Episoder
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Balckwellâs Books returns with an episode about Kim, by Rudyard Kipling, which tells of the adventures of a young Irish orphan in India who gets drafted into the âGreat Game.â We discuss the novelâs historical context, its views on race and ethnicity, and the machinations of colonial government.
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I talk about a collection of short stories written by young writers in Gaza.
Find the full script at my website. www.balckwell.online
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In which I discuss Ivan Goncharovâs Oblomov, the story of a middle-aged man who never does anything, never has done anything, and doesnât plan on doing much in the future either. We discuss the novelâs sympathy and antipathy for its main character, the relatable charm of Oblomov himself, and how his static depiction ends up being to the bookâs detriment.
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In which I present Family, by Ba Jin, a revolutionary work that expresses the political and personal frustrations of the young generation in early 20th-century China. We discuss Ba Jinâs political ideals, the conflicts that encapsulate the novel, and the radical energy contained in the work. We also make comparison Dream of the Red Chamber, a novel that follows a similar protagonist in a similar family, but with major differences in tone and philosophy.
Books Referenced:
Family, Ba Jin (1932)
Dream of the Red Chamber, aka Dream of Red Mansions, aka The Story of the Stone, Cao Xueqin (1791)
Fathers and Sons, Ivan Turgenev (1862)
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In which I discuss Wieland, or The Transformation, by Charles Brockden Brown, an American classic. We delve into religious individualism, the Spirit of America, and discuss some Kierkegaard along the way.
Write in to the show: balckwellsbooks [at] gmail
Books discussed:
Wieland, or the Transformation by Charles Brockden Brown, 1798
Fear and Trembling by Soren Kierkegaard, 1843
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In which I discuss VK Arseniev's memoir, "Dersu the Trapper," a story of survival and friendship in the Taiga. We explore the historical context of his journey, and the nature of the world he finds himself in.
If you have questions, thoughts, or suggestions for future topics, please write to: Balckwellbooks [at] gmail
This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit balckwell.substack.com -
In which I discuss Joseph Conradâs Nostromo, a tale of political strife and striving among the upper society of a small South American republic. We explore Conradâs depiction of South America, the tragic nature of his characters, and the relationship between our ideals and the real world we live in.
Also, a brief update on the showâs schedule: Balckwellâs Books will now come out every other Tuesday, and âMiniâ episodes will just be considered regular episodes. I will still be writing/producing scripted episodes like this one, but a little less frequently (every 3-4 episodes or so). In the end, this will mean more episodes of higher quality, so itâs a win for everyone. Thanks for listening.
If you have questions, thoughts, or suggestions for future topics, please write to: Balckwellbooks [at] gmail
Books referenced:
Nostromo, Joseph Conrad
Heart of Darkness, Joseph Conrad
Joseph Conrad and the Fiction of Autobiography, Edward Said (offhand reference â Iâve only read one section, so I might have misrepresented his thesisâŠ)
Tribulations of a Chinese Man in China, Jules Verne
Demian, Herman Hesse
Dream of the Red Chamber, Cao Xueqin
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In which I take the opportunity of recently seeing a live performance to discuss Shakespeareâs comedy, As You Like It, probably the most ridiculous of all of his plays. I then go on to talk about Shakespeare in general, how heâs treated in English culture, why Tolstoy hated him (and why I sometimes do too), and in the end, what weâve got to hand to the guy.
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We conclude our exploration of Herman Hesseâs Demian by covering the second half of the novel, where questions of Max Demianâs existence, Emil Sinclairâs sexuality, and the true meaning of the First World War come into the forefront. We tackle all this and more as we try to understand what exactly weâre supposed to take away from this whole thing.
Next month, we will be covering Nostromo by Joseph Conrad.
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On todayâs episode we take a look at Gulliverâs Travels by Jonathan Swift, a light-hearted adventure that brings us to a variety of strange islands where Gulliver must come to terms with the nature of humanity: its virtues, its vices, and its quirks. While the book certainly takes humans to task for their failings, the final result is not as harsh or mean-spirited as it may first seem, as there is the sense that, with the right adjustments, our society could be made to function in a much more pleasant manner.
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This month, we are covering Herman Hesseâs novel, Demian, about a young man named Emil Sinclair who yearns to truly live, free from the shackles of his Christian bourgeois upbringing. Helping him along the way is a mysterious older student named Max Demian, and a hearty helping of Nietzschean philosophy.
In this first episode, I introduce the Overman, and discuss themes from the novelâs first three chapters, including the division of reality into Two Worlds, a few heretical interpretations of Bible stories, and what it means to try to become yourself.
Next month, we will be continuing with Demian, as we explore the bookâs second half and hopefully come to some sort of understanding of its enigmatic conclusion.
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Balckwellâs Books takes on Brave New World by Aldous Huxley in an attempt to offer a new spin on a much-discussed novel. Instead of delving into the specific make-up of the World State presented in the novel, I instead take a broader look at the way the book critiques Utopian thinking in general by coming to terms with the unlikable dissenters of Bernard Marx and John Savage, and understanding the satirical mode in which Huxley is writing. While Brave New World often feels that is has been done to death, I feel that there is always something new to be found when approaching a novel from a slightly different perspective.
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Balckwellâs Books is back after a brief delay to bring you Frankenstein, or the Modern Prometheus. I attempt to turn back time and reckon with the book without taking into account the centuries of adaptations and modifications, which ends up being quite easy since I havenât seen any of them, save half of Kenneth Branaghâs strange film.
Frankenstein, or the Modern Prometheus is a chaotic novel, featuring characters that wear their emotions on their sleeves, full of the sort of impassioned anguish and torment that you just donât find outside of the Gothic tradition. I try to understand these characters, and offer some insight into what their problems really are, as well as how they reflect Shelleyâs experiences in life. I also take a look at how the book portrays the relationship between modern and pre-modern science, and its unique take on the Prometheus myth.
Next monthâs book will be Demian by Herman Hesse, a classic German novel about a young man trying to forge a meaningful life in the ever-changing modern world. Look forward to it!
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In which I discuss the classic Russian novel, Fathers & Sons by Ivan Turgenev. The book is focused on paternal relationships and the ways in which they are affected by rapidly evolving social conditions such as those experienced by the 19th c. Russian youth. I also get into nihilism: its causes and its characteristics, and the way in which the book portrays Bazarov, who exists on the cutting edge of modernity.
Apologies for the long delays between episodes this month. Iâve just had some stuff going on. This monthâs full episode on Frankenstein will possibly be delayed for a few days, or even up to a week due to some complications, and also due to the upcoming release of my own novel, Only in Dreams, which is taking up a good deal of my energy at the moment.
Hope you enjoy!
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The third and final part of my series on Dream of the Red Chamber by Cao Xueqin, if that is even his real name. I briefly cover the authorship question surrounding this work, and then move on to explore the philosophical foundation behind the conclusion to Baoyuâs story.
It is hard to say goodbye to this series, as I have spent a good four months or so preparing all these episodes, but I think this is a fitting send-off. Around three hours, as it turns out, is just enough time to say about 75% of what I would like to say about this book, the other 25% being perhaps impossible to put into words. I hope that this series inspires people to take a look at the book themselves, or think about the work more deeply if they have read it in the past.
Thanks for listening.
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In this episode, I discuss Steinbeckâs final completed novel, The Winter of Our Discontent. This books deals with a changing America, and the ever-present tension between morality and success. Ethan Hawley is caught right in the middle, seeking to restore his familyâs reputation along with his own, but realizing that the only way to do so is to temporarily abandon his moral principles, not knowing if he will ever be able to get them back.
Like all of Steinbeckâs work, we are presented with a variety of sympathetic and realistic characters, inhabiting a world we understand and confronting situations we may recognize. Their struggles become our own, and their weaknesses reflect our own. It is hard to find a word to describe his style aside from âelegant,â as he achieves so much so simply, with an apparent effortlessness that speaks to his skill and compassion.
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I originally sat at the computer planning to speak about some other novels, but as I set the microphone before my face, I realized that all I really wanted to talk about was The Narrative of Arthur Gordon Pym of Nantucket.
This book, about the tribulations of a young man from Nantucket who, like Robinson Crusoe before him, suffers great misfortune every time he steps on a boat, is one of those bizarre and inconsistent novels that reveal a man writing in great distress, struggling to keep the novel afloat as it sails from scene to scene. Containing gripping moments of anguish and terror, imaginative supernatural phenomena, as well as descriptions of the nesting habits of penguins cribbed straight from the nearest encyclopedia, this is a book you wonât soon forget.
I try to grapple with how this book came to be the way it is, and what exactly it is that it came to be. I discuss the narrative itself, the appeal it held to Jules Verne of all people, and what it can tell us about Poe and his life.
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Part two of my three-part series about Dream of the Red Chamber by Cao Xueqin. This is one of my favourite books, and one I think many more people in the West should know about and appreciate. Itâs a beautiful and deep story, focusing on a small world but still encompassing so much of human life. If you have any interest in Chinese culture, it is a must-read, and if you donât, reading this book will likely develop within you an interest you didnât know you had.
In this episode, we discuss some of the minor characters in the novel, as we explore the wider world in which the Jia mansion is situated, and the material conditions that make the story possible. From the country bumpkin Granny Liu to the heroic maid Yuanyang, these characters provide us with key information for understanding the ideas Xueqin means to communicate with the novel.
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In this episode, I discuss Mardi by Herman Melville: the circumstances that brought it about and the strangeness of the novel itself. Melville is a personal favourite and a hero of mine; I feel I could talk to death about every one of his novels that I've read, but Mardi is a particularly intriguing work both for its inherent qualities and for where it fits into his career as a whole. While not well received at the time of publication, like all of Melville's works it was the subject of renewed attention in the 20th century, and I think can be well appreciated by the readers of today.
This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit balckwell.substack.com -
Part one of my three-part series about Dream of the Red Chamber by Cao Xueqin. This is one of my favourite books, and one I think many more people in the West should know about and appreciate. Itâs a beautiful and deep story, focusing on a small world but still encompassing so much of human life. If you have any interest in Chinese culture, it is a must-read, and if you donât, reading this book will likely develop within you an interest you didnât know you had.
I chose to divide the episode into three full-length parts, since it is such a large book and there is much to discuss. In this episode, I provide an introduction to the novel: its setting, themes, and major characters. In particular, I focus on the initial frame story, and what it means for our further understanding of the novel, and then go on to discuss Jia Baoyu, the novelâs principal character, as well as Lin Daiyu and Xue Baochai, who form with him a sort of love triangle. This episode is a great place to start if you have no experience with the novel, as I only focus on events in the first volume.
You can find the show on podcast apps such as Spotify, Apple Podcasts, and etc.
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