Episoder
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In 2019, Walt Disney Studios purchased the rights to distribute the filmed stage production of the groundbreaking Broadway musical Hamilton with plans for a theatrical release in late 2021. Then came the global pandemic that effectively shut down all film and theatrical productions. In an unprecedented move on Disney's part, they announced that Hamilton would be released through their Disney+ portal in July 2020, quickly becoming the biggest event of month. A product of writer/lyricist/actor Lin Manuel-Miranda, the musical tells the story of the founding of the United States through the story of Alexander Hamilton using a diverse cast of actors that quickly became A-list talent within 5 years. But did this production deserve to be the acclaimed masterpiece many have hailed it or did it throw away its shot? MovieDude Eric, Chris Tondevold and special guest Kent discuss.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
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Music Courtesy of YoungBerry Beats "Summer Vibes" https://soundcloud.com/youngberrybeats/youngberry-beats-summer-vibes-instrumental-beat-2018
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In 2007, director Edgar Wright released the follow-up to his international hit Shaun of the Dead with Hot Fuzz, a buddy cop/serial killer horror/comedy starring Simon Pegg (who also co-wrote with Wright) as the morally rigid cop transferred to a small village and immediately comes face to face with a series of gastly murders poorly staged as accidents. The film solidified Wright as a visionary filmmaker, Pegg as a leading man alongside comedy partner Nick Frost. But does the film's comedy still hold up a decade on or should it be put on permanent suspension? MovieDude Eric, Chris Tondevold and special guest Jonolobster investigate for the greater good (the greater good).
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
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Music Courtesy of YoungBerry Beats "Summer Vibes" https://soundcloud.com/youngberrybeats/youngberry-beats-summer-vibes-instrumental-beat-2018
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Mangler du episoder?
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In 1987, decades before the concept of shared universes and multi-licensing deals would be considered a norm, producer Steven Spielberg and director Robert Zemeckis re-teamed to push practically every boundary of studio filmmaking at the time with their film Who Framed Roger Rabbit, a film noir set in a world where human beings and animated characters live and work together and a boozed private eye is tasked with clearing the name of a fading animated star accused of murder.
The film was wildly successful if not a little controversial for its mature content wrapped inside a family comedy. But does the film still hold up after 30 years of technological and storytelling advances or should it be erased from existence? MovieDude Eric, Chris Tondevold and special guest Cecil Trachenburg from Good Bad Flicks follow the clues to their natural conclusion.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you!
Music Courtesy of YoungBerry Beats "Summer Vibes" https://soundcloud.com/youngberrybeats/youngberry-beats-summer-vibes-instrumental-beat-2018
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By 2014, Tom Cruise was in a precarious situation in his career as he was rebounding from a troubled personal and professional crisis. Trying to keep the momentum of a couple of Box Office successes, he chose to headline a science fiction action film directed by Doug Liman called Edge of Tomorrow co-starring Emily Blunt about a cowardly officer forced to relive the day he died during an assault against alien invaders.
Despite critical acclaim and high praise of audiences who saw it, the film tanked at the box office. It was only when the film came out on home video and streaming that the film received acceptance. But did the film deserve the reevaluation or were audiences right to ignore it in theaters? MovieDude Eric, Chris Tondevold and special guest Beef of Legends Podcast strap in to find out.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you!
Music Courtesy of YoungBerry Beats "Summer Vibes" https://soundcloud.com/youngberrybeats/youngberry-beats-summer-vibes-instrumental-beat-2018
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In 1999, director Stephen Sommers began a partnership with Universal Studios to develop their long-dormant Universal Monsters franchise and reboot one of its least memorable installments; The Mummy. Gone is the suspense and dread and replaced with action adventure as we follow an Egyptologist, her troublesome brother, and the roguish hero who shows her the way to a cursed tomb. Few audiences and critics were looking forward to this film and even fewer could have forseen how successful it became, spawning two sequels along with spinoffs. But does the film still hold up or should it be long forgotten in the sands of nostalgia? MovieDude Eric, Chris Tondevold and special guest Christian Lee (The Internet's Dad) grabs some shovels to find out.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you!
Music Courtesy of YoungBerry Beats "Summer Vibes" https://soundcloud.com/youngberrybeats/youngberry-beats-summer-vibes-instrumental-beat-2018
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In 1995, Disney Studios was at the height of their animation renaissance after owning half the decade in family entertainment. But they had a surprise for audiences that no one had seen coming as their partnership with revolutionary computer-generated studio Pixar released the first-ever feature film Toy Story. This tale of the secret lives of one boy's playthings not only took the Box Office but inadvertently launched a new frontier that is still being felt to this day. But does the film truly stand up to the title of modern classic? MovieDude Eric, Chris Tondevold and special guest David Dawson open the toybox to find out.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you!
Music Courtesy of Johnny Ripper "Soundtrack for a film that doesn't Exist: http://freemusicarchive.org/music/johnny_ripper/soundtrack_for_a_film_that_doesnt_exist/johnny_ripper_-_soundtrack_for_a_film_that_doesnt_exist_-_22_sundown_1361
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Director Robert Eggers stormed into international acclaim with his debut film that looked at isolation, madness and paranoia. For his follow-up, The Lighthouse, Eggers swapped Colonial New England for turn-of-the-century New England, a puritan family on the brink of collapse for two Willem Defoe and Robert Pattinson drinking, smoking, and antagonizing each other. Yet the film has grown a community of fans still trying to figure out the film's themes, which include mental health, Jungian archetypes, and Greek maritime mythology. But is the film truly that deep or does it fall into the cracks of pretentious art film cliche? MovieDude Eric, Chris Tondevold and special guest Jonolobster grab an oar and a bottle to find out.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you!
Music Courtesy of Johnny Ripper "Soundtrack for a film that doesn't Exist: http://freemusicarchive.org/music/johnny_ripper/soundtrack_for_a_film_that_doesnt_exist/johnny_ripper_-_soundtrack_for_a_film_that_doesnt_exist_-_22_sundown_1361
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2019 saw the end of a cinematic age as the Marvel Cinematic Universe finished its Phase Three / Infinity Saga, concluding story arcs set up over a decade in the making. While the MCU is intending to move on its next phase, Arthouse Legends' MovieDude Eric and Chris Tondevold look back at the cinematic landscape left in its wake and contemplate what should be anticipated for the future of this franchise as well as its affect on the cinema.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you!
Music Courtesy of Savfk: "The Impossible". Find this along with his other work on www.youtube.com/savfkmusic www.facebook.com/savfkmusic)
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In 1999, while audiences were wowed by The Matrix, disappointed by The Phantom Menace and completely baffled by Fight Club, one small British import crossed the Pond and found a small dedicated audience that grew over time: Lock, Stock and Two Smoking Barrels. Directed by Guy Ritchie, the film told a story of low key hustlers who got in too deep with small-time gangsters and drug dealers, culminating in an outcome that has to be seen to be believed. But does this film deserve the cult classic status it gained or does it need to be dropped in the Thames? MovieDude Eric, Chris Tondevold and special guest Christian "the Internet's Dad" Lee book their flights to find out.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you!
Music Courtesy of Johnny Ripper "Soundtrack for a film that doesn't Exist: http://freemusicarchive.org/music/johnny_ripper/soundtrack_for_a_film_that_doesnt_exist/johnny_ripper_-_soundtrack_for_a_film_that_doesnt_exist_-_22_sundown_1361
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History was made at the 2020 Academy Awards when South Korean filmmaker Bong Joon-ho's domestic drama Parasite won Best Picture, the first non-American film to do so. The film, focusing on two Korean families intertwined with each other from complete social classes defied expectations as it did genres, and slowly became one of the most talked about movies of the year. But does this film deserve the acclaim and the awards it won or should it be hiding in the basement? MovieDude Eric, Chris Tondevold and special guest Phuc Luu analyze this groundbreaking film.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you!
Music Courtesy of Johnny Ripper "Soundtrack for a film that doesn't Exist: http://freemusicarchive.org/music/johnny_ripper/soundtrack_for_a_film_that_doesnt_exist/johnny_ripper_-_soundtrack_for_a_film_that_doesnt_exist_-_22_sundown_1361
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In 1995, Director Terry Gilliam finally buried the hatchet with Universal Studios over the Brazil situation and teamed up with the studio on his biggest film yet; a story about a time traveler from a plague-infested future sent back to learn what started the apocalypse only to have his sanity questioned, even by himself. Working with an A-list cast including Bruce Willis, Madeleine Stowe and Brad Pitt, 12 Monkeys would become Gilliam's biggest success both critically and commercially. But does the film deserve the acclaim or should it be buried deep underground? MovieDude Eric and Chris Tondevold travel back to find out.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you!
Music Courtesy of Johnny Ripper "Soundtrack for a film that doesn't Exist: http://freemusicarchive.org/music/johnny_ripper/soundtrack_for_a_film_that_doesnt_exist/johnny_ripper_-_soundtrack_for_a_film_that_doesnt_exist_-_22_sundown_1361
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During the mid-90s, adult-themed thrillers were all the rage. While most were focused on serial killers and realistic psychopaths, Warner Bros. developed a unique mass killer to headline their latest offering, a supervirus that kills nearly all that comes into contact. What came of the concept was Outbreak, starring Dustin Hoffman, Rene Russo and Morgan Freeman about a group of virologists tasked with stopping the said virus from decimating a small California town with the next destination being the entire world. But does this crowd and critic-pleasing medical thriller get a clean bill of health or needs to be incinerated out of fear of contamination? MovieDude Eric and special guest David S. Dawson suit up to find out.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you!
Music Courtesy of Johnny Ripper "Soundtrack for a film that doesn't Exist: http://freemusicarchive.org/music/johnny_ripper/soundtrack_for_a_film_that_doesnt_exist/johnny_ripper_-_soundtrack_for_a_film_that_doesnt_exist_-_22_sundown_1361
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By 1963, James Bond has now become an international success with two popular installments brought to cinemas around the world. For the third installment, Goldfinger, new director Guy Hamilton was brought in to broaden the appeal of the suave super spy, by making subtle changes to the formula and the tone of the films. Not only was this approach a major success, but had a lasting impact on the tone of the series for decades to come. But does that tone still resonate today? MovieDude Eric, Chris Tondevold, and special guest All Things Good and Nerdy's Chris Farrell sip a vodka martini and polish their guns while discussing this classic film.
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Music Courtesy of Johnny Ripper "Soundtrack for a film that doesn't Exist: http://freemusicarchive.org/music/johnny_ripper/soundtrack_for_a_film_that_doesnt_exist/johnny_ripper_-_soundtrack_for_a_film_that_doesnt_exist_-_22_sundown_1361
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After World War II, Hollywood was looking to return to doing what it does best and with a new paranoia of international intrigue and the return of history's most notorious villains, producer Sam Spiegel tasked a desperate Orson Welles to make The Stranger. Welles, put on a tight leash and deprived of most of the artistic freedom he was usually given, made this thriller about a Nazi hiding in an affluent New England town as a dogged investigator is on his trail. Considered to be Welles' least favorite film of his career, it was also his biggest box office maker as well. But did it deserve the money or was Welles right to be disappointed? MovieDude Eric and Chris Tondevold investigate further!
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you!
Music Courtesy of Johnny Ripper "Soundtrack for a film that doesn't Exist: http://freemusicarchive.org/music/johnny_ripper/soundtrack_for_a_film_that_doesnt_exist/johnny_ripper_-_soundtrack_for_a_film_that_doesnt_exist_-_22_sundown_1361
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Yes, this list should have been released 3 months ago, but better late than never. MovieDude Eric goes over the best films of the year that saw the ends of several long-running series, a rise in independent horror, and the rise of a few new stars. And for this film lover, 2019 was a year that saw several filmmakers he had given serious criticism to showed up with some great work. But where do they show up in the list? Find out.
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In 2008, Korean filmmaker Jee-woon Kim crafted a Spaghetti Western inspired in large part by Sergio Leone set in pre-war Korea pitting a wacky thief, a vicious gangster and mysterious cowboy in a race for untold riches alongside a varied cast of characters. But does this film deserve the near unanimous acclaim it received or does it belong in the long list of failed remakes? Moviedude Eric and new host Chris Tondevold follow the adventure to find out.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you.
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In 1985, Steven Spielberg was at a new height in his career. He was not only a powerful director, but had started branching out in to producing very successful films as well. Enter The Goonies, reteaming him with Gremlins writer Chris Columbus and bringing on Superman director Richard Donner to tell the story of a group of outcast preteens on a treasure hunt with a family of criminals on their heels. The film would become a generational touchstone and would launch a plethora of careers in the decades to come. But does the film hold up or should it say "die". MovieDude Eric, Kent, Chris and special guest Willie follow the clues to find out.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
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In 2017, the Chilean film A Fantastic Woman became a sensation on the film festival circuit and became Chile's entry for the Foreign Language Academy Award, which it would go on to win. The film about a young trans-woman who is reeling from the death of her partner and dealing with her everyday life with the added scrutiny of dealing with said partner's grieving family. But did the film deserve the Oscar? MovieDude Eric, Kent and Chris find out.
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you.
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In 2004, Pixar Studios worked with Iron Giant director Brad Bird on his first 3-D animation film known as The Incredibles. The film about a family of superpowered humans quickly became benchmark for both the studio and the budding superhero genre. But does the film deserve the godlike praise it received or should it be forced into obscurity? MovieDude Eric, Kent and Chris don masks and capes to find out.
“District Four” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you.
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In 2017, actor/director James Franco unleashed his most mainstream film to date to South by Southwest Film Festival to near-unanimous acclaim. That film, The Disaster Artist, depicts the wild production of the "Citizen Kane of Bad Movies" known as The Room by focusing on the friendship between the film's director Tommy Weiseau and second lead actor Greg Sistero (played by James and Dave Franco respectively). During the awards season, Franco's performance as well as the film's overall production were garnered for Oscar contention until controversy saw its fortunes wither. But did the film deserve such acclaim to begin with or should it be laughed at alongside its subject? MovieDude Eric, Kent and Chris find out.
“District Four” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/
If you like this episode, you can find more of Arthouse Legends on GonnaGeek.com along with other similar geek podcasts. You can also leave comments at [email protected] or on our Twitter feed @arthouselegends.
Please make sure to leave feedback about the show on your podcast directory, especially on iTunes in order to help us gain more listeners. Thank you.
- Se mer
