Episoder
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Digital quilting of interior images (by Shaelyn Smith) and exterior still & moving footage (by Thylias Moss) of the demolition of an historic University of Michigan building in the further documentation of an exploration of the nature of what contains and the nature of what is container, a dual & simultaneous possibility, the status of container or contained determined by perception prevailing at the moment of perception (the eye of the beholder). The complex textures and structures revealed through the irregularity of details in the stages demolition as captured by Shaelyn become visual metaphors for intangible qualities of experience associated with interactions with the physical space. An understanding of internal and external systems of structural integrity associated with Frieze become more revealed (or exploited) as the building is demolished. The patterns of the demolition offer aesthetic qualities that should not surprise as the mapping of these patterns through Shaelyn's digital lens reveals repetition and similarity with patterns related to stabilizing systems as well as to other destabilizing systems. Without Shaelyn's work, an ability to study these patterns would not exist.
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Mike, a student practitioner of Limited Fork Poetics, walks through principles of Limited Fork Poetics.
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Mangler du episoder?
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A video poam exploration of the nature of containment where it intersects with notions of War. Alana is a student practitioner of Limited Fork Poetics.
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A video poam exploration of the nature of containment where it intersects with notions of War. Mavis is a student practitioner of Limited Fork Poetics.
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Shaelyn Smith's video poam exploring (some of) the nature of what contains and (some of) the nature of what is contained through an investigation of the changing nature of the Frieze building during its time of demolition. Hear the soundtrack in the Limited Fork Music podcast. Shaelyn is a student practitioner of Limited Fork Poetics.
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A video poam that explores Limited Fork Poetics by a student practitioner in fulfillment of course requirements at the University of Michigan.
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A video poam exploration of Limited Fork Poetics by a practitioner of LFP in fulfillment of course requirements at the University of Michigan.
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A video poam by a practitioner of Limited Fork Poetics at the University of Michigan
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A video poam by a practitioner of Limited Fork Poetics.
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A video poam by a practitioner of Limited Fork Poetics. The soundtrack is available from the Limited Fork Music podcast.
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This video poam by a practitioner of Limited Fork Poetics offers a visual meditation that links the perceptual distortion of dyslexia and the perceptual distortion experienced as love.
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A video poam by a practitioner of Limited Fork Poetics. The soundtrack is available in the Limited Fork Music podcast.
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This video poam by a practitioner of Limited Fork Poetics in exploring the interface of Limited Fork Poetics and some of the science on which LFP is based simultaneously explores the aesthetic potential of the interface.
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A video poam that meshes aesthetic opportunities at the cellular level and in the personal fulfillment that can be derived from work involving diagnosis and treatment of physiological anomalies (the beauty of such work) with Limited Fork Poetics which can enjoy compatibility and usefulness across many subjects. LFP is a(lso) tool of inquiry.
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A video poam of interactions in language systems that also explores repetition as translation. The soundtrack is available in the Limited Fork Music podcast.
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Angie's statement:
"This piece is intended to serve as a silent, guided visualization of what it might look like to re-enter the world after one survives an apocalypse. I mean "apocalypse" as the kind of life crisis that consists of an explosion: this may be a literal one, or it maybe the aftermath in which we find both our hearts and our dreams completely demolished. This piece of art is one I watch when I lose faith in myself. It of course is a visualization that I watch on my iPod as I walk through a period in my life that is uglier and more degrading than the actual fight for my life that I won the night I was sexually assaulted and escaped in order to save myself, and to tell the police so that I could let go of the pain that experience was causing me, andlet the authorities do the right thing in catching him and putting himin prison for crimes he had already committed against so many otherwomen. IT IS POSSIBLE, and it has been done, by a woman who at the time, was completely alone. The fate of that woman has yet to be determined, and her optimism comes and goes, but I know I'm going to keep watching thiswhen I lose faith in myself to try and remember it's not always goingto be like this." -
A medley of three video poams made by three teams of members of the MADD Poets Society of Toledo, Ohio during their single day of access to Limited Fork Poetics and the north campus of the University of Michigan in April 2006. The MADD Poets Society is a group of teens Making A Direct Difference through positive actions in their community. David Bush is the director of the MADD Poets Society.
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A movie poam by a practitioner of Limited Fork Poetics
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A movie poam by a practitioner of Limited Fork Poetics.
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This movie poam debuted at the "Pleasurable Complexity" Limited Fork poetry event on 14 September at the University of Michigan. The theme is "place value: implications of the lattice." 37 layers (communities) of interacting language systems (communities) are latticed in the making of this poam. Poams related to this theme, including a "Pleasurable Complexity event book," may be found throughout all three Limited Fork podcasts: Limited Fork, Limited Fork Music, and Limited Fork Video Anthology. This poam contains images © 2005 by John Chervinsky and are used by permission. This poam also contains content from the "Pleasurable Complexity event book" available in the Limited Fork podcast. The image of the women in burqas is by Steve Evans and is used under the Creative Commons license.
- Se mer
