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Around 1997, it started to feel like my music tastes were beginning to mellow and I wasn't seeking out heavy music as much anymore-- until one day when I turned on MTV and saw this band called Deftones screaming with sharks for the My Own Summer (Shove It) music video. Around the Fur would be my introduction to this alternative metal band from Sacramento, and the sexy, cool, sinister sound of loud / quiet / loud suited my tastes perfectly.
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After attending Best Friends Forever Festival, my mind was transported back to a time in the late 90s when I was leaving high school and entering college in Illinois. It just so happened that at the same time, the Midwestern Emo scene was blossoming all around me, and the out of body experience I would feel about these bands inspired a truly emotional episode about my time in the Midwest as a young adult.
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This week on Waterproof Records I welcome drummer Tim Dow from Shiner, Year of the Rabbit, as well as several other collaborations and side projects. Tim shares his musical journey, some of his dazed and confused inspirations as a teenager, and why becoming a sandwich drummer could very well be the next best thing.
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In 1998 The Smashing Pumpkins returned to us in a different shape than before. Now there were only three, and what remained of the band felt like grief in a gothic gown, introspective and embracing solitude. Somehow Adore mirrored where I found myself as a young man learning to be alone for the first time, and this album has only matured over time. Join me this week as we revisit this divisive departure we found ourselves in Once Upon a Time.
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During the early 2000s, the garage rock revival was dominating the airwaves when I first heard Cursive's 'The Ugly Organ' with a sound I'd never heard before with its of blending post-hardcore punk and cello. Two decades later and Cursive, led by prolific musician/songwriter Tim Kasher, continues to churn out albums with catchy hooks and infectious energy, so I felt fortunate to catch up with Tim about what inspires him, what are some of his foundations in music, and why it's important to love what you create.
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Being born and raised in Tulsa, Oklahoma, it wasn't long before I caught wind of The Flaming Lips-- an experimental psychedelic art-rock band rising out of our neighboring Oklahoma City. By summer of 1993, you could hear people singing 'Taaaaaangerines' along with front-man Wayne Coyne on MTV, but it was when I first purchased Transmissions from the Satellite Heart on CD that I witnessed the earliest days of this enduring band that has metamorphosized into a joyful celebration of art, music and life.
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In 1996, Jonny Polonsky greeted the world with his debut album 'Hi My Name is Jonny' on Rick Rubin's American Recordings Label. Since then, Jonny has continued to be a prolific singer/songwriter by writing catchy melodies, releasing solo albums, and collaborating with artists like Neil Diamond, Frank Black and Johnny Cash-- to name a few. That's why I was happy to invite Jonny on Waterproof Records this week to hear about the albums that changed his life, how he used the telephone to track down rock and roll mentors, and why it's always about the songwriting.
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Sing along with the common people! Sing along and it might just get you through! In 1995, a band from Sheffield, England called Pulp finally had their day in the sun when that anthemic chorus elevated them to a different class. For many of us in the U.S., we were watching the wave of popular Britpop bands like Blur and Oasis, but Pulp wasn't getting as much of our attention on MTV. Join me as I dig into one of my favorite albums by the band, and see why it deserves all the fanfare and praise it receives.
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Have you ever sat down with a close friend with completely different music tastes and asked them show you their favorite songs? Or do you remember the first time you heard an artist that felt dangerous and unsafe in the best possible way? This week on Waterproof Records I welcome Julie Christmas, Brooklyn musician and vocalist from bands like Made Out of Babies, Battle of Mice and Cult of Luna. On June 14th, Julie releases her 2nd solo album called 'Ridiculous and Full of Blood,' so I sat down with her to talk about making the new album, the importance of discovering music out of your comfort zone, and why we all get a little heavy sometimes.
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After 14 seasons of the VH1 Classic’s hit heavy metal talk show series, That Metal Show, Don Jamieson has continued to write, produce and perform his unique blend of comedy and music at clubs and rock tours across the country. This week I welcomed Don to Waterproof Records to talk about the stand-up comedy grind, the first album that changed his music tastes forever, and how some of the best advice in life might come from Lemmy Kilmister.
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The Trip Hop music scene out of Bristol made its way to the U.S. in the mid-90s with artists like Portishead and Tricky, but once Massive Attack's Mezzanine arrived in early 1998, it brought with it an unexpected sensual awakening as I exited my teenage years. This week we explore why this album in particular splintered Massive Attack, how it all began with a Wild Bunch, and how Elizabeth Fraser is the tear that hangs inside Jeff Buckley's soul forever.
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When understanding how the band came up with the name "Garbage," Butch Vig once wrote in his 1993 studio journal about the creative process; "I hope that all this garbage will become something beautiful," and that's exactly what happened. The perfect storm brought Scotland's Shirley Manson all the way to Madison, Wisconsin to join forces with three musicians to shake things up and create something beautifully their own in the mid 1990s.
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If you were a teenager like me in the 90s you found yourself in the early 2000s dizzied by your increasing responsibilities, an entry-level work week, and trying to maintain your youthful connection to music. That's why the title of New Jersey post-hardcore band Thursday's album "Full Collapse" felt like a premonition about where I was headed when it fell in my lap and brought me a much-needed catharsis. That's why when the band announced their first new song in 13 years, I reached out to lead singer and songwriter, Geoff Rickly, to discuss their new song, his journey as a musician and author, and of course what he considers to be his personal Waterproof Record.
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Can you still feel the butterflies...? I can. Even writing out this lyric takes me right back to my college years where I was first introduced to Jimmy Eat World and their third album. As we reached the end of the 90s, the chapter of my adolescence had come to an end, and the transition into adulthood was nebulous and uncertain. It was the perfect time to find some Clarity.
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Don't ask why... 16 candles down the drain! In 1994, singer/songwriter Vinnie Dombroski sang that catchy refrain in the chorus of "Molly (16 Candles)" with his Detroit rock band Sponge and their debut album, Rotting Piñata. This week I am thrilled to welcome Vinnie to Waterproof Records to hear how he soaked up a lifetime of experiences with Sponge, and what was behind that candy corn!
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Did you forget about me, Mr. Duplicity? Well I am here to remind you about that Jagged Little Pill in 1995 that first introduced us all to Alanis Morissette. An unforgettable voice, incredible song hooks and a powerful presence for women in rock in the 90s, Alanis was everywhere all at once and it was almost too much for this 20-year-old Canadian songwriter to bear. Join me as we look back on this album loaded with successful singles with one hand in our pocket and the other one hitting play on this podcast.
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After the death of Andrew Wood from Mother Love Bone, Chris Cornell used his gift of music and songwriting to channel his grief. What was initially meant to be a single song released as tribute, transformed into a full album bringing together a supergroup of talented artists to capture a moment in time that would create one of the most memorable collaborations of the 1990's.
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When we think of this album, we can hear that iconic opening bass riff followed by Perry Farrell crying out "Comin' down the mountain!" Nothing's Shocking came out in 1988, and I wouldn't get my hands on a copy of the album until the very first Jane's Addiction LIVE album landed in my older brother's hands as a cassette, and I was introduced to this unbridled circus of sex, drugs and rock n roll. This week I decided to combine both the first and second albums together and talk about chasing the addiction of this swirling, sensual band.
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As the refrain "I'm a loser, baby..." echoed around the world in 1994, it was easy to assume that Beck might be here today, gone tomorrow as a slacker one-hit wonder on MTV's buzz clip floor. But Beck proved us wrong when he dropped Odelay in 1996, as teenagers now shouted "I've got two turntables and a microphone!" With that, Beck was here to stay showing a cohesive, weird, genre-blending album with the signature hodgepodge samples and sounds by the Dust Brothers.
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Behind my older brother's bedroom door was a giant poster of The Cure's Boys Don't Cry. I remember hearing Robert Smith's voice wailing over cavernous guitars, syncopated beats and dramatic synths... but it took me a moment to understand what it meant to be lost in The Cure. In 1992, Wish arrived with layered guitars and an album that traveled between pop, rock and haunting melodies that would open my bedroom door to this legendary band.
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