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The history of rock and roll music can be seen in a long arc of Western civilization's struggle for both greater individual expression and societal stability. In the 1960s, the West's relationship with authority ruptured, in part due to the rock revolution. The lessons and implications of this era have yet to be fully grasped.
James A. Cosby's book Rock Music, Authority and Western Culture, 1964-1980 (McFarland, 2024) examines the key artists, music, and events of the classic rock era--defined here as 1964 to 1980--through a virtual psychoanalysis of the West. Over these years, important truths unfold in the stories of British Invaders, hippies, proto-punks, and more, as well as topics to include drugs, primal scream therapy, the occult, spirituality, and disco and its detractors, to name just a few. Through a narrative that is equal parts entertaining, scholarly, and even spiritual, readers will gain a greater appreciation for rock music, better understand the confusing world we live in today, and see how greater individuality and social stability may be better reconciled moving forward.
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'A woman, a dog and a walnut tree, the more they are beaten, the better they’ll be.' So went the proverb quoted by a prominent MP in the Houses of Parliament in 1853. His words – intended ironically in a debate about a rise in attacks on women – summed up the prevailing attitude of the day, in which violence against women was waved away as a part and parcel of modern living – a chilling seam of misogyny that had polluted both parliament and the law. But were things about to change?
The Walnut Tree: Women, Violence and the Law – A Hidden History (Mudlark, 2024) is a vivid and essential work of historical non-fiction. In it, Kate Morgan explores the legal campaigns, test cases and individual injustices of the Victorian and Edwardian eras which fundamentally re-shaped the status of women under British law. These are seen through the untold stories of women whose cases became cornerstones of our modern legal system and shine a light on the historical inequalities of the law.
We hear of the uniquely abusive marriage which culminated in the dramatic story of the ‘Clitheroe wife abduction’; of the domestic tragedies which changed the law on domestic violence; the controversies surrounding the Contagious Diseases Act and the women who campaigned to abolish it; and the real courtroom stories behind notorious murder cases such as the ‘Camden Town Murder’.
Exploring the 19th- and early 20th Century legal history that influenced the modern-day stances on issues such as domestic abuse, sexual violence and divorce, The Walnut Tree lifts the lid on the shocking history of women under British law – and what it means for women today.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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When suffragette Emily Wilding Davison hid overnight in the Houses of Parliament in 1911 to have her name recorded in the census there, she may not have known that there were sixty-seven other women also resident in Parliament that night: housekeepers, kitchen maids, domestic servants, and wives and daughters living in households. Necessary Women: the Untold Story of Parliament's Working Women (The History Press, 2023) is their story.
Women have touched just about every aspect of life in Parliament. From ‘Jane’, dispenser of beer, pies and chops in Bellamy’s legendary refreshment rooms; to Eliza Arscot, who went from reigning as Principal Housemaid at the House of Lords to Hanwell Asylum; to May Ashworth, Official Typist to Parliament for thirty years through marriage, war and divorce; and Jean Winder, the first female Hansard reporter, who fought for years to be paid the same as her male counterparts; the lives of these women have been largely unacknowledged – until now.
Drawing on new research from the Parliamentary Archives, government records and family history sources, historians and parliamentary insiders Dr. Mari Takayanagi and Dr. Elizabeth Hallam Smith bring these unsung heroes to life. They chart the changing context for working women within and beyond the Palace of Westminster, uncovering women left out of the history books – including Mary Jane Anderson, a previously unknown suffragette.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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What is the relationship between seapower, law, and strategy? In Balancing Strategy: Seapower, Neutrality, and Prize-Law in the Seven Years' War (Cambridge University Press, 2024) Dr. Anna Brinkman uses in-depth analysis of cases brought before the Court of Prize Appeal during the Seven Years' War to explore how Britain worked to shape maritime international law to its strategic advantage. Within the court, government officials and naval and legal minds came together to shape legal decisions from the perspectives of both legal philosophy and maritime strategic aims. As a result, neutrality and the negotiation of rights became critical to maritime warfare. Balancing Strategy unpicks a complex web of competing priorities: deals struck with the Dutch Republic and Spain; imperial rivalry; mercantilism; colonial trade; and the relationships between metropoles and colonies, trade, and the navy. Ultimately, influencing and shaping international law of the sea allows a nation to create the norms and rules that constrain or enable the use of seapower during war.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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From the seventeenth to the nineteenth century, the industrial revolution transformed Britain from an agricultural and artisanal economy to one dominated by industry, ushering in unprecedented growth in technology and trade and putting the country at the center of the global economy. But the commonly accepted story of the industrial revolution, anchored in images of cotton factories and steam engines invented by unfettered geniuses, overlooks the true root of economic and industrial expansion: the lucrative military contracting that enabled the country's near-constant state of war in the eighteenth century. Demand for the guns and other war materiel that allowed British armies, navies, mercenaries, traders, settlers, and adventurers to conquer an immense share of the globe in turn drove the rise of innumerable associated industries, from metalworking to banking.
Bookended by the Glorious Revolution of 1688 and the end of the Napoleonic Wars in 1815, Empire of Guns: The Violent Making of the Industrial Revolution (Bloomsbury, 2019) traces the social and material life of British guns over a century of near-constant war and violence at home and abroad. Priya Satia develops this story through the life of prominent British gun-maker and Quaker Samuel Galton Jr., who was asked to answer for the moral defensibility of producing guns as new uses like anonymous mass violence rose. Reconciling the pacifist tenet of his faith with his perception of the economic realities of the time, Galton argued that war was driving the industrial economy, making everyone inescapably complicit in it. Through his story, Satia illuminates Britain's emergence as a global superpower, the roots of the government's role in economic development, and the origins of our own era's debates over gun control and military contracting.
Priya Satia is the Raymond A. Spruance Professor of International History and Professor of British History at Stanford University. She is the author of Spies in Arabia: The Great War and the Cultural Foundations of Britain's Covert Empire in the Middle East (2009), and her writing has appeared in Slate, the Financial Times, the Nation, and the Huffington Post, among other publications.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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Shakespeare through Islamic Worlds (Routledge, 2024) investigates the peculiar absence of Islam and Muslims from Shakespeare’s canon. While many of Shakespeare’s plays were set in the Mediterranean, a geography occupied by Muslim empires and cultures, his work eschews direct engagement with the religion and its people. This erasure is striking given the popularity of this topic in the plays of Shakespeare’s contemporaries.
By exploring the limited ways in which Shakespeare uses Islamic and Muslim tropes and topoi, Ambereen Dadabhoy, Associate Professor of Literature at Harvey Mudd College, argues that Islam and Muslim cultures function as an alternate or shadow text in his works, ranging from his staged Mediterranean plays to his histories and comedies. By consigning the diverse cultures of the Islamic regimes that occupied and populated the early modern Mediterranean, Shakespeare constructs a Europe and Mediterranean freed from the presence of non-white, non-European, and non-Christian Others, which belied the reality of the world in which he lived. Focusing on the Muslims at the margins of Shakespeare’s works, Dadabhoy reveals that Islam and its cultures informed the plots, themes, and intellectual investments of Shakespeare’s plays.
In our conversation we discussed Shakespeare’s worldmaking and the social and political worlds of western Europe, the Mediterranean, and the Ottoman empires, famous plays, such as The Tempest, The Merchant of Venice, Twelfth Night, and Othello, the figure of the “Moor,” and the threat of turning “Turk,” the intersection of race and geography in Shakespeare’s works, disrupting Anti-Muslim racism and Islamophobia through critical reading, and Muslim adaptations of Shakespeare.
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Karen Sullivan of Bard College talks to Jana Byars about her recent book, Eleanor of Aquitaine, As It Was Said: Truth and Tales about the Medieval Queen (U Chicago Press, 2023). A reparative reading of stories about medieval queen Eleanor of Aquitaine. Much of what we know about Eleanor of Aquitaine, Queen of France and then Queen of England, we know from recorded rumor--gossip often qualified by the curious phrase "It was said" or the love songs, ballads, and romances that gossip inspired.
While we can mine these stories for evidence about the historical Eleanor, Karen Sullivan invites us to consider, instead, what even the most fantastical of these tales reveal about this queen and about life as a twelfth-century noblewoman. This book paints a fresh portrait of a singular medieval queen and the women who shared her world. The conversation gets into the idea of how we know what we know, and what we can possibly know about a woman this famous.
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When will I die? What is the sex of my unborn child? Which of two rivals will win a duel? As today, people in the later Middle Ages approached their uncertainties about the future, from the serious to the mundane, in a variety of ways. One of the most commonly surviving prognostic methods in medieval manuscripts is onomancy: the branch of divination that predicts the future from calculations based on the numbers that correlate to the letters of personal names. However, despite its ubiquity, it has been relatively little studied.
Onomantic Divination in Late Medieval Britain: Questioning Life, Predicting Death (York Medieval Press, 2024) by Dr. Joanne Edge analyses the intellectual and physical contexts of onomantic texts in some 65 manuscripts of British provenance between around 1150 and 1500, focusing on its two main varieties It demonstrates that onomancies were copied, owned and used by a people from a wide range of literate society in late medieval England: medical practitioners; the gentry and aristocracy; university scholars; and monks. And it seeks to answer the question of why a divinatory device, condemned in canon law as "Pythagorean necromancy", enjoyed such popularity in mainstream books of religion, medicine, and scholasticism.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The British Army won a convincing series of victories between 1916 and 1918. But by 1939 the British Army was an entirely different animal. The hard-won knowledge, experience and strategic vision that delivered victory after victory in the closing stages of the First World War had been lost. In the inter-war years there was plenty of talking, but very little focus on who Britain might have to fight, and how.
Richard Dannatt and Robert Lyman's book Victory to Defeat: The British Army 1918-40 (Bloomsbury, 2023) clearly illustrates how the British Army wasn't prepared to fight a first-class European Army in 1939 for the simple reason that as a country Britain hadn't prepared itself to do so. The failure of the army's leadership led directly to its abysmal performance in Norway and France in 1940.
Victory to Defeat is a captivating history of the mismanagement of a war-winning army. It is also a stark warning that we neglect to understand who our enemy might be, and how to defeat him, at the peril of our country. The British Army is now to be cut to its smallest size since 1714. Are we, this book asks, repeating the same mistakes again?
General The Lord Dannatt GCB CBE MC DL is one of the UK's most respected military commentators. He was chief of the Defense Staff and Commander-in-chief, 2006-2009.
Robert Lyman is one of Britain's top military historians. He spent 20 years in the British Army and he is currently a Research Fellow at the Changing Face of War Centre, Pembroke College, University of Oxford.
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Roger Scruton was one of the outstanding British philosophers of the post-war years. Why then was he at best ignored and at worst reviled? In Roger Scruton: The Philosopher on Dover Beach (Bloomsbury, 2024), Mark Dooley brilliantly illuminates Scruton's life and offers careful analysis of his work.
Considering how Scruton's conservative instinct was sharpened during the Paris riots of 1968, Dooley explores why Scruton set himself the task of stridently opposing what he termed 'the culture of repudiation' and how he accomplished it.
Covering Scruton's centrals ideas, such as his view of human nature, opposition of the social contract theory and criticisms of the European Union and United Nationals, Dooley argues that he was a prophet for our times - the one British intellectual who courageously rowed against the tide of liberal conviction and arrived at political conclusions the truth of which are becoming more and more obvious.
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What is a ‘drink map’? It may sound like a pub guide, yet it actually refers to a type of late nineteenth-century British map designed specifically to shock and shame people into drinking less.
Drink Maps in Victorian Britain (Bodleian Library Publishing, 2024) by Kris Butler explores how drink maps of particular cities were published in an attempt to fight increasingly rampant alcohol consumption, from Liverpool, Manchester and Sheffield to Oxford, London and Norwich. Featuring red symbols to indicate where alcohol was sold, these special street maps were posted prominently in public places, submitted as evidence, sent to Members of Parliament and published in newspapers to show just how inebriated a neighbourhood could be. They promoted the message that having fewer places to buy alcohol was the answer to reducing widespread crime, poverty and sickness. And they worked – at first. After consulting a drink map in one town, judges decided to close half the licensed shops because even then no one had to walk more than two minutes to buy a beer.
Illustrated with original maps, advertisements and temperance propaganda, the story of their brief history is told amidst a tangle of licensing laws, rogue magistrates, irate brewers, ardent temperance organisers and accounts of the complex role alcohol played across all levels of Victorian society.
This interview was conducted by Dr. Miranda Melcher whose recent book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Britain is a nation of gardeners; the suburban garden, with its roses and privet hedges, is widely admired and copied across the world. But it is little understood how millions across the nation developed an obsession with their colourful plots of land.
Behind the Privet Hedge: Richard Sudell, the Suburban Garden and the Beautification of Britain (Reaktion, 2024) by Michael Gilson explores the history of this development and how, despite their stereotype as symbols of dull, middle-class conformity, these new open spaces were seen as a means to bring about social change in the early twentieth century. Gilson restores to the story a remarkable but long-forgotten figure, Richard Sudell, who spent a lifetime ‘evangelising’ that the garden be in the vanguard of progress towards a new egalitarian society with everyday beauty at its centre.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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According to Dr. Justin O’Connor, culture is at the heart of what it means to be human. But twenty-five years ago, the British government rebranded art and culture as 'creative industries', valued for their economic contribution, and set out to launch the UK as the creative workshop of a globalised world.
Where does that leave art and culture now? Facing exhausted workers and a lack of funding and vision, culture finds itself in the grip of accountancy firms, creativity gurus and Ted Talkers. At a time of sweeping geo-political turmoil, culture has been de-politicised, its radical energies reduced to factors of industrial production. Culture is Not an Industry: Reclaiming Art and Culture for the Common (Manchester UP, 2024) is about what happens when an essential part of our democratic citizenship, fundamental to our human rights, is reduced to an industry.
Culture is not an industry argues that art and culture need to renew their social contract and re-align with the radical agenda for a more equitable future. Bold and uncompromising, the book offers a powerful vision for change.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at [email protected].
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Shakespeare's Adolescents: Age, Gender and the Body in Shakespearean Performance and Early Modern Culture (Manchester UP, 2024) by Dr. Victoria Sparey examines the varied representation of adolescent characters in Shakespeare's plays. Using early modern medical knowledge and an understanding of contemporary theatrical practices, the book unpacks complexities that surrounded the cultural and theatrical representations of 'signs' associated with an individual's physical maturation. Each chapter explores the implications of different 'signs' of puberty, in verbal cues, facial adornments, vocal traits and body sizes, to illuminate how Shakespeare presents vibrant adolescent selves and stories.
By analysing female and male puberty together in its discussion of adolescence, Shakespeare's adolescents provides fresh insight into the age-based symmetry of early modern adolescent identities. The book uses the adolescent's state of transformation to illuminate how the unfixed nature of adolescence was valued in early modern culture and through Shakespeare's celebrated characters and actors.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The creation of the postwar welfare state in Great Britain did not represent the logical progression of governmental policy over a period of generations. As George R. Boyer details in The Winding Road to the Welfare State: Economic Insecurity and Social Welfare Policy in Britain (Princeton University Press, 2019), it only emerged after decades of different legislative responses to the problems of poverty that reflected shifting societal attitudes on the subject. As Boyer explains, welfare policy in the early 19th century primarily consisted of cash or in-kind payments provided for people living in their homes. This changed with the Poor Law Amendment Act of 1834, which replaced it with the infamous workhouse system. Though this brought down expenditures on the poor, the expectation that poverty was being reduced was belied by a series of reports at the end of the century which exposed the extent of urban poverty to a shocked nation. In response, the Liberal governments of the early 20th century passed a series of laws that established unemployment insurance and pensions for the elderly. While these expanded considerably the role of the state in providing for the poor, Boyer demonstrates that they fell well short of a comprehensive system, one which William Beveridge detailed in a famous 1942 report that served as the blueprint for the legislation passed by the Labour government after the Second World War.
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In sixteenth and seventeenth-century England, the female silhouette underwent a dramatic change. This very structured form, created using garments called bodies and farthingales, existed in various extremes in Western Europe and beyond, in the form of stays, corsets, hoop petticoats and crinolines, right up until the twentieth century.
With a nuanced approach that incorporates a stunning array of visual and written sources and drawing on transdisciplinary methodologies, Shaping Femininity: Foundation Garments, the Body and Women in Early Modern England (Bloomsbury, 2021) by Dr. Sarah Bendall explores the relationship between material culture and femininity by examining the lives of a wide range of women, from queens to courtiers, farmer's wives and servants, uncovering their lost voices and experiences. It reorients discussions about female foundation garments in English and wider European history, arguing that these objects of material culture began to shape and define changing notions of the feminine bodily ideal, social status, sexuality and modesty in the early modern period, influencing enduring Western notions of femininity.
Beautifully illustrated in full colour throughout, Shaping Femininity is the first large-scale exploration of the materiality, production, consumption and meanings of women's foundation garments in sixteenth and seventeenth-century England. It offers a fascinating insight into dress and fashion in the early modern period, and offers much of value to all those interested in the history of early modern women and gender, material culture and consumption, and the history of the body, as well as curators and reconstructors.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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As the sun set slowly on the British Empire in the years after the Second World War, the nation's stately homes were in crisis. Tottering under the weight of rising taxes and a growing sense that they had no place in twentieth-century Britain, hundreds of ancestral piles were dismantled and demolished.
Yet - perhaps surprisingly - many of these great houses survived, as dukes and duchesses clung desperately to their ancestral seats and tenants' balls gave way to rock concerts, safari parks and day trippers. From the Rolling Stones rocking Longleat to Christine Keeler rocking Cliveden, Noble Ambitions: The Fall and Rise of the Post-War Country House (Basic Books, 2021) by Dr. Adrian Tinniswood takes us on a lively tour of these crumbling halls of power.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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What is the future of higher education? In The Liberal Arts Paradox in Higher Education: Negotiating Inclusion and Prestige (Policy Press, 2023), Dr Kathryn Telling, a lecturer in education at the University of Manchester, explores the rise of liberal arts degrees in England to examine the broader contours of the contemporary university. The book tells the story of student and staff perspectives on liberal arts, as well as examining the institutional motivations and narratives underpinning the dilemmas and paradoxes of this subject area. Offering a rich and detailed engagement with key issues such as interdisciplinarity, institutional status, employability, and inequality in higher education, the book is essential reading across the humanities and social sciences.
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Imagining Musical Pasts: the Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson (Clemson University Press, 2023) by Kristin M. Franseen explores the complicated archive of sources, interpretations, and people present in queer writings on opera and symphonic music from ca. 1880 to 1935. It focuses primarily on the work of three turn-of-the-twentieth-century music scholars--philosopher and horror writer Vernon Lee (pseud. Violet Paget), biographer and program note annotator Rosa Newmarch, and critic and amateur sexologist Edward Prime-Stevenson. All three were queer, all discussed music both as part of fiction and nonfiction writing, and all worked outside of the academy. Rather than finding a grand unifying theory of early queer musicology, Franseen has closely examined three idiosyncratic writers who struggled to stay true to their ideas of intellectual honesty while also writing about music, musical figures, and musical listening in quite different ways. By studying each scholar's individual approach to constructing and interpreting musical and sexual knowledge, the book draws attention to aspects of their work previously neglected or considered only in isolation. Franseen meditates on questions of what constitutes historical evidence, what role should gossip and rumor have in nonfiction writing, and what should count as musicology, as she discusses each person's work.
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We are used to thinking of ourselves as living in a time when more information is more available than ever before. In The Specter of the Archive: Political Practice and the Information State in Early Modern Britain (University of Chicago Press, 2024), Nicholas Popper shows that earlier eras had to grapple with the same problem—how to deal with too much information at their fingertips.
Popper reveals that early modern Britain was a society newly drowning in paper, a light and durable technology whose spread allowed statesmen to record drafts, memoranda, and other ephemera that might otherwise have been lost, and also made it possible for ordinary people to collect political texts. As original paperwork and copies alike flooded the government, information management became the core of politics.
Focusing on two of the primary political archives of early modern England, the Tower of London Record Office and the State Paper Office, Popper traces the circulation of their materials through the government and the broader public sphere. In this early media-saturated society, we find the origins of many issues we face today: Who shapes the archive? Can we trust the pictures of the past and the present that it shows us? And, in a more politically urgent vein: Does a huge volume of widely available information (not all of it accurate) risk contributing to polarization and extremism?
Listen to Nick Popper speak with New Books Network about Walter Ralegh's "History of the World" and the Historical Culture of the Late Renaissance (University of Chicago Press, 2012) on New Books Network here.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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