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US country music rising star Alexandra Kay joins Headliner while in the UK for her performance at BST Hyde Park. She discusses turning viral social media success into a loyal global fanbase, the momentum behind her album Second Wind, life on the road, and her rapid rise in country music.
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Nigerian-British virtuoso jazz drummer and bandleader Jon Onabowu has become a key figure in the London jazz scene, and 2026 is the year he steps out and releases his debut album, Now’s The Time. He discusses blending modern UK jazz with funk, hip-hop, gospel, being the founder of the Cosmic Fusion residency at Ronnie Scott’s Jazz Club in London, and helping to shape a new generation of live-focused, groove-led jazz in the city.
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After globe-trotting and touring as the keyboardist and producer of Bring Me The Horizon, Reading-born Jordan Fish is now working as a full-time producer for artists including Poppy, Architects, BABYMETAL, and Good Charlotte. He discusses his breakthrough projects with Poppy, his shared history with Amy Lee, how she opened up to co-writing with him after she wasn’t taken seriously as a songwriter in her early years of the band, and the VSTs, plugins, and DAW techniques he used to help create the sound of Evanescene’s new record, Sanctuary.
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AS Fanning is an Irish singer-songwriter based in Berlin, formerly of the band The Last Tycoons. After releasing three critically acclaimed albums and being named Far Out’s Songwriter of the Year, Fanning is back with his fourth album, Take Me Back to Nowhere. He chats to Headliner about getting up at 4am to write lyrics with a broken wrist, recording the album in Sweden, and his upcoming EU and UK tour.
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North London emcee and Top Boy actor Scorcher has been one of grime’s pioneers since the early ’00s, and had his talents and contributions recognised as Best Grime Act at the 2025 MOBO awards. His huge music resurgence from recent years continues with new single Comfy ft. K-Trap, followed by his new album, ADMD. He talks about always moving forwards and not getting too nostalgic for the early days of grime, working with the likes of Giggs on recent singles, and his new LP.
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Toronto-born WHIPPED CREAM has always moved between worlds, from competitive figure skating to becoming one of electronic music’s most distinctive and emotionally driven producers, vocalists and DJs. She talks about her journey from the ice rink to the DJ booth, the making of her debut album, HOME WAS ALWAYS ME, writing her most personal songs yet, and the life lessons that shaped it all.
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In this world of short form TikTok content and AI-generated videos, Glaswegian band Conscious Pilot are a straight-up post-punk/indie rock act committed to recording songs to tape and shooting music videos on 16mm cameras. Frontman Joe Laycock talks about the band’s debut album, Human Poultry, a collection of songs about the grim world of employment, warehouse jobs, and fictional, chaotic film directors.
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After a five year wait, chart-topping, Grammy-winning alternative rockers Evanescence return with Sanctuary, their sixth studio album. Following the blistering single Who Will You Follow, the new LP features some of the band’s best work to date. Singer, songwriter, and founding member Amy Lee talks about Who Will You Follow’s blockbuster music video, working with producer Jordan Fish and their shared Bring Me The Horizon history, the album’s title track, and the band’s gargantuan 2026 world tour.
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If you amalgamate the names Kate and Lloyd, plus several genres of music, the end result is Kloyd, one of the UK’s most exciting up-and-coming talents making electronic music in the vein of Four Tet, Bonobo, and Sofia Kourtesis. While on tour supporting Art School Girlfriend, she talks to Headliner about her upcoming mixtape, New Love, her London release show and Green Man performances on the horizon, and how she creates her unique, organic sound.
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Jenny Hollingsworth is best known as one half of the acclaimed experimental pop duo Let’s Eat Grandma, with three albums and a Netflix score released so far. She discusses Jenny On Holiday, her new solo project which sees her take time away from the band, and her debut solo album Quicksand Heart, a joyous and uplifting collection of alt-pop songs.
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Nigerian music mogul Dapper has conquered the business side of the music industry as founder and CEO of the Dapper Group, which owns an eight per cent market share of the industry across the entire African continent. Fresh from earning a Guinness World Record with Dapper Live for staging the largest-ever orchestral Afrobeats concert, he is now taking on a new challenge: stepping into the spotlight as a solo artist with the release of his third single, My Type.
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Singer, songwriter, DJ and producer John Newman began his journey in 2012 when he lent his vocals to Rudimental’s UK Number One hit, Feel the Love. However, the real turning point came with the smash hit, Love Me Again. Debuting at number one on the UK Official Chart, the single soared into the top 10 in over 30 countries and has amassed 1.6 billion streams. Newman reflects on the enduring popularity of the song – which is having a second life on TikTok – and discusses his new remix EP, Love Me Again (Again), new single, Merry Go, and what to expect from his new album.
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Anglo-Nordic band Girl Group introduce ‘brat-punk’to the world – a unique blend of hyperpop, electronic and indie sounds. After their hit performances at Reading and Leeds Festivals and gaining support from Elton John and BBC 6 Music, Girl Group spoke to Headliner about new songs, Rage Song and SuperDrug, from their new EP Little Sticky Pictures, and why only female acts ever get accused of being ‘industry plants.’
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Composer Jesse Zuretti dives into his metal-influenced score for Riot Games’ 2XKO – a fighting game set in the League of Legends Runeterra universe. Zuretti talks all things metal, working with Polyphia on the game’s main theme, continuing the League of Legends legacy, fans’ reactions to his soundtrack, misconceptions about heavy metal, creating the score in Cubase in his studio, and what to expect from him for the next iteration of the game.
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BAFTA Award-winning, Emmy and Ivor Novello–nominated composer Paul Leonard-Morgan discusses scoring his most recent projects, Louis Theroux: Inside the Manosphere, and Pretty Lethal, starring Uma Therman.
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After the huge success of Promising Young Woman and Saltburn, director Emerald Fennel called upon British-born, L.A.-based composer Anthony Willis to work with her a third time for her adaptation of Wuthering Heights, starring Margot Robbie and Jacob Elordi. Willis speaks to Headliner about how he worked on the score alongside the Charli XCX album of new songs for the film, how he and Fennel approached this new adaptation, and *that* viral Sophie Ellis-Bextor moment in Saltburn.
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Icelandic composer Hildur Guðnadóttir went from releasing indie-classical solo cello albums, to becoming an awards-magnet film composer, with BAFTAs, GRAMMYs, and an Academy Award for her score to the Joaquin Phoenix-starring Joker to her name. She calls 2026 her ‘monster’ year, which has seen her score 28 Years Later: The Bone Temple and the Maggie Gyllenhaal-directed The Bride. She chats to Headliner about working on these idiosyncratic films back to back, her long-awaited upcoming return to the stage this year, and why Cubase is key to her work.
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After a musical upbringing that was staunchly classical, Benjamin Wallfisch has married his Bach-influenced skillset with a love of music technology to become one of Hollywood’s go-to composers. After a huge breakthrough working on Blade Runner: 2049 alongside a certain Hans Zimmer, huge jobs kept rolling in, including Shazam!, It and It Chapter Two, Twisters, and Alien: Romulus. The composer discusses scoring Welcome to Derry and Predator Badlands, and pivoting from pursuing orchestral conducting to making music for movies.
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Born in South Africa, Lucy Kruger relocated to Berlin to pursue her ambitions for her band, The Lost Boys, an indie art-pop outfit that is lavished with guitar feedback, violas, sparse arrangements, and haunting melodies. Releasing music since 2014, she chats to Headliner about new album Pale Bloom.
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Moody Joody’s new single, OOPS!, is the perfect soundtrack to your next wild night out – and next morning hangxiety. The Nashville trio discuss writing OOPS!, what to expect from their forthcoming debut album, alternative band names, and why the new record will shock people from their hometown.
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