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Following a packed-out CC Film Club screening of Knight Of Cups, host Hugo chats with Tom van der Linden, the creator of the popular YouTube channel Like Stories Of Old, to explore this often-overlooked masterpiece by Terrence Malick. Like Stories Of Old combines media analysis with personal reflection in emotive video essays, offering viewers a fresh perspective on cinema. With millions of views, Tom inspires us to engage with films in new and meaningful ways. Whether you're a fan of Knight Of Cups or new to Malick's work, this discussion highlights the art of looking and how we can appreciate cinema on a deeper level. Discover more about Malickâs unique creative process in the making of this film.
Check out Like Stories Of Old channel
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Visionary director Tarsem Singh joins Kiriko to reflect on The Fall (2006), once dubbed by the filmmaker himself as âthe most expensive passion projectâ until Megalopolis. A film nearly derailed by Harvey Weinstein, The Fall has since been reclaimed by a dedicated fanbase, championed by figures like Roger Ebert. Now with a stunning 4K restoration, this cult classic is ripe for rediscoveryâan ode to the enduring power of storytelling. Seventeen years in the making, spanning 27 countries, the film captures breathtaking beautyâboth human and naturalâin a visual tapestry unlike any other. Tarsem shares the challenges of realizing such an ambitious project, from shooting in remote, inaccessible locations to the personal motivation behind this pursuit.
Special thanks to MUBI for arranging this interview.
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Crafted on a shoestring budget, Kevin Boitelle's feature debut, Trip-Tych, serves as both a film about the art of filmmaking and a reflection on the creative struggle inherent in the process. In conversation with host Kiriko, Kevin reminisces about his formative film experiences and his early collaborations with friends, emphasizing his desire to preserve the joy of collective creativity. This audacious comedic satire offers a piercing glimpse into the Dutch film industry, where Kevin champions the need for filmmakers to embrace boldness and surprise, both in narrative and approach. Join us as we explore the intersection of passion and artistry, celebrating a work that challenges conventions and invigorates the discourse around independent cinema.
Book tickets to CC Film Club: Knight of Cups
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There is nothing as hypnotizing than the larger-than-life women that we see on the screenâcaptivating, outrageous, and irresistibly seductive. Join us as we celebrate some of cinemaâs most iconic female archetypes, from the bold ladies who are both excessive and exciting to the enigmatic witches who cast their spell through exaggerated feminine mannerisms. To coincide with the "Girls of Plenty" program now running at LAB111 and the release of her illuminating essay Liggend Naakt, film journalist and curator Basje Boer guides us through the magic of femininity in film. Together, weâll delve into the performances of some of the founding mothers of exaggerated female stereotypes, revealing how playing out a gender role is nothing more than a really great performance.
Get a copy of Basje Boer's Liggend Naakt
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Fresh off her feature debut opening the Netherlands Film Festival, one of LAB111's resident filmmakers Laura Hermanides joins Hugo to discuss Witte Flitsâa project that began as a documentary but evolved into a striking fictional narrative. The film tackles the complex, timely debate surrounding euthanasia, particularly in cases of unbearable psychological sufferings. Inspired by a real-life story, Laura examines whether the theory survives the reality, focusing largely on the profound challenge parents face in overcoming their love to set their child free of pain. In this candid conversation, she reflects on the film's journeyâfrom working with a 700-page journal written by the father and forming a lasting friendship with the mother, to developing a distinctive cinematic language. Laura reminds us of the enduring power of storytelling in uncertain times.
Get your â ticketsâ for Witte Flits @ LAB111.
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Orson Welles stands as a visionary filmmaker, a notorious showman, and an enigmatic storyteller who blurred the lines between fact and fiction. In this episode, Tom and Elliot dive deep into the life and legend of one of America's most celebrated yet elusive filmmakers, exploring the enduring allure of his work. As we celebrate the re-releases of The Third Man and F for Fake here at LAB111, we unravel the layers of myth Welles wove around himselfâalways performing, always crafting his narrative. Was he ever telling the truth, or was it all part of his grand act? Listen to a fascinating journey into the complex mind of the man who redefined American cinema, leaving behind a legacy as compelling and mysterious as his films.
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After his 1980s collaboration with legendary filmmaker Michael Powell on a documentary chronicling Powellâs career, director David Hinton knew the story was only half told. Now, Hinton returns with the complete portrait of The Archers, Britainâs visionary filmmaking duo, Michael Powell and Emeric Pressburger. In this episode, Hinton sits down with host Elliot to reveal why only Martin Scorsese could narrate the intertwined lives of these cinematic icons, the enduring magic of Powell & Pressburger's films, and how their partnershipârooted in friendship and migrationâredefined British cinema. This documentary isnât just a tribute, itâs a celebration of how two kindred spirits shaped the art of film forever.
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To celebrate the 15th anniversary of the acclaimed stop-motion epic Coraline, Laura Gommans had the distinct pleasure of speaking with Henry Selick about his illustrious career and lifelong love for cinema. From scary tales at Aunt Lib's house to being terrified by the cyclops in The 7th Voyage of Sinbad, Henry reveals the origins of his eerie yet tender storytelling style. His obsession with stop-motion animation has not only pushed the boundaries of filmmaking but also reimagined what children's narratives can be. Henry passionately explains why it's crucial for children to experience a touch of fear in films, believing it helps them navigate and understand the complexities of the world.
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From screwball comedies to the golden age of 90s and early 00s romcoms, our love for romance remains strong. In this episode, entertainment journalist Laura Gommans joins us to discuss our favorite romantic comedies and what makes them so special. What appears to be a straightforward genre leads us to question whether the familiar clichés define a romcom or if there's more to it. As our values of love and romance have evolved, it seems the essence of romcoms has stagnated. Could the decline of mid-budget movies be a factor? Despite shifts in the industry, the audience's appetite for love stories will never fade. So, what does the future hold for romantic comedies?
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Lukas Moodysson shares with Hugo his experiences of making Fucking à mÄl, how a story close to his heart has taken on a life of its own and evolved into a queer classic. Reflecting on his journey as a filmmaker, the Swedish director discusses his career and the recurring themes at the core of his films: rebellion, loneliness, sincerity, and humor.
Get your tickets for Fucking à mÄl @ LAB111.
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For a country known for wholeheartedly consuming cinema from abroad, the Netherlands has never been great at celebrating their own Dutch filmmakers and their films. With the re-release of George Sluizer's Spoorloos, one of the greatest Dutch films ever made, we explore what holds us back from recognizing the great directors of our small nation. Could the prevalence of lousy vacation romcoms in our cinemas indicate a sense of cultural insecurity? And how are the next wave of Dutch filmmakers responding to the cringe we feel about our language? Find out why it's about time we celebrated films from this tiny postage stamp we call home.
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Collectively known as The Ross Brothers, Bill and Turner Ross are utterly unique in their approach to filmmaking. In a conversation with our host Elliot Bloom, these American directors discuss how film can serve as a vehicle for social experiments, aiming to uncover deeper truths about ourselves and society. Their latest film, "Gasoline Rainbow," offers a bold exploration by giving five Gen-Z teenagers the freedom to be entirely themselves on a classic American road trip. But what did The Ross Brothers learn on their own journey while making this film?
Book tickets to Gasoline Rainbow on June 26.
Book tickets to Hit The Road this summer.
Stream Gasoline Rainbow on MUBI - enjoy 30 days free with our special promo.
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A filmâs success often rests on the shoulders of its most bankable stars. But have stars once born to seduce the silver screen become influencers more than actors? Joined by actor Mike Gomez, we try get to the bottom of what exactly makes us fall in love with an actor. Among the giants whose shoulders many actors stand on today is none other than Marlon Brando, cinemaâs OG pretty bad boy. The latest episode of Celebrating Cinema talks acting, movie stars and the hearts they steal.
Book tickets here for Marlon Brando 100.
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Sean Price Williams, a stalwart in American indie cinematography, has boldly embarked on his directorial debut with The Sweet East. This exhilarating journey, starring the captivating Talia Ryder, serves as a critical love letter to the fractured landscape of America's East Coast. In a candid discussion for our Celebrating Cinema podcast , both Sean and Talia share, with our host Sophie, their collaborative experience on this wild road trip. Find out how Sean's eclectic cinematic influences enrich his storytelling, while Talia's insights breathe authenticity into the character of Lillian. By the end you might just be left wondering if Sean makes films simply to play his favourite songs.
Book tickets here for The Sweet East @ LAB111
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Liberated from the arthouse cliches of cinema, Bertrand Bonello is a rare kind of director. Our host Hugo Emmerzael spoke with Bertrand about his daring approach to filmmaking, and why his films focus on translating our collective social anxieties. Find out how influences from Lynch to Jarmusch all unconsciously seep into this French directorâs work, as well as what it's like working with Lea Seydoux and her unique acting approach for his latest film The Beast.
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Baloji is a prolific francophone rapper, known for his visually striking and poetic style. So his turn to filmmaking only seemed like a natural evolution of his talents. Speaking with the Belgian-Congolese director, Elliot discusses Baloji's feature debut Augure, unpacking this incantatory drama about identity and grief.
Inspired by the weight of his own name, which took on the loaded meaning of âevil sorcererâ in colonial times, Baloji explains the clashes of culture, mixing Western & African folklore. Raised by the do-it-yourself mentality of hip-hop, Elliot explores with Baloji his role in not only writing and directing but also costume design and soundtracks that all contributed to this visually stunning ensemble story. Rooted in magical realism, find out how Baloji invites the audience to experience rather than to watch.
Book tickets to Augure at LAB111 here.
Book tickets to Touki Bouki here.
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Do AI portrayals in film predict a future of robotic overlords or simply offer a chance to innovate cinema?
Artificial Intelligence in cinema goes way back. Spanning from Fritz Langâs 1927 Metropolis and robot Maria, to the iconic Hal in 2001: A Space Odyssey, our tech obsession runs deep in film. But why is it all so dystopian?
What now seems to be a serious technological shift, we discuss how A.I. could impact cinema and what film depictions of sentient machines might tell us of what's to come.
(This was not written by ChatGPT)
Come watch 2001: A Space Odyssey with us as part of our first ever Celebrating Cinema Film Club - book your tickets here.
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Amidst the abundance of parodies, memes, and impersonations, there exists an undeniable uniqueness to the American actor Nicolas Cage. Itâs easy to dismiss him as an over-the-top actor, yet beneath the surface lies a talent that positions him among the greatest actors of our time. With an unconventional, almost avant-garde approach to acting that defies the conventions of naturalism prevalent in most mainstream cinema, Cage's body of work invites a deeper exploration.
On this episode of Celebrating Cinema we open the Cage and analyze the eclectic performances, the larger than life persona, and how in recent years Cage has become more and more aware of his oddball status.
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If you donât know already, Molly Manning Walkerâs feature debut How To Have Sex (2023) has taken the world by storm. This coming-of-age drama follows Tara (a mesmerizing performance by Mia Mckenna-Bruce) and her two best friends on a rites-of-passage holiday in Malia that slowly derails.
Speaking with host Elliot, Molly shares how our stereotypical view of Gen-Z is limiting discussions on consent and why cinema can help reframe these conversations, especially when we watch films communally.
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After a steamy winter featuring Emerald Fennellâs Saltburn, the internet was sent into a frenzy over - a fairly mediocre - erotic murder drama, that had copious amounts of sex. Naturally, Laura Gommans, friend of the podcast, was left questioning what happened to all the sex scenes in cinema today.
The 90s marked an era of iconic scenes of intimacy in films like Wild Things, Cruel Intentions, Eyes Wide Shut, Indecent Proposal, Risky Business, Basic Instinct, it was a horny time. In contrast, studios like A24 are currently showcasing some truly jarring sex scenes. How did we get here? And why are blockbuster movies like Avatar deleting their sex scenes?
Intrigued by these cinematic shifts, seasoned entertainment editor Laura joins the discussion to unpack the significance of sex in film while getting to the bottom of just exactly why desire on screen has become so contentious.
CONFESSION: We had not seen All of Us Strangers OR Poor Things before recording, otherwise this would've featured in our discussion. We never need an excuse to talk about Paul Mescal.
TRIGGER WARNING: Please note this episode contains references to explicit sexual content including sexual assault and violence that may be triggering for some.
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