Episoder
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RadioMoLI’s Writer Presents series invites writers to produce a radio programme focussing on and exploring a chosen subject that is close to their heart. This edition of Writer Presents, ‘Dublin We Were’, was written and is read by David Hayden.
David Hayden was born in Ireland and lives in England. His writing has appeared in A Public Space, Zoetrope All-Story, The Dublin Review, AGNI, New York Tyrant and The Georgia Review. He is the author of three collections of short stories Darker With the Lights On (Carcanet/Transit), Unstories and Six Cities, and a novel titled All Our Love.
Producers Benedict Schlepper-Connolly & Ian Dunphy
Recording Engineer Justin Brand at NRSIX Studio, Norwich
Additional Field Recordings Ian Dunphy
Edit and Mix Ian Dunphy
Series Music Benedict Schlepper-Connolly
This programme was created with the support of the Arts Council / An Chomhairle Ealaíon, and the Display Europe Project of the European Cultural Foundation, funded by the European Union. MoLI’s digital programme is supported by ebow, the digital agency.Views and opinions expressed are those of the author(s) only and do not necessarily reflect those of the European Union or the Directorate General for Communications Networks, Content and Technology. Neither the European Union nor the granting authority can be held responsible for them.
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RadioMoLI’s Writer Presents series invites writers to produce a radio programme focussing on and exploring a chosen subject that is close to their heart. In the final episode within this three-part edition of Writer Presents, author Jan Carson speaks with poet and editor Sarah Hesketh, discussing the specificities of writing about dementia. They explore the process of finding balance between creative freedom and the responsibility of respect authors and artists carry in their endeavour to show the truth of the illness.
Jan Carson is a writer and community arts facilitator based in East Belfast. Her books include Malcolm Orange Disappears, Postcard Stories, The Fire Starters (EU Prize for Literature, 2019), The Raptures and Quickly, While They Still Have Horses. Carson has been shortlisted for the Sean O’Faolain Short Story Prize, the BBC National Short Story Prize and the An Post Irish Short Story of the Year Award, and in 2016 she won the Harper’s Bazaar Short Story Prize. Her work has appeared in journals such as Banshee, The Tangerine, Winter Papers and Harper’s Bazaar and on BBC Radio 3 and 4. Carson specialises in arts engagement with older and people living with dementia and was part of an AHRC-funded research project at Queen’s University Belfast exploring the representation of Dementia in literature. jancarson.co.uk
Writer Presents is produced with the support of the Arts Council / An Chomhairle Ealaíon. MoLI’s digital programme is supported by Ebow, the digital agency.
Written and presented by Jan Carson.
Produced by Benedict Schlepper-Connolly and Ian Dunphy
Recorded and mixed by Ian Dunphy
Series music composed by Benedict Schlepper-Connolly
Series music performed by Benedict Schlepper-Connolly & Nathan Sherman -
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RadioMoLI’s Writer Presents series invites writers to produce a radio programme focussing on and exploring a chosen subject that is close to their heart. In this continuation of a three-part edition of Writer Presents, author Jan Carson speaks with theatre maker and playwright Caoileann Curry-Thompson, discussing their own familial experiences with dementia and the effect the illness has had on their creative works. Carson and Curry-Thompson explore the stigma that surrounds dementia as well as the nuances of literary possibility with the illness.
Jan Carson is a writer and community arts facilitator based in East Belfast. Her books include Malcolm Orange Disappears, Postcard Stories, The Fire Starters (EU Prize for Literature, 2019), The Raptures and Quickly, While They Still Have Horses. Carson has been shortlisted for the Sean O’Faolain Short Story Prize, the BBC National Short Story Prize and the An Post Irish Short Story of the Year Award, and in 2016 she won the Harper’s Bazaar Short Story Prize. Her work has appeared in journals such as Banshee, The Tangerine, Winter Papers and Harper’s Bazaar and on BBC Radio 3 and 4. Carson specialises in arts engagement with older and people living with dementia and was part of an AHRC-funded research project at Queen’s University Belfast exploring the representation of Dementia in literature. jancarson.co.uk
Writer Presents is produced with the support of the Arts Council / An Chomhairle Ealaíon. MoLI’s digital programme is supported by Ebow, the digital agency.
Written and presented by Jan Carson.
Produced by Benedict Schlepper-Connolly and Ian Dunphy
Recorded and mixed by Ian Dunphy
Series music composed by Benedict Schlepper-Connolly
Series music performed by Benedict Schlepper-Connolly & Nathan Sherman -
RadioMoLI’s Writer Presents series invites writers to produce a radio programme focussing on and exploring a chosen subject that is close to their heart. In the first episode of a three-part edition of Writer Presents, author Jan Carson speaks with Dr Jane Lugea of Queen’s University Belfast, exploring the complexities of writing from the perspective of a person with dementia, and how the use of language is key in depicting an accurate portrait of the illness. Carson and Lugea unpack the ethics of writing about and from the position of dementia patients, discussing the importance of representing lived experience in text.
Jan Carson is a writer and community arts facilitator based in East Belfast. Her books include Malcolm Orange Disappears, Postcard Stories, The Fire Starters (EU Prize for Literature, 2019), The Raptures and Quickly, While They Still Have Horses. Carson has been shortlisted for the Sean O’Faolain Short Story Prize, the BBC National Short Story Prize and the An Post Irish Short Story of the Year Award, and in 2016 she won the Harper’s Bazaar Short Story Prize. Her work has appeared in journals such as Banshee, The Tangerine, Winter Papers and Harper’s Bazaar and on BBC Radio 3 and 4. Carson specialises in arts engagement with older and people living with dementia and was part of an AHRC-funded research project at Queen’s University Belfast exploring the representation of Dementia in literature. jancarson.co.uk
Writer Presents is produced with the support of the Arts Council / An Chomhairle Ealaíon. MoLI’s digital programme is supported by Ebow, the digital agency.
Written and presented by Jan Carson.
Produced by Benedict Schlepper-Connolly and Ian Dunphy
Recorded and mixed by Ian Dunphy
Series music composed by Benedict Schlepper-Connolly
Series music performed by Benedict Schlepper-Connolly & Nathan Sherman -
MoLI, in collaboration with the UCD Centre for Cultural Analytics, presents its fourth annual Christmas Ghost Story: ‘Number Ninety’ (1895) by Bithia May Croker, performed by Ned Dennehy.
For years, agents have attempted to secure a lease for Number Ninety, a desirable family mansion, at almost no cost. Long rumoured to be haunted, it has never found a long-term tenant.
Sceptic John Hollyoak sets out to prove that ghosts do not exist. He will spend the night in Number Ninety, with no soul but his dog for company. Will ghostly companions intrude upon his solitude, and will he live to tell the tale?
Executive Producer Professor Gerardine Meaney
Producers Dr Katie Mishler & Benedict Schlepper-Connolly
Additional mixing, sound design & music Seán Mac Erlaine
Series music Benedict Schlepper-Connolly
This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement No 884951). This project is supported by Insight SFI Research Centre for Data Analytics. To learn more about VICTEUR: European Migrants in the British Imagination: Victorian and Neo-Victorian Culture, please visit cca.ucd.ie/victeur.MoLI’s digital programme is supported by Ebow, the digital agency.
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RadioMoLI’s Writer Presents series invites writers to produce a radio programme focussing on and exploring a chosen subject that is close to their heart. In the fourth episode of Writer Presents, writer, journalist and photographer Sally Hayden speaks to Gulwali Passarlay, Suad Aldarra, Helon Habila, Jane Grogan and Seán Columb about the role of storytelling in shaping our understanding of migration.
Sally Hayden is an award-winning journalist and photographer currently focused on migration, conflict and humanitarian crises. She has worked with VICE, CNN International, the Financial Times Magazine, TIME, the Thomson Reuters Foundation, BBC, the Washington Post, the Irish Times, the Guardian, the New York Times, among many others. Sally has reported from many countries across the globe, including Nigeria, Iraq, Syria, Sudan, Lebanon, Jordan, DR Congo, Panama, Cambodia, Liberia, Kenya, Uganda, Somalia, Niger and Sierra Leone. Her writing has been translated into nine languages and she has appeared as a TV and radio guest. Sally has a law degree from University College Dublin and an MSc in International Politics from Trinity College, Dublin, where her thesis was on post-conflict societies and theories of civil war resolution. Her first book, My Fourth Time, We Drowned was published in 2022.Writer Presents is produced with the support of the Arts Council / An Chomhairle Ealaíon
Researched and presented by Sally Hayden
Produced by Benedict Schlepper-Connolly and Ian Dunphy
Edited and Mixed by Ian Dunphy
Music composed by Benedict Schlepper-Connolly
Music performed by Benedict Schlepper-Connolly and Nathan Sherman -
RadioMoLI’s Writer Presents series invites writers to produce a radio programme focussing on and exploring a chosen subject that is close to their heart. In the third episode of Writer Presents, writer and zine creator Sarah Maria Griffin looks at the importance of zines to her throughout her life and guides the listener through creating a zine of their own.
Sarah Maria Griffin is from Dublin. She is the author of the novels Spare and Found Parts, and Other Words For Smoke. She also makes zines.
Writer Presents is produced with the support of the Arts Council / An Chomhairle Ealaíon.
Researched and presented by Sarah Maria Griffin
Produced by Benedict Schlepper-Connolly and Ian Dunphy
Edited and Mixed by Ian Dunphy
Music composed by Benedict Schlepper-Connolly
Music performed by Benedict Schlepper-Connolly and Nathan Sherman -
The Folklore Society of Ireland Annual Lecture 2023
This bi-lingual lecture, co-hosted by MoLI and An Cumann Le Béaloideas Éireann / The Folklore of Ireland Society, focused on St Brigid’s Day Traditions on Inis Meáin. The lecture was given by journalist and broadcaster Aedín Ní Thiarnaigh who has carried out extensive fieldwork and research on Inis Meáin on the celebration of St Brigid’s Day. Ní Thiarnaigh explored Inis Meáin’s unique landscape and its effect on the people and culture, as well as looking as traditions such as the Brídeog and rare variations on the St. Bridget’s Cross.
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To celebrate the unveiling of a George Moore bust at the museum, we were joined for an afternoon of panel discussions and presentations exploring the varied and multicoloured life of this most singular Irish writer through music, architecture, visual art and conversation. Guest speakers included Katherine McSharry (Acting Director, National Library of Ireland), Robert O’Byrne (writer and historian), Maeve Casserly (historian), Prof. Adrian Frazier (NUI Galway), Dr Mary Pierse, Prof. Harry White (UCD) and Kayla Kennedy (violinist)
Recorded in MoLI’s Old Physics Theatre, 25 November 2022.
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MoLI presents the third annual MoLI Christmas Ghost Story: ‘Hertford O’Donnell’s Warning’ (1867) by Charlotte Riddell, performed by Kathy Rose O’Brien, in an edited and abridged form.
Surgeon Hertford O’Donnell is a rising star at Guy’s Hospital, London, known for his steady hand and unshakeable bravery. In his personal life, however, the eccentric and lonely Irishman has a less than sterling reputation.
All alone on Christmas Eve, he receives an unexpected visit from Ireland. Estranged from his family for over twelve years, the O’Donnell banshee visits him in his Soho townhouse, bringing tidings of death and retribution for the past.
Will Hertford O’Donnell survive the night, or does the banshee cry for him?
Producers Dr Katie Mishler, Ian Dunphy, Benedict Schlepper-Connolly
Sound Ian Dunphy
Script Dr Katie Mishler
Sound Design Ian Dunphy & Benedict Schlepper-Connolly
Music Benedict Schlepper-ConnollyThis recording has been kindly supported by the European Research Council Victeur project, with thanks to Professor Gerardine Meaney, UCD School of English, Drama and Film and the INSIGHT Centre for Data Analytics. Research for this recording is provided by Dr Katie Mishler, National Endowment for the Humanities Fellow, Keough-Naughton Institute for Irish Studies, University of Notre Dame and Dr Maria Mulvaney, Lecturer, UCD Centre for Cultural Analytics. Visit ghostlyirishfictions.com for more about Dr Maria Mulvaney’s work on the Irish ghost story.
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In the fifth episode of Past/Present/Pride, Dr Paul D’Alton speaks to writer and poet Seán Hewitt, on the eve of the publication of his new memoir, All Down Darkness Wide. Seán Hewitt was born in 1990. His debut collection, Tongues of Fire, is published by Jonathan Cape. He is a book critic for The Irish Times and teaches Modern British & Irish Literature at Trinity College Dublin. His debut collection, Tongues of Fire, won The Laurel Prize, and was shortlisted for The Sunday Times Young Writer of the Year Award, the John Pollard Foundation International Poetry Prize, and a Dalkey Literary Award.
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Every Life is Many Days is a podcast about James Joyce and his family in the contemporary novel. Presented by Professor Anne Fogarty of the School of English, Drama and Film at UCD and Director of the UCD James Joyce Research Centre, the podcast looks at how the many gaps between Joyce the man and Joyce the writer have in recent years been movingly explored in a number of novels that think about his life in very different ways.
In this episode, writer Nuala O’Connor discusses her novel Nora, the challenges of writing a historical figure as a fictional character, and much more.
Nuala O’Connor was born in Dublin in 1970 and lives in County Galway. Her fifth novel NORA (Harper Perennial/New Island, 2021), about Nora Barnacle, wife and muse to James Joyce, was named as a Top Ten historical novel by the New York Times in 2021. Nuala is editor at flash fiction e-journal Splonk. nualaoconnor.com
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Every Life is Many Days is a podcast about James Joyce and his family in the contemporary novel. Presented by Professor Anne Fogarty of the School of English, Drama and Film at UCD and Director of the UCD James Joyce Research Centre, the podcast looks at how the many gaps between Joyce the man and Joyce the writer have in recent years been movingly explored in a number of novels that think about his life in very different ways.
2022 marks the centenary of the publication of Ulysses on the 2 February 1922 by Shakespeare and Company in Paris. Inevitably, much attention will centre on Ulyssesthis year, but the centenary also provides an opportunity to reconsider James Joyce’s legacy and to think about how we view him both as a person and as a literary icon.
The series features the work of five authors who have woven Joyce and his family into their novels: Anna Vaught, Nuala O’Connor, Frank McGuinness, Mary Costello, and Mary Morrissey. In conversation with them, we will discuss many aspects of Joyce’s influence on the modern novel. We’ll examine the much mythologised, but often unremembered, aspects of the lives of his partner, Nora Barnacle, and Lucia Joyce and Georgio Joyce, Joyce’s son and daughter. This podcast explores why Joyce continues to act as such a lively source of inspiration for contemporary fiction writers.
Anna Vaught is a novelist, poet, essayist, short fiction writer, editor, proof-reader, copywriter and also a secondary English teacher, tutor, mentor to young people, mental health advocate, campaigner and mother of three. Her Saving Lucia (Bluemoose, 2020) intertwines the stories of Violet Gibson, the Irish aristocrat who shot Mussolini, Lucia Joyce, daughter of James Joyce, Blanche, a patient of Charcot at the Salpetrière clinic in Paris, and Anna O, analysed and written about by Josef Breuer and Sigmund Freud. Anna’s reviews, features, short stories, creative nonfiction, poems and memoir pieces are widely published in journals, anthologies, and the press; she is also a monthly columnist for The Bookseller. She has written a new novel, The Zebra and Lord Jones, and a non-fiction book on gentle productivity in writing, The Alchemy. annavaughtwrites.com
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MoLI continues its annual Christmas Ghost Story tradition with Elizabeth Bowen’s ‘The Demon Lover’ (1945), performed in its entirety by Derbhle Crotty.
Mrs Kathleen Drover returns to her dusty, abandoned Kensington home to gather some of her family’s forgotten belongings. Set in London during World War II, the city is eerily vacant, as families like her own have been evacuated to the countryside to escape the bombings of the Blitz. Nevertheless, Kathleen experiences the distinct and unsettling feeling of being watched. When she discovers a mysterious letter from her former lover, a soldier killed in World War I, memories of their brief courtship and his cold, controlling manner overwhelm her.
Is the letter a cruel joke? Could it be a fabrication of Kathleen’s imagination? Or more frighteningly, are the ghosts of her past reckoning upon the present? In this chilling and uncanny tale, Bowen demonstrates her mastery of the ghost story form.
Funding for this recording is supported by Professor Gerardine Meaney and the European Research Council advanced grant, VICTEUR: European Migrants in the British Imagination: Victorian and Neo-Victorian Culture. Research is supported by Dr Katie Mishler and the Irish Research Council Postdoctoral Enterprise Partnership Fellowship grant Mapping Gothic Dublin, in association with MoLI and the UCD Centre for Cultural Analytics.
Reproduced with permission of Curtis Brown Ltd, London, on behalf of the Literary Executors of the Estate of Elizabeth Bowen. Copyright © Elizabeth Bowen.
Producers Dr Katie Mishler, Ian Dunphy, Benedict Schlepper-Connolly
Sound Ian Dunphy
Music Benedict Schlepper-Connolly -
A new anthology from the Department of Foreign Affairs and Arlen House, All Strangers Here explores the interrelationships between diplomacy, creativity, and language across poetry and prose published by Irish diplomats and their families over the past century.
Part of a wider programme marking the centenary of the Irish Foreign Service, it features many remarkable writers, amongst them: Eavan Boland and Maeve Brennan, both daughters of Ambassadors; poets Valentin Iremonger and Denis Devlin; and Conor Cruise O’Brien and Máire Mhac an tSaoí, one of the State’s first female diplomats.
For this launch event on 18 November 2021, Rick O’Shea was joined by co-editor Angela Byrne, contributors Richard Ryan and Siobhán Campbell, and the Department’s former Secretary General, Niall Burgess, who initiated the project, to celebrate the volume’s launch and discuss the arts of diplomacy and writing.
Presented by MoLI in partnership with the Department of Foreign Affairs.
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RadioMoLI’s Writer Presents series invites writers to produce a radio programme focussing on and exploring a chosen subject that is close to their heart. In the second episode of Writer Presents, the poet, playwright and novelist Dermot Bolger looks at the life and enduring legacy of Herbert Simms (1898-1948) – the architect responsible for much of Dublin’s early twentieth-century social housing, whose home on St. Mobhi Road Bolger would pass on his pandemic lockdown walks.
“I found it fascinating to imagine his life – he was a man who suffered greatly from the strain of his work,” says Bolger. Through conversation with with three geographers – Dr Ruth McManus, Dr Joe Brady and Mary Broe, the writer pieces together the remarkable and tragic story of Simms’ efforts to improve the lives of many Dubliners. Broe, having grown up in Pearse House also sheds a poignant light on the lived experience of Simms’ designs. The programme ends with a powerful reading of Bolgers’ poem about Herbert Simms, ‘The Corporation Housing Architect’.
Born in Dublin in 1959, the poet, playwright and novelist Dermot Bolger worked as a factory hand, library assistant and small press publisher before becoming a full time writer in 1984. Bolger is the author of fourteen novels, as well as numerous plays and collections of poetry. He lives in Dublin.
Writer Presents is produced with the support of the Arts Council / An Chomhairle Ealaíon.
Researched and presented by Dermot Bolger
Produced by Benedict Schlepper-Connolly
Additional Production by Ian Dunphy
Edited and Mixed by Ian Dunphy
Music composed by Benedict Schlepper-Connolly
Music performed by Benedict Schlepper-Connolly and Nathan Sherman -
Do you enjoy reading ghost stories alone at night? Have you ever binged an entire true crime series? Or do you unwind watching horror films like The Exorcist, or reading the supernatural novels of Stephen King? The Dublin Gothic Podcast is a series looking at the intersection between art, psychology, folklore, architecture, natural history and Ireland’s urban gothic writing.
Vampires, ghosts, and the undead have an enduring cultural legacy. These uncanny figures inform, or perhaps infect, depictions of the body, maternity, and sexuality in contemporary Irish women’s writing. This panel discussion, recorded live in MoLI’s Old Physics Theatre, led by Dr Katie Mishler and featuring Sarah Davis-Goff, Doireann Ní Ghríofa, and Sophie White, uncovers how the gothic monstrosities of Bram Stoker and others continue to be a powerful metaphor for social anxieties, marginalisation, and historical erasure.
Sarah Davis-Goff is co-founder of Tramp Press, which publishes the Recovered Voices series, re-publishing a lost Irish classic once a year, with a bent towards speculative fiction. In 2019 her own novel Last Ones Left Alive was published in the UK and Ireland by Tinder Press, and in the US by Flatiron. Last Ones Left Alive was nominated for the Edinburgh First Book Prize and the Not-The-Booker Prize, shortlisted for an Irish Book Award and the Kate O’Brien Award, and won the Chrysalis Award. She lives in Dublin.
Doireann Ní Ghríofa is a poet and essayist. Her prose début A Ghost in the Throat was awarded the James Tait Back Prize for Biography, and described as “powerful” (New York Times), and “captivatingly original” (The Guardian). Doireann is also author of six critically-acclaimed books of poetry, each a deepening exploration of birth, death, desire, and domesticity.
Sophie White is a writer and podcaster from Dublin. Her first book, a memoir-cookbook work, Recipes for a Nervous Breakdown (Gill 2016) was shortlisted for the Irish Book Awards. Her second book and first novel, the bestselling, Filter This (Hachette, 2019) was also shortlisted for the Irish Book Awards. Her third book, Unfiltered (Hachette, 2020) was described by Marian Keyes as ‘such fun – gas, clever stuff’. Her fourth book and second work of non-fiction is the bestselling essay collection, Corpsing: My Body and Other Horror Shows published by Tramp Press in 2021.
Dr Katie Mishler is an Irish Research Council Enterprise Partnership Postdoctoral Fellow (2020-2022) in collaboration with the UCD Centre for Cultural Analytics and Museum of Literature Ireland (MoLI). Her current project, Mapping Gothic Dublin: 1820-1900, researches the relationship between Dublin’s urban history and the development of Ireland’s literary gothic tradition.
The research for this podcast is supported by Dr Mishler’s postdoctoral project Mapping Gothic Dublin: 1820-1900, funded by an Irish Research Council Enterprise Partnership Fellowship.
Producers Ian Dunphy & Benedict Schlepper-Connolly
Sound Ian Dunphy
Music CAPE -
What do dancing curates, and headless mummies, and dog-eared sixteenth-century manuscripts about sexual deviancy have in common? In this episode, Dr Katie Mishler speaks with Dr Tina Morin, senior lecturer in English at University of Limerick, and Dr Jason McElligott, Director of Marsh’s Library in Dublin, about Charles Maturin’s gothic masterpiece Melmoth the Wanderer (1820) and Marsh's Library's new exhibition, Ragged, livid & on fire: The Wanderings of Melmoth at 200. The panel discuss Maturin's visits to Marsh's Library, imagine what he may have read there and shed light on some bizarre finds within the walls of the library.
Dr Katie Mishler is an Irish Research Council Enterprise Partnership Postdoctoral Fellow (2020-2022) in collaboration with the UCD Centre for Cultural Analytics and Museum of Literature Ireland (MoLI). Her current project, Mapping Gothic Dublin: 1820-1900, researches the relationship between Dublin’s urban history and the development of Ireland’s literary gothic tradition.
The research for this podcast is supported by Dr Mishler’s postdoctoral project Mapping Gothic Dublin: 1820-1900, funded by an Irish Research Council Enterprise Partnership Fellowship.
Producers Ian Dunphy, Benedict Schlepper-Connolly and Graciela Hartung Morcillo
Sound Ian Dunphy
Music CAPE -
Chris Haughton, whose work is the subject of our temporary exhibition, Purple Squirrel, is a picturebook writer and illustrator. Haughton, who often among the very first Irish writers encountered by young children, has written and illustrated six books: A Bit Lost, Oh No, George!, Shh! We Have a Plan, Goodnight Everyone, Don’t Worry, Little Crab and Maybe. For this conversation, recorded in MoLI’s colourful Learning Room in July 2021, Haughton is joined by MoLI’s Director – Simon O’Connor – as well as Zoe Brady, who is part of our team here at MoLI. Zoe holds a MPhil in Children’s Literature and was involved in the research process behind the exhibition.
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Join MoLI, in partnership with the Embassy and Consulates General of Ireland in the UK, for the online launch of A History of Irish Women's Poetry, a ground-breaking and comprehensive account of Irish women's poetry from earliest times to the present day, in both English and Irish. The book reads Irish women's poetry through many prisms – mythology, gender, history, the nation – and most importantly through close readings of the poetry itself.
The event features the book's editors, Ailbhe Darcy and David Wheatley, in conversation with Professor Sarah Prescott, as well as readings from poets Ciara Ní É and Rachael Hegarty.
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