humor infused throughout The Way of the Dragon, from the situational comedy to Bruce Lee's character-driven gags. While the film's comedic elements may not land for everyone, they provide an intriguing glimpse into the lighter side of the kung fu genre. We also examine Bruce Lee's importance to the world of martial arts cinema and how his unique style and charisma helped popularize the genre on a global scale.
The Way of the Dragon may not be a perfect film, but it stands as a testament to Bruce Lee's immense talent and enduring legacy. His only directorial effort provides a platform for him to showcase his unrivaled martial arts skills and offers a fascinating glimpse into what could have been had he not tragically passed away at a young age. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“You didn't mean it. You never mean it. You didn't mean it the time when you put up the bouquet with the 'get well' card in the funeral parlor, and sent the black lilies to the old lady in the hospital, you didn't mean it.”
Roger Corman's 38th Film in 5 YearsThe year was 1960. The American movie landscape was dominated by Westerns, sword-and-sandal epics, and Rock and Roll musicals. But in the underbelly of Hollywood, a different kind of movie was brewing. This was the era of exploitation cinema, and Roger Corman was its undisputed king. With a knack for spotting talent and squeezing every penny out of a budget, Corman churned out low-budget genre films at an astonishing rate. The Little Shop of Horrors was one of them. Join us – Pete Wright and Andy Nelson – as we kick off our Member Bonus Roger Corman series with a conversation about his 1960 film The Little Shop of Horrors.
Don't Feed the Jokes
In this episode, we dig into the fascinating backstory of how The Little Shop of Horrors came to be, a film shot in just two days on a set borrowed from another Corman production, A Bucket of Blood. We marvel at Corman's legendary efficiency and his ability to create entertaining films on a shoestring budget. We also discuss the film's unique blend of horror and comedy, noting how the comedic elements ultimately overshadow the horror, making for a surprisingly funny viewing experience. We analyze the film's sharp, witty dialogue, packed with puns, wordplay, and topical references that would have resonated with audiences in 1960.
Other Buds to Snip From This Conversation
Jack Nicholson's small but memorable roleThe film's connection to the later stage musical and film adaptationThe somewhat effective practical effects used to bring Audrey Jr. to lifeThe film's lasting legacy as a cult classicThe differences between the original ending and the ending of the musicalThe Little Shop of Horrors is a fascinating time capsule of early 1960s filmmaking and a testament to Roger Corman's ingenuity and talent. It's a fun, fast-paced, and surprisingly funny film that holds up remarkably well today. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdThis is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
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“How can you tell what’s a dream or what’s real when you can’t even tell when you’re awake or when you’re asleep?”
Dalton Trumbo's Controversial Anti-War ClassicIn 1971, blacklisted screenwriter Dalton Trumbo adapted his own 1939 anti-war novel Johnny Got His Gun for the big screen. The film marked Trumbo's directorial debut and only feature film as director. Set during World War I, the story follows a young American soldier who becomes a quadruple amputee after being hit by an artillery shell. Trumbo's powerful critique of war and its devastating effects on soldiers resonated strongly in the Vietnam War era. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Johnny Got His Gun.
Locked-In Horror: A Haunting Tale of War's Casualties
We dive deep into the film's harrowing portrayal of Joe Bonham, played by Timothy Bottoms, as he struggles with his horrific injuries and loss of autonomy. The movie's exploration of disability rights and the dehumanization of wounded veterans sparks a thoughtful discussion. We examine how Trumbo's adaptation differs from his novel, particularly in its use of flashbacks and dream sequences to break up the claustrophobic hospital scenes. While we appreciate the film's powerful anti-war message, we debate the effectiveness of some of its more surreal elements.
Other points of discussion include:
• Timothy Bottoms' compelling performance as Joe Bonham
• The impact of Jason Robards as Joe's father
• Donald Sutherland's portrayal of Christ in dream sequences
• The film's bleak ending and its emotional impact
• Comparisons to other "locked-in" films like The Diving Bell and the Butterfly
• Trumbo's transition from novelist to filmmakerA Thought-Provoking Journey Through War's Aftermath
Johnny Got His Gun remains a powerful and disturbing examination of war's human cost. While we found some aspects of the film more effective than others, we agree that it's an important work that continues to resonate decades after its release. Its unflinching look at the physical and psychological toll of combat makes it a challenging but worthwhile viewing experience. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
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The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“I don’t have anything. Never did have anything. Never will have anything.”
The Tale of Barbara Loden's Unsung MasterpieceIn the late 1960s, actress Barbara Loden came across a newspaper article about a woman on trial for bank robbery who thanked the judge for her sentence. Perplexed by what could drive a woman to such a point, Loden crafted a story that would become her sole feature film, Wanda. Despite being married to acclaimed director Elia Kazan, Loden struggled to get the film made, eventually scraping together a meager budget and shooting on 16mm. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Wanda.
A Portrait of Aimlessness and Apathy in Rural America
On the surface, Wanda may seem like a bleak and meandering character study, but it's precisely those qualities that make it such a fascinating film. We dive into Loden's raw, cinema verité-style approach to storytelling, which eschews traditional Hollywood structure in favor of a more naturalistic portrayal of its titular character's directionless existence. From her passive acceptance of a divorce that leaves her children in the care of their father to her listless drift into a life of crime with a small-time thief, Wanda's journey is one of quiet desperation and longing for purpose.
Throughout our discussion, we grapple with the film's deliberate pacing, sparse cinematography, and lack of a traditional character arc. While Pete finds the film's unrelenting bleakness and Wanda's apparent lack of agency challenging, Andy argues that the film's power lies in its unflinching portrayal of a marginalized woman's experience.
Wanda may not be an easy watch, but it remains a powerful and uncompromising portrait of a woman adrift in a world that offers her little in the way of hope or purpose. Barbara Loden's singular vision and commitment to telling an untold story make this a film that demands to be seen and discussed. Despite our differing reactions to the film, we both agree that Wanda is a work of undeniable importance and a testament to Loden's talent as a filmmaker. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Now that you know everything about me, you still love me?”
A Twisted Love Story and a Director's Only FilmThe Honeymoon Killers, released in 1970, is a crime drama based on the real-life story of Raymond Fernandez and Martha Beck, the infamous "Lonely Hearts Killers" who murdered as many as 20 women in the 1940s. The film was originally set to be directed by a young Martin Scorsese, but after a start too slow for the budget, the project was handed over to the producer’s friend and roommate Leonard Kastle, a composer and opera director with no prior filmmaking experience. Kastle had written the screenplay and so was asked to also direct the film, which would be his only foray into the world of cinema. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about The Honeymoon Killers.
Discussion Points
The film's low-budget, black-and-white aesthetic and its impact on the overall atmosphereThe sequences directed by Martin Scorsese and how they fit into the larger narrativeThe real-life story of the "Lonely Hearts Killers" and how the film adapts and fictionalizes certain elementsThe film's controversial and provocative marketing campaign, including its sexually charged posterOliver Wood's striking cinematography in his first solo job, particularly the powerful closeups that heighten the film's emotional intensityA Singular Vision Worth Rediscovering
Despite its grim subject matter and challenging characters, The Honeymoon Killers remains a fascinating and singular work of cinema, one that showcases Leonard Kastle's unique vision, the fearless performances of its lead actors, and Oliver Wood's evocative cinematography. It's a shame that Kastle never directed another film, as his debut suggests a talent for crafting complex, emotionally charged stories that push the boundaries of conventional Hollywood storytelling. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“Why can’t anybody hear me?!”
The Fascinating Origins of a Classic Horror FilmIn the early 1960s, director Herk Harvey stumbled upon an abandoned amusement park in Salt Lake City, sparking the idea for what would become the classic horror film Carnival of Souls. With a shoestring budget and a cast of mostly unknown actors, Harvey set out to capture the haunting atmosphere of that desolate park. Join us – Pete Wright and Andy Nelson – as we kick off the One-and-Done series with a conversation about Harvey's 1962 film Carnival of Souls.
Exploring the Liminal Space Between Life and Death
Our discussion of Carnival of Souls delves into the film's unique storytelling approach and its exploration of the space between life and death. We examine how the protagonist, Mary Henry (played by Candace Hilligoss), navigates this liminal space after surviving a tragic car accident, and how her experiences blur the lines between reality and the supernatural.
Throughout our conversation, we touch on:
The effective use (overuse?) of organ music and striking visual imageryThe ambiguity of certain scenes and their room for interpretationThe film's influence on later horror moviesA Timeless Classic That Continues to Captivate
Despite its low budget and relatively unknown cast, Carnival of Souls has endured as a classic of the horror genre. Its haunting imagery, ambiguous storytelling, and exploration of existential themes continue to captivate audiences decades after its initial release. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchCheck out An Occurence at Owl Creek BridgeScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“I don't believe in magic, Wombat, but a few times in my life, I've seen things. Things I can't explain. And I've come to believe it's not so much what you believe. It's how hard you believe it.”
The Final Chapter(?) in the Indiana Jones SagaAfter a 15-year hiatus, the legendary archaeologist Indiana Jones returns for one last adventure in Indiana Jones and the Dial of Destiny. Directed by James Mangold, this fifth installment aims to capture the spirit of the original trilogy while bringing the series to a satisfying conclusion. Join us – Pete Wright and Andy Nelson – as we wrap up (again) the Indiana Jones series with a conversation about Indiana Jones and the Dial of Destiny.
Dialing Up the Nostalgia or Stuck in the Past?
In our discussion, we explore the various aspects of Indiana Jones and the Dial of Destiny that worked well and those that may have fallen short. We delve into the film's attempts to recapture the magic of the original trilogy and debate whether the callbacks enhance the experience or make the film feel repetitive. Throughout the episode, we grapple with the question of whether this movie manages to justify its existence as a fitting conclusion to the franchise or if it ultimately feels unnecessary.
A Polarizing Send-Off?
As we conclude our discussion, it becomes clear that this final installment has sparked a range of reactions among fans and critics alike. Regardless of one's personal opinion, it's evident that the film has generated a lively debate about the legacy of Indiana Jones and the challenges of crafting a fitting end to a beloved series. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“It’s a helluva thing, killin’ a man.”
A Western Classic RevisitedClint Eastwood's 1992 Western masterpiece, Unforgiven, was a critical and commercial success upon its release. The film, which Eastwood directed and starred in, was a revisionist take on the classic Western genre, exploring themes of violence, redemption, and the myth of the American West. With its complex characters and morally ambiguous storyline, Unforgiven challenged traditional Western tropes and helped revitalize the genre for a new generation of filmgoers. Join us – Pete Wright and Andy Nelson – as we conclude our member bonus series looking at the 1993 Academy Award Best Film Editing Nominees with Eastwood’s 1992 film Unforgiven.
Exploring the Depths of Unforgiven
We discuss how the film subverts traditional Western archetypes, presenting a more realistic and gritty portrayal of life on the frontier. We also explore the film's themes of violence and redemption, examining how Eastwood's character, William Munny, grapples with his past as a notorious outlaw and his desire to leave that life behind.
Throughout the discussion, we highlight several key aspects of Unforgiven that make it a standout entry in the Western genre. We praise Eastwood's direction and performance, as well as the supporting cast, which includes Gene Hackman, Morgan Freeman, and Richard Harris. We also touch on the film's cinematography, which captures the stark beauty of the American West while also conveying a sense of danger and unease.
Other Topics Covered
The film's commentary on the mythologizing of the American WestThe moral ambiguity of the characters and their actionsThe role of women in the Western genreThe film's place within Eastwood's larger body of work as a director and actorA Western for the Ages
Ultimately, we conclude that Unforgiven is a masterful example of the Western genre and a film that continues to resonate with audiences over three decades after its release. Through its nuanced exploration of complex themes and its subversion of traditional Western tropes, Unforgiven stands as a testament to Eastwood's skill as a filmmaker and his enduring legacy in American cinema. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdThis is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
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“Can we talk about something other than Hollywood for a change?”
Robert Altman's The Player is a satirical dark comedy that takes a sharp look at the inner workings of Hollywood and the movie industry. The film was nominated for Best Film Editing at the 1993 Academy Awards, competing against Basic Instinct, The Crying Game, A Few Good Men, and the winner Unforgiven. The Player marked Altman's return to the spotlight after a string of critical and commercial disappointments in the 1980s.Join us – Pete Wright and Andy Nelson – as we continue the member bonus 1993 Academy Awards Best Film Editing Nominees series with a conversation about The Player.
This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get member bonus content in extended episodes, access to members-only Discord channels, access to watch episodes live when we record and comment along with it, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxd -
“We’re all useless alone. It’s a good thing you’re not alone.”
Everything Everywhere All at Once is a unique and ambitious film that defies genre conventions. Directed by the Daniels (Daniel Kwan and Daniel Scheinert), the film was born out of their desire to create something that would explore the multiverse concept in a fresh and exciting way. With an all-star cast led by Michelle Yeoh, the Daniels set out to craft a story that would not only entertain but also provoke thought and emotion. Join us – Pete Wright and Andy Nelson – as we continue the 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about Everything Everywhere All at Once.A Mind-Bending Journey Through the Multiverse
In our discussion, we delve into the film's exploration of the multiverse concept and how it uses this premise to tell a deeply personal story about a mother-daughter relationship and a husband-wife relationship (and a daughter-father relationship). We examine how the Daniels masterfully weave together multiple genres, from science fiction to martial arts to comedy, creating a unique and engaging viewing experience. Additionally, we analyze how the film's inventive use of aspect ratios and visual effects enhances the narrative and immerses the audience in the various universes.
Other Topics Covered
The stellar performances by the cast, particularly Michelle Yeoh and Ke Huy QuanThe film's exploration of themes such as family, identity, and the choices we makeThe Daniels' distinctive directorial style and how it elevates the materialThe emotional resonance of the story and its ability to connect with audiencesWhy Everything Everywhere All at Once is a Must-See Film
Everything Everywhere All at Once is a film that pushes the boundaries of storytelling and filmmaking. It is a testament to the Daniels' creativity and vision, as well as the incredible talent of the cast and crew. Despite its complex narrative and unconventional structure, the film remains accessible and emotionally engaging, thanks to its relatable characters and universal themes. We thoroughly enjoyed discussing this unique and thought-provoking film, and we highly recommend it to anyone looking for a fresh and exciting cinematic experience. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“It’s not the plane, sir. It’s the pilot.”
The Long Road to Top Gun: MaverickThe original Top Gun was a massive success in 1986, but it took over 30 years for a sequel to finally take flight. Development on Top Gun: Maverick began in 2010 when Paramount Pictures approached producer Jerry Bruckheimer and director Tony Scott about a sequel. Unfortunately, the project was put on hold after Scott's death in 2012. The studio eventually moved forward with the sequel in 2017, with Joseph Kosinski taking the helm and Tom Cruise reprising his iconic role as Pete "Maverick" Mitchell. Join us – Pete Wright and Andy Nelson – as we continue the 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about Top Gun: Maverick.
Feeling the Need for Speed in Top Gun: Maverick
In our discussion of Top Gun: Maverick, we dive into the film's thrilling action sequences and how they compare to the original. We also explore the movie's themes of legacy, aging, and the changing nature of warfare. Additionally, we examine how the sequel handles the absence of key characters from the first film and introduces new ones.
Other Discussion Points
The film's impressive practical effects and minimal use of CGITom Cruise's commitment to the team actually flyingThe emotional weight of Maverick's relationship with Rooster, Goose's sonJennifer Connelly's strong performance as Penny BenjaminThe movie's nostalgic callbacks to the original Top GunWhy Top Gun: Maverick Soars
Top Gun: Maverick is a rare sequel that manages to capture the spirit of the original while updating it for a new generation. The film's stunning aerial sequences, coupled with its exploration of complex themes and character relationships, make it a worthy addition to the Top Gun legacy. While the movie may lean heavily on nostalgia at times, it still manages to stand on its own as an entertaining and emotionally resonant blockbuster. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. -
“You want to dance the masque, you must service the composer. You gotta sublimate yourself, your ego, and, yes, your identity. You must, in fact, stand in front of the public and God and obliterate yourself.”
A Cinematic Masterpiece from Director Todd FieldDirector Todd Field may not be a prolific filmmaker, but his small body of work showcases his incredible talent and strong voice. After a 16-year hiatus, Field returns to the director's chair with Tár, a film that has been praised as a perfect piece of cinema and a masterful character study.
Join us – Pete Wright and Andy Nelson – as we continue the 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about Tár.
Conducting a Symphony of Power and Manipulation
In our discussion of Tár, we dive into the complex themes and character dynamics that make this film so compelling. We explore how the film positions Lydia Tár (Cate Blanchett) as an antagonist against youth perspectives on art versus the artist, and how her own ideology and manipulative behavior inevitably lead to her downfall.
We also delve into the gender dynamics at play in the film, with Tár using her power and position as a woman in a male-dominated field to manipulate and control those around her. Blanchett's performance is a standout, delivering a believable portrayal of a diabolical character that is rarely seen played by women in film.
Other topics covered in our conversation include:
The film's unorthodox opening credits and how they set the stage for the storyThe signature scene of Tár's guest lecture at Juilliard and how it represents the film's central themesThe inevitability of Tár's behavior and how the film builds a case for her corruption by powerThe importance of representation and understanding changing perspectives in the artsTár is a film that showcases the incredible talent of both its director and lead actress, delivering a powerful character study that explores themes of power, manipulation, and the corrupting influence of artistic genius. It's a film that is sure to spark discussion and leave a lasting impact on viewers.
We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdLearn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.
Join the conversation with movie lovers from around the world in our Discord community!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!
You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE. - もっと表示する
