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  • When proposing an episode for this week's show, the goal was to put focus on a tour that we haven't discussed a whole lot on this podcast - the 2011 Canadian tour. The question here was which show would be the one to cover. So we crowd sourced it and got some great answers, but the best answer was a suggestion to do the episode in tribute of former Calgary Flames star, Johnny Gaudreau and his brother Matthew, who were tragically killed recently. This made the Calgary 2011 show a no brainer to talk about.

    There is a big storyline that looms over this show. This happened to be the same day that R.E.M. called it a career. Hearing the band react to the news and play a very impassioned touching tribute to them with the song It Happened Today has been the consensus call back moment from this show. Pearl Jam could have made a decision to play one of their more well known radio singles like Losing My Religion, Everybody Hurts or Man On The Moon, but we'll talk about how they selected the right song for the right moment.

    There are also songs in this setlist that connect to something that the band has done recently such as Brain Of J, Rats, Crazy Mary and even something relevant in concerns to Johnny Guitar!

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  • The 2024 tour keeps rolling forward for the next week with our next stop in Baltimore, Maryland. Four years ago, the plan was to return to Baltimore before Covid happened, and then when it came time to reschedule the tour, the arena was under construction. So now they return for the first time in eleven years, which happens to be the only time they've played Baltimore as of this writing. This episode will feature the 2013 show, a show which is centrally focused on the loss of a music industry titan, Lou Reed.

    The band set the mood from the early going here as the local crowd would get a show that features songs they were hoping to hear along with a little bit of the unexpected. The idea of the setlist and lyrical content can certainly be traced to how they were handling the recently announced death of the Velvet Underground front man. Songs like Hard To Imagine and Given To Fly can be considered choices that reflect this, plus an inclusion of Take A Walk On The Wild Side as a Daughter tag, and more direct dedications like Man Of The Hour and a cover of Waiting For The Man. We'll also get into a little bit of a mystery as to what happened to Jeff at the end of this show, and a yellow shirt guy that had the time of his life.

    Keep in mind that this episode was recorded prior to the Philadelphia shows, so any conversation that you're begging to hear on Brain Of J will have to either wait for next week or is available to our on our Patreon reaction episode. We will however talk about MSG night 2 and how incredible that night was, plus a rating on how well Randy sang It's The End Of The World As We Know It on karaoke!

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  • Welcome to Live On 4 Legs' officially unofficial 300th podcast episode! The timing worked out perfectly on this because in order to hit a milestone, you have to do something special. It just so happens that the band is in Madison Square Garden this week, and that's a pretty special venue to go back to. Since we covered every Garden show from 1998-2016 back in 2019, the only one left to do was from two years ago on the Gigaton tour.

    The show took place on the 21st anniversary of 9/11, which you couldn't have asked for a more important stage and city to play on. The weight of the tragedy was on everyone's minds and many of the song choices were picked to reflect the emotion that this date naturally brings. Songs like Release, Come Back and Chloe Dancer/Crown of Thorns were just a few that captured the moment of what that night was. We'll get into some emotional Ed's speeches where he hares stories from first responders and calls for unity in America.

    Also, Randy happened to be at this show and had a very lofty goal he was looking to accomplish to bring back a former Garden moment from their history. He'll gush over his favorite performances such as Present Tense, Porch, Sonic Reducer and how Rockin' In The Free World almost made him need a hearing aid.

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  • As Pearl Jam is preparing for another memorable weekend at Wrigley Field this week, we were put in a somewhat difficult spot as to what we should cover to get you guys excited for the show. The dilemma was that we had already covered all five Wrigley shows back in the summer of 2020, so what would we do? Well, there's a little show that took place in Chicago in 2005 that doesn't get discussed as much as it should. To raise money for Hurricane Katrina relief funds, Robert Plant and Pearl Jam combined forces to create an out of this world all-star show. Our friend Jason Brown was lucky enough to be there that night, and he'll join us to tell the stories of how it all went down.

    To get into this show that took place in an intimate venue that has a capacity of less than 2,000, you had to make a $1,000 donation in order to get in. Jason made that donation, but you'll want to hear the wild story of how it happened. As legendary Led Zeppelin front man Robert Plant and his band The Strange Sensation opened up the night, the place was abuzz of whether the two rock 'n' roll titans would combine forces. Lo and behold, they did! The set they played with Plant was pretty remarkable, a combination of Given To Fly and Going To California as a wink wink to the song's influence kicked things off, followed by a few standard 1960s songs such as Little Sister and Money (That's What I Want). And then the band truly breaks out the Zeppelin heavy hitters - Fool In The Rain and Thank You. We'll have a very interesting discussion on Fool In The Rain featuring facts that may surprise you.

    The Gear Guru also joins us for this show and while we spend some time talking Zeppelin with him, we'll dig into Save You, Porch and Rearviewmirror that may or may not have sounded like other Pearl Jam songs.

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  • With the new tour firing up this week in Montana, on Monday Pearl Jam will be heading to Indianapolis to take care of some unfinished business. Last year was set to be the band's first appearance in the city in 13 years until illness took over and caused a postponement. As they make good on their promise to return, this episode covers the last instance where they visited Indiana's capital back in 2010. We'll get you hyped up for the return of the tour and answer some of the questions that you guys posed to us via social media!

    With a new show on the horizon, is it fair to say that Indianapolis doesn't have a Pearl Jam show that's considered an all-timer? While neighboring places like Detroit, Pittsburgh, St. Louis and Milwaukee have all laid claim to have hosted shows that people hold in very high regard, this year may be Indianapolis's year. 2010 is not by any means a bad show, but does it stand out among a very good slate from that US run that year? With the conditions not going the way of a typical concert, marred with a 90 minute delay due to thunderstorms, the band came out and played a very efficient set that took two hours and ten minutes to play an impressive 29 songs. Most of these songs are of the shorter, pop-rock variety to keep the mood of what may have been an anxious crowd after a rain delay lighthearted and fun. The positive outlook of the Backspacer era tunes helped that cause with songs like Unthought Known and Supersonic flourishing in this spotlight.

    We'll spend our time talking about some big moments that include a fantastic rendition of Off He Goes, Force Of Nature, Wishlist and a nod to hometown heroes, the Jackson 5.

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  • We're getting you prepped up for Pearl Jam's second North American leg of the Dark Matter tour by once again featuring shows in the locations that they'll be playing. First up is a hometown show for Mr. Jeff Ament as we cover the Missoula show from 1995. This is the beginning of the Vitalogy era and is the send off show before they embarked on a trip through the Pacific Rim.

    As always with this era, this show is all about Jack Irons leading the charge. His time in the band was still in its infancy, but you can see the direction that the band wanted to go with him. While the brand new Vitalogy songs were squarely in the forefront, it pushed aside songs from Ten that had been extremely popular only three years prior. There's only two songs from Ten in this show (feel free to include State Of Love And Trust from the time period) and the way those songs were attacked was in a way to trying something different to make them feel fresh. Porch was lifted from it's normal closing role to the fifth spot in the set that saw it's typically iconic live solo abridged, Even Flow experimented with a new intro and pieces of the song that strayed from the radio version, and SOLAT is a completely different monster that they did not continue moving forward with. This show also has killer versions of Spin The Black Circle, Immortality and one of three full versions of W.M.A. that Jack has played on. Also, we have a song that's a Live On 4 Legs first at this show!

    Javier's segment will focus on that incredibly insane version of W.M.A. and we invite one half of the Hallucinogenic Recipe podcast, Patrick Boegel, to break down the circulation of the bootleg tape from this show.

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  • This episode takes us back to a time when Pearl Jam's popularity was skyrocketing. MTV Unplugged had took place, the Jeremy music video was out and the band garnered a lot of attention traveling on the Lollapalooza tour as one of the afternoon openers. This episode covers a Lollapalooza show from Fairfax County, Virginia where the band were in their prime and "all the rage". The episode will cover not just Pearl Jam's impact on the festival, but also the festival's impact on the culture of the early 90's.

    This show is seen as somewhat of a pillar moment for the band this summer because as they were rising up the charts, so were their Seattle brethren Soundgarden traveling on the same tour. Right around this time as both Vedder and Cornell became the defacto faces of the grunge scene, people were starting to pick up on the collaboration that they did for Temple Of The Dog a year prior. Hunger Strike was blossoming into a massive hit and wasn't something that was played often until they decided to join forces at this show. From there, it became one of those rare moments that people salivated for. They'd continue to bust it out on occasion during this tour, including during a random side stage performance in Phoenix.

    This episode is produced a little bit differently since we are only working with eight songs. You'll get the rare experience of listening to an entire show on this podcast! Of course we stop and chat in between, but every song will be played in full with Even Flow as a lone exception. This episode also features a conversation about the newly retired Aerosmith and how that happening this past week tied in perfectly with this episode.

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  • It's Olympics week, and since we've been following heavily on some of Pearl Jam's past European shows lately, why not add one more into the fold to keep the theme alive? This show from Vienna is like running a marathon as the band treats us to nearly 3 hours of an excellent 35-song set. Everything was on the table here as they dipped into songs from nearly every album, including many of the check list songs for all of the serious collectors.

    The theme for this show? Less talk, more rock. The band wasted no time at the beginning of the show going on a run of eight straight songs to start the show. This was not necessarily a night for chatting, it was a night for amazing bass grooves and solos ala Gossard. We'll talk about how great they both sound at this one and highlight songs such as Hail, Hail and Brain Of J where they both thrived. But the rarities also dominate the night as it's the last time to date that they've played Can't Keep, Rats and the deep Backspacer cut Speed Of Sound is also featured at this show. We also hear some rare covers involved including Rain, Public Image and Needle And The Damage Done.

    We'll also get into a deep conversation about how meaningful encore 2 sets are outside of creating the party atmosphere to close your night.

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  • It's time to cover our first show from Pearl Jam's Dark Matter tour, which also happens to be the first show from Pearl Jam's Dark Matter tour! It all got started back in May as the band headed north of home to Vancouver to try some new ones out on the Canadian crowd. With 17 shows under our belt now, this is a good opportunity to look back and get a sense of how the new songs are being implemented within their setlists every night.

    The first night of the tour saw nine of the eleven album songs played, everything except Waiting For Stevie and Got To Give. Right away you can tell how hard the band had worked on these songs to make them stand out in front of their dedicated crowd. A few things we'll touch up on with the new ones is how hyper-focused they were during Scared Of Fear in comparison to the looseness of React/Respond, Why Dark Matter has yet to fully flourish, the complexities to how the intro in Upper Hand comes together and why Setting Sun has been an absolutely perfect closer so far.

    Those topics, plus some fun versions of other songs in their catalog such as Wash, Red Mosquito, Chloe Dancer/Crown Of Thorns and more!

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  • It's been a rare occurance throughout Pearl Jam's history to see them as the opening act on a tour. They toured in support of Neil Young in the early 90's, and famously for a set of shows for the Rolling Stones in 1997, but for six shows in 2006, Pearl Jam appeared as the opening act for Tom Petty and the Heartbreakers. Pretty good company to cede the headline to, right? This episode covers the second night of Milwaukee's Summerfest from that run.

    A majority of this episode is dedicated to talking about what Tom Petty means to not only us personally, but music and pop culture as a whole. We'll share stories of our favorite memories getting acquainted with his music, and what he meant to the band as an influence. For a 17-song set, this could have been seen as a typical festival set, but they took advantage of the opportunity and cranked out some special moments. Last Kiss was played as the opener at this show, an occasion that's only happened two other times, we get rarities such as Sad and Around The Bend and Smile with a little dedication to how the story of the song came to be.

    We'll also discuss the performances of The Waiting and American Girl from the Heartbreakers set that Eddie got to help out with, and the Javier segment is a little bit different this week, so stay tuned for what's in store!

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  • As we plan to bid farewell to a rocky European tour this week, we're prepping for the final show of the run in Lisbon, Portugal by covering their performance at the NOS Alive Festival from 2018. This is the same festival that they'll play this week that they've played two other times in previous years. We'll get to talk about a very special guest who appeared on this show to partake in Rockin' In The Free World, the legendary Jack White!

    The theme of this episode will circle around the stigma that festival shows get for being way too run of the mill setlist wise and too casual crowd wise. For a crowd in Portugal who goes through extended stretches without seeing this band, this show absolutely bucks the trend of being what some may consider a more generic set. This crowd has a few big moments that transpire here like Low Light being used as an opener with Better Man as the follow up, big crowd participation moments on Daughter, Black and Rearviewmirror, a few deeper cuts thrown in like Rats and In My Tree, and a song that we barely get to talk about on this podcast, Can't Deny Me.

    Check out the usual rundown of the setlist, but at the top of the episode we'll do a quick reaction to the recent shows that took place in Barcelona!

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  • Well. Originally this episode was slated to get you guys excited for the shows taking place in Berlin this week, but while the band was forced to cancel their plans, we've decided to stick with ours. Berlin is one of Pearl Jam's best cities to play in that perhaps nobody ever talks about. This crowd comes into every show ready to bring their a-game, and at this show in 2014, nothing was spared. From waving their arms in the air to clapping in rhythm, bouncing up and down and singing every lyric and guitar melody, the fans in Germany absolutely know how to give this band the best they got.

    This Lightning Bolt era show went for nearly 3 hours and featured 34 songs from every variety of rarities to the radio hits. This show will have plenty of great crowd moments, including on songs like Do The Evolution and Sirens where the band is greeted with post-performance melodies. Checklist songs galore here that include God's Dice, Sleight Of Hand, You Are, Who You Are, All Those Yesterdays, Bee Girl and one of the rarest songs in the Pearl Jam catalog, Hold On played for only the fourth of a total of five times. But that's not all! Find out why this crowd needed to hear the dulcet tones of the voice of their favorite guitar player, and the hilarious ensuing result.

    We'll of course start the show reacting once again to the news of cancelations, and once again bring more context to the situation.

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  • Pearl Jam was originally slated to stop in London this weekend on their current European tour. Unfortunately due to circumstances that were apparent during the Manchester show, they were forced to cancel the show due to an illness that prevented Eddie Vedder from performing. As we've seen the past few years as the band gets older, they've had to cancel and postpone more shows than they ever have before.

    In this episode, we'll react to the news and discuss how it may affect the band and the live shows moving forward. We'll also touch up on the ticket controversy that loomed over this show and debunk conspiracy theories made connecting this to the cancelation.

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  • Pearl Jam loves to play in legendary venues. They've conquered the two oldest baseball parks in America, massive stadium venues in South America and plenty of the most famous arenas throughout the world. In London, the absolute cream of the crop when it comes to concert venues is Hyde Park. Back in 2020, Pearl Jam was scheduled to play Hyde Park alongside the Pixies, but after Covid cancelled all plans, they decided to add an extra date due to the demand. This episode covers the first night of a memorable two-night stay.

    With massive screens erected for the 65k people to all witness this band from far and near, they came out firing right away. Better Man as an opener sets and amazing tone, Breath was a big surprise played early, Quick Escape featured a little Sex Pistols on the backend and a heartfelt dedication to a fan for Light Years really built up this show to feel as massive as the park. We'll talk about all of the big moments, as well as focusing on the ticket situation which is currently going happening for the show in London this coming weekend.

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  • It's time for Pearl Jam to take the Dark Matter tour over to Europe! For the next month, we'll be doing the same thing as we did in May - focusing on past shows from locations they're about to embark on. First stop is Dublin, Ireland. It's been 14 years since the band has been back there, and strangely enough, they've only played there six times in total! This episode covers a show from Dublin in 1996 during the No Code tour that marks first of three appearances at The Point Theatre.

    This episode will lean heavily on the coverage of No Code tracks as we get in depth with Hail, Hail, In My Tree, Mankind and Who You Are. Of course with this being a Jack Irons show, he'll dominate much of the conversation. We'll dig into why some of the Ten songs may not have been his specialty as we touch up on tracks such as Release, Even Flow and Alive. We'll also spend some time preparing you for the upcoming tour leg and try our hand at coming up with some ideas that could end up being huge surprises this month!

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  • There are countless Pearl Jam shows where all you need to do is mention a location by name and the majority of Pearl Jam fans know exactly what you're talking about. For one lone night at a chocolate factory, when you mention this Hershey show from 2003, everyone knows that it's remembered for one thing - mosquito bites! No, this outdoor venue wasn't invested with mosquitos. The band was greeted by a flasher at this show who had taken her top off in order for the band to recognize her. But what she didn't realize was that they were coming off of one of the longest shows in their history in Mansfield, MA, meaning a six hour drive to Pennsylvania in the same night potentially left Ed a little sleep deprived. It leads to an all-time rant where he comments on the size of her breasts, a quote that has gone down as one of the most memorable things he's ever said.

    With that being said, the band faced the challenge of following up the experiment by putting together a fun show with a lot of energy. They made up for two songs that were left out of the experiment in Last Exit and Glorified G, dug into some of the deeper Riot Act cuts with Help Help and one of the last versions of Get Right to date, and we get a random appearance of a harmonica on... State Of Love And Trust? Yeah, you read that right. Also, we'll uncover the true story about a friend of Stone's who guested on Rockin In The Free World at this show. Where is he now? The answer may surprise you... really surprise you.

    Javier makes his return in this episode and will talk about the unique tuning of Daughter, and how that helps transforms the song to make it sound acoustic, even on an electric guitar.

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  • As the west coast leg of the Dark Matter tour has come to a close, now is a great opportunity for us to dig into a few great Pearl Jam shows without covering upcoming tour locations. That takes us to November of 1995. A five-show run featuring shows that were postponed from earlier in the tour year that have gone down in history as some of the best of the era. After being forced to postpone a June Salt Lake City show due to weather conditions, the promise Ed had made was that the band would come back and play twice as long. Which means they came back and played two shows instead of one for their make up. This run will always be most known as hosting the live debuts for both Red Mosquito and Brain Of J, the former of which we'll talk about in this episode.

    Ed would make a quip on night two that it was like the crowd's parents came to night one. While this show may not reach the excitement of night two, that quote has given this show an undeserved stigma that we're out to prove is inaccurate. Some great performances go down on this night including ones from Corduroy, Deep, RVM, Immortality and what amounts to probably the longest version of Blood in the catalog. We'll also dig into an improv titled Seven Years Waiting and a Porch closer that got a little bit weird in the solo.

    We're also only a week out from the Seattle shows, so we'll chat about the experience and some of the best performances that held up from that night.

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  • We've made it near the end of the first leg of the Dark Matter tour! With the last stop in Seattle happening as this episode airs, we thought it would obviously be appropriate to cover a show that took place in Pearl Jam's hometown. Since we've covered many of the well known Seattle shows in past episodes (check out the archive to listen, lots of good ones!) we're turning to a benefit show from 2001 in which the band didn't go out and tour on. The Groundwork Benefit was put together to help the Food and Agriculture Organization to solve world hunger. This night featured acts like Alanis Morrisette and R.E.M. as the headliners alongside Pearl Jam.

    It's only a 10-song set, and since it's still in the shadow of Binaural, the album has a heavy presence at this show. No Ten or Vs. songs were played, but we do get an early version of a Riot Act song over a year before the album release. We'll talk about John Lennon song Gimme Some Truth and how Ed initially wanted to play that during the Tribute To Heroes performance after 9/11, but it became a staple of Pearl Jam's touring circuit during the Iraq War. But the song that's going to resonate the most is a rare closing set performance of Long Road. It's a ten minute version that features Rahat Fateh Ali Khan, the nephew of Nusrat who recorded a version of Long Road with Ed for the Dead Man Walking soundtrack. One of the most heartfelt versions of Long Road that you'll ever hear.

    Along with that, we'll talk about Ed making a guest appearance during R.E.M.'s set to sing People Have The Power and It's The End Of The World As We Know It, and also a little bit of the Athens alternative legends teasing Better Man. Javier joins in for this one, and we'll spend a lot of time talking about our upcoming trip to see the band in Seattle!

    Just to note, in this episode I may have made some small but rare mistakes regarding facts that I do apologize for. We'll also mention the audio from the YouTube video mixing the guitars really low, but the bootleg that we play in the episode sounds completely normal. A lot of 4am bedtimes in the last month, I'm sure you all understand!

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  • Pearl Jam is playing two shows in the City Of Angels this week, so once again we're back to cover another show from their history that they played in The Fabulous Forum. We're going back to 2006, the Avocado tour. A tour that we can kind of connect to what they are doing now with Dark Matter considering the high representation that you'll get each night from the album. This show in LA featured 10 of the 13 tracks while Dark Matter has consistently hovered around 8 of 11. We'll talk a little bit about the impact of the setlists thus far on this tour and where they intersect with Avocado.

    A great crowd show here (which is disappointing when you look at the ticket sales for both Forum shows for this week) and we'll get into how they made what could be considered a standard setlist to many feel exciting. The crowd came to participate on songs like Release, Corduroy, Even Flow, Small Town, Last Kiss and Alive, but also reacted well to the brand new songs. The highlights of this set that we'll get into come from Rearviewmirror, Crown Of Thorns, Gone, Big Wave and Inside Job, and we'll get to see an appearance from Tim Robbins joining in on a modern take of a song by folk musician Phil Ochs.

    Javier will join us to talk and teach about the Dumble amps that they've been using all tour, and he'll do a breakdown of Big Wave as well. Stay tuned as he'll join the show next week in preparation for Seattle!

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  • The Dark Matter tour keeps trucking along as we now have four shows under our belt and are looking forward to a big weekend in Las Vegas where anything can happen! To get you even more excited for that, this week's episode goes back to the Vegas show during the mighty 2003 Riot Act tour! Coming off of an absolutely legendary performance for their 10th anniversary show in 2000, this crowd came in with a ton of excitement and never let down all night.

    This show will feature two guests who are vital to the existence of Pearl Jam - Ann and Nancy Wilson of Heart. They'll join the band for a fun rendition of Rockin' In The Free World, but before that we'll get into a conversation about why if it wasn't for Nancy, Pearl Jam may not have been able to fund Ten following the death of Andy Wood. It's a story that doesn't get told often and it never got a mention in PJ20, but we'll share how it all went down for you here in the episode.

    This show should be recognized as a Mike McCready explosion! Mike was on fire the entire night putting on a clinic during such songs as Even Flow, Go, Love Boat Captain, Breath, Crazy Mary, Fuckin' Up and that just scratches the surface. Javier will join us for two segments to gush over the tone of Even Flow and Crazy Mary for this one!

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