Episoder
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Ellen Adair and Eric Gilde discuss the 1946 Looney Tunes Bugs Bunny cartoon, "Baseball Bugs." They introduce the cartoon (1:20), with an overview of the story, cast, director and writer, and discussion of the title's play on words. A Legal Disclaimer (6:55) clarifies that this review establishes no precedent for the cartoon to be viewed as a "film," w/r/t the dispute of Alan Sepinwall v. Joe Posnanski / Mike Schur. They review the 20-80 baseball scouting grades for rating the film (9:01), with an apropos metaphor. Amount of Baseball (12:17) begins joyously, considering the density of baseball content, and at attempt at a player comp. Baseball Accuracy (14:43) opens with a consideration of judging cartoon baseball accuracy, and the ramifications of Bugs playing multiple positions, including his sprint speed, with reference to Roman Quinn and Tim Locastro. The Gas House Gorillas appear to flout roster-size regulations, both at bat and in the field. A Dylan Bundy outing is remembered. They discuss the inconsistency of who is the home team, background on the Gashouse Gang Cardinals, Dizzy and Daffy Dean, Madison Bumgarner, Zack Wheeler, the Polo Grounds, and how many players are on the Tea Totallers. Some issues: Bugs' final out, with reference to Duaner Sanchez, Clayton Kershaw and Marcell Ozuna, and his super-immaculate inning (or is it?). That is not a regulation bat. That IS a balk. Where is the pitching rubber? Storytelling (38:46) discusses the evolution of Bugs Bunny, and this cartoon as ultimate wish fulfillment, the Tea Totallers, the Bat Boy, and the screaming liner. Rating the Score (46:57) praises the iconic Looney Tunes music, the genius and career of Carl Stalling, the benefits of a full studio orchestra. Musical puns bring reference to the Atlanta Braves' organist. Acting (51:09) revels in Mel Blanc's virtuosity, even if this is not the most prime vehicle. They contemplate how writing creates a ceiling for acting; roles, not actors, are Oscar-caliber. Delightfulness of Catcher (54:58) weighs Bugs vs. the Gas House Gorillas' catcher, who clearly deserves a suspension. Delightfulness of Announcer (58:35) wonders: does the barbershop quartet count? Is the announcer visiting, or a Gorillas' partisan? Lack of Misogyny (1:02:35) considers the problem of the only female forms being literal objects. No spoilers on the following segments, although there is one moment when Ellen Completely Loses It: Yes or No (1:04:59), Six Degrees of Baseball (1:07:40), Favorite Moment (1:08:59) Least Favorite Moment (1:11:50), Scene We Would Have Liked to See (1:12:25), Dreamiest Player (1:13:53), Favorite Performance (1:15:38) Next Time (1:15:54) and Review Thank You (1:17:59).
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Ellen Adair and Eric Gilde gird themselves to discuss the 2006 Happy Madison production, "The Benchwarmers," grading it on the 20-80 scouting scale. They introduce the film (1:20), with an overview of the story, cast, director, writers, and the sources of its "humor." A backstory on why David Spade and Rob Schneider were cast! They review the 20-80 baseball scouting grades for rating the film (8:52), with an on-the-nose metaphor. Amount of Baseball (11:28) sees Eric return to the quality vs. quantity debate, while Ellen tries to be generous while they have the opportunity to do so. Reference to the double-play from the sporting goods store owner's team and maple syrup on a Ho-Ho. But with Baseball Accuracy (15:42), Ellen reassesses a long-established precedent. They examine the feasibility of a three-person baseball team, particularly given Clark (Jon Heder) and Richie's (David Spade) unbelievable lack of motor skills. The one-person team idea rears its head again with Gus (Rob Schneider), with references to Shohei Ohtani, as always, and Jackie Bradley Jr. Batting order ramifications are also touched on: how could they be up 17-0? An Ellen Adair breakdown on more scoring problems in a different game, and a dive in to history with the story of Danny Almonte. They also discuss Reggie Jackson and Jon Moscot's appearances, the classic MLB parks folded into the new stadium, however improbable its construction timeline, the tournament structure, and physics accuracy problems. Lastly: are the Benchwarmers even appropriately named? Storytelling (42:26) goes back through the dusty files to compare to scoring on "Ed." Age and time also do not exist in this film. The movie's mean-spiritedness is discussed, with its bevy of homophobic and fatphobic jokes, its attitude towards the character of Marcus, whom Gus used to bully, and little people in general. The training montage with Reggie Jackson irks one scout. Confusion about Mel's (Jon Lovitz) profession leads to a discussion about adult nerds, a Diet Coke ad, a sick burn about using the internet, and the Star Wars product placement. Nick Swardson's character: why? Also there is a robot butler. They bring up "The Bad News Bears," Jack Todd's Dave Dombrowski anecdote, Gus's weird Mountain Time lie, and violence against opposing children. Rating the Score (1:11:24) brings up "Take Me Out to the Ballgame," "Jerk It Out," a Gandalf meme, and need for therapy. Acting (1:13:11) is a philosophical inquiry: could anyone do better? Eric gives his spontaneous hypothetical. Jon Lovitz is always excellent. Ellen shares their affection for David Spade, but misgivings about the casting. Delightfulness of Catcher (1:19:28) considers Spade as a catcher character, specifically, and the opposing catchers. Delightfulness of Announcer (1:20:45) considers the two podcasting children and why the girl is given almost no lines. But also: Lack of Misogyny (1:21:48) considers the lack of intelligence required of the female characters in order to be love interests to their unpleasant male counterparts, and the universe in which mean and/or stupid derps get smoking hot chicks 3/3 times. Gus's baffling avoidance of sex with his model-gorgeous wife is also discussed, plus: ovulation accuracy. No spoilers on the following segments: Yes or No (1:28:12), Six Degrees of Baseball (1:31:29), Favorite Moment (1:33:45) Least Favorite Moment (1:36:32), Scene We Would Have Liked to See (1:37:48), Dreamiest Player (1:39:39), Favorite Performance (1:40:12) Next Time (1:42:58) and Review Thank You (1:44:29).
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Mangler du episoder?
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Ellen Adair and Eric Gilde discuss the classic 1973 film, "Bang the Drum Slowly." They introduce the film (1:19), with an overview of the story, cast, director and writer. They review the 20-80 baseball scouting grades for rating the film (8:04), with Eric's best metaphor yet. Then, they begin with Amount of Baseball (10:33), discussing the lack of extended baseball sequences, the desire for a Jomboy breakdown, and a 2020 player comp. Eric surprises Ellen with his scoring. Baseball Accuracy (15:42) considers Bruce's stupidity as a catcher, Henry's left-handedness, the excellence of the Athletics and Orioles at the time, the appearance of Brooks Robinson, and filming at Yankee Stadium, Shea, and the Phillies' Clearwater venue. Some questions are answered, others are pondered: why does Bruce call Henry "Arthur"? What will our scouts call him? Crucially, are the New York Mammoths, the team depicted, in the American or the National League? The confusion of fictional teams playing real teams is discussed, with reference to the "new" Phillie Phanatic. Ellen also brings up Steve Carlton and the 1972 Phillies, plus Don Money. There are other problems: reverse phantom baserunners, visitors to the dugout, the organizational decision-making structure. An Ellen Adair Breakdown on a comparison for Henry's contract negotiations, pre-Catfish Hunter, concurrent with Curt Flood. A strange Thurman Munson coincidence! Storytelling (40:06) discusses the overture of the beginning, expectations and confusion, Tegwar, and Dutch's pursuit of the truth to the Minnesota trip. The contract negotiation scene is revisited, leading to a conversation about adapting a novel to a film. Praise for the movie's deft handling of heavier themes, confusion about the fly speech. Rating the Score (1:05:06) examines Stephen Lawrence's composition and his "Sesame Street" background, along with the Ken Burns moment, "The Streets of Laredo," "The Unfortunate Rake" "Spanish Ladies," "Look Before You Weep," and Ralph Kiner. Acting (1:13:11) lays praise at the feet of Michael Moriarty and Robert DeNiro, in particular, as well as Vincent Gardenia and Phil Foster. The actor who plays Bradley is not a favorite. Delightfulness of Catcher (1:16:54) revels in an abundance of catchers with a lovable Bruce Pearson at the center, despite a Gary Sanchez burn. The age of Robert DeNiro and Tom Ligon is addressed, along with Piney's costumes, Goose's lovely scene with Henry, and Red's advice. Delightfulness of Announcer (1:23:21) does not offer much. Lack of Misogyny (1:23:45) debates whether or not the film itself has a misogynist viewpoint on Katie, Bruce's call-girl fiancee, and the female owner of the Mammoths. Props to Tootsie. A high number of female characters for a baseball movie is a positive takeaway. No spoilers on the following segments: Yes or No (1:31:58), Six Degrees of Baseball (1:34:59), Favorite Moment (1:35:52) Least Favorite Moment (1:38:19), Scene We Would Have Liked to See (1:39:55), Dreamiest Player (1:41:25), Favorite Performance (1:42:13) Next Time (1:43:56) and Review Thank You (1:44:54).
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Ellen Adair and Eric Gilde discuss "Twelve," a 2019 family film about a little league baseball player. They introduce the film (1:18), with an overview of the story, cast, and writer/director. 20-80 baseball scouting grades for rating the film (4:08), they begin with Amount of Baseball (5:43), discussing the abundance of high-quality baseball, with reference to particular moments and a 2020 player comp. Baseball Accuracy (11:36) considers Kyle’s pitch speed vs. real-life velocity from 12 year-olds, including the fastest Little League pitch, and the effect of the shorter distance between mound and home plate in Little League, with reference to Patrick Corbin, Dylan Bundy and Mike Minor. Eric shares his top pitching speed and looks into the feasibility of Kyle’s heart-stopping pitch. There are some issues with Lou Grey the Stanford scout, citing Ozzie Smith, Andrelton Simmons, Asdrubal Cabrera, Kevin Frandsen, Spencer Torkelson, and Bryce Harper. Kyle's knuckle-curve is a bright spot. Plus, is he a Stephen Drew fan?! Eric dives in on other players who wore 12, and has some videogame accuracy issues. Storytelling (36:40) discusses the confusing passage of time, "spring break"?, ADR or lack thereof, balanced with excellent baseball storytelling. Ted's work status is confusing and Chad and Ted's confrontation less than satisfying, but the tight structure of this as a family film is praised. They appreciate the moral about practice and the film's version of wish fulfillment, but are less fans of the Xavier storyline. Consideration of Kyle's pitching rival and their insane postseason stats. Rating the Score (1:02:00) examines Joe Carrano's composition, which is heroic without being heavy-handed. Acting (1:04:55) considers navigation of the script's pitfalls, and the pair dives in on the ramifications of budget on shooting schedule, with reference to soap opera shooting schedules. Delightfulness of Catcher (1:15:47) asks several philosophical questions, while Delightfulness of Announcer (1:19:42) does not offer much. Lack of Misogyny (1:22:13) examines the three-dimensionality of Beth, the mom, and Brooke, the girlfriend. No spoilers on this game, or the following segments: Yes or No (1:27:55), Six Degrees of Baseball (1:32:51), Favorite Moment (1:33:55) Least Favorite Moment (1:36:02), Scene We Would Have Liked to See (1:37:24), Dreamiest Player (1:40:54), Favorite Performance (1:41:17) Next Time (1:44:49) and Review Thank You (1:45:34).
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Ellen Adair and Eric Gilde discuss a baseball-themed episode of "The X-Files," titled "The Unnatural" (season 6, episode 19). They introduce the episode (1:19), with an overview of the story, cast, and writer/director. After a description of the 20-80 baseball scouting grades for rating the show (5:25), they begin with Amount of Baseball (7:41). The episode presents a similar grading challenge to "The Mighty Casey," but with further conundrums. Three true outcomes baseball in 1947? A rundown of all the baseball events in the episode ensues. Baseball Accuracy (11:36) considers Negro League accuracy, with the Roswell Grays vs. the Homestead Grays, Josh Exley vs. Josh Gibson, and the tearing at the fabric of reality, with the angel of Leon Carter ("Bingo Long...") and the devil of Bobby Rayburn ("The Fan") on the scouts' shoulders. Brief shout-outs to James Raleigh "Biz" Mackey and Buck Leonard. Mickey Mantle's home runs bring up the concept of naming specific stats as a test of baseball acumen, with reference to Barry Bonds, Hank Aaron, Babe Ruth, Bartolo Colon, Aaron Nola, and Cliff Lee. Eddie Perez also tears at reality's fabric somewhat, and the team speculates about the 90s Braves, specifically Greg Maddux, John Smoltz and Chipper Jones. Mulder's ode to box scores and the "Pythagorean Theorem for jocks" are both examined, along with night games and the Kansas City Monarchs, cactus accuracy, Jackie Robinson and Larry Doby. The Ellen Adair Breakdown considers the opening game, including the field's boundaries, the umpire, Gibson's folkloric Pittsburgh home run, baserunning and Fred Merkle, and Exley's home run "pace." (Don't @ us, Tom Tango.) Why do the Yankees scouts leave mid at-bat? Typical. Storytelling (40:53) discusses references to "E.T.," "Citizen Kane" and Pete Rose, before wondering about the intentionality of metaphors to the unknowability of Negro League stats and Jim Crow alien parallels. Dales' argument that all the greats are aliens, like Babe Ruth, Willie Mays and Sandy Koufax, solves some problems and creates others. Is Arthur Dales an unreliable narrator? The fairytale of the ending of Exley's story, the persistence of metaphor in the episode, and the tagline all add up to...? Ellen has problems with a Gibson-esque player being an alien, and Eric has problems with inconsistent head bonks. What is the aliens' "project"? Who is the strange child? So. Many. Questions. Rating the Score (1:07:14) examines Mark Snow's composition and Blind Willie Johnson's "Go with Me to that Land." Acting (1:09:15) discusses the enduring excellence of David Duchovny and Gillian Anderson, along with guest stars Jesse L. Martin, Frederic Lehne and M. Emmet Walsh. Delightfulness of Catcher (1:10:54) considers the obvious catcher snippets--but is there a catcher hiding in plain sight? Delightfulness of Announcer (1:15:46) poses the philosophical question: how delightful is two seconds of Vin Scully? Lack of Misogyny (1:15:46) weights Scully's smarts versus her disdain for baseball and appreciation of nonfat tofutti rice creamsicle, as the only speaking female role in the episode. Consideration of the moment that Exley turns into a woman. And a BONUS one-time-only segment: Alien Or Not (1:19:15)! But no spoilers on this game, or the following segments: Yes or No (1:24:12), Six Degrees of Baseball (1:28:29), Favorite Moment (1:29:08) Least Favorite Moment (1:29:46), Scene We Would Have Liked to See (1:31:27), Dreamiest Player (1:32:53), Favorite Performance (1:33:19) Next Time (1:35:00) and Review Thank You (1:35:58).
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Ellen Adair and Eric Gilde discuss the movie "Fever Pitch," the 2005 Jimmy Fallon and Drew Barrymore romantic comedy, set against the backdrop of the Red Sox 2004 season. They introduce the film (1:24), with an overview of the story, cast, and director. After a description of the 20-80 baseball scouting grades for rating the film (3:26), they begin with Amount of Baseball (5:10). How do baseball clips, not scenes, rate? What is the minimum requirement for a baseball scene? Plus, date movie deception, and a player comp. Baseball Accuracy (9:50) considers the fictional Red Sox regular season 9th inning rally versus the Yankees, the legitimacy of Lindsey (Barrymore) running across the field in the ALCS, and binoculars that can see into the future or past. Editing around Lindsey getting hit with a foul ball creates some discrepancies for Mike Myers and Miguel Tejada. Our hosts delve into some historical moments: Dwight Evans's two-homer game in 1980, Pesky's Pole, Johnny Pesky, Thomas Yawkey, Ted Williams, the Polo Grounds, and Curse of the Bambino examples, ie. Roger Moret, Tony Conigliaro, Ed Armbrister and Carlton Fisk, Bucky Dent, Bill Buckner, Grady Little and Pedro Martinez, and other missing curse elements. They also discuss the possibility of a Cubs-based story, Bart Giamatti, spring at Fenway accuracy, Johnny Damon's ass, and offseason fandom. Storytelling (34:00) has much love for the dozen Pete Roses e-card, but much confusion about the timeline of the courtship, made problematic by Boston weather accuracy and things Lindsey should really be able to infer about Ben (Fallon) from context clues. Tonal inconsistency dominates. Is Ben sweet or creepy? Is he insecure or confident? Examination of the first date includes the difficulty of genuine vomiting sounds in television and film. Bonus subsections from Ellen: "Extracurricular Activity Accuracy" and "I Empathize." They discuss Ben's baseball elegies, luck in baseball, portrayals of fandom as addiction, cell phone gags (with a realization), and Lowell Ganz, Babaloo Mandel and "A League of Their Own." Rating the Score (1:05:11) examines The Standell's "Dirty Water," Neil Diamond's "Sweet Caroline," the Dropkick Murphy's "Tessie," with deep-dives on the history of these songs by Eric. Nick Drake's "Northern Sky" and "The Yastrzemski Song." Acting (1:15:16) sees a debate on Jimmy Fallon's performance, discussing the pull of sketch, spontaneity, ad-libbing, and Jim Carrey in "The Truman Show." Drew Barrymore's believability in this film also discussed. Delightfulness of Catcher (1:22:56) presents a conundrum, but the pair reminisce about meeting Jason Varitek and Ellen reads a short poem. Delightfulness of Announcer (1:25:40) is also a challenge, with such excellent examples present as Joe Castiglione, Peter Gammons, Bob Lobel, Harold Reynolds and Dave O'Brien. Lack of Misogyny (1:27:41) examines the depiction of Lindsey's friend Robin versus the women in the film on the whole, and the "not like the other girls" conundrum. No spoilers on the following segments: Yes or No (1:33:30), Six Degrees of Baseball (1:38:14), Favorite Moment (1:39:20) Least Favorite Moment (1:41:02), Scene We Would Have Liked to See (1:45:48), Dreamiest Player (1:47:50), Favorite Performance (1:48:34) Next Time (1:49:44) and Review Thank You (1:50:32).
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Ellen Adair and Eric Gilde discuss the "The Stratton Story," the 1949 biopic about Monty Stratton starring Jimmy Stewart. rating it on the 20-80 scouting scale. They introduce the film (3:09), with an overview of the story, cast, and director. After a description of the 20-80 scouting grades for those who are unfamiliar (9:46), they begin with Amount of Baseball (11:10), slightly hungover from "The Fan," but touch on baseball-related montages. No spoilers on the player comp! Baseball Accuracy (13:04) considers Stratton's praise for the film's accuracy, the existence of Barney (Frank Morgan), and Stratton's real career vs. its portrayal, including his first career game, All-Star season, and WHIP in 1936 vs. 2020. His post-accident life is also addressed: his spirits, his artificial leg, and references to Roy Campanella and "It's Good to Be Alive." The All-Star game at the end leads to questions about his pinch runner and bunting on Stratton, and the accuracy of this game. Discussion about the trajectory of the ball in the opening game, Stratton's career batting statistics, Jimmy Dykes, Barney's player knowledge, Bob Feller, and reference to the 2020 Phillies and Mets. Ellen questions the depiction of Stratton's control and has a small breakdown on Stratton's K/9. But Storytelling (31:58) examines the way inaccuracies bolster the storytelling, with fine seeds planted with all of Stratton's nimble running, and excellent misdirection about the dancing lessons. They compare the film's structure to Sam Wood's other baseball film, "Pride of the Yankees." Contrasting his injury as depicted with real life leads brings up Yoenis Cespedes and dangerous pitcher hobbies. Ma Stratton, Baby Stratton, and paternity leave in sports are considered. Discussion of the weirdness of the scene where Barney is made coach, he believability of Monty and Ethel's first date, haircut speculation, "The Brothers K," and the Astros and Mattress Mack. They rate the Score (1:01:27) and Acting (1:02:20) praises Jimmy Stewart, June Allyson, Agnes Moorehead's simplicity, and Frank Morgan's choices. Ellen uplifts three specific Jimmy Stewart acting moments. Delightfulness of Catcher (1:02:19) lauds Barney's catcher virtues, Ethel as catcher, Eddie's flameless glove, dreamboat Bill Dickey and his improved acting, and Milliken. Delightfulness of Announcer (1:05:58) and Lack of Misogyny (1:11:09) follow, the latter considering the character development of the female leads, and Ma's moment with the radio. No spoilers on the following segments: Yes or No (1:18:33), Six Degrees of Baseball (1:23:11), Favorite Moment (1:25:16) Least Favorite Moment (1:26:38), Scene We Would Have Liked to See (1:28:54), Dreamiest Player (1:31:11), Favorite Performance (1:32:03). Stick with us to the end for some bonus Classics jokes.
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Ellen Adair and Eric Gilde discuss the truly baffling 1996 thriller “The Fan,” rating the film on the 20-80 scouting scale. They introduce the film (2:20), with an overview of the story, cast, and director Tony Scott’s style. After a description of the 20-80 scouting grades for those who are unfamiliar (6:33), they begin with Amount of Baseball (7:57), pondering whether the finale counts as a baseball scene. They also consider how the average shot length impacts the amount of baseball received and include a 2020 player comp. Baseball Accuracy (11:28) opens with a consideration of how Barry Bonds being mentioned in this film tears at reality’s very fabric. The two talk Carl Hubbell, Willie Mays, Willie McCovey, question Primo’s actual position, and wonder how Bobby Rayburn (Wesley Snipes) can return to a game after leaving it. The character that John Kruk plays has a truly superhuman hitting feat, and heads explode as they ponder a game in which it appears the Giants play multiple teams. The category wraps up with a brief history of baseball players murdered in the midst of their careers. Storytelling (39:42) examines Roy and Gil’s relative likeability, issues with Gil’s career as a knife salesman, and the strangeness of the bathroom and sauna scenes. Meanwhile, what is up with their drink orders?! Plus, an idea for a drinking game if you would like to get trashed while watching this movie. There are 10,000 questions raised by the wild and confusing finale. Score (1:18:48) feels some Gladiator vibes with this Hans Zimmer composition, and raises the question of how to consider a score that’s better than its movie when separated from it. Some consideration of the Rolling Stones subplot. Acting (1:23:45) praises not just Robert DeNiro and Wesley Snipes, but Benicio del Toro, John Leguizamo, Ellen Barkin, Kurt Fuller, Patti D’Arbanville, Chris Mulkey, and the young actors Andrew J. Ferchland and Brandon Hammond. Also, props to Snipes’ stunt double. The Delightfulness of Catcher (1:28:37) reveals truths about Gil’s friend Coop before a quick look at the Delightfulness of Announcer (1:30:39). Lack of Misogyny (1:31:47) considers Ellen Barkin’s character, as well as her excellent bar scene with Wesley Snipes. No spoilers on the following segments: Yes or No (1:36:36), Six Degrees of Baseball (1:43:38), Favorite Moment (1:46:23) Least Favorite Moment (1:47:58), Scene We Would Have Liked to See (1:49:49), Dreamiest Player (1:55:40), Favorite Performance (1:56:27), Next Time (1:58:38), and Review Thank You (1:57:55).
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Ellen Adair and Eric Gilde discuss the 1993 fan favorite "The Sandlot," rating this classic movie on the 20-80 scouting scale. They introduce the film (4:29), with an overview of the story, cast, and some artistic touch-points for writer and director David Mickey Evans. After a description of the 20-80 scouting grades for those who are unfamiliar (9:42), they begin with Amount of Baseball (10:33), continuing a debate on what constitutes a baseball scene, and delighting in the return of a favorite little league team. No spoilers on the player comp! Baseball Accuracy (14:05) addresses the questionable scope of Smalls' knowledge re: Babe Ruth, s'mores, tobacco, and baseball in general, and his bad baseball playing relative to "Bad News Bears" and "Rookie of the Year." Eric gets nerdy about the stitching on the Babe Ruth baseball. They also examine Ham's homer, the sandlot's team roster size, Benny's rundowns, oppo tacos, and the democracy of player size and shape, with loving reference to John Kruk, Prince Fielder, Carl Edwards Jr., Jose Altuve, Jimmy Rollins, Joe Morgan, Bartolo Colon, Hack Wilson and Smokey Burgess. Some thoughts about Mr. Myrtle's (James Earl Jones) blindness and barnstorming play, and Maury Wills' stolen base record, with small shout-outs to Rickey Henderson and Lou Brock (RIP, who had not passed when the podcast was recorded). Storytelling (31:58) examines Adult Smalls' (LOL) narration and bookending scenes with continued contemplation of his perplexing relationship with baseball. Comparing the kids' summer vibe with "Bad News Bears" unearths the original title of the film. The team has questions about replacing the Babe Ruth ball, Bill's (Dennis Leary) baseball collection room, and the kids' level of education. Discussion of the high stakes, other genres referenced within the film, the original vision in casting, and whether Benny might be secretly rich. What ends up happening with Benny's hat? They debate the Score (52:51), including Ray Charles' version of "America the Beautiful" and similarities to "A Christmas Carol" and "Field of Dreams" scores. Acting (56:33) praises the cast. Patrick Renna and Chauncey Leopardi are National Treasures, and James Earl Jones is perfect at literally everything he ever does. An interesting acting challenge for Red Sox fan Dennis Leary! Delightfulness of Catcher (1:02:19) lauds incredible trash talking, an excellent model for a catcher despite Benny being the lovable group leader, the insult scene that almost wasn't, and "that wimpy deer" (reprise). Delightfulness of Announcer (1:05:58) brings up a debate on narration as announcing, with an anecdote about filming at Dodger's Stadium that includes Tommy LaSorda. Plus: where's Vin Scully?!?! Lack of Misogyny (1:11:09) takes a frank look at the lack of complex female characters that offset the misogyny of various insults traded in the film, and gets real about Squints and Wendy. No spoilers on the following segments: Yes or No (1:16:32), Six Degrees of Baseball (1:26:45), Favorite Moment (1:28:41) Least Favorite Moment (1:31:37), Scene We Would Have Liked to See (1:34:33), Dreamiest Player (1:37:07), Favorite Performance (1:39:03), Next Time (1:42:21), and Review Thank You (1:42:54).
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Ellen Adair and Eric Gilde discuss the 1974 Roy Campanella biopic, "It's Good to Be Alive," rating this TV movie on the 20-80 scouting scale. They introduce the episode (1:19), with an overview of the story, cast, and expectations coming into the film. After a description of the 20-80 scouting grades for those who are unfamiliar (8:37), they begin with Amount of Baseball (10:12), discussing how to bring something up to code to be considered a baseball movie. Eric makes some claims about the scouting scale. No spoilers on the player comp! Baseball Accuracy (14:51) includes an Ellen Adair Breakdown on Campanella's hands and injury history, along with details of the car accident and initial expectations afterwards, Campy's thoughts about L.A., Ruthe's visits, Campy's salary and Walter O'Malley, and a compare and contrast of his real speech vs. the film speech. Storytelling (36:22) examines the usage of flashbacks, both good (a childhood scene about his biracial identity) and bad (a very puzzling scene with his son David). Discussion of the difficulties of Roy adjusting to his new life, Campy as a coach and manager, and the annoying reporter, with shout-out to Jason Vargas. Praise for the fly scene, and speculation about what Ruthe is drinking. They discuss the Score (1:03:17) and Acting (1:04:50), particularly Paul Winfield, Ruby Dee, and Louis Gossett, Jr. Ellen has a rundown of three specific excellent choices by Ruby Dee. Delightfulness of Catcher (1:10:45) is a fun tool to score for this film, with conversation about real Roy vs. his film depiction, some highlights of his real-life catching career, and mentioning early interest in him from the Phillies and Pirates. Ellen is not able to resist mentioning J.T. Realmuto, but just once. Delightfulness of Announcer (1:17:30) and Lack of Misogyny (1:18:11) follow, the latter considering that the film was written from Roy's point of view. Eric brings up some of the questions about the timeline on the night of Campanella's accident. Yes or No (1:25:16) briefly addresses Jackie Robinson and Satchel Paige easter eggs in the film, along with the Classic Questions. No spoilers on the following segments: Six Degrees of Baseball (1:29:42), Favorite Moment (1:31:34) Least Favorite Moment (1:33:28), Scene We Would Have Liked to See (1:34:25), Dreamiest Player (1:38:14), Favorite Performance (1:39:23), Next Time (1:42:33), and Review Thank You (1:44:14).
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Ellen Adair and Eric Gilde delve into all the twists and turns surrounding this baseball-themed episode of "The Twilight Zone" entitled "The Mighty Casey!" Rating this 1960 TV episode on the 20-80 scouting scale may make for one of their most fun journeys yet. They introduce the episode (1:34), with an overview of the plot, actors, and a brief foray into Rod Serling's other writing about baseball. After a description of the 20-80 scouting grades for those who are unfamiliar (8:18), they begin with Amount of Baseball (9:22), including a discussion of whether or not Amount of Baseball is a ratio stat or a counting stat, Robert Sorrell's pitching double, and the concept of a montage expressing "he's doing well." Baseball Accuracy (13:04) touches on how much adding one pitcher could really help an awful team, Casey's pitching mix, how often a superman could plausibly pitch, connection to the Dodgers, the try-out flubs and a philosophical question about beaning. Storytelling (36:22) examines the fairytale nature of the story, the twists, Casey's mental fortitude with small shout-outs to Cliff Lee and Max Scherzer, Leo Durocher and the question of whether nice guys finish last, concerns about Dr. Stillman's motivations, Casey's age and implications for his Tommy John surgery. They discuss the Score (47:25) and Acting (48:35), particularly Robert Sorrells, Abraham Sofaer and Jack Warden, with our CRAZIEST TWIST YET! References to "Homeland," "Inception," and Ellen's final request. Plus, Robert Sorrells was a complex dude. Delightfulness of Catcher (56:59), Delightfulness of Announcer (59:23) and Lack of Misogyny (1:00:35) follow. No spoilers on the following segments: Yes or No (1:04:58), Six Degrees of Baseball (1:09:30) Favorite Moment (1:10:25) Least Favorite Moment (1:11:18), Scene We Would Have Liked to See (1:13:37), Dreamiest Player (1:15:47), Favorite Performance (1:16:22), Review Thank You (1:18:35) and Next Time (1:19:10).
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Ellen Adair talks with Noah Gittell, journalist, film critic, and author of BASEBALL: THE MOVIE. They discuss ways in which Noah's Mets fandom has built character, the concept of love of baseball above all, surprises in researching the book, casting a movie about Jackie Robinson using actors from Jackie Robinson movies over the decades, and the worst baseball movie Noah had to watch. Noah has some hot takes about THE SANDLOT! They also talk about which baseball movie characters to put on the cover of the book, Noah's interview with Richard Linklater, and the decline in production of baseball movies in the past decade. Then, they get into Noah's grades for the brilliant 2009 film SUGAR, by Anna Boden and Ryan Fleck. Parental advisory: there is some (very fun) conversation about a rated-R word used in the film in the "Lack of Misogyny" category. Ellen also fact-checks the earlier episode of SUGAR on an important "Yes or No" question.
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Ellen Adair and Eric Gilde discuss the 2004 comedy "Mr. 3000," grading its tools on the 20-80 scouting scale. They introduce the film (1:34), providing background on the director, writer, and some of the cast. After a description a description of the 20-80 scouting grades for those who are unfamiliar (5:06), they begin with Amount of Baseball (6:42), including a player comp (no spoilers). Baseball Accuracy (15:25) touches on Stan Ross's (Bernie Mac) Hall of Fame aspirations and his believability as a player, players with 3,000 hits, baseball "curfew," Roberto Clemente, Juan Soto, Barry Bonds, Ken Griffey, Jr., Phillies of the 2010s, the longest MLB game ever played, 1995 playoff race, Paul Molitor, Robin Yount, Cecil Cooper, Cap Anson, Chase Utley, and bat length and weight. Storytelling (36:22) examines the problems surrounding Stan's "Tonight Show" appearance, use of commercials and Charles Barkley, the irony of an Astros pitcher tipping pitches and Stan's early anti-cheating stance, Paul Sorvino's mostly silent manager, the sac bunt, the bottle moment, and the chain of 3,000 stores. The musical Score (1:04:18) looks at usage of "The Natural," Gustav Holst, The Nutcracker, "Jungle Boogie," "It Takes Two," "YMCA," "Let's Get it On," "Whoomp There It is" and "Endless Love." Shout-out to Rhys Hoskins' moustache, which Ellen learns they only loved all along by how sad they are now that it has left us. Acting (1:11:43) discusses Bernie Mac's charisma, Angela Bassett's all-around awesomeness, and performances from Brian White, Amaury Nolasco, Dondre T. Whitfield, Michael Rispoli, Paul Sorvino and Chris Noth. Delightfulness of Catcher (1:16:13) follows, and Eric gives props to Dick Enberg in Delightfulness of Announcer (1:18:31). Lack of Misogyny (1:22:11) praises Angela Bassett, though Ellen has small tirade on the idealization of tiny women being able to house junk food at all times. No spoilers on the following segments: Yes or No (1:26:00), Six Degrees of Baseball (1:31:09) Favorite Moment (1:32:03) Least Favorite Moment (1:34:37), Scene We Would Have Liked to See (1:36:33), Dreamiest Player (1:37:46), Favorite Performance (1:39:20), Next Time (1:41:13) and Review Thank You (1:41:55)
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Ellen Adair and Eric Gilde discuss the original 1951 version of "Angels in the Outfield," grading its tools on the 20-80 scouting scale. They introduce the film (1:50), providing background on the director, writer, and some of the cast, including a synopsis of the film (6:14). Some interesting facts about the distribution and the film's foreign name (8:51) lead to a funny anecdote of confusion about the film "28 Days Later." After a description of the 20-80 scouting grades for those who are unfamiliar (11:24), they launch into Amount of Baseball (12:26), with both a player comp (no spoilers) and discussion of recency bias. Baseball Accuracy (15:25) touches on baseball parks used in filming, implausible base-running errors, Only Pitcher Disease, the Pirates 1920s-1950s, the Giants in 1951, Black players and managers on the Pirates, Ralph Kiner and Pie Traynor. Some discussion of women's preference for shortstops or third basemen, citing Anthony Rendon, Matt Chapman, Nolan Arenado, Mike Schmidt and Wade Boggs. Storytelling (36:10) examines mixed angelic messaging, eating steak with ketchup, swearing in the film, Shakespeare, the rhyme scheme of "Take Me Out to the Ballgame," this version versus the 1994 version, Joe DiMaggio, Ty Cobb, Bing Crosby and Harry Ruby, whether or not baseball managers can go to heaven, what is a reasonable team batting average for angels, Dusty Baker, Ketel Marte, Mike Trout, and Randy Johnson killing a bird. The musical Score (1:10:58) gives props to the angelic soundscape. Acting (1:13:20) looks mostly at the performances of Janet Leigh, Paul Douglas, and Donna Corcoran. Delightfulness of Catcher (1:18:11) and Delightfulness of Announcer (1:18:29) follow. Lack of Misogyny (1:21:22) contains references to Ray Searage, Barbara Billingsley, "Muppet Babies" and Tor Johnson. No spoilers on the following segments: Yes or No (1:27:11), Six Degrees of Baseball (1:32:00) Favorite Moment (1:33:39), Least Favorite Moment (1:34:25), Scene We Would Have Liked to See (1:35:30), Dreamiest Player (1:39:48), Favorite Performance (1:41:15), Next Time (1:43:20) and Review Thank You (1:43:57).
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Ellen Adair and Eric Gilde discuss the 2014 film "Million Dollar Arm," grading its tools on the 20-80 scouting scale. They introduce the film (1:38), providing background on the director, writer, and some of the cast (2:32). After a description of the 20-80 scouting grades for those unfamiliar (5:00), they launch into Amount of Baseball (6:11), both providing player comps for the amount of baseball in this film (no spoilers here!). Baseball Accuracy (9:42) touches on being able to tell the velocity of a pitch by the sound of it hitting something, differences in cricket bowling vs. baseball pitching, the athletic backgrounds of Rinku Singh and Dinesh Patel, Rinku's delivery as depicted, with references to Marcus Stroman, Jason Vargas, and Roy Oswalt. Storytelling (33:49) examines some real life differences in JB Bernstein's life and whose idea the "Million Dollar Arm" program actually was. Stay tuned for what the "JB" in JB Bernstein stands for! They also discuss the party scene, the visit to the villages, the Lame Romantic Subplot, "Class A Jerks," Scotch faux pas, capitalism cake, and the importance of representation. A sub-section on India Accuracy (54:25) does not include grades. The musical Score (1:02:45) may or may not have made one of these scouts get up and dance. Acting (1:08:52) looks at the performances of Lake Bell, Jon Hamm, Alan Arkin, Bill Paxton, Aasif Mandvi, Allyn Rachel, Pitobash Tripathy, Suraj Sharma, Madhur Mittal, and Darshan Jariwala. Delightfulness of Catcher (1:12:44) and Delightfulness of Announcer (1:13:44) follow, rounded out by Lack of Misogyny (1:15:33). No spoilers on the following segments: Yes or No (1:19:10), Six Degrees of Baseball (1:23:02) Favorite Moment (1:24:53), Least Favorite Moment (1:27:12), Scene We Would Have Liked to See (1:28:01) including references to Josh Bell, Didi, Ji-Man Choi, Cole Hamels, Curt Schilling, plus baseball luminaries and nemeses, Dreamiest Player (1:32:08) with a bonus Baseball Accuracy fact that makes "Pride of the Yankees" into a verb, Favorite Performance (1:34:50), Review Thank You (1:37:07) and Next Week (1:37:40).
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Ellen Adair and Eric Gilde discuss the 1976 classic "The Bad News Bears," grading its tools on the 20-80 scouting scale. They introduce the film (2:03), summarizing its premise (3:23), and providing background on the director, writer, and some of the cast (5:00). After a description of the 20-80 scouting grades for those unfamiliar (11:00), they launch into Amount of Baseball (12:18), also discussing shooting conditions and set practices, the difficulty of filming exteriors, and Ian Kinsler having 55 WAR. Baseball Accuracy (17:25) touches on rules kids would be confused about, ad-libs in the film, the 2018 Phillies defense, pitching low and outside, some Catfish Hunter history and the implications of this comparison, Vince Velasquez, and the Ellen Adair Breakdown of Amanda's purported curveball vs. curveballs in MLB. Storytelling (33:49) includes discussion of the film's depiction of childhood, generational differences, and the appropriateness of Denny's as a sponsor to the Yankees team. Pizza Hut and Book It also fondly remembered. The racism and intolerance depicted are discussed at length, along with the different kinds of beer, Kelly Leake's hustling, Coach Buttermaker's journey, montages, surprises, contradictions, and the ending of the movie. The musical Score (1:09:40) is debated, before Acting (1:13:18) looks at the performances of Walter Matthau, Tatum O'Neal, Joyce Van Patten, Vic Morrow, and other child actors. Delightfulness of Catcher (1:18:42) and Delightfulness of Announcer (1:20:35) follow. Ellen has many conflicts grading Lack of Misogyny (1:21:36), with a brief diversion into an interesting fact about the Mexican characters on the team. No spoilers on the following segments: Two Surprise Questions (1:25:41), Yes or No (1:28:38), Six Degrees of Baseball (1:34:21) Favorite Moment (1:35:36) with a small shout-out to Maria Aitken, Least Favorite Moment (1:37:51), Scene We Would Have Liked to See (1:39:47), Dreamiest Player (1:41:53), Favorite Performance (1:45:02), Review Thank You (1:45:02) and Next Week (1:45:04).
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Ellen Adair and Eric Gilde discuss the 1993 film, "Rookie of the Year," in which young Henry Rowengartner's broken arm heals in such a way that he can now throw a blazing fastball. Ellen lists all of the reasons why the Chicago Cubs clearly have no other relief pitchers, while Eric comes up with either the best or worst little league team name. Scoring this film on the 20-80 scouting scale includes discussion of Daniel Stern's extra-zany performance, Scott White's nickname for the Mets slugger, and wondering what's up with that boat. Also, we learn the name of Eric's fictional scouting director!
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Ellen Adair and Eric Gilde discuss the excellent 2019 Korean film, "Baseball Girl," about a female pitcher trying to become a pro baseball player.
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Ellen Adair and Eric Gilde discuss a baseball movie superlative, the 2008 film "Sugar."
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Ellen Adair and Eric Gilde discuss the 1950 film, "The Jackie Robinson Story," starring Jackie Robinson himself!
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