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Approaching translations of Tolkien's works as stories in their own right, Reading Tolkien in Chinese: Religion, Fantasy and Translation (Bloomsbury, 2024) reads multiple Chinese translations of Tolkien's writing to uncover the new and unique perspectives that enrich the meaning of the original texts.
Exploring translations of The Lord of the Rings, The Hobbit, The Silmarillion, The Children of Hurin and The Unfinished Tales, Dr. Eric Reinders reveals the mechanics of meaning by literally back-translating the Chinese into English to dig into the conceptual common grounds shared by religion, fantasy and translation, namely the suspension of disbelief, and questions of truth - literal, allegorical and existential. With coverage of themes such as gods and heathens, elves and 'Men', race, mortality and immortality, fate and doom, and language, Dr. Reinder's journey to Chinese Middle-earth and back again drastically alters views on Tolkien's work where even basic genre classification surrounding fantasy literature look different through the lens of Chinese literary expectations.
Invoking scholarship in Tolkien studies, fantasy theory and religious and translations studies, this is an ambitious exercises in comparative imagination across cultures that suspends the prejudiced hierarchy of originals over translations.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Surprisingly little is known about Scottish experiences of the Second World War. Scottish Society in the Second World War (Edinburgh University Press, 2023) by Dr. Michelle Moffat addresses this oversight by providing a pioneering account of society and culture in wartime Scotland. While significantly illuminating a pivotal episode in Scottish history, this book also charts the uncertainties that permeated Scottish society at that time: relating to nationhood, to cultural identity, to Scotland’s place within the Union, and towards the country’s future.
Using recently discovered archives, this text examines key aspects of wartime life, including work, leisure, morale, and religion. It also explores the underlying tension between conformity and resistance, and the ways that social fissures shaped Scottish responses to war. Further, in taking a national approach to the British home front, it draws out areas of cultural difference between Scotland and established scholarship on other nations and regions of Britain.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The 'baby boom' generation, born between the 1940s and the 1960s, is often credited with pioneering new and creative ways of relating, doing intimacy and making families. With this cohort now entering mid and later life in Britain, they are also said to be revolutionising the experience of ageing. Are the romantic practices of this 'revolutionary cohort' breaking with tradition and allowing new ways of understanding and doing ageing and relating to emerge? Based on an innovative combination of sensory ethnography in salsa classes and life history interviews, Ageing and New Intimacies: Gender, Sexuality and Temporality in an English Salsa Scene (Manchester UP, 2024) by Dr. Sarah Milton documents the meanings of desire and romance, and 'new' - or renewed - intimacies, among women in mid and later life.
Beginning with women at a transition point, when newly single or newly dating in midlife, the chapters look back over life histories to examine prior relationship experiences at different life stages, and look forward to hopes for future intimacies. In the navigation of romance and new relationships we see the sensory, sensual and affective nature of heteronormativity, and gendered practices that are informed by memories of the past, the imagination of previous generations and class-based desires. Challenging conventional notions of the baby boomers, this book illuminates the intersections of age, class, and white normativity, making important contributions to our understanding of ageing and generation, intimacy and gender.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Since the mid-1700s, poets and scholars have been deeply entangled in the project of reinventing prophecy. Moving between literary and biblical studies, Yosefa Raz's book The Poetics of Prophecy: Modern Afterlives of a Biblical Tradition (Cambridge UP, 2023) reveals how Romantic poetry is linked to modern biblical scholarship's development. On the one hand, scholars, intellectuals, and artists discovered models of strong prophecy in biblical texts, shoring up aesthetic and nationalist ideals, while on the other, poets drew upon a counter-tradition of destabilizing, indeterminate, weak prophetic power. Yosefa Raz considers British and German Romanticism alongside their margins, incorporating Hebrew literature written at the turn of the twentieth century in the Russia Empire. Ultimately she explains the weakness of modern poet-prophets not only as a crisis of secularism but also, strikingly, as part of the instability of the biblical text itself.
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Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic.
Pamela Hutchinson's study of the film, published by Bloomsbury in 2023, examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice.
Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In the vaunted annals of America’s founding, Boston has long been held up as an exemplary “city upon a hill” and the “cradle of liberty” for an independent United States. Wresting this iconic urban center from these misleading, tired clichés, The City-State of Boston: The Rise and Fall of an Atlantic Power (Princeton University Press, 2019), highlights Boston’s overlooked past as an autonomous city-state, and in doing so, offers a pathbreaking and brilliant new history of early America. Following Boston’s development over three centuries, Mark Peterson, the Edmund S. Morgan Professor of History at Yale University, discusses how this self-governing Atlantic trading center began as a refuge from Britain’s Stuart monarchs and how—through its bargain with slavery and ratification of the Constitution—it would tragically lose integrity and autonomy as it became incorporated into the greater United States.
Drawing from vast archives, and featuring unfamiliar figures alongside well-known ones, such as John Winthrop, Cotton Mather, and John Adams, Peterson explores Boston’s origins in sixteenth-century utopian ideals, its founding and expansion into the hinterland of New England, and the growth of its distinctive political economy, with ties to the West Indies and southern Europe. By the 1700s, Boston was at full strength, with wide Atlantic trading circuits and cultural ties, both within and beyond Britain’s empire. After the cataclysmic Revolutionary War, “Bostoners” aimed to negotiate a relationship with the American confederation, but through the next century, the new United States unraveled Boston’s regional reign. The fateful decision to ratify the Constitution undercut its power, as Southern planters and slave owners dominated national politics and corroded the city-state’s vision of a common good for all. Peeling away the layers of myth surrounding a revered city, The City-State of Boston offers a startlingly fresh understanding of America’s history.
Ryan Tripp is adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University.
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In Worthy of Freedom: Indenture and Free Labor in the Era of Emancipation (University of Chicago Press, 2024), Jonathan Connolly traces the normalization of indenture from its controversial beginnings to its widespread adoption across the British Empire during the nineteenth century. Initially viewed as a covert revival of slavery, indenture caused a scandal in Britain and India. But over time, economic conflict in the colonies altered public perceptions of indenture, now increasingly viewed as a legitimate form of free labor and a means of preserving the promise of abolition. Connolly explains how the large-scale, state-sponsored migration of Indian subjects to work on sugar plantations across Mauritius, British Guiana, and Trinidad transformed both the notion of post-slavery free labor and the political economy of emancipation. Excavating legal and public debates and tracing practical applications of the law, Connolly carefully reconstructs how the categories of free and unfree labor were made and remade to suit the interests of capital and empire, showing that emancipation was not simply a triumphal event but, rather, a deeply contested process. In so doing, he advances an original interpretation of how indenture changed the meaning of “freedom” in a post-abolition world.
Jonathan Connolly is Assistant Professor of History at the University of Illinois Chicago. Connolly is a historian of the British empire with transnational interests in migration, the history of emancipation, and legal history. His research primarily concerns abolition and emancipation, imperial political and legal culture, and the category of free labor in the Caribbean and the Indian Ocean.
Your host for this episode is Mahishan Gnanaseharan, a PhD student in the Department of History at Stanford University. Mahishan studies the social, political, and intellectual histories of South Asian migrants across the Indian Ocean during the 19th and 20th centuries.
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What does the history of men tell us about life today? In Men and Masculinities in Modern Britain: A History for the Present (Manchester UP, 2024), the editors Matt Houlbrook, a Professor of Cultural History at the University of Birmingham, Katie Jones, an independent scholar living in Birmingham, and Ben Mechen, an Associate Lecturer in Modern British History at University College London, bring together a range of essays presenting historical research and contemporary reflections on both the history and historiography of men. The collection is organised into four themes across institutions, histories, everyday lives and bodies. The themes gather an eclectic yet interrelated set of chapters ranging from how bureaucracy intersects with race and gender, through reflections on sexuality and censorship, to place based analysis of work and communities. Essential reading for both historians and anyone interested in understanding contemporary society, the book is available open access here.
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In this very exciting book that I couldn’t put down - Neo-Traditionalism in Islam in the West: Orthodoxy, Spirituality, and Politics (Edinburgh University Press, 2023) - Walaa Quisay explores the trend of white male convert neo-traditionalist scholars in the West and their relationship with young seekers of sacred knowledge. She highlights the meanings of "tradition" that these scholars imagine and preach, even if it does not fit the reality of the Muslim cultures and countries that they imagine as purveyors of tradition.
Walaa particularly tells the story of three main shaykhs - Hamza Yusuf, Abdal Hakim Murad, and Umar Faruq Abd-Allah. She analyzes their perceptions of modernity, which they insist is destructive to the tradition, their ideas being very similar to white conservative western thinkers. Their idea of the tradition involves a kind of authentic Islam and Islamic tradition that only existed in the past because they have been polluted with modernity, especially with ideas of gender and social equality and Black Lives Matter. These white male convert scholars’ Islam is deeply orientalist, as they scold Arab Muslims who no longer live in tents and enjoy modern technology, for example. For these shaykhs, authentic Islam can only be practiced without these modern innovations – which, to be sure, they themselves enjoy in the western countries where they live; it also necessitates a uniquely Moroccan aesthetic, such as in the clothing style, which is imposed on seekers from all over the world in these retreats.
These seekers are individual Muslims of various backgrounds, from all around the world, who are eager to learn about their faith and to experience tradition and traditional Islam from these shaykhs. They pay large sums of money, depending on the retreat, to learn and connect with other Muslims. Notably, these shyakhs do not seem to think of the capitalism of the retreats and the costs as a modern practice that is worthy of rejection.
The book’s primary argument is that the concept of tradition is in fact not entirely theological or stable but, for the neo-traditionalists, it represents the antidote to modernity. Additionally, Walaa shows that while the neo-traditionalist shaykhs present the story of modernity and tradition one way, which is that modernity is fundamentally harmful to the tradition, the seekers engage with it differently, some even expressing their critiques of the shaykhs’ arguments and the retreats at times. Throughout the book, Walaa describes the ways that these seekers receive and engage with the knowledge of the shyakhs. The seekers are tasked with the challenge of returning to modernity, to the real world, after the retreats, to practice their faith in a world the shaykhs teach them to escape, a world where politics of all forms, from gender and race and injustices, is harmful to the soul and should be avoided at all costs. The shyakhs are also very clear in their teachings that injustices are a punishment from God and those who experience them deserve them because they had distanced themselves from God. Yet, their appeal persists, and one of Walaa’s objectives in the book is to explain why.
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The rise of agrarian capitalism in Britain is usually told as a story about markets, land and wages. The Enclosure of Knowledge: Books, Power and Agrarian Capitalism in Britain, 1660–1800 (Cambridge University Press, 2022) by Dr. James Fisher reveals that it was also about books, knowledge and expertise. It argues that during the early modern period, farming books were a key tool in the appropriation of the traditional art of husbandry possessed by farm workers of all kinds. It challenges the dominant narrative of an agricultural 'enlightenment', in which books merely spread useful knowledge, by showing how codified knowledge was used to assert greater managerial control over land and labour. The proliferation of printed books helped divide mental and manual labour to facilitate emerging social divisions between labourers, managers and landowners. The cumulative effect was the slow enclosure of customary knowledge. By synthesising diverse theoretical insights, this study opens up a new social history of agricultural knowledge and reinvigorates long-term histories of knowledge under capitalism.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Paige Reynolds's book Modernism in Irish Women's Contemporary Writing: The Stubborn Mode (Oxford UP, 2023) examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world.
Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse.
Disclaimer/apology: Slightly stormy conditions during the recording of the interview led to slightly reduced sound quality.
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The story of four remarkable women who shaped the intellectual history of the 20th century: Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch.
On the cusp of the Second World War, four women went to Oxford to begin their studies: a fiercely brilliant Catholic convert; a daughter of privilege longing to escape her stifling upbringing; an ardent Communist and aspiring novelist with a list of would-be lovers as long as her arm; and a quiet, messy lover of newts and mice who would become a great public intellectual of our time. They became lifelong friends. At the time, only a handful of women had ever made lives in philosophy. But when Oxford's men were drafted in the war, everything changed.
As Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch labored to make a place for themselves in a male-dominated world, as they made friendships and families, and as they drifted toward and away from each other, they never stopped insisting that some lives are better than others. They argued that courage and discernment and justice--and love--are the heart of a good life.
The Women Are Up to Something: How Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch Revolutionized Ethics (Oxford UP, 2021) presents the first sustained engagement with these women's contributions: with the critique and the alternative they framed. Drawing on a cluster of recently opened archives and extensive correspondence and interviews with those who knew them best, Benjamin Lipscomb traces the lives and ideas of four friends who gave us a better way to think about ethics, and ourselves.
Benjamin J. B. Lipscomb is Professor of Philosophy and Director of the Honors Program at Houghton University. He lives with his family in Fillmore, New York, when his teaching doesn't call him to London for a season.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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In 1900, Britain and America were in the grip of a cat craze. An animal that had for centuries been seen as a household servant or urban nuisance had now become an object of pride and deep affection. From presidential and royal families who imported exotic breeds to working-class men competing for cash prizes for the fattest tabby, people became enthralled to the once-humble cat. Multiple industries sprang up to feed this new obsession, selling everything from veterinary services to leather bootees via dedicated cat magazines. Cats themselves were now traded for increasingly large sums of money, bolstered by elaborate pedigrees that claimed noble ancestry and promised aesthetic distinction.
Dr. Kathryn Hughes chronicles the cat craze of the early twentieth century through the life and career of Louis Wain. In the US the book is titled Catland: Louis Wain and the Great Cat Mania (Johns Hopkins University Press, 2024) and in the UK is called Catland: Feline Enchantment and the Making of the Modern World (Fourth Estate, 2024).
Wain's anthropomorphic drawings of cats in top hats falling in love, sipping champagne, golfing, driving cars, and piloting planes are some of the most instantly recognizable images from the era. His round-faced fluffy characters established the prototype for the modern cat, which cat "fanciers" were busily trying to achieve using their newfound knowledge of the latest scientific breeding techniques. Despite being a household name, Wain endured multiple bankruptcies and mental breakdowns, spending his last fifteen years in an asylum, drawing abstract and multicolored felines. But it was his ubiquitous anthropomorphic cats that helped usher the formerly reviled creatures into homes across Europe.
Beautifully illustrated and based on new archival findings about Wain's life, the wider cat fancy, and the media frenzy it created, Catland chronicles the fascinating history of how the modern cat emerged.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Imagine: it's the year 1600 and you've lost your precious silver spoons, or maybe they've been stolen. Perhaps your child has a fever. Or you're facing a trial. Maybe you're looking for love or escaping a husband. What do you do?
In medieval and early modern Europe, your first port of call might have been cunning folk: practitioners of “service magic.” Neither feared (like witches), nor venerated (like saints), they were essential to daily life. For people across ages, genders, and social ranks, practical magic was a cherished resource for navigating life's many challenges.
In historian Tabitha Stanmore's beguiling account, we meet lovelorn widows, dissolute nobles, selfless healers, and renegade monks. We listen in on Queen Elizabeth I's astrology readings and track treasure hunters trying to unearth buried gold without upsetting the fairies that guard it. Much like us, premodern people lived in a bewildering world, buffeted by forces beyond their control. As Stanmore reveals, their faith in magic has much to teach about how to accommodate the irrational in our allegedly enlightened lives today.
Charming in every sense, Cunning Folk: Life in the Era of Practical Magic (Bloombury, 2024) is at once an immersive reconstruction of a bygone era and a thought-provoking commentary on the beauty and bafflement of being human.
Tabitha Stanmore, PhD, is a specialist in medieval and early modern magic.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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Despite a mass expansion of the higher education sector in the UK since the 1960s, young people from socio-economically disadvantaged backgrounds remain less likely to enter university than their advantaged counterparts.
Drawing on unique new research gathered from three contrasting secondary schools in England, including interviews with children from three year groups and careers advisors, Schooling Inequality: Aspirations, Opportunities and the Reproduction of Social Class (Bristol University Press, 2024) by Dr. Jessie Abrahams explores the aspirations, opportunities and experiences of young people from different social-class backgrounds against a backdrop of continuing inequalities in education.
By focusing both on the stories of young people and the schools themselves, the book sheds light on the institutional structures and practices that render young people more, or less, able to pursue their aspirations.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The Weight of Words Series continues with Defoe's Britain (St. Augustine's Press, 2023), as historian Jeremy Black uses this writer to interpret Britain in the late 1600s, and likewise looks to the times to interpret the fiction. As seen in previous studies on Christie, Smollett, Fielding, and the Gothic novelists, Black tells the story of the story-teller, and presents the picture of British nationalism that "was the product, history, and record of struggle--collective and individual--as well as its defence. Defoe provides particular accounts of this struggle, both in foreign seas and lands, and at home. This struggle had a moral character that is difficult to capture today."
Defoe was an outsider, a man of many interests whom Black asserts evades too precise a portrait or coherent description of character and career. But he is a traveler, in the literal and imaginative senses, and in his engagement with life and its issues and willingness to associate with 'low-life' prefigures later literary giants like Smollett and Fielding. More than the establishment of genre, Defoe created the writer "whose business is observation." Black's account of this parcel of the British past is impeccable because it is in fact an account that the past, in Defoe, gives of itself. "As a writer, Defoe brought together a reality usually presented as, and endorsed by, history, with the imaginative focus of storytelling, and the direction of, variously, propaganda, analysis, and exemplary tale."
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In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean’s present-day relationship to global power.
Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa’s place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives.
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Friars are often overlooked in the picture of health care in late mediaeval England. Physicians, surgeons, apothecaries, barbers, midwives - these are the people we think of immediately as agents of healing; whilst we identify university teachers as authorities on medical writings. Yet from their first appearance in England in the 1220s to the dispersal of the friaries in the 1530s, four orders of friars were active as healers of every type. Their care extended beyond the circle of their own brethren: patients included royalty, nobles and bishops, and they also provided charitable aid and relief to the poor. They wrote about medicine too. Bartholomew the Englishman and Roger Bacon were arguably the most influential authors, alongside the Dominican Henry Daniel. Nor should we forget the anonymous Franciscan compilers of the Tabula medicine, a handbook of cures, which, amongst other items, contains case histories of friars practising medicine. Even after the Reformation, these texts continued to circulate and find new readers amongst practitioners and householders.The Medicine of the Friars in Medieval England (Boydell & Brewer, 2024) by Peter Murray Jones restores friars to their rightful place in the history of English health care, exploring the complex, productive entanglement between care of the soul and healing of the body, in both theoretical and practical terms. Drawing upon the surprising wealth of evidence found in the surviving manuscripts, it brings to light individuals such as William Holme (c. 1400), and his patient the duke of York (d. 1402), who suffered from swollen legs. Holme also wrote about medicinal simples and gave instructions for dealing with eye and voice problems experienced by his brother Franciscans. Friars from the thirteenth century onwards wrote their medicine differently, reflecting their religious vocation as preachers and confessors.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
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Shahmima Akhtar is a historian of race, migration and empire and an assistant professor of Black and Asian British History at the University of Birmingham. She previously worked at the Royal Historical Society to improve BME representation in UK History, whether working with schools and the curriculum, cultural institutions, community groups or other learned societies. Dr. Akhtar has also worked closely with museums and heritage sites as a researcher and consultant on shaping histories of the British Empire for today’s populace.
In this interview, she discusses her new book, Exhibiting Irishness: Empire, Race and Nation, c. 1850-1970 (Manchester UP, 2024), which studies differing visions of Irish racial identities as displayed at various international fairs and expos.
Exhibiting Irishness analyses how exhibitions enabled Irish individuals and groups to work out (privately and publicly) their politicised existences across two centuries. As a cultural history of Irish identity, the book considers exhibitions as a formative platform for imagining a host of Irish pasts, presents and futures. Fair organisers responded to the contexts of famine and poverty, migration and diasporic settlement, independence movements and partition, as well as post-colonial nation building. Exhibiting Irishness demonstrates how Irish businesses and labourers, the elite organisers of the fairs and successive Irish governments curated Irishness. The central malleability of Irish identity on display emerged in tandem with the unfolding of Ireland's political transformation from a colony of the British Empire, a migrant community in the United States, to a divided Ireland in the form of the Republic and Northern Ireland.
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University
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What exactly is capitalism? How has the meaning of capitalism changed over time? And what’s at stake in our understanding or misunderstanding of it? In Capitalism: The Story Behind the Word (Princeton UP, 2022), Michael Sonenscher examines the history behind the concept and pieces together the range of subjects bound up with the word. Sonenscher shows that many of our received ideas fail to pick up the work that the idea of capitalism is doing for us, without us even realizing it.
“Capitalism” was first coined in France in the early nineteenth century. It began as a fusion of two distinct sets of ideas. The first involved thinking about public debt and war finance. The second involved thinking about the division of labour. Sonenscher shows that thinking about the first has changed radically over time. Funding welfare has been added to funding warfare, bringing many new questions in its wake. Thinking about the second set of ideas has offered far less room for manoeuvre. The division of labour is still the division of labour and the debates and discussions that it once generated have now been largely forgotten. By exploring what lay behind the earlier distinction before it collapsed and was eroded by the passage of time, Sonenscher shows why the present range of received ideas limits our political options and the types of reform we might wish for.
Michael Sonenscher is a fellow of King's College, University of Cambridge. His books include Sans-Culottes and Before the Deluge (both Princeton UP).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
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