Episoder
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Ahead of starring as Ariel in Jamie Lloyd's new Shakespeare production of The Tempest at Theatre Royal Drury Lane, Mason Alexander Park took time out of rehearsals to discuss their second West End role – the first being a fan-favourite spell as the Emcee in Cabaret at the Kit Kat Club. They also reflect on the rollercoaster world of filming hit series The Sandman and performing in Cabaret at the same time.
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On the eve of A Marvellous Party, a star-filled gala to celebrate Noël Coward, Sarah Crompton talks to producer Julian Bird and Coward’s biographer Oliver Soden about Coward’s importance today. They discuss the range of his talent as a playwright, songwriter, screen writer, diarist and poet and why the image of him as a comfortable man in a dressing gown couldn’t be further from the truth. Did you know that he coined the word gay or that there were people storming out of his plays because he was so shocking? It’s all part of realising that he is more relevant and necessary than ever.
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Mangler du episoder?
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Nancy’s back! Former co-host of the WhatsOnStage Podcast’s predecessor As An Actress Said to the Critic returns to talk adapting and starring in the critically acclaimed new staging of The Cabinet Minister at the Menier Chocolate Factory, and a plethora of exciting upcoming projects - including a very exciting Hamlet at the RSC…
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This week, Sarah and Alex turn their attention to the Great White Way – something that a whole raft of West End productions seem to be doing at the moment. With Operation Mincemeat, Stranger Things: The First Shadow and Tammy Faye set to join Sunset Boulevard and The Hills of California over in New York this Tony Awards season, all the signs are there… Closer to home, The Lion King’s 25th anniversary provided a poignant moment of reflection.
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As Robert Icke tackles Oedipus and Alexander Zeldin reinterprets Antigone as The Other Place, Alex and Sarah talk about the ways Greek tragedies speak to our modern age - and why great actors such as Mark Strong, Lesley Manville, Emma D’Arcy and Tobias Menzies are signing up to star. Plus: And what does it all have to do with Lin-Manuel Miranda and Eisa Davis’ new musical?
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Theatres at the moment are working like time machines, whisking audiences back to the 1950s as a new generation of directors explore the work of the past. Sarah and Alex explore the revivals from Look Back in Anger and Roots at the Almeida to Waiting for Godot starring Ben Whishaw and Lucian Msamati
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Sarah sits down for a wide-ranging conversation with James McArdle, currently starring in The Real Thing at the Old Vic. He talks about returning to the stage, his new film, playing opposite Saoirse Ronan as the Macbeths, what he learnt from Kate Winslet - and why an actor should always be able to make you laugh. Plus a radical idea to help regional theatre.
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Sarah and Alex report from behind the scenes of the press conference at which the retiring artistic director announced his final season of work. What was the mood - and what do we think of his choices of work as he reaches the end of a decade in the hot seat?
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The release of The Critic, a new film starring Ian McKellen and written by Patrick Marber prompts Sarah and Alex to discuss McKellen’s passion for theatre, the fortitude of his generation of actors - and the changing face of critics. Are they really this nasty?
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In this week's special episode, Alex talks to musical theatre sensation Carrie Hope Fletcher about her career so far, her dream roles and the changes in her life and thinking since she gave birth to her daughter. Plus what makes her Love Letters tour so unique.
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Sarah and Alex lift the curtain on the complicated moment when a critic starts to wonder whether they are on the wrong side of history - and confess to a few reviews they’d like to rewrite
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After a summer of Scottish trips, Sarah and Alex are now back and ready for the start of the autumn. What a season to look forward to! With shows across the nation piquing their interest, here's what can't be missed for theatre fans up and down the UK over the course of the next few months – including productions in Sheffield, Leeds, Chichester, the West End and beyond.
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In this special episode recorded from both sides of the Scottish border, Alex and Sarah talk to special guest producer Francesca Moody as she completes another bumper season at the Edinburgh Fringe, all while also transferring smash-hit musical Kathy and Stella Solve a Murder to the West End.
With shows like Fleabag and Baby Reindeer to her name, Moody spills the beans on why she’s so keen to stage work at the festival every year.
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Finally, a reunion! Alex and Sarah are back in the same room after many weeks apart to catch up on their latest theatre outings - to the Almeida, Chichester Festival Theatre, the London Palladium, the Edinburgh Fringe and beyond. Then, down to business: the duo pick their favourite musical revivals from across the years.
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Alex reports from the Edinburgh Festival where there's an American invasion, a lot of producers trying out new shows, a few rising stars, and not many vegetables. But who is making a killing and who is losing out? Plus, Sarah visits the Regent's Park Open Air Theatre for a fabulous production of Fiddler On the Roof which makes the most of the variables of theatre outside.
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This week Alex had a virtual sit down with musical legend Bernadette Peters ahead of her eagerly anticipated solo concert at Theatre Royal Drury Lane on 12 August. Their discussion ranged from Sondheim to West End audiences, working with musical directors who know the difference between singing and making noise and Broadway Barks.
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As the Edinburgh Festival begins, Sarah and Alex talk about their memories of festivals past - from great shows such as Fleabag!, Six and Baby Reindeer, to disasters, miseries and the rain.
Is the Edinburgh Festival still really a hotbed for new talent or are prices and rents simply too high for the truly unknown to thrive? And what part did the Fringe play in the end of Alex's career as a playwright
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In this guest episode, Sarah talks to playwright Roy Williams and the National Theatre's deputy artisitc director Clint Dyer about the three plays they wrote together that seem to sum up the spirit of the times. As Michael, Delory and Closing Time are performed together for the first time at Soho Place, the writers discuss what promted the plays, their struggles with illness, Covid and sheer bad timing to get them to the stage, and the impact their work has had. Plus why you can be deadly serious and very funny at the same time.
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In a week of shock substitutions Alex and Sarah talk about James Corden at the Old Vic, Justine Mitchell at the Almeida and the way that history of theatre is filled with understudies who become the star.
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With a new production of Starlight Express taking over the Wembley Troubadour and Jamie Lloyd's radical Sunset Boulevard due to open on Broadway, Sarah and Alex ask whether the British composer is having a renaissance. Plus: does the seat you sit in change your feelings about a show?
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- Se mer
