再生済み

  • In this episode of the PURE TOKYOSCOPE Podcast, authors Matt Alt (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pure Invention: How Japan Made the Modern World⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Patrick Macias (⁠Mondo Tokyo: Dispatches from a Secret Japan⁠) are off to outer space and wrap their heads around some recent news headlines shaking the planets of Japanese pop culture, including....

    Evangelion creator Hideaki Anno to lead Space Battleship Yamato's 50th Anniversary project

    Foreign residents prohibited from participating in Yu-Gi-Oh Japan Championship

    Suspect at large after theft of 'Yu-Gi-Oh!' card worth ¥5 million

    Shinjuku Alta Commercial Facility to Close in February Next Year

    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW THE TOKYOSCOPE BLOG ON SUBSTACK!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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  • Cory and Noah explore the impact of our unprecedented access to music through filesharing and streaming services, and as whether having so much music available all the time might actually be a bad thing?

    Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes

    12tone

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    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

  • There is a duality in first time plays, at least when you’re playing with a mind to reviewing. One path leads to potential, the other to the bin. A first time play can reveal quirks and kinks that promise an interesting second or third or fourth and beyond plays; exploration and indulgence. It can equally reveal a design you never wish to revisit. On today’s episode - two board games. Arcs and Salton Sea. A remix of space board games and a trudge through the bleak world of mining lithium. Each a representative of both polar opposites of first impressions.

    Articles and websites discussed in the episode can be found here:

    Vote for your favourite podcast in the BGG Awards: https://boardgamegeek.com/geekawards/boardgame

    From Wingspan to Wyrmspan: An Accesibility Journey - https://boardgamegeek.com/blogpost/157687/from-wingspan-to-wyrmspan-an-accessibility-journey

    Rolling with Two: Wyrmspan - https://www.youtube.com/watch?v=ifMREbPv1Zk

    Colorbling Games - https://colorblindgames.com/

    If you’d like to check out our bonus episodes - become a patreon supporter on https://patreon.com/nopunincluded

    On to the timestamps:

    0:00 Cold Open

    1:46 Intro

    2:49 Flavor Text

    9:13 Salton Sea

    41:46 Weight vs Subject

    45:02 Arcs

    1:15:03 Outro

  • Meshell Ndegeocello is: a fearless songwriter, an outrageously funky bassist, and a groundbreaking producer who knows just how to get the most out of each musician she hires. On this episode, Kirk takes a deep dive into "The Way," the second track off of her 1996 record Peace Beyond Passion, and shines a light on some of the things that make her one of the greats.

    Written by: Meshell Ndegeocello

    Album: Peace Beyond Passion (1996)

    Special Guest: Sam Howard

    Listen/Buy via Songwhip

    ALSO DISCUSSED:

    "The Womb," "Ecclesiastes: Free My Heart" "The Way" by Meshell Ndegeocello from Peace Beyond Passion, 1996"Wild Night" by Van Morrison recorded by John Mellencamp and Meshell Ndegeocello on Dance Naked, 1994"Who Is He And What Is He To You" by Bill Withers and Stan McKinney from Peace Beyond Passion, 1996"Birdland" by Weather Report from Heavy Weather, 1977"Computer Blue" by Prince and the Revolution from Purple Rain, 1984"Cat Battles" by Joshua Redman from Freedom in the Groove, 1996

    ----LINKS-----

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    STRONG SONGS PLAYLISTS
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    SHOW ART
    Tom Deja, Bossman Graphics

    --------------------

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    Richard Toller
    Alexander Polson
    Earl Lozada
    Justin McElroy
    Arjun Sharma
    James Johnson
    Kevin Morrell
    Colin Hodo

  • For this week’s episode of Unclear and Present Danger, we watched “Johnny Mnemonic,” a 1995 cyberpunk action film directed by Robert Longo and adapted from a William Gibson short story of the same name, by Gibson himself. “Johnny Mnemonic” stars Keanu Reeves, Dolph Lundgren, Takeshi Kitano, Ice-T and Dina Meyer.

    In “Johnny Mnemonic,” Keanu Reeves plays Johnny, a “mnemonic courier” who transports sensitive data for corporations via storage implant in his brain. He takes a job that requires him to store too much memory, threatening his life if he can’t make the delivery as quickly as possible. While getting the data, his clients are attacked and killed by the yakuza. Johnny goes on the run, where he is betrayed by his handler, befriended by Jane, a cybernetically-enhanced bodyguard, and brought to the attention of the Lo-Teks, an anti-establishment group.

    They discover that the data Johnny holds is a stolen cure to a technological disease that afflicts much of the planet. The creator, a mega-corporation called Pharmakom, refuses to release the cure because they are profiting off of the treatments. As Johnny is hunted by hired assassins for Pharmakom, he and his allies fight to disseminate the cure and save Johnny’s life.

    The tagline for “Johnny Mnemonic” was “The hottest data on Earth, in the coolest head in town.” You can find “Johnny Mnemonic” to rent or buy on demand at iTunes and Amazon.

    For our next episode, we are watching “A Time to Kill,” directed by Joel Schumacher.

    Connor Lynch produced this episode. Artwork by Rachel Eck.

    Contact us!

    Follow us on Twitter!

    John Ganz

    Jamelle Bouie

    UnclearPod

    And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War. Our next episode, on “Virtuosity,” will be a companion to this one.

  • Victor Lucas sits down with Kelly Benson to celebrate the launch of #EPClassic and to catch up on all of Kelly’s adventures over the years in television, video games, new media and beyond! Enjoy this long overdue catch up convo with the wonderful Kelly Benson! EP on Facebook (for contests): Facebook.com/ElectricPlayground EPN Live: Twitch.tv/EPN EPN …

    Continue reading "Episode 311 – KELLY BENSON Returns To EP! – A Catch Up With Kelly! – Vic’s Basement"

  • He turned a bright spark into a flame.

    (Part 1 of 2!)

    You can buy Marcus McCann's book, Park Cruising: What Happens When We Wander Off the Path, here.

    Content warning: this episode briefly discusses suicide around minute 13.

    An extended cut of this episode is available for Patreon and Apple Podcast subscribers.

    Support You're Wrong About:

    Bonus Episodes on Patreon
    Buy cute merch

    Where else to find us:

    Sarah's other show: You Are Good
    [YWA co-founder] Mike's other show: Maintenance Phase

    Links:

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    Support the show

  • On this chronologically consistent episode of the Shut Up & Sit Down podcast, Tom and Emily are rambling their way through three whole games! We’re talking about Ito - a relaxed party game about untangling your pals’ opinions! We’re talking about CATAN: Starfarers Duel - a two-player-only version of Catan: Starfarers that’s weird and wonky! AND we’re talking about Faraway - a game about doing everything in reverse.

    Have a great weekend, everybody!

    Timestamps:

    1:26 - Ito

    8:17 - CATAN: Starfarers Duel

    22:43 - Faraway

  • For the third edition of Strong Covers, Kirk takes on two famous covers of two equally famous songs: Jimi Hendrix's 1968 cover of Bob Dylan's "All Along the Watchtower," and The White Stripes' early 2000s cover of Dolly Parton's "Jolene."

    Written by: Bob Dylan & Dolly Parton

    Albums:
    Bob Dylan: John Wesley Harding, 1967 — Jimi Hendrix: Electric Ladyland, 1968
    Dolly Parton: Jolene, 1973 — White Stripes: Live Under Blackpool Lights, 2004

    Listen/Buy: Watchtower Original | Cover — Jolene Original | Cover

    ALSO DISCUSSED:

    Covers of "Hallelujah," "Respect," and "Gotta Get You Into My Life" featured on Strong Covers Volume 1 and Volume 2"All Along the Watchtower" covered by Dave Matthews Band live at the United Center, 1998, and the cast of Battlestar Galactica"Hey Joe" recorded by Jimi Hendrix, 1967Nadine Hubbs' essay on Jolene and the "Other Woman Song"Chip Young interview where he talks about recording the Jolene guitar partZac Childs shares the results of his digging into who played which partZac Childs' excellent YouTube channel"Jolene" slowed down via Odinsvlog on Youtube

    ----LINKS-----

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    OUTRO SOLO PLAY-A-LONG:
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    STRONG SONGS PLAYLISTS
    Spotify | Apple Music | YouTube Music

    SHOW ART
    Tom Deja, Bossman Graphics

    --------------------

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    M Shane Borders
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    Jason Gerry
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    Lauren Reay
    Eric Prestemon
    Cookies250
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  • Cory and Noah discuss the practice of musical standards, what makes a standard different from a cover, why we don't see many new standards anymore, and why we probably should.

    Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes

    12tone

    https://twitter.com/12tonevideos

    https://nebula.app/12tone

    https://www.youtube.com/c/12tonevideos

    https://www.patreon.com/12tonevideos

    Polyphonic

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    https://nebula.app/polyphonic

    https://www.youtube.com/c/Polyphonic

    https://www.patreon.com/polyphonic

    See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

  • On this extra-terrestrial episode of the Shut Up & Sit Down podcast, Tom and Emily are venturing into SPACE in MLEM: Space Agency, and digging deep down into the mines in Kutna Hora: The City of Silver. Two very different games, on this one, but both absolutely worth checking out.

    Have a great weekend, everybody!

    Timestamps:

    02:30 - MLEM: Space Agency

    19:00 - Kutna Hora: The City of Silver

  • Kirk digs into the work of master composer Antônio Carlos Jobim via his timeless 1974 duet with Elis Regina on his song "Águas de Marçco," known Stateside as "The Waters of March." He's joined by special guest Frederico Barros, Professor of Musicology at Federal University of Rio De Janeiro.

    Written by: Antônio Carlos Jobim

    Performed by: Jobim and Elis Regina

    Album: Elis & Tom (1974)

    Listen/Buy via Songwhip

    ALSO DISCUSSED:

    "The Girl From Ipamena" and "Desefinado" by Tom Jobim from Getz/Gilberto, 1964"Corcovado (Quiet Night of Quiet Stars)," "Triste," and "Bigras Nunca Mais" by Jobim from Elis & Tom, 1974 and Getz/Gilberto, 1964"Felicidade" by Jobim recorded by Vince Maggio and Mark Colby from Reunion, 1999Chega de Saudade by Jobim as recorded by the Dizzy Gillespie Sextet

    ----LINKS-----

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    Fred's Brazilian music playlist on Spotify and YouTube Music (Notes on each song further down)

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    OUTRO SOLO PLAY-A-LONG:
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    STRONG SONGS PLAYLISTS
    Spotify | Apple Music | YouTube Music

    SHOW ART
    Tom Deja, Bossman Graphics

    --------------------

    MARCH 2024 WHOLE-NOTE PATRONS

    Robyn Metcalfe
    Brian Templet
    Cesar
    Bob Tucker
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    Miriam Joy
    SEAN D WINNIE
    Rush
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    --------------------

    FRED'S PLAYLIST NOTES:

    1 x 0 - traditional choro, Pixinguinha playing sax and sort of inventing “Brazilian counterpoint” - in the second part of this piece, when it modulates to G major, you’ll hear the sax play a rhythmic figure important to Aquarela do Brasil (see below);Espinha de Bacalhau - choro, played by an orchestra that was created with the aim of playing Brazilian music in the manner of American Big Bands;O Relógio da Vovó - the Trio Surdina was comprised of musicians who worked at the Radio Nacional (where Jobim would also work as an arranger) and whose compositions and way of playing were fundamental to the development of “modern” Brazilian music - yes, Desafinado!;Aquarela Brasileira - Radamés Gnattali was an arranger at Radio Nacional and this arrangement of Ary Barroso’s Aquarela do Brasil is kind of an inflexion point - the story is (always) more complicated, but the TL;DR is its importance lies in the use of samba rhythm in the orchestral parts, not only in the percussion section, as was previously usual (attention to the long notes in the melody accompanied by the same chromatic figure played by the tenor sax in 1 x 0 above);Copacabana - there are two versions of the song here, both sung by Dick Farney (Sinatra’s influence on him is pretty clear). The first one was arranged by Radamés Gnattali and was a huge hit at the turn of the 1940s to the 50s. The song is kind of a symbol of the stylistic change from live music in cassinos (closed by the government in 1948) to small clubs in Copacabana where Bossa Nova and Samba-jazz would eventually be born;Copacabana (second version) - also sung by Dick Farney, but recorded much later (couldn’t find the exact date) now in complete Bossa style - I thought it could be interesting to be able to compare both versions;Chega de Saudade - João Gilberto’s 1959 recording of Chega de Saudade. Considered by practically everyone interested in music at that time as sounding absolutely novel and unprecedented: the singing, the lyrics, the arrangement, the guitar playing. Kind of Bossa Nova’s inaugural moment, the song has kind of a choro form and I once saw Jobim say in an interview that he had the idea when he saw his mother’s housemaid singing the choro Sonoroso and he thought something like “well, it seems people can remember a long melody and all these lyrics, after all…”;Chega de Saudade - following the commentary I made about Chega de Saudade and the choro, here a 1963 version - right in the period where it was all happening - by the old-school mandolinist Jacob do Bandolim;Estamos Aí - sung here by Leny Andrade in her debut album, totally positioned as “Modern Popular Music”, as they would define it, it shows very clearly the new style that was emerging - the whole scat singing section in the middle is really pointing to jazz and the lyrics talk about Bossa Nova itself;Rapaz de Bem - Johnny Alf is one of the unsung heroes and precursor of Bossa Nova: the singing, the harmonic language, the compositional aesthetics… it was all there;Embalo - a typical example of what was called samba-jazz back then;Influência do Jazz - by one of the early Bossa Nova composers, Carlos Lyra, the song talks about how samba was influenced by jazz in a somewhat ambivalent manner and has acquired sort of a symbolic, manifesto-like status - we hear a younger Elis Regina singing it here, in the famous program/series O Fino da Bossa;Preconceito - two versions, first Orlando Silva’s old school version (1941), then João Gilberto singing the same song years later (2003) and doing his thing;Aos Pés da Cruz - one of the classic João Gilberto recordings. I added it to the playlist just because it’s so beautiful;Elis’ first recording of Águas de Março is interesting because the guitar “levada” is sort of middle ground between the “modern samba” that will be so characteristic of her band’s playing and the more subdivided earlier style of playing samba;Coisa N. 1 - Moacir Santos was also an arranger (they were called maestros, actually) at Rádio Nacional, where Jobim, Radamés, the Trio Surdina guys and many other important musicians worked. Moacir was the only black maestro of the time and had studied with classically-trained composers like Guerra-Peixe (also a maestro at Rádio Nacional) and H. J. Koellreutter (German composer who fled Germany during the rise of the Nazis and is credited as having introduced dodecaphonism in Brazil). He wrote the “Coisas” (Things) and numbered them as if they were “Opus 1”, “Opus 2” etc. Moacir is an entire chapter in itself and unfortunately one can’t find the original 1966 recording of the Coisas on Spotify, which used practically all important “modern” musicians living in Rio de Janeiro at the time. This recording was made in 2001 with Moacir’s approval and is true to the original arrangement, though the solos were improvised by the musicians;O Mestre Sala dos Mares - written by Elis’ contemporaries João Bosco and Aldir Blanc, we first listen to Bosco’s recording of this samba, more in the traditional style, with percussion, cavaquinho, 7-string guitar and all, and then Elis’ version with most of the band that recorded Elis & Tom - sorry for insisting with the comparison thing, but I think it’s instructive and it takes a lot of examples to start grasping some subtleties;É Com Esse Que Eu Vou - first listen to Elis’ version and then the traditional one. This is carnival music, really, and they did this wonderful modern, samba-jazzy version;Como Nossos Pais - another, arguably as important, side of Elis. From 1976, this is perhaps her most famous recording and serves here to show that her repertoire was considerably wider than samba. People get really moved by this recording (understandably, at least to my Brazilian ears) and despite the stylistic differences, this is also the same core band we hear in Elis & Tom.
  • The dawn of '90s alternative rock, in the late '80s! Jael Holzman of punk band Ekko Astral joins us to argue about which abrasive college rock anthem stands up higher in hindsight, is it Sonic Youth's "Teen Age Riot" or The Pixies' "Where Is My Mind?"

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  • In this episode of the PURE TOKYOSCOPE Podcast, authors Matt Alt (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pure Invention: How Japan Made the Modern World⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Patrick Macias are joined by translator, writer, and game industry veteran Alexander O. Smith who talks about his experience translating the late Akira Toriyama's classic manga DR. SLUMP for the US market!

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  • On this addictive episode of the Shut Up & Sit Down podcast, Tom and Pip are talking about a board game and… a VIDEO GAME? First up, a sensible and grounded conversation about the slightly perplexing world of Ancient Knowledge - a tableau builder set on top of an ancient conveyor belt. This is then followed by a ramble about Balatro - a poker-themed deck builder that’s quite clearly NOT A BOARD GAME. It’s made of ones and zeroes! It’s on a screen! The horror, the horror, the horror.

    Have a great weekend, everybody!

    Timestamps:

    04:51 - Ancient Knowledge

    22:14 - Balatro

  • The greatest (non-Beatles) British invasion songs of 1965! Is there anything left to say about these towering monoliths of rock? And which is actually better? Is it The Rolling Stones's "Satisfaction" or The Who's "My Generation"?

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  • In 1992, a Minnesota-based software company known for its educational hit The Oregon Trail released another simulation-style game to school districts across the country. Freedom! took kids on a journey along the Underground Railroad, becoming the first American software program to use slavery as its subject matter.

    Less than four months later, it was pulled from the market. In this episode, we revisit this well-intentioned, but flawed foray into historical trauma that serves as a reminder that teaching Black history in America has always been fraught. 

    This episode was written by Willa Paskin. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was also produced by Benjamin Frisch, and edited by Erica Morrison. Derek John is executive producer. Joel Meyer is senior editor-producer and Merritt Jacob is senior technical director.

    We’re grateful to Julian Lucas for his expertise, reporting, and generosity, without which this episode would not have been possible. His New Yorker article, “Can Slavery Reenactments Set Us Free?,” revisits the Freedom! story as part of an exploration of the live Underground Railroad re-enactments that Kamau Kambui pioneered.

    Thank you to Jesse Fuchs for suggesting this topic. Thanks also to Coventry Cowens, Brigitte Fielder, Bob Whitaker, Alan Whisman, Wayne Studer, Alicia Montgomery, Rebecca Onion, Luke Winkie, and Kamau Kambui’s children: Yamro Kambui Fields, Halim Fields, Mawusi Kambui Pierre, Nanyamka Salley, and Kamau Sababu Kambui Jr. 

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  • In 1992, a Minnesota-based software company known for its educational hit The Oregon Trail released another simulation-style game to school districts across the country. Freedom! took kids on a journey along the Underground Railroad, becoming the first American software program to use slavery as its subject matter.

    Less than four months later, it was pulled from the market. In this episode, we revisit this well-intentioned, but flawed foray into historical trauma that serves as a reminder that teaching Black history in America has always been fraught. 

    This episode was written by Willa Paskin. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was also produced by Benjamin Frisch, and edited by Erica Morrison. Derek John is executive producer. Joel Meyer is senior editor-producer and Merritt Jacob is senior technical director.

    We’re grateful to Julian Lucas for his expertise, reporting, and generosity, without which this episode would not have been possible. His New Yorker article, “Can Slavery Reenactments Set Us Free?,” revisits the Freedom! story as part of an exploration of the live Underground Railroad re-enactments that Kamau Kambui pioneered.

    Thank you to Jesse Fuchs for suggesting this topic. Thanks also to Coventry Cowens, Brigitte Fielder, Bob Whitaker, Alan Whisman, Wayne Studer, Alicia Montgomery, Rebecca Onion, Luke Winkie, and Kamau Kambui’s children: Yamro Kambui Fields, Halim Fields, Mawusi Kambui Pierre, Nanyamka Salley, and Kamau Sababu Kambui Jr. 

    If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.

    If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today.
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  • Can you believe it’s been a whole year of Talk Cardboard? Incredible! What’s a better way to celebrate the end of the year than by revisiting where we began? On the very first episode Efka talked about his most anticipated games for 2023, so today we’ll take a look at how those panned out and also take a peek at his most anticipated games for 2024.

    Plus we’ll talk about Dune: Imperium - Uprising, Efka’s game of the year and share some of Elaine’s impressions of it. Finally, we saved something a little special for the end of the episode, but you’ll have to listen to find out what that is.

    Thanks for sticking with us for a whole year! Here’s to another one.

    If you’d like to check out our bonus episodes - become a patreon supporter on https://patreon.com/nopunincluded

    On to the timestamps:

    3:35 The Ones that Got Away

    20:47 Dune: Imperium - Uprising

    44:09 Most Anticipated 2023 Revisited

    54:15 Most Anticipated 2024

  • In the latest episode of the PURE TOKYOSCOPE Podcast, authors Matt Alt (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pure Invention: How Japan Made the Modern World⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Patrick Macias (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TokyoScope: The Japanese Cult Film Companion⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) go over some recent events in Japanese pop culture and even tackle some listener questions and feedback!

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    Outpouring of Love After Iconic Manga Creator's Museum Burns Down

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