Bölümler
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Zoé Jusseret is a Vancouver based Belgian cartoonist that is currently published by Conundrum Press in Canada and Frémok in Europe. Zoé’s work is a complex form utilizing her own practice of mono-print to create these beautiful images that connect together as a complex narrative that explores ideas and places. Her first book came out in 2017, Qui Mange Des Couteaux (translates to Who Eats Knives) which is being rereleased in a larger format. Her latest book, About the Little Ones is out now.
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Kim Deitch’s latest book, How I Make Comics, continues his tradition of great fantastic tales that he weaves his own history into a narrative that takes you to places you won’t expect. Kim has been professionally creative for 60 years now. in 1966, he pursued a career of art and hasn’t looked back. There is something about the imaginative wonders in Kim Deitch’s work that keeps pulling people in and engaging with his work. He’s also been interested in telling a good story. There is a lot to explore with Kim’s vast history of comics and the way his stories can interconnect, but it’s done in a way where you can read one book and get so much out of it without knowing other stories.
How I make Comics really dives into his process while also exiting in his own unique comic book reality. I first interviewed Kim probably more than 15 years, so it was nice to get caught up with him again and see how is process has changed and also coming into a period of reflection.
This podcast is produced with the support of the Canada Council for the Arts.
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Eksik bölüm mü var?
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In the process of restarting the podcast, I wanted to do interviews were I reconnected with guests that I haven’t spoken with in quite some time. I am sure it has been more than 10 years since the last time that I had interviewed Michael Deforge. Over those years, his work has continued to excite. His comics are never static, they are constantly forming and shaping, telling stories in a way that challenges the reader to take time to see the play between his language and art. Michael’s creative voice is beautifully singular and always refreshing.
His latest work from Drawn and Quarterly, All the Cameras in My Room, is anthology of short stories that feel very present and vital. He is actively navigating, organizing and participating in his world. This work feels very informed by current experiences but in way that makes it timeless. These struggles aren’t new, but they are universal. I took a lot from this book and really spent some time soaking it in after.
This Inkstuds episode is sponsored by the Canada Council for the Arts.
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Welcome to a new year of Inkstuds. This episode is the first of a year of episodes that are supported by funding by the Canada Council for the Arts. With this funding, I am able to pay every guest for taking the time to chat with me about their work. I have also brought on a couple of folks that are able to provide me with guidance in terms of curatorial choices. With their support, I hope to be exposed to newer cartoonists that are making exciting and forward thinking work. Every guest on the show is very specifically chosen. I will be focusing the podcasts over the year on direct conversations with artists. The show will also have a selection of specially selected guest hosts that will be paid for their participation.
I chose Anand as the first guest during this incarnation of Inkstuds because of how strongly I feel about his work. Zoo is one of my most favorite contemporary comics. His work is smart, funny and imaginative. For such a small body of work, Anand’s comics have landed squarely on my immediate read stack. There is a collection of the first 3 issues, as well as issues 4 and 5, which you from Bubbles and better comic stores.
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I was visiting Winnipeg in the fall last year to visit different Winnipeg based underground artists. Since I had a little bit of flexible time, I also did a couple of interviews in the off chance I got around to posting interviews again. This is the second of those interviews, the first being the previously posted Nick Burns interview. Robert Pasternak was a name that came up quite a lot in conversations with different artists in Winnipeg. His work is quite imaginative and exists in different facets of his lived experience. His home has 2 rooms on the floor that are dedicated to art making. One one side of the attic is his painting studio, a wide open room with a large canvas and some finished pieces a long the wall. When we go to the other side of his attic, we see his comics studio. This is a crammed space devoted to creating objects that are both fueled by novelty and being explored as ways do demonstrate his present. he creates these small meticulous formal/experimental comics that come rolled up like a candy cigarette in a pack of popeye style package. His work is focused and playful, showing a certain level of restlessness. He’s similar to Seth in that way that he needs to explore these other parts of himself and his memory to create work that infuses all these pieces. I am really glad I took the time to visit Robert and get to see his work and how he works. Winnipeg is a really unique spot for artists. There is still a lower cost of living, which means folks are able to spend more time on their work and less time hustling to find a living. Because of the extreme winter, folks are forced to stay indoors for half the year. There is no option but creation or madness. And sometimes the two dovetail quite nicely.
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I have been doing a lot of research into the history of Canadian comics, focusing on work from the late 1960’s to the early 1990’s. My research took me on a trip to Winnipeg, where I got a chance to visit different cartoonists and chat about their work. Winnipeg is an interesting town since the cost of housing is still quite minimal, especially compared to where I live in Vancouver. This means that artists have been able to focus on flourish. Nicholas was the first cartoonist I saw during my visit, giving me a good run down of the city and comics community. I had been in touch with Nicholas for a while, getting back ground info on some of the work I am researching. He’s a really passionate creator with a love for his community and the people he has gotten know. It had been a while since I had sat down for a wide ranging conversation like this, so I appreciate him taking the time to chat with me.
Nicholas Burns’ work is most recognized for Super Shamou, a character crated by Inuk tv producers, Barney Pattunguyak and Peter Tapati. Burns’ wrote and drew the singular issue which also had translations in Inuktitut. He also created on Arctic Comics which was published for Expo 86 here in Vancouver and can be found pretty widely in regular comic stores. There is also a more recent Arctic Comics anthology of work by different creators.
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German cartoonist, Aisha Franz joined me to talk about her latest comics work, Shit is Real, out from Drawn and Quarterly. She is also one of the people behind the fantastic Clubhouse anthology, beautifully printed by Colorama. The latest issue, lucky number 13 is out now and looks amazing.
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A very delayed inkstuds. Apologies to everyone! here is an interview with the Great Eric Kostiuk Williams. His latest work is Our Wretched Town Hall from Retrofit. I love love love Eric’s work. It’s political, funny and beautifully drawn. He is able to work out some really complicated topics while also keeping things strangely stunning and outrageous. Eric also has Condo Heart Break Disco from Koyama Press.
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Sometimes life is hard and you try to find things that get you through. Energy drinks seem to be that thing for me. I love comics. Dearly. But they are hard. It’s hard to keep up and understand what’s going on.
A nice can of monster can be the only thing that gets me up and out the door in the morning. I’ve been thinking really hard about who i am and my place in the world, and i think it’s important to try and do for energy drinks, what i have been doing for Inkstuds for the past 14 years. Expect deep talk on life and the challenges it brings. I am joined by my friend Simon, who has similarly found joy in energy drinks. Taking him to the next level during his immigration to America. Using these powerful brews to better understand the American zeitgeist.
Please enjoy, the first episode of DRINKSTUDS -
I was able to meet up in person with Liam Sharp while he is Vancouver for a local comics show. I have always been really into his work and fascinated by his approach. He’s currently the artist on Green Lantern with writer Grant Morrison. His most recent work includes Brave and the Bold Wonder Woman/Batman which he wrote, and the Wonder Woman work with writer Greg Rucka.
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Karl Stevens joined me to talk about his painting and comics work. His latest book, The Winner from Retrofit/Big Planet, is a great move forward in his work and shows some amazing growth and introspection. I am really excited by his work and where he is taking it.
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Breakdown Press Co-Founder, Designer and Cartoonist, Joe Kessler joined me to talk about his new collection, Windowpane and shine a light on a bit of the history of Breakdown Press. Breakdown is one of the most interesting publishers in the UK right now, putting out some top notch forward thinking comics. I am a huge fan of all they do and Joe’s comics are pretty great too.
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Vancouver cartoonist, Steve Skroce joined me to talk about his latest book, Maestros. This is Steve’s first book written for himself, having previously worked with a wide range of writers like Alan Moore on Youngblood, Brian K Vaughn on We Stand on Guard and The Wachowskis on Doc Frankenstein.
Steve is someone whose work I had been following since back when I worked in a comic store as a teenager, so it was nice to finally get an interview done.
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David Small joined me to talk about his latest book, Home After Dark. While his previous work, Stitches was a memoir, his latest is a work of fiction that still captures a similar feeling and emotion. I really liked the book and this conversation.
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Here’s another in a run of interviews with dedicated folks who put together independent comics shows in North America. Los Angeles’ CALA is about to hold their fifth annual event, and guest ‘stud Kit Brash talked to two of the team behind it, Jen Wang and Jake Mumm, a couple of weeks after last year’s show.
This yearâ€s CALA will run on December 8th and 9th, from 10am til 5pm each day. Guests will include Taneka Stotts, Sophia Foster-Dimino, Marinaomi, Laura Lannes, Cathy G. Johnson, Landis Blair, Ezra Claytan Daniels, and Hartley Lin. The venue, a gymnasium at 3000 Dolores St in Glendale, has that common LA curse of being five times quicker by car than by public transport, but thereâ€s parking onsite and in surrounding streets, with a food truck and tables to save precious table-browsing time. Entry is free, re-entry is probably because you had to hit the ATM and come back. All the details are at comicartsla.com.
If you like this podcast and want to hear more, please consider supporting Inkstuds on Patreon.
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Last year I joined the board of Directors for the Vancouver Comic Art Festival. It’s been really fun getting more involved in supporting local events and comics happening. The first event we did outside of the regular festival, was this talk with Anna Haifisch, Olivier Schrauwen and Marian Churchland. We did the event in the new theatre in the main branch of the Vancouver Public Library. Many thanks to Fantagraphics for facilitating the visit from Anna and Olivier and to the VPL for hosting.
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Leif Goldberg joined me to talk about his new book from 2dcloud, Lost In The Fun Zone. We also cover a range of work including his time in Fort Thunder, recent mini comics, yearly calendars and animation. Leif makes some really great fun and inspiring work.
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This week, I was joined by writer John Harris Dunning to discuss his latest book, Tumult, created with artist Michael Kennedy. Dunning has been really active in the UK comics scene, most notably, the Comics Unmasked exhibition in 2014 at the British Library. One of the largest shows of its kind in the UK at that point.
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I have been a fan of Peter Bagge’s for longer than I can remember, and he was also one of my earliest guests on the show, so it’s always great to catch up with him. Peter was in Vancouver last month for the big Fan Expo convention, I took advantage of that time to sneak an interview in. It was supposed to be spotlight panel at the convention, but we didn’t think anyone was there for it, so we recorded part of it with just us talking. The sound is a little rough because we are in a curtained off area in a giant convention hall.
Peter’s latest book is coming out in the spring from Drawn and Quarterly, Credo: The Rose Wilder Lane Story. As well, you can catch him in Reason magazine.
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I like catching up with Noah Van Sciver every couple of years. He’s constantly creating new work that gets better and better. His latest, like within the last 6 months, is the memoir, One Dirty Tree from Uncivilized, Fante Bukowski book 3 and Constant Companion from Fantagraphics and Blammo 10 from Kilgore books. All fantastic comics.
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