Episoder
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Fredrich Kuhlau (1786–1832) was a Danish composer of the late Classical and early Romantic periods who wrote prodigiously for the flute. The final movement of his Fantasie for Solo Flute in D major, "Arietta and Variations" is charming, virtuosic, and fun! The aria "Bati, Bati" from Mozart's opera Don Giovanni is the theme. The operatic spirit shines in this 4 minute long gem.
Georg Philip Telemann, Fantaisie No. 12, performed by Karen Kevra, flute
Georg Friedrich Händel, Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni "The Harmonious Blacksmith" performed by Murray Perahia, pianoFranz Schubert's Theme, from the Introduction, Theme, and Variations on "Trockne Blumen", D. 802 performed by Karen Kevra, flute and Jeffrey Chappell, piano
Wolfgang Amadeus Mozart, Overture from Don Giovanni, K. 527, Hans Vonk, Staatskapelle Dresden
Wolfgang Amadeus Mozart, Aria: "Batti, batti, o bel Masetto", Cecelia Bartoli, soprano, Wiener Kammerorchester
Friedrich Kuhlau, Fantasie for Solo Flute in D major (Op. 38, No. 1), movement 3, "Arietta and Variations", performed by Karen Kevra, fluteSupport the show
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Composer Katherine Hoover's Winter Spirits is a musical tribute to the American Desert Southwest. This 5 minute piece was inspired by Marie Buchfink's artwork picturing a cross-legged native American flute player: A colorful cloud of tiny beneficent spirits rises from the flute into a cloud. Elements of dance, chant, and drumming combine to create a mystical, magical soundscape.
Katherine Hoover, Kokopeli
Katherine Hoover, Winter Spirits
performed by Karen Kevra, fluteSupport the show
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In this encore episode from Christmas eve 2020, we celebrate the life and legacy of Tony Barrand who died on January 29, 2022. Tony Barrand was born in England in 1945 but has lived most of his life in southern Vermont in the vibrant town of Brattleboro—a place that shines all the more brightly because of him. This Cornell PHD and Professor Emeritus of Boston University is not just an academic, but also a singer, dancer, and story-teller. What first grabs you is his way with words—he can give them weight, or make them sparkle depending on the point he is trying to make, but he uses words to greatest effect when he sings. His handsome tenor voice really shines when joined by his singing comrades (John Roberts, Fred Breunig and Andy Davis) from the band Nowell Sing We Clear. This is top-notch exuberant music-making in a traditional style that will have you singing along, dancing, and entranced by the magic of the story-telling. Guaranteed to brighten your days during this darkest time of year.
Special thanks to:
Andy Davis, Keith Murphy and Becky Tracy, Amanda Witman, Peter Amidon, Sue Dupre, Kari Smith, Carole Crompton, and Rachel Bell
Music, courtesy Golden Hind Music
Click here to order Nowell Sing We Clear: Songs & Carols for Midwinter & Christmastide
Photo: BU PhotographySupport the show
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Pianist Jeffrey Chappell reflects on his life and his formative mentorships first with pianist Jane Allen, and later with the legendary Leon Fleisher. In this encore episode, Jeffrey reveals his early childhood genesis story with the piano; his studies at the Curtis Institute and Peabody Conservatory, and path that led him to an astounding last minute substitution for Claudio Arrau with the Baltimore Symphony. He addresses overcoming challenges and adversity and speaks about his lifelong meditation practice and his book Answers from Silence.
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Edgard Varèse is one of the most influential musicians of the twentieth century and was called "The stratospheric Colossus of Sound." He lived life with intensity and composed the same way. Varèse lived most of his composing life in New York City and made music out of the compelling cacophony of NYC street noises: sirens, firetrucks, river sounds, foghorns, and even skyscraper construction.
Density 21.5 was composed in 1936 (and revised in 194) at the request of Georges Barrère to inaugurate his new platinum flute. (21.5 is the density of platinum.) Density 21.5 breaks the stereotype of typical French music. This 4 minute-long ground-breaking piece offers free tonality, an immense dynamic range, surgically precise rhythms, steely and wispy colors, and it showcases Varèse's love for percussion.
Varèse was more interested in the nature of sound rather than the aspect of melody. Listen with curiosity to the sounds and enjoy the emotional ride.
Music:
Georg Philip Telemann, Fantaisie No. 12 for solo flute by Karen Kevra
Edgard Varèse -Poème électronique Kees Tazelaar, Edgard Varèse & Institute for Computer Music
Jacques Offenbach - Barcarolle from Tale of Hoffman, Sir Neville Mariner
Frédéric Chopin - Ballade #4, Opus 52, Alfred Cortot
Erik Satie - Gymnopédie No. 1, Philippe Entremont
Edgard Varèse - Amériques, The Philadelphia Orchestra
Edgard Varèse, Ionisation, The New York Philharmonic Orchestra, Pierre Boulez
Edgard Varèse - Déserts, Choeurs de Radio France, Ensemble Intercontemporain, Pierre Boulez
Claude Debussy - Syrinx, Karen Kevra
Cécile Chaminade - Concertino, Karen Kevra
Edgard Varèse - Density 21.5, Karen KevraSupport the show
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Flight of the Bumblebee from Nikolai Rimsky-Korsakov's opera "The Tale of Tsar Saltan"--is at the heart of a fantastical tale which includes a large cast of characters including a king and a queen, a magical swan, and a prince turned bumblebee. It's a dazzling colorful encore piece, instantly recognizable and adopted by all kinds of instrumentalists, from string players, to pianists and of course flutists. The buzzier and the faster, the better!
Georg Philip Telemann, Fantaisie No. 12 for solo flute by Karen Kevra
Nikolai Rimsky-Korsakov, Flight of the Bumblebee by the Russian National Orchestra
Nikolai Rimsky-Korsakov, Scheherazade, Op. 35 - I. The Sea and Sinbad's Ship, André Previn · Rainer Küchl · Wiener Philharmoniker
Nikolai Rimsky-Korsakov, Flight of the Bumblebee by Karen Kevra
photo credit: Karen Kevra
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Pierre-Octave Ferroud wrote "Jade"- a tropical work for solo flute in July of 1921. There are two musical features in this Asian-styled French piece that give it its distinctly far eastern flavor. The first is the pentatonic scale-- the five pitches are tied to five elements: wood, fire, earth, metal and water. The second feature is a rhythmic one --the ever present dotted rhythms give the piece a bubbling dance quality. This is imaginative music so close your eyes and travel to a tropical beach with waterfalls, ancient canopied banyan trees, fluttering butterflies and the glittering jade colored sea...
Georg Philip Telemann, Fantaisie No. 12Pierre-Octave Ferroud, Bergère Captive
Pierre-Octave Ferroud, Jade
All flute pieces performed by Karen Kevra
photo credit: Karen KevraSupport the show
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One of the things that really sets Gabriel Fauré apart is the singing style of his music. He was an exceptional and prolific composer of song so it's no wonder that we hear that singing quality even in his instrumental works. Fauré's "Morceau de Concours" is an incredibly special tiny gem. Don't be fooled by the title. Though he wrote it as a sight-reading examination piece for students at the Paris Conservatory, it is a poetic lullaby. -A musical balm for this most dark time of year.
MUSIC:
Georg Philip Telemann, Fantaisie No. 12, performed by Karen Kevra
Gabriel Fauré, Sicilienne, Op. 78, performed by Karen Kevra
Frédéric Chopin, Waltz in E flat major, performed by Jeffrey Chappell
George Gershwin, Rhapsody in Blue, performed by George Gershwin, piano with Paul Whiteman and the Paul Whiteman Orchestra (Recorded June 10, 1924)
Gabriel Fauré, Violin Sonata no.1, op. 13, Allegro molto, performed by Arthur Grumiaux, violin, and Paul Crossley, piano
Gabriel Fauré, Piano Trio No. 1, Allegro molto moderato, performed by Marguerite Long, piano, Jean Pasquier, violin, Pierre Pasquier, viola, Etienne Pasquier, cello
Gabriel Fauré, Piano Trio No. 1, Scherzo: allegro vivo, performed by Marguerite Long, piano, Jean Pasquier, violin, Pierre Pasquier, viola, Etienne Pasquier, cello
Adjutant's Call/French Foreign Legion March, US Marine Band
Gabriel Fauré, Cantique de Jean Racine, Op. 11, performed bythe Cambridge Singers, Cambridge Singers, City of London Sinfonia
Gabriel Fauré, Morceau de Concours, performed by Karen KevraSupport the show
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Muse Mentors host Karen Kevra discusses Beethoven's transcendent Hymn of Thanksgiving from the Op. 132 A minor string quartet with Nicholas Kitchen, the first violinist of the Borromeo Quartet.
Credits:
Beethoven, Hymn Of Thanksgiving (String Quartet Op. 132, Movement III)
Borromeo Quartet - Nicholas Kitchen, Violin; Kristopher Tong, Violin; Mai Motobuchi, Viola; Yeesun Kim, Cello)
Use this link to hear and see the entire performance by the Borromeo String QuartetSupport the show
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CPE Bach was the second son of Johann Sebastian and Maria Barbara Bach and to say he was a prolific composer is putting it mildly. CPE Bach wrote loads of flute music--sonatas, chamber music, and dazzling concerti. The tremendous output of flute music had to do with the fact that he had a flutist for a boss--Frederick the Great of Prussia. His touching Sonata in A minor for solo flute was composed in Berlin in 1747 and the opening movement is a palate of fall colors --golden yellows, reds, mahogany, and conifer green. This piece is a kind of meditation on the fall--it has an intimate quality unlike any other and it expresses the sadness of the passing of summer, the gratitude for the harvest, and the quality of turning inward as we light our fires and face the winter.
MUSIC:Georg Philip Telemann, Fantaisie No. 12, performed by Karen Kevra
C.P.E. Bach, Cello Concerto in A minor, Allegro assai, performed by Alison McGillivray, and The English Concert
C.P.E. Bach Harpsichord Concerto in D Minor, Allegro, performed by Jean Rondeau, with Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener
C.P.E. Bach Flute Concerto In D Minor, Allegro Di Molto, performed by Jean-Pierre Rampal-flute, Pierre Boulez-conductor
C.P.E. Bach Sonata in A minor for unaccompanied flute, performed by Karen Kevra
Robert Frost recites "Reluctance" -included for educational purposes
Photograph: Cornwall, Vermont backyard by Karen KevraSupport the show
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Fredrich Kuhlau was admired by Beethoven and is known as "the Beethoven of the flute." He wrote his gorgeous Fantasy in D major for solo flute in 1820 during a four-month stay in Vienna. Perhaps the Danube river provided inspiration for this silky, rippling Romantic music...
Georg Philip Telemann, Fantaisie No. 12, performed by Karen Kevra
Fredrich Kuhlau, Fantasy, Op. 38 in D major, Adagio, performed by Karen Kevra
J.S. Bach, Fantasia in G minor, BWV 542, performed by Hans-André Stamm-organ
Beethoven, Choral Fantasy, Op. 80, performed by Singapore Symphony Chorus and Youth Choir, Eudenice Palaruan, Choral Director, Tengku Irfan, piano https://www.youtube.com/watch?v=8AXnA7-TD4QBeethoven, Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight" - I. Adagio sostenuto performed by Maurizio Pollini-piano
Beethoven, Symphony #6 "Pastorale" - Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras, conductor
Please support the show.
Artwork: Danube landscape near Regensburg, by Albrecht AltdorferSupport the show
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Frenchman Johannès Donjon's Etudes de Salon are whimsical and summery music. His miniature "Song of the Wind", "Élégie", and "Will-O'-the Wisp" require sure-footed technique. Even so, this fun music oozes with color, expression and imagination.
Georg Philip Telemann, Fantaisie No. 12
Johannès Donjon, Song of the Wind, Élégie, Will-O'-the Wisp
Performed by Karen Kevra.
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It's been a period of intense news and worldwide stress. At times like these you've got to turn it off and turn to music. Czech composer Jindřich Feld's 1957 Meditation is a sublime 2.5 minute work that offers a respite from the news. Try the simple meditative approach for a deep listening experience.
Ray Chen-violin, and Julio Elizalde-piano perform Jules Massenet Meditation from Thais Karen Kevra-flute, performs Jindřich Feld's Meditation.Support the show
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Pierre-Octave Ferroud wrote his "Bergère Captive", a gorgeous and plaintive work for solo flute in July of 1921. You've probably never heard of Ferroud because he died a grisly pedestrian death when he stepped out into an oncoming car and was killed at the age of 36. It's a tragedy because if you listen to his colorful and inventive music you will understand why he won the attention of Prokofiev, Poulenc and Stravinsky! His "Captive Shepherd" is musical storytelling at its best--full of imagination, a summery rainbow of colors, and deep emotion.
Georg Philip Telemann, Fantaisie No. 12Pierre-Octave Ferroud, Jade
Pierre-Octave Ferroud, Bergère Captive
All flute pieces performed by Karen Kevra
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Johann Sebastian Bach was incredibly generous with the flute. He wrote several full scale sonatas, gave the flute has starring roles in two of the Brandenburg concerti, and beautiful obbligato parts in countless arias, but there is just one solo partita. The slow movement from his A minor flute Partita-a Sarabande -is a dance form with both Arab and Spanish origins and has a silky, sensual quality. Imagine a kind of "dance of the seven veils. " Way back in 1583, King Philip II of Spain had the Sarabande banned because it was said to ‘excite bad emotions’.
Georg Philip Telemann, Fantaisie No. 12
J.S. Bach Brandenburg Concerto #5 in D major, BWV 1050 mmt. 1 Allegro
Karen Kevra-flute, Lucy Chapman-violin Elizabeth Metcalfe-harpsichordJ.S. Bach "Schafe können sicher weiden" (Sheep may safely graze) from his Cantata BWV 208. Hyunah Yu-soprano, Karen Kevra & Kenichi Ueda-flutes
J.S. Bach, Prelude from Suite No. 1 in G Major, BWV1007, Edward Arron-cello
All flute pieces performed by Karen Kevra
Manuscript of J.S.Bach's Partita in A minor.
www.capitalcityconcerts.orgSupport the show
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"THE CHILDREN ARE PLAYING" is a tiny fairy-tale of a piece for solo flute written by Denmark's best-known composer Carl Nielsen in 1920 as incidental music for a play called "The Mother." The whimsical music is a tip of the cap to Hans Christian Andersen and sounds like kids on playground on a spring day--leaping and laughter and teasing and taunting with a mix of sun and clouds.
Georg Philip Telemann, Fantaisie No. 12
Claude Debussy, Syrinx
Carl Nielsen, The Children are Playing
All flute piece performed by Karen Kevra
Frank Loesser, I'm Hans Christian Andersen performed by Danny Kaye
Artwork: Sibylle von Olfers, Mother Earth and Her ChildrenSupport the show
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In this encore episode James Pease Blair, one of National Geographic's legendary photographers talked about love, life, and legacy.
Jim began his 32 year career at the National Geographic Society with a splash as staff photographer on board Jacques Cousteau's Calypso in 1962. As a photography student in the fifties at the Institute of Design in Chicago, he studied with Harry Callahan and Aaron Siskind, but it was his years as a summer intern with Roy E. Stryker, at the Pittsburgh Photographic Library that made the biggest impression on Jim. Jim Blair's artistry and empathy brought a new kind of humanity to National Geographic which went from being a travel and culture magazine to a journal which included social and environmental images that revealed the soul of planet and its inhabitants.
Don't miss this powerfully moving episode on the 91st anniversary of his birth.Support the show
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Composer/flutist/pianist Louis Moyse's Pastorale was written in 1925 when he was just 14 years old. Louis was the son of the great French flutist Marcel Moyse, and he grew up steeped in Parisian culture and with the sound of the flute in his ears and his heart. That influence shows in this evocative, oh-so-French piece that sounds like a marriage between Impressionism and springtime in the French countryside.
Georg Philip Telemann, Fantaisie No. 12, performed by Karen Kevra
Louis Moyse, Pastorale, performed by Karen Kevra
John Lunn, Downton Abbey Theme, The City of Prague Philharmonic Orchestra
J.S. Bach, Gavotte, performed by Karen Kevra
Cecile Chaminade, Concertino, performed by Karen Kevra
Sakura, traditional Japanese folktune, performed by Karen Kevra
Wolfgang Amadeus Mozart, Flute Concerto No. 2 in D major, Allegro aperto, performed by Marcel Moyse
Igor Stravinsky, Petrouchka, Wiener Philharmonic
Cab Calloway, Jumpin' Jive
Duke Ellington Orchestra, Jubilee Stomp
Maurice Ravel, Daphnis et Chloé Suite No. 2, Berlin Philharmonic
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Composer Katherine Hoover's Winter Spirits is a musical tribute to the American Desert Southwest. This 5 minute piece was inspired by Marie Buchfink's artwork picturing a cross-legged native American flute player: A colorful cloud of tiny beneficent spirits rises from the flute into a cloud. Elements of dance, chant, and drumming combine to create a mystical, magical soundscape.
Katherine Hoover, Kokopeli
Katherine Hoover, Winter Spirits
performed by Karen Kevra, fluteSupport the show
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In this first full episode of the FLUTE STORIES MINI-SERIES host and flutist Karen Kevra explores Claude Debussy's magical mythical Syrinx, the finest gem of the solo flute repertoire.
Claude Debussy, Prélude à l'après-midi d'un faune
Claude Debussy, Syrinx
CPE Bach, Poco Adagio from Sonata in A minor for solo flute
Karen Kevra, flute
Albert von Tilzer, Take Me Out to the Ballgame,
Mark Herman, organSupport the show
- Se mer
